Form of Work
Książki
(7)
Status
available
(5)
unavailable
(2)
Branch
Magazyn
(7)
Author
Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Clarricoates Rhiannon
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Dowding Helen
(2)
Druzik James. The lighting of easel paintings
(2)
Eastaugh Nicholas. Optical microscopy
(2)
Eastaugh Nicholas. Pigments in Western easel painting
(2)
Fuster-López Laura. Filling
(2)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Hackney Stephen. Lining easel paintings
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(2)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(2)
Reifsnyder Joan. Lining easel paintings
(2)
Rossol Monona. Health and safety concerns in the paintings conservation studio
(2)
Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
(2)
Saunders David. Image documentation for paintings conservation
(2)
Scharff Mikkel. Lining easel paintings
(2)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
(2)
Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
(2)
Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
(2)
Stoner Joyce Hill (1946- )
(2)
Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Stoner Joyce Hill (1946- ). International public outreach projects
(2)
Stoner Joyce Hill (1946- ). Introduction
(2)
Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
(2)
Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
(2)
Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
(2)
Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Townsend Joyce H
(2)
Townsend Joyce H. A brief survey of historical varnishes
(2)
Townsend Joyce H. Binding media
(2)
Townsend Joyce H. Health and safety concerns in the paintings conservation studio
(2)
Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
(2)
Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
(2)
Walsh Valentine. Optical microscopy
(2)
Year
2020 - 2023
(1)
2010 - 2019
(5)
2000 - 2009
(1)
Country
United Kingdom
(7)
United States
(2)
Language
English
(7)
Subject
Malarstwo (szt.plast.)
(5)
Konserwatorstwo
(4)
Ochrona zabytków
(2)
Barwy
(1)
Malarstwo
(1)
Zbiory muzealne
(1)
Genre/Form
Materiały konferencyjne
(4)
8 results Filter
Authority data
Ormsby Bronwyn (hasło formalne)
No cover
Book
In basket
Tytuł: Gels in the conservation of art / edited by Lora V. Angelova, Bronwyn Ormsby, Joyce H. Townsend and Richard Wolbers.
Adres wydawniczy: London : Archetype Publications, 2017.
Opis fizyczny: XI, [1], 400 s. : il. kolor. ; 30 cm.
Uwaga: Materiały konferencji zorg. przez International Academic Projects and Tate, październik 2017.
Uwaga: Bibliogr. przy ref. Indeks.
Temat: Konserwatorstwo - materiały - materiały konferencyjne
Temat: Konserwatorstwo - metody - materiały konferencyjne
Temat: Zbiory muzealne - ochrona i konserwacja - metody - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Angelova, Lora V.
Hasło dodatkowe: Bertasa, Moira. A study of commercial agar gels as cleaning materials
Hasło dodatkowe: Ormsby, Bronwyn.
Hasło dodatkowe: Townsend, Joyce H.
Hasło dodatkowe: Wolbers, Richard (1949- ).
Hasło dodatkowe: Wolbers, Richard (1949- ). Gels, green chemistry, gurus and guides
Hasło dodatkowe: Archetype Publications
ISBN: 978-1-909492-50-9
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 24877 (1 egz.)
Book
In basket
Tytuł: The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield.
Wydanie: 2nd ed.
Adres wydawniczy: London ; New York : Routledge Taylor & Francis Group, 2022.
Opis fizyczny: XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
Seria: Routledge Series in Conservation and Museology
Uwaga: Bibliogr. s. 792-890. Indeks.
Temat: Konserwatorstwo - 20-21 w
Temat: Malarstwo szt.plast. - ochrona i konserwacja
Temat: Ochrona zabytków - metody
Hasło dodatkowe: Stoner, Joyce Hill (1946- ).
Hasło dodatkowe: Rushfield, Rebecca (1954- ).
Hasło dodatkowe: Oddy, William Andrew (1942- ).
