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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
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Blewett Morwenna R. Consolidation of flaking paint and ground
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Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Clarricoates Rhiannon
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Dowding Helen
(2)
Druzik James. The lighting of easel paintings
(2)
Eastaugh Nicholas. Optical microscopy
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Eastaugh Nicholas. Pigments in Western easel painting
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Fuster-López Laura. Filling
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Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Hackney Stephen. Lining easel paintings
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
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McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
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Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
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Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
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Ramsay Barbara A. Travelling exhibitions and transporting paintings
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Reifsnyder Joan. Lining easel paintings
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Rossol Monona. Health and safety concerns in the paintings conservation studio
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Rushfield Rebecca (1954- )
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Rushfield Rebecca (1954- ). Conservation organizations and professional standards
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Saunders David. Image documentation for paintings conservation
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Scharff Mikkel. Lining easel paintings
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Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
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Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
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Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
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Stavroudis Chris. Aqueous methods for the cleaning of paintings
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Stols-Witlox Maartje (1972- ). Grounds 1400-1900
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Stoner Joyce Hill (1946- )
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Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
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Stoner Joyce Hill (1946- ). International public outreach projects
(2)
Stoner Joyce Hill (1946- ). Introduction
(2)
Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
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Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
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Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
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Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
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Townsend Joyce H
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Townsend Joyce H. A brief survey of historical varnishes
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Townsend Joyce H. Binding media
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Townsend Joyce H. Health and safety concerns in the paintings conservation studio
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Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
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Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
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Walsh Valentine. Optical microscopy
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Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
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1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24877 sygn. III 24877 (1 egz.)
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The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
Indeks R0: BMNK
Bibliogr. s. 792-890. Indeks.
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Wszystkie egzemplarze są obecnie wypożyczone: sygn. II 35746 sygn. II 35746 (1 egz.)
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Autor
Clarricoates Rhiannon. Dowding Helen. Wright Adèle. Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings Christensen Marie. Bulging in wax-resin impregnated canvas paintings Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Frøysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Gregers-Høegh Cecilia. Bulging in wax-resin impregnated canvas paintings Harrison Lynne. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Hellen Rebecca (1972- ). 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings Higgs Sally. Paintings affected by mould at the Palace of Westminster Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Howard Helen. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection Miller Eric. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Ormsby Bronwyn. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Santacesaria Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the "The last supper" by Giorgio Vasari Seed Alison. Paintings affected by mould at the Palace of Westminster Scott Rachel. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Slottved Kimbriel Christine (1982- ). Bulging in wax-resin impregnated canvas paintings Stols-Witlox Maartje (1972- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Stoveland Lena Porsmo. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Sučević Miklin Maja. The challenges of reconstructing water-damaged paint layers on painted wooden panelling Thickett David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Vilde Vladimir. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Wischniowski Tatjana. Oil-based paint under a layer of water: a rare miniature painting technique from the 18th century
Indeks R0: BMNK
Materiały z konferencji: National Museums of Scotland, 12 października 2018 r.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 33820 sygn. II 33820 (1 egz.)
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(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
Indeks R0: BMNK
Bibliogr. s. 765-866. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 23047 sygn. III 23047 (1 egz.)
Książka
W koszyku
Autor
Clarricoates Rhiannon. Dowding Helen. Gent Alexandra. Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Hendriks Ella. "Paintings fade like flowers": colour change in paintings by Vincent van Gogh Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Keith Larry. Colour change and restoration Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Lee Judith. Colour change and modern paints; an overview Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Ormsby Bronwyn. Colour change and modern paints; an overview Padfield Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage Pottasch Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Rae Caroline. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits Raskar Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Schneider Enriquez Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Sheldon Libby. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits Speleers Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts Spring Marika. Fading, darkening, browning, blanching: a review of our current understanding of colour change and its consequences in old master paintings Stenger Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Syversen Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Townsend Joyce H. Microfading: a useful tool for paintings conservators? Verhave Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts Vila Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Wadum Jørgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Indeks R0: BMNK
Materiały z konf. Icon Paintings Group "Appearance and reality: examining colour change in paintings" w Tate Britain w Londynie, 9 października 2015.
Bibliogr. przy ref.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 31511 sygn. II 31511 (1 egz.)
