Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton Parish Church of Priessnitz/Saxony
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Bernau Nikolaus (1964- ). Bildungsreform und Monumentalisierung. Die Ungestaltung von Abguss-Sammlungen im 19. und 20. Jahrhundert
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Berner Margit. Verlorene Form. Eine kunstlerisch-wissenschaftliche Auseinandersetzung mit sensiblen Sammlungsbestanden
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Bevivino Michael Ann. Embracing historical replicas through a digital medium: the Irish context
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Bezur Aniko. Structural treatment of a seventeenth-century Flemish panel painting
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Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
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Bisacca George. The treatment of Durer’s Adam and Eve panels at the Prado Museum
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Boeve-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936
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Boiko Juris (1954-2002). Manifest sztuki przybliżonej
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Boiko Juris (1954-2002). Manifesto of approximate art
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Bomford David. Foreword
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Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
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Carvalho Salome Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes
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Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
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Chapuis Julien. Dreidimensionales Gedachtnis. Gipsabgusse in der Restaurierungs- und Prasentationspraxis der Skulpturensammlung der Staatlichen Museen zu Berlin
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Chui Sue Ann. Preface
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Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
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Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Crowley David (1966- )
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Crowley David (1966- ). Introduction
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Crowley David (1966- ). Ludzie przyszłości
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Crowley David (1966- ). Scenes of improvisation
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Crowley David (1966- ). Sceny improwizowane
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Crowley David (1966- ). The people of the future
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Crowley David (1966- ). Wstęp
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Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Dapper Moritz. Insel der Gipse. Die Rolle der Gipsabguss-Sammlung im Muzeumsinselwettbewerb von 1883/84
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Dlugaiczyk Martina (1968- ). Serien-Star Nofretete. Neue Quellen zur 3D-Rezeption der Buste vor der Amarna-Ausstellung von 1924
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Duin Paul van (1956- ). Panels in furniture: observations and conservation issues
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Falser Michael S. (1973- ). Die Berliner Gipsabgusse von Angkor Wat. Ihre kulturpolitischen Zusammenhange um 1900 und ihre aktuelle Bedeutung als transkulturelles Erbe
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Fife Gwendoline R. Developments in education in the Netherlands for the conservation of panel paintings
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Fuente Martinez Jose de la. The treatment of Durer’s Adam and Eve panels at the Prado Museum
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Galitzine George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
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Garcia Miguel. Structural interventions on sixteenth-century monumental oak panels in Tomar portugal
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Getaldić Magdalena. New tasks and challanges. The plaster cast collections of the Glyptotheque of the Croatian Academy of Sciences and Arts in Zagreb and their Digitisation
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Giani Elisabetta. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Graepler Daniel (1959- ). Die Berliner Gipsformerei und die universitaren Abguss-Sammlungen: Historischer Ruckblick und Perspektiven zukunftiger Zusammenarbeit
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Grandpierre Attila (1951- ). Muzyka punkowa jako odrodzenie się ludowej muzyki szamańskiej
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Grandpierre Attila (1951- ). Punk as a rebirth of shamanist folk music
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Grattan David W. Search for a dimension-neutral effect in the solvent treatment of wood
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Griesbach Monica. A hybrid approach to the structural treatment of panel paintings: case studies from American collections
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Grontoft Terje (1962- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Grunbein Durs (1962- ). Protestanckie rytuały. O pracy Autoperforationsartisten
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Grunbein Durs (1962- ). Protestant rituals. On the work of the 'Autoperforation Artists'
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Grzinić Marina. Ljubljana's subculture scene
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Grzinić Marina. Lublańska scena subkulturowa
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Haack Christensen Anne (1980- ). Interim results of a needs assessment survey for the field of panel paintings conservation
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Haak Christina (1966- )
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Hackney Stephen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Hamm James. Structural treatment of a seventeenth-century Flemish panel painting
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Harrison Lynne. Finding solutions for mounting ancient Egyptian funerary portraits
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Hola Aleksandra. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts Kraków
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Hopfner Ingrid. The development of flexible auxiliary support systems for panel paintings and the monitoring of panel movement by strain gauges
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Jirous Ivan Martin (1944-2011). Report on the third Czech musical revival
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Jirous Ivan Martin (1944-2011). Sprawozdanie o trzecim odrodzeniu muzycznym w Czechach
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Kanowski Claudia. Digi.an.ALOG. Der Dialog von digitalen und analogen Techniken in der aktuellen Porzellangestaltung
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Kelberlau Sandra. Structural treatment of a seventeenth-century Flemish panel painting
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Kostecki Grzegorz. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts Kraków
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Kozdrowski Artur (1966- ). A treatise on everything. A free fragment titled Art and creation
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Kozdrowski Artur (1966- ). Traktat o wszystkim. Fragment swobodny pod tytułem Sztuka a twórczość
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Kozłowski Roman (chemia). Allowable microclimatic variations for painted wood: direct tracing of damage development
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Lagerfeld Britta. Coswig 1985
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Lagerfeld Britta. Coswig 1985 (eng)
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Lange Britta (1973- ). Verlorene Form. Eine kunstlerisch-wissenschaftliche Auseinandersetzung mit sensiblen Sammlungsbestanden
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Lasyk Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
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Lediņs Hardijs (1955-2004). Manifest sztuki przybliżonej
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Lediņs Hardijs (1955-2004). Manifesto of approximate art
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Lemus Elsa M. Arroyo. La Virgen del Perdón after the fire of 1967
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Lopez-Aparicio Susana (1975- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Marchant Ray. Alleviating stress in the framing of panel paintings
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Marchant Ray. Experimental evaluation of adhesive-filler combinations for joining panel paintings
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Marchant Ray. The repair and support of thinned panel paintings: a case study in modifying established techniques
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Mendonca Ricardo. Plaster cast workshops. Their importance for the emergence of an international network for the exchange of reproductions of art
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Monfardini PierPaolo. Structural and climate control systems for thinned panel paintings
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Mora Costanza. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Muzyczuk Daniel (1988- )
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Muzyczuk Daniel (1988- ). Hues of independence
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Muzyczuk Daniel (1988- ). Introduction
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Muzyczuk Daniel (1988- ). New tribalism against the new man
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Muzyczuk Daniel (1988- ). Nowa plemienność przeciwko nowemu człowiekowi
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Muzyczuk Daniel (1988- ). Odcienie nizeależności
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Muzyczuk Daniel (1988- ). Wstęp
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Myers Alan Miller (1955- ). Marvel seal envelopes at the Metropolitan Museum of Art
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Myers Alan Miller (1955- ). The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
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New Britta. Experimental evaluation of adhesive-filler combinations for joining panel paintings
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New Britta. The repair and support of thinned panel paintings: a case study in modifying established techniques
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Newman Nicola. Finding solutions for mounting ancient Egyptian funerary portraits
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Obarzanowski Michał. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Odlyha Marianne. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Ormond Devi. Alleviating stress in the framing of panel paintings
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