Hasło dodatkowe: Ackroyd, Paul. The structural conservation of paintings on wooden panel supports
Hasło dodatkowe: Bartoletti, Angelica. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Baade, Brian. Recommending materials to artists
Hasło dodatkowe: Berg, Klaas Jan van den (1964- ). Modern oil paints
Hasło dodatkowe: Birkenbeul, Ina. Consolidation of flaking paint and ground
Hasło dodatkowe: Bisacca, George. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Consolidation of flaking paint and ground
Hasło dodatkowe: Blewett, Morwenna R. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bomford, David. Picture cleaning: positivism and metaphysics
Hasło dodatkowe: Boon, Jaap J. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Breare, Caitlin. The technical examination and documentation of easel paintings
Hasło dodatkowe: Buck, Susan L. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Buckley, Barbara A. Stretchers, tensioning, and attachments
Hasło dodatkowe: Bucklow, Spike. The classification of craquelure patterns
Hasło dodatkowe: Burnstock, Aviva. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Carlyle, Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Carlyle, Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
Hasło dodatkowe: Clarke, Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Cross, Maureen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Cushman, Matthew. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: DeGhetaldi, Kristin. Recommending materials to artists
Hasło dodatkowe: Digney-Peer, Shawn. The imitative retouching of easel paintings
Hasło dodatkowe: Dixon, Thomas. Framing, glazing, backing, and hanging of paintings on canvas
Hasło dodatkowe: Dixon, Thomas. Storage of easel paintings
Hasło dodatkowe: Dolgikh, Irina V. (1974- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Druzik, James. The lighting of easel paintings
Hasło dodatkowe: Eastaugh, Nicholas. Optical microscopy
Hasło dodatkowe: Eastaugh, Nicholas. Pigments in Western easel painting
Hasło dodatkowe: Finn, Clare. Written documentation for paintings conservation
Hasło dodatkowe: Fuster-López, Laura. Filling
Hasło dodatkowe: Golden, Mark (1948- ). Varnishing of acrylic paintings by artists
Hasło dodatkowe: Goltz, Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Goltz, Michael von der (1956- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Goltz, Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Gottsegen, Mark D. Recommending materials to artists
Hasło dodatkowe: Gottsegen, Mark D. Twentieth-century grounds
Hasło dodatkowe: Gritt, Stephen. The imitative retouching of easel paintings
Hasło dodatkowe: Hackney, Stephen. Lining easel paintings
Hasło dodatkowe: Heiber, Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Hermens, Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Hermens, Erma (1958- ). Binding media
Hasło dodatkowe: Hoenigswald, Ann. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Holubec, Inken Maria. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Horovitz, Isabel. Consolidation of flaking paint and ground
Hasło dodatkowe: Hummelen, IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Hutchings, Jeremy. The sustainable conservation management of exhibitions
Hasło dodatkowe: Katlan, Alexander. History of fabric supports
Hasło dodatkowe: Keune, Katrien. Research into and analysis of the materials of easel paintings
Hasło dodatkowe: Klein, Peter. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Klocke, Jens. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Learner, Thomas J. S. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Learner, Thomas J. S. Modern paints
Hasło dodatkowe: Lee, Judith. Modern oil paints
Hasło dodatkowe: Lee, Judith. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Emergency preparedness and recovery
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Loon, Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Lowengard, Sarah. Pigments in Western easel painting
Hasło dodatkowe: Ludvigsen, Loa. Image documentation for paintings conservation
Hasło dodatkowe: MacBeth, Rhona. The technical examination and documentation of easel paintings
Hasło dodatkowe: Marvelde, Mireille te. Lining easel paintings
Hasło dodatkowe: Massing, Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Mayer, Debora D. Identification of textile fibres found in common painting supports
Hasło dodatkowe: Mayer, Lance.Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Myers, Gay. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: McClure, Ian. Framing and microclimate enclosures for panel paintings
Hasło dodatkowe: McGinn, Mary. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Michalski, Stefan (konserwatorstwo). The lighting of easel paintings
Hasło dodatkowe: Nadolny, Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
Hasło dodatkowe: Nadolny, Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Nadolny, Jilleen. History of visual compensation for paintings
Hasło dodatkowe: Nadolny, Jilleen. Pigments in Western easel painting
Hasło dodatkowe: Noble, Petria. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Olley, Peggy A. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Ormsby, Bronwyn. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Ormsby, Bronwyn. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Ormsby, Bronwyn. Modern oil paints
Hasło dodatkowe: Ormsby, Bronwyn. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Ormsby, Bronwyn. Twentieth-century grounds
Hasło dodatkowe: Perry, Roy A. The imitative retouching of easel paintings
Hasło dodatkowe: Petersen, Karin. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Phenix, Alan. A brief survey of historical varnishes
Hasło dodatkowe: Phenix, Alan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Proctor, Robert G. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Ramsay, Barbara A. Travelling exhibitions and transporting paintings
Hasło dodatkowe: Reifsnyder, Joan. Lining easel paintings
Hasło dodatkowe: Rossol, Monona. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Rushfield, Rebecca (1954- ). Conservation organizations and professional standards
Hasło dodatkowe: Saunders, David. Image documentation for paintings conservation
Hasło dodatkowe: Scharff, Mikkel. Lining easel paintings
Hasło dodatkowe: Scharff, Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Schmitt, Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
Hasło dodatkowe: Scholte, Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Spaabaek, Lin Rosa. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stassinopoulos, Stergios. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stavroudis, Chris. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Grounds, 1400-1900
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). International public outreach projects
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Introduction
Hasło dodatkowe: Streeton, Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stringari, Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66
Hasło dodatkowe: Swicklik, Michael. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Thomas, Karen. The imitative retouching of easel paintings
Hasło dodatkowe: Tomkiewicz, Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Townsend, Joyce H. A brief survey of historical varnishes
Hasło dodatkowe: Townsend, Joyce H. Binding media
Hasło dodatkowe: Townsend, Joyce H. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Townsend, Joyce H. The imitative retouching of easel paintings
Hasło dodatkowe: Townsend, Joyce H. Removal of varnish: organic solvents as cleanings agents
Hasło dodatkowe: Townsend, Joyce H. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Wadum, Jørgen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Walsh, Valentine. Optical microscopy
Hasło dodatkowe: Whitten, Jill. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Wolbers, Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Young, Christina. History of fabric supports
Hasło dodatkowe: Zumbühl, Stefan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Taylor & Francis
ISBN: 978-0367-54764-6
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. II 35746 (1 egz.)