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Hermens Erma (1958- ). Townsend Joyce H. Lautenschlager Manfred. Virtues and vices in late medieval art productions Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes Bucklow Spike. Impossible recipes Ursescu Marta. Romanian handbooks on manuscript illumination in the 18th century Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century Kroustallis Stefanos. Art for war Miguel Catarina. Copper pigments in medieval times Claro Ana Luísa do Vale Fonseca. Copper pigments in medieval times Lopes João A. Copper pigments in medieval times Melo Maria João. Copper pigments in medieval times Nadolny Jilleen. Documentary sources for the use of moulds in the production of tin relief Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300 Neven Sylvie. Comparative analysis of painting recipes Stijnman Ad. Images of copper engravers and plate printers in their workshops 1545-1645 Wagner Lisa. Fine art materials in Vigani's cabinet (1704) at Queens' College, Cambridge Dubois Hélène. Master's own hand? Phenix Alan. Oudry's painted menagerie Doherty Tiarna. Oudry's painted menagerie Schönemann Anna. Oudry's painted menagerie Rizzo Adriana. Oudry's painted menagerie Eyb-Green Sigrid. Studying the artistic process Baatz Wolfgang. Studying the artistic process Kitlitschka Werner (1938- ). Studying the artistic process Hermens Erma (1958- ). "En plein soleil" MacDonald Margaret F. (1944- ). "En plein soleil" Troalen Lore. "To acquire a good name" Reiche Ina. "To acquire a good name" Röhrs Stefan. "To acquire a good name" Pretzel Boris (1961- ). "To acquire a good name" Burgio Lucia. "To acquire a good name" Shah Bhavesh. "To acquire a good name" Peschard Stéphane. "To acquire a good name" Boust Clotilde. "To acquire a good name" Tate Jim. "To acquire a good name" Martin Graham (1952- ). "To acquire a good name" Voigt Friederike. "To acquire a good name" Kutzke Hartmut. À la recherche du pigment perdu Oltrogge Doris (1959- ). À la recherche du pigment perdu Mulholland Richard. Technique and process in the papers of David Smith Kyllonen-Kunnas Paivi. Challenging the material Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Niculescu Gheorghe. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Petroviciu Irina. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Rosi Francesca (1977- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Doherty Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Sassolini Alessandro. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Lupu Mihai. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Fardi Theodora. Tracing the history of wall paintings through visual documents De Angelis Roberta. Tracing the history of wall paintings through visual documents Scicluna Bernadine. Tracing the history of wall paintings through visual documents Vella Daniel. Tracing the history of wall paintings through visual documents Freitas Ana. Study of Portugese 18th-century manuscript Claro Ana Luísa do Vale Fonseca. Study of Portugese 18th-century manuscript Melo Maria João. Study of Portugese 18th-century manuscript Casanova Conseição. Study of Portugese 18th-century manuscript Moura Laura Filipe (1983- ). Study of Portugese 18th-century manuscript Townsend Joyce H. De/re-constructing Turner for research projects at Tate Thomas Jacob. De/re-constructing Turner for research projects at Tate Caspers Charlotte. De/re-constructing Turner for research projects at Tate Marcos Monserrat Pis. De/re-constructing Turner for research projects at Tate Brookes Anna. De/re-constructing Turner for research projects at Tate Ormsby Bronwyn. De/re-constructing Turner for research projects at Tate Hackney Stephen. De/re-constructing Turner for research projects at Tate Lerwill Andrew. De/re-constructing Turner for research projects at Tate Barrett Brian D. (1951- ). Archives of Blockx, an Antwerp family of chemist-colourmen, founded 1865
Temat
Indeks R0: BMNK
Bibliogr. po art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 22104 sygn. III 22104 (1 egz.)