Book
In basket
Tytuł: Interactions between water and paintings / edited by Rhiannon Clarricoates, Helen Dowding and Adèle Wright.
Adres wydawniczy: London : Archetype Publications : ICON Paintings Group, cop. 2019.
Opis fizyczny: IX, 121 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Materiały z konferencji: National Museums of Scotland, 12 października 2018 r.
Uwaga: Bibliogr. przy ref.
Temat: Konserwatorstwo - metody - materiały konferencyjne
Temat: Malarstwo szt.plast. - ochrona i konserwacja - materiały konferencyjne
Temat: Ochrona zabytków - metody - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Clarricoates, Rhiannon.
Hasło dodatkowe: Dowding, Helen.
Hasło dodatkowe: Wright, Adèle.
Hasło dodatkowe: Carnazza, Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
Hasło dodatkowe: Caruso, Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
Hasło dodatkowe: Cornwell, Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings
Hasło dodatkowe: Christensen, Marie. Bulging in wax-resin impregnated canvas paintings
Hasło dodatkowe: Francone, Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
Hasło dodatkowe: Frøysaker, Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
Hasło dodatkowe: Gregers-Høegh, Cecilia. Bulging in wax-resin impregnated canvas paintings
Hasło dodatkowe: Harrison, Lynne. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century
Hasło dodatkowe: Hellen, Rebecca (1972- ). 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney
Hasło dodatkowe: Henriksen, Karen-Marie. Bulging in wax-resin impregnated canvas paintings
Hasło dodatkowe: Higgs, Sally. Paintings affected by mould at the Palace of Westminster
Hasło dodatkowe: Hollis, David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
Hasło dodatkowe: Howard, Helen. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century
Hasło dodatkowe: Krarup Andersen, Cecil. Bulging in wax-resin impregnated canvas paintings
Hasło dodatkowe: Meredith, Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection
Hasło dodatkowe: Miller, Eric. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century
Hasło dodatkowe: Mortensen, Martin N. Bulging in wax-resin impregnated canvas paintings
Hasło dodatkowe: Ormsby, Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
Hasło dodatkowe: Ormsby, Bronwyn. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney
Hasło dodatkowe: Richardson, Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
Hasło dodatkowe: Santacesaria, Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the "The last supper" by Giorgio Vasari
Hasło dodatkowe: Seed, Alison. Paintings affected by mould at the Palace of Westminster
Hasło dodatkowe: Scott, Rachel. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney
Hasło dodatkowe: Slottved Kimbriel, Christine (1982- ). Bulging in wax-resin impregnated canvas paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
Hasło dodatkowe: Stoveland, Lena Porsmo. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
Hasło dodatkowe: Sučević Miklin, Maja. The challenges of reconstructing water-damaged paint layers on painted wooden panelling
Hasło dodatkowe: Thickett, David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
Hasło dodatkowe: Vilde, Vladimir. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
Hasło dodatkowe: Wischniowski, Tatjana. Oil-based paint under a layer of water: a rare miniature painting technique from the 18th century
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: Institute of Conservation (Londyn). Paintings Group
ISBN: 978-1-909492-69-1
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. II 33820 (1 egz.)
Book
In basket
Tytuł: The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield.
Adres wydawniczy: London ; New York : Routledge Taylor & Francis Group, 2012.
Opis fizyczny: XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
Seria: Routledge Series in Conservation and Museology
Uwaga: Bibliogr. s. 765-866. Indeks.
Temat: Malarstwo szt.plast. - ochrona i konserwacja
Hasło dodatkowe: Stoner, Joyce Hill (1946- ).
Hasło dodatkowe: Rushfield, Rebecca (1954- ).
Hasło dodatkowe: Oddy, William Andrew (1942- ).
Hasło dodatkowe: Ackroyd, Paul. The structural conservation of paintings on wooden panel supports
Hasło dodatkowe: Birkenbeul, Ina. Consolidation of flaking paint and ground
Hasło dodatkowe: Bisacca, George. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Consolidation of flaking paint and ground
Hasło dodatkowe: Blewett, Morwenna R. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bomford, David. Picture cleaning: positivism and metaphysics
Hasło dodatkowe: Boon, Jaap J. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Buck, Susan L. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Buckley, Barbara A. Stretchers, tensioning, and attachments
Hasło dodatkowe: Bucklow, Spike. The classification of craquelure patterns
Hasło dodatkowe: Burnstock, Aviva. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Carlyle, Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Carlyle, Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
Hasło dodatkowe: Castelli, Ciro.
Hasło dodatkowe: Clarke, Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Cross, Maureen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Digney-Peer, Shawn. Imitative retouching of easel paintings
Hasło dodatkowe: Dixon, Thomas. Framing, glazing, backing, and hanging of paintings on canvas
Hasło dodatkowe: Dixon, Thomas. Storage of easel paintings
Hasło dodatkowe: Dolgikh, Irina V. (1974- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Druzik, James. The lighting of easel paintings
Hasło dodatkowe: Eastaugh, Nicholas. Optical microscopy
Hasło dodatkowe: Eastaugh, Nicholas. Pigments in Western easel painting
Hasło dodatkowe: Fuster-López, Laura. Filling
Hasło dodatkowe: Golden, Mark (1948- ). Varnishing of acrylic paintings by artists
Hasło dodatkowe: Goltz, Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Goltz, Michael von der (1956- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Goltz, Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Gottsegen, Mark D. Recommending materials to artists
Hasło dodatkowe: Gottsegen, Mark D. Twentieth-century grounds
Hasło dodatkowe: Gritt, Stephen. Imitative retouching of easel paintings
Hasło dodatkowe: Hackney, Stephen. Lining easel paintings
Hasło dodatkowe: Heiber, Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Hermens, Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Hermens, Erma (1958- ). Binding media
Hasło dodatkowe: Hoenigswald, Ann. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Holubec, Inken Maria. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Horovitz, Isabel. Consolidation of flaking paint and ground
Hasło dodatkowe: Hutchings, Jeremy. Sustainable conservation management of exhibitions
Hasło dodatkowe: Katlan, Alexander. History of fabric supports
Hasło dodatkowe: Klein, Peter. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Klocke, Jens. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Learner, Thomas J. S. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Learner, Thomas J. S. Modern paints
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Sustainable conservation management of exhibitions
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Loon, Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Lowengard, Sarah. Pigments in Western easel painting
Hasło dodatkowe: MacBeth, Rhona. The technical examination and documentation of easel paintings
Hasło dodatkowe: Marvelde, Mireille te. Lining easel paintings
Hasło dodatkowe: Massing, Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Mayer, Debora D. Identification of textile fibres found in common painting supports
Hasło dodatkowe: Mayer, Lance.Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Myers, Gay. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: McClure, Ian. Framing and microclimate enclosures for panel paintings
Hasło dodatkowe: McGinn, Mary. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Michalski, Stefan (konserwatorstwo). The lighting of easel paintings
Hasło dodatkowe: Nadolny, Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
Hasło dodatkowe: Nadolny, Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Nadolny, Jilleen. History of visual compensation for paintings
Hasło dodatkowe: Nadolny, Jilleen. Pigments in Western easel painting
Hasło dodatkowe: Noble, Petria. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Olley, Peggy A. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Ormsby, Bronwyn. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Ormsby, Bronwyn. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Ormsby, Bronwyn. Twentieth-century grounds
Hasło dodatkowe: Perry, Roy A. Imitative retouching of easel paintings
Hasło dodatkowe: Petersen, Karin. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Phenix, Alan. A brief survey of historical varnishes
Hasło dodatkowe: Phenix, Alan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Proctor, Robert G. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Ramsay, Barbara A. Travelling exhibitions and transporting paintings
Hasło dodatkowe: Reifsnyder, Joan. Lining easel paintings
Hasło dodatkowe: Rossol, Monona. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Rushfield, Rebecca (1954- ). Conservation organizations and professional standards