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Brunetti Brunetto Giovanni. Miliani Costanza. Sgamellotti Antonio. Ernst Richard R. Science and art - my two passions Siano S. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Fratini F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mascalchi M. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Patrizi G. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzei B. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzeo Rocco. Scientific examination for the investigation and conservation for Far East Asian mural paintings Sciutto Giorgia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Prati Silvia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings Ling He. Scientific examination for the investigation and conservation for Far East Asian mural paintings Baglioni P. Maya mural paintings in Calakmul Carrasco Vargas R. Maya mural paintings in Calakmul Cordeiro Baqueiro M. Maya mural paintings in Calakmul Chelazzi David. Maya mural paintings in Calakmul Domenici Davide (1968- ). Colours of indigenous memory Buti David. Colours of indigenous memory Miliani Costanza. Colours of indigenous memory Brunetti Brunetto Giovanni. Colours of indigenous memory Sgamellotti Antonio. Colours of indigenous memory Zetina Sandra. Material study of the Codex Colombino Ruvalcaba José Louis. Material study of the Codex Colombino Falcón Tatiana. Material study of the Codex Colombino Arenas Alatorre Jesús. Material study of the Codex Colombino Yanagisawa Saeko. Material study of the Codex Colombino Álvarez Icaza Longoria Marisa. Material study of the Codex Colombino Hernández Eumelia. Material study of the Codex Colombino Giorgi R. Unveiling the artistic technique of the Florentine Codex Chelazzi David. Unveiling the artistic technique of the Florentine Codex Magaloni Kerpel Diana Isabel (1961- ). Unveiling the artistic technique of the Florentine Codex Melo Maria João. Colour in medieval Portuguese manuscripts Castro Rita. Colour in medieval Portuguese manuscripts Miranda Adelaide. Colour in medieval Portuguese manuscripts Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa Matteini Mauro (1943- ). Wall paintings of the monumental cemetery of Pisa Paolucci Antonio. Wall paintings of the monumental cemetery of Pisa Peggie David. Chemistry and chemical investigation of the transition from egg tempera painting to oil in Italy in the 15th century Szmelter Iwona (1952- ). Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Cartechini Laura. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Romani Aldo. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Pezzati Luca. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's "Madonna of the Goldfinch" Bellucci Roberto. Underdrawing in paintings Frosinini Cecilia. Underdrawing in paintings Pouli Paraskevi. Integrated approach to the study and preservation of painting using laser light technology Melessanaki Kristalia. Integrated approach to the study and preservation of painting using laser light technology Tornari V. Integrated approach to the study and preservation of painting using laser light technology Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology Filippini Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology Anglos D. Integrated approach to the study and preservation of painting using laser light technology Fotakis Costas. Integrated approach to the study and preservation of painting using laser light technology Glanville Helen. Mens agitat molem Rousselière Hélène. Mens agitat molem Viguerie L. de. Mens agitat molem Walter Ph. Mens agitat molem Leona Marco. Designing nature Londero Pablo S. Designing nature Perry Jennifer. Designing nature Fukunaga Kaori. Designing nature Bailey Gregory H. Designing nature Hale Charlotte (1959- ). Designing nature Vila Anna. As time passed by came sunset Monrad Kasper (1952-2018). As time passed by came sunset Filtenborg Troels (1951- ). As time passed by came sunset Wadum Jørgen. As time passed by came sunset Janssens Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Snickt Geer van der. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Vanmeert Frederik. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Monico Letizia. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Legrand Stijn. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Falkenberg Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Struick van der Loeff Luuk. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Leeuwestein Margje. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Hendriks Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Berrie Barbara Hepburn. Vibrant surface Casadio Francesca. Vibrant surface Dahm K. Vibrant surface Strumfels Y. Vibrant surface Tedeschi M. Vibrant surface Walsh John (1937- ). Vibrant surface Bommel Maarten R. van. After the fact Janssen Hans (1954- ). After the fact Spronk Ron (1957- ). After the fact Marte Fernando. Argentinean murals Gallegos Damasia. Argentinean murals Rosado Alessandra. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Mendes Isolda. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Motta Edson. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Teixeira Cláudio Valério. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Souza Luiz A. C. (1962- ). Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Patti Mattia. Modern painted palimpsests Anselmi C. Modern painted palimpsests Doherty Brenda. Modern painted palimpsests Daffara Claudia. Modern painted palimpsests Fontana Raffaella. Modern painted palimpsests Rosi Francesca (1977- ). Burri project De Cesare G. Burri project Iazurlo Paola. Burri project Daveri Alessia. Burri project Vagnini Manuela. Burri project Valentini F. Burri project Basile Giuseppe (1942-2013). Burri project Ormsby Bronwyn. John Hoyland Learner Thomas J. S. John Hoyland Crook Jo (1963- ). John Hoyland Smithen Patricia. John Hoyland Rava Antonio. Outdoor painted surfaces in contemporary art Chiantore Oscar. Outdoor painted surfaces in contemporary art Mirabile Antonio. Elusive nd transitory materials in contemporary drawings Moretti Patrizia. Elusive nd transitory materials in contemporary drawings Presciutti Federica. Elusive nd transitory materials in contemporary drawings
Indeks R0: BMNK
Bibliogr. przy rozdz. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 31075 sygn. II 31075 (1 egz.)
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