Hasło dodatkowe: Saunders, David. Image documentation for paintings conservation
Hasło dodatkowe: Scharff, Mikkel. Lining easel paintings
Hasło dodatkowe: Scharff, Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Schmitt, Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
Hasło dodatkowe: Scholte, Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Spaabaek, Lin Rosa. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stassinopoulos, Stergios. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stavroudis, Chris. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Grounds, 1400-1900
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). International public outreach projects
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Introduction
Hasło dodatkowe: Streeton, Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stringari, Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66
Hasło dodatkowe: Swicklik, Michael. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Thomas, Karen. Imitative retouching of easel paintings
Hasło dodatkowe: Tomkiewicz, Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Townsend, Joyce H. A brief survey of historical varnishes
Hasło dodatkowe: Townsend, Joyce H. Binding media
Hasło dodatkowe: Townsend, Joyce H. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Townsend, Joyce H. Imitative retouching of easel paintings
Hasło dodatkowe: Townsend, Joyce H. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Wadum, Jørgen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Walsh, Valentine. Optical microscopy
Hasło dodatkowe: Whitten, Jill. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Wolbers, Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Young, Christina. History of fabric supports
Hasło dodatkowe: Taylor & Francis
ISBN: 978-0-7506-8199-5
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Tytuł: Colour change in paintings / edited by Rhiannon Clarricoates, Helen Dowding and Alexandra Gent.
Adres wydawniczy: London : Archetype Publications : in association with the Icon Paintings Group, 2016.
Opis fizyczny: IX, 130 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Materiały z konf. Icon Paintings Group "Appearance and reality: examining colour change in paintings" w Tate Britain w Londynie, 9 października 2015.
Uwaga: Bibliogr. przy ref.
Temat: Barwy - a malarstwo szt.plast. - materiały konferencyjne
Temat: Malarstwo szt.plast. - ochrona i konserwacja - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Clarricoates, Rhiannon.
Hasło dodatkowe: Dowding, Helen.
Hasło dodatkowe: Gent, Alexandra.
Hasło dodatkowe: Buti, David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Cuellar, Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Eikema Hommes, Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Ferrer, Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Filtenborg, Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Gschwind, Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Haswell, Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Hendriks, Ella. "Paintings fade like flowers": colour change in paintings by Vincent van Gogh
Hasło dodatkowe: Hoekstra, Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Hoffmeister, Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Hull, Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Keith, Larry. Colour change and restoration
Hasło dodatkowe: Khandekar, Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Lee, Judith. Colour change and modern paints; an overview
Hasło dodatkowe: Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Meloni, Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Mohan, Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Ormsby, Bronwyn. Colour change and modern paints; an overview
Hasło dodatkowe: Padfield, Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage
Hasło dodatkowe: Pottasch, Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Rae, Caroline. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
Hasło dodatkowe: Raskar, Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Schneider Enriquez, Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Sheldon, Libby. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
Hasło dodatkowe: Speleers, Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
Hasło dodatkowe: Spring, Marika. Fading, darkening, browning, blanching: a review of our current understanding of colour change and its consequences in old master paintings
Hasło dodatkowe: Stenger, Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Syversen, Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Townsend, Joyce H. Microfading: a useful tool for paintings conservators?
Hasło dodatkowe: Verhave, Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
Hasło dodatkowe: Vila, Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Wadum, Jørgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: Institute of Conservation (Londyn). Paintings Group
ISBN: 978-1-909492-43-1
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Tytuł: Sources and serendipity : testimonies of artists' practice : proceedings of the third symposim of the Art Technological Source Research Working Group, [New Delhi, India 22-26 September 2008] / ed. by Emma Hermens and Joyce H. Townsend.
Adres wydawniczy: London : Archetype Publications, 2009.
Opis fizyczny: IX, [1], 164 s. : il. (w tym kolor.) ; 30 cm.
Uwaga: Bibliogr. po art.
Temat: Malarstwo - technika - materiały konferencyjne
Temat: Malarstwo - materiały - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Hermens, Erma (1958- ).
Hasło dodatkowe: Townsend, Joyce H.
Hasło dodatkowe: Lautenschlager, Manfred. Virtues and vices in late medieval art productions
Hasło dodatkowe: Clarke, Mark (1962- ). Codicological indicators of practical medieval artists' recipes
Hasło dodatkowe: Bucklow, Spike. Impossible recipes
Hasło dodatkowe: Ursescu, Marta. Romanian handbooks on manuscript illumination in the 18th century
Hasło dodatkowe: Ciovica, Sorin. Romanian handbooks on manuscript illumination in the 18th century
Hasło dodatkowe: Kroustallis, Stefanos. Art for war
Hasło dodatkowe: Miguel, Catarina. Copper pigments in medieval times
Hasło dodatkowe: Claro, Ana Luísa do Vale Fonseca. Copper pigments in medieval times
Hasło dodatkowe: Lopes, João A. Copper pigments in medieval times
Hasło dodatkowe: Melo, Maria João. Copper pigments in medieval times
Hasło dodatkowe: Nadolny, Jilleen. Documentary sources for the use of moulds in the production of tin relief
Hasło dodatkowe: Clarke, Mark (1962- ). Writing recipes for non-specialists c. 1300
Hasło dodatkowe: Neven, Sylvie. Comparative analysis of painting recipes
Hasło dodatkowe: Stijnman, Ad. Images of copper engravers and plate printers in their workshops 1545-1645
Hasło dodatkowe: Wagner, Lisa. Fine art materials in Vigani's cabinet (1704) at Queens' College, Cambridge
Hasło dodatkowe: Dubois, Hélène. Master's own hand?
Hasło dodatkowe: Phenix, Alan. Oudry's painted menagerie
Hasło dodatkowe: Doherty, Tiarna. Oudry's painted menagerie
Hasło dodatkowe: Schönemann, Anna. Oudry's painted menagerie
Hasło dodatkowe: Rizzo, Adriana. Oudry's painted menagerie
Hasło dodatkowe: Eyb-Green, Sigrid. Studying the artistic process
Hasło dodatkowe: Baatz, Wolfgang. Studying the artistic process
Hasło dodatkowe: Kitlitschka, Werner (1938- ). Studying the artistic process
Hasło dodatkowe: Hermens, Erma (1958- ). "En plein soleil"
Hasło dodatkowe: MacDonald, Margaret F. (1944- ). "En plein soleil"
Hasło dodatkowe: Troalen, Lore. "To acquire a good name"
Hasło dodatkowe: Reiche, Ina. "To acquire a good name"
Hasło dodatkowe: Röhrs, Stefan. "To acquire a good name"
Hasło dodatkowe: Pretzel, Boris (1961- ). "To acquire a good name"
Hasło dodatkowe: Burgio, Lucia. "To acquire a good name"
Hasło dodatkowe: Shah, Bhavesh. "To acquire a good name"
Hasło dodatkowe: Peschard, Stéphane. "To acquire a good name"
Hasło dodatkowe: Boust, Clotilde. "To acquire a good name"
Hasło dodatkowe: Tate, Jim. "To acquire a good name"
Hasło dodatkowe: Martin, Graham (1952- ). "To acquire a good name"
Hasło dodatkowe: Voigt, Friederike. "To acquire a good name"
Hasło dodatkowe: Kutzke, Hartmut. À la recherche du pigment perdu
Hasło dodatkowe: Oltrogge, Doris (1959- ). À la recherche du pigment perdu
Hasło dodatkowe: Mulholland, Richard. Technique and process in the papers of David Smith
Hasło dodatkowe: Kyllonen-Kunnas, Paivi. Challenging the material
Hasło dodatkowe: Balta, Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Niculescu, Gheorghe. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Petroviciu, Irina. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Brunetti, Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Cartechini, Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Rosi, Francesca (1977- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Doherty, Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Sassolini, Alessandro. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Lupu, Mihai. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Cretu, Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Fardi, Theodora. Tracing the history of wall paintings through visual documents
Hasło dodatkowe: De Angelis, Roberta. Tracing the history of wall paintings through visual documents
Hasło dodatkowe: Scicluna, Bernadine. Tracing the history of wall paintings through visual documents
Hasło dodatkowe: Vella, Daniel. Tracing the history of wall paintings through visual documents
Hasło dodatkowe: Freitas, Ana. Study of Portugese 18th-century manuscript
Hasło dodatkowe: Claro, Ana Luísa do Vale Fonseca. Study of Portugese 18th-century manuscript
Hasło dodatkowe: Melo, Maria João. Study of Portugese 18th-century manuscript
Hasło dodatkowe: Casanova, Conseição. Study of Portugese 18th-century manuscript
Hasło dodatkowe: Moura, Laura Filipe (1983- ). Study of Portugese 18th-century manuscript
Hasło dodatkowe: Townsend, Joyce H. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Thomas, Jacob. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Caspers, Charlotte. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Marcos, Monserrat Pis. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Brookes, Anna. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Ormsby, Bronwyn. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Hackney, Stephen. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Lerwill, Andrew. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Barrett, Brian D. (1951- ). Archives of Blockx, an Antwerp family of chemist-colourmen, founded 1865
Hasło dodatkowe: Archetype Publications
ISBN: 978-1-904982-52-4
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Tytuł: Science and art : the painted surface / edited by Antonio Sgamellotti, Brunetto Giovanni Brunetti, Costanza Miliani.
Wariant tytułu: Painted surface
Adres wydawniczy: Cambridge : Royal Society of Chemistry, cop. 2014.
Opis fizyczny: XXIV, 620 s. : il. (w tym kolor.) ; 24 cm.
Uwaga: Bibliogr. przy rozdz. Indeks.
Temat: Malarstwo szt.plast. - technika
Temat: Malarstwo szt.plast. - ochrona i konserwacja
Temat: Konserwatorstwo - metody
Hasło dodatkowe: Brunetti, Brunetto Giovanni.
Hasło dodatkowe: Miliani, Costanza.
Hasło dodatkowe: Sgamellotti, Antonio.
Hasło dodatkowe: Ernst, Richard R. Science and art - my two passions
Hasło dodatkowe: Siano, S. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Fratini, F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Mascalchi, M. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Patrizi, G. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Mazzei, B. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Mazzeo, Rocco. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Sciutto, Giorgia. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Prati, Silvia. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Bonacini, Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Ling, He. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Baglioni, P. Maya mural paintings in Calakmul
Hasło dodatkowe: Carrasco Vargas, R. Maya mural paintings in Calakmul
Hasło dodatkowe: Cordeiro Baqueiro, M. Maya mural paintings in Calakmul
Hasło dodatkowe: Chelazzi, David. Maya mural paintings in Calakmul
Hasło dodatkowe: Domenici, Davide (1968- ). Colours of indigenous memory
Hasło dodatkowe: Buti, David. Colours of indigenous memory
Hasło dodatkowe: Miliani, Costanza. Colours of indigenous memory
Hasło dodatkowe: Brunetti, Brunetto Giovanni. Colours of indigenous memory
Hasło dodatkowe: Sgamellotti, Antonio. Colours of indigenous memory
Hasło dodatkowe: Zetina, Sandra. Material study of the Codex Colombino
Hasło dodatkowe: Ruvalcaba, José Louis. Material study of the Codex Colombino
Hasło dodatkowe: Falcón, Tatiana. Material study of the Codex Colombino
Hasło dodatkowe: Arenas Alatorre, Jesús. Material study of the Codex Colombino
Hasło dodatkowe: Yanagisawa, Saeko. Material study of the Codex Colombino
Hasło dodatkowe: Álvarez Icaza Longoria, Marisa. Material study of the Codex Colombino
Hasło dodatkowe: Hernández, Eumelia. Material study of the Codex Colombino
Hasło dodatkowe: Giorgi, R. Unveiling the artistic technique of the Florentine Codex
Hasło dodatkowe: Chelazzi, David. Unveiling the artistic technique of the Florentine Codex
Hasło dodatkowe: Magaloni Kerpel, Diana Isabel (1961- ). Unveiling the artistic technique of the Florentine Codex
Hasło dodatkowe: Melo, Maria João. Colour in medieval Portuguese manuscripts
Hasło dodatkowe: Castro, Rita. Colour in medieval Portuguese manuscripts
Hasło dodatkowe: Miranda, Adelaide. Colour in medieval Portuguese manuscripts
Hasło dodatkowe: Andreotti, Alessia. Wall paintings of the monumental cemetery of Pisa
Hasło dodatkowe: Colombini, Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa
Hasło dodatkowe: Matteini, Mauro (1943- ). Wall paintings of the monumental cemetery of Pisa
Hasło dodatkowe: Paolucci, Antonio. Wall paintings of the monumental cemetery of Pisa
Hasło dodatkowe: Peggie, David. Chemistry and chemical investigation of the transition from egg tempera painting to oil in Italy in the 15th century
Hasło dodatkowe: Szmelter, Iwona (1952- ). Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013)
Hasło dodatkowe: Cartechini, Laura. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013)
Hasło dodatkowe: Romani, Aldo. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013)
Hasło dodatkowe: Pezzati, Luca. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013)
Hasło dodatkowe: Ciatti, Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's "Madonna of the Goldfinch"
Hasło dodatkowe: Bellucci, Roberto. Underdrawing in paintings
Hasło dodatkowe: Frosinini, Cecilia. Underdrawing in paintings
Hasło dodatkowe: Pouli, Paraskevi. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Melessanaki, Kristalia. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Tornari, V. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Bernikola, Eirini. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Filippini, Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Anglos, D. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Fotakis, Costas. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Glanville, Helen. Mens agitat molem
Hasło dodatkowe: Rousselière, Hélène. Mens agitat molem
Hasło dodatkowe: Viguerie, L. de. Mens agitat molem
Hasło dodatkowe: Walter, Ph. Mens agitat molem
Hasło dodatkowe: Leona, Marco. Designing nature
Hasło dodatkowe: Londero, Pablo S. Designing nature
Hasło dodatkowe: Perry, Jennifer. Designing nature
Hasło dodatkowe: Fukunaga, Kaori. Designing nature
Hasło dodatkowe: Bailey, Gregory H. Designing nature
Hasło dodatkowe: Hale, Charlotte (1959- ). Designing nature
Hasło dodatkowe: Vila, Anna. As time passed by came sunset
Hasło dodatkowe: Monrad, Kasper (1952-2018). As time passed by came sunset
Hasło dodatkowe: Filtenborg, Troels (1951- ). As time passed by came sunset
Hasło dodatkowe: Wadum, Jørgen. As time passed by came sunset
Hasło dodatkowe: Janssens, Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Alfeld, Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Snickt, Geer van der. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: De Nolf, Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Vanmeert, Frederik. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Monico, Letizia. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Legrand, Stijn. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Dik, Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Cotte, Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Falkenberg, Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Struick van der Loeff, Luuk. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Leeuwestein, Margje. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Hendriks, Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Berrie, Barbara Hepburn. Vibrant surface
Hasło dodatkowe: Casadio, Francesca. Vibrant surface
Hasło dodatkowe: Dahm, K. Vibrant surface
Hasło dodatkowe: Strumfels, Y. Vibrant surface
Hasło dodatkowe: Tedeschi, M. Vibrant surface
Hasło dodatkowe: Walsh, John (1937- ). Vibrant surface
Hasło dodatkowe: Bommel, Maarten R. van. After the fact
Hasło dodatkowe: Janssen, Hans (1954- ). After the fact
Hasło dodatkowe: Spronk, Ron (1957- ). After the fact
Hasło dodatkowe: Marte, Fernando. Argentinean murals
Hasło dodatkowe: Gallegos, Damasia. Argentinean murals
Hasło dodatkowe: Rosado, Alessandra. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Mendes, Isolda. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Motta, Edson. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Teixeira, Cláudio Valério. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Souza, Luiz A. C. (1962- ). Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Patti, Mattia. Modern painted palimpsests
Hasło dodatkowe: Anselmi, C. Modern painted palimpsests
Hasło dodatkowe: Doherty, Brenda. Modern painted palimpsests
Hasło dodatkowe: Daffara, Claudia. Modern painted palimpsests
Hasło dodatkowe: Fontana, Raffaella. Modern painted palimpsests
Hasło dodatkowe: Rosi, Francesca (1977- ). Burri project
Hasło dodatkowe: De Cesare, G. Burri project
Hasło dodatkowe: Iazurlo, Paola. Burri project
Hasło dodatkowe: Daveri, Alessia. Burri project
Hasło dodatkowe: Vagnini, Manuela. Burri project
Hasło dodatkowe: Valentini, F. Burri project
Hasło dodatkowe: Basile, Giuseppe (1942-2013). Burri project
Hasło dodatkowe: Ormsby, Bronwyn. John Hoyland
Hasło dodatkowe: Learner, Thomas J. S. John Hoyland
Hasło dodatkowe: Crook, Jo (1963- ). John Hoyland
Hasło dodatkowe: Smithen, Patricia. John Hoyland
Hasło dodatkowe: Rava, Antonio. Outdoor painted surfaces in contemporary art
Hasło dodatkowe: Chiantore, Oscar. Outdoor painted surfaces in contemporary art
Hasło dodatkowe: Mirabile, Antonio. Elusive nd transitory materials in contemporary drawings
Hasło dodatkowe: Moretti, Patrizia. Elusive nd transitory materials in contemporary drawings
Hasło dodatkowe: Presciutti, Federica. Elusive nd transitory materials in contemporary drawings
Hasło dodatkowe: Royal Society of Chemistry
ISBN: 978-1-84973-818-7
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There are copies available to loan: sygn. sygn. II 31075 (1 egz.)
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