Form of Work
Książki
(7)
Filmy i seriale
(1)
Status
available
(7)
unavailable
(2)
Branch
Magazyn
(7)
Dział
(2)
Author
Ackroyd Paul. Retouching media used at the National Gallery London since the nineteenth century
(1)
Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion
(1)
Balch Pippa
(1)
Bordt Nele. Observations on Rudolf Swoboda’s painting technique
(1)
Brooks Mary M. "Indisputable authenticity": engaging with the real in the museum
(1)
Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
Bucklow Spike. The state of research into retouching resins
(1)
Bulow Anna. Cultural heritage online: questions of authenticity authority and authorship
(1)
Campbell Lorne (1946- ). Conservation of Netherlandish paintings in the fifteenth and sixteenth centuries
(1)
Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings
(1)
Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art
(1)
Ciatti Marco (1955- ). An unusual case of integration and its solution
(1)
Costaras Nicola
(1)
Costaras Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings
(1)
Coutinho Barbara. How to keep what was intended to be temporarily functional?
(1)
Cove Sarah. Retouching with a PVA resin medium
(1)
Cross Maureen. Retouching media for acrylic paintings
(1)
Davies Martin (1908-1975)
(1)
Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours
(1)
Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
Eastop Dinah. Cultural heritage online: questions of authenticity authority and authorship
(1)
El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Ellison Rebecca
(1)
Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching
(1)
Ferreira Joana Lia. How to keep what was intended to be temporarily functional?
(1)
Folkes Simon. Texturing fills using a silicone mould
(1)
Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry
(1)
Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Glanville Helen
(1)
Gordon Rebecca
(1)
Gordon Rebecca. "Real life" questions of authenticity
(1)
Gordon Rebecca. Identifying and pursuing authenticity in contemporary art
(1)
Gould Cecil (1919-1994)
(1)
Hanson Andrew. Colour theory and the application of a portable spectrophotometer for retouching
(1)
Heard James
(1)
Hermens Erma (1958- )
(1)
Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists
(1)
Jones Ceri (1964- ). Bringing the past to life?
(1)
Kempski Mary. The art of tempera retouching
(1)
Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Koneczny Peter. An introduction to B72 Retouching Gels
(1)
Koneczny Peter. Properties of pigments retouching media and their use
(1)
Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Laing Alastair (1944- ). William Seguier and advice to picture collectors
(1)
Langmuir Erika (1931-2015)
(1)
Lennard Frances
(1)
Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Lowry Kate
(1)
Lowry Kate. Retouching with Paraloid B-72
(1)
Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists
(1)
Macaro Gabriella. The Barbizon paintings at the National Gallery London: a technical study
(1)
Macedo Rita. How to keep what was intended to be temporarily functional?
(1)
Massing Ann. Restoration policy in France in the eighteenth century
(1)
Massing Ann. The history of egg tempera as a retouching medium
(1)
McClure Ian. History of painting conservation and the royal collection
(1)
Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century
(1)
Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center
(1)
Mulholland Richard. "And I know damned-well what he wanted": deliberate alteration and interpretations of intent in several late sculptures by David Smith
(1)
Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery
(1)
Penney Caron. Rediscovering the Unicorn tapesries
(1)
Phenix Alan. The composition and chemistry of eggs and egg tempera
(1)
Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
(1)
Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Rajgopal Uthra. Dressing up for the Preston Guild: a "very admirable and correct costume!"
(1)
Ramos Ana Maria. How to keep what was intended to be temporarily functional?
(1)
Reddington Sophie. Texturing fills using a silicone mould
(1)
Roma Paolo. An unusual case of integration and its solution
(1)
Rose Jenny. Investigation into the domestic care of paintings in English country houses in the eighteenth and nineteenth centuries
(1)
Sa Susana Franca de. How to keep what was intended to be temporarily functional?
(1)
Saltmarsh Polly
(1)
Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
(1)
Sartiani Oriana (1960- ). An unusual case of integration and its solution
(1)
Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique
(1)
Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century
(1)
Severini Leonardo. An unusual case of integration and its solution
(1)
Simon Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century
(1)
Sims Shelley. Retouching media for acrylic paintings
(1)
Sinclair Ross. "Real life" questions of authenticity
(1)
Sitwell Christine
(1)
Sitwell Christine. Approach to restoration in English country houses
(1)
Smithen Patricia
(1)
Smithen Patricia. Retouching media for acrylic paintings
(1)
Sozzani Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
(1)
Speleers Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris
(1)
Sperber Roxanne. The retouching practices of John Linnell: technique patronage and practice from two works in the Yale Center for British Art
(1)
Splendore Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Staniforth Sarah
(1)
Straub Michaela. The conservation and research of two paintings by Alfred East RA
(1)
Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
(1)
Sutcliffe Victoria
(1)
Talley Mansfield Kirby (1941- ). Miscreants and hotentots
(1)
Thomas Anabel (1945- ). Restoration or renovation
(1)
Tomlinson Hayley. Ernst-Victor Hareux and the Barbizon Artists
(1)
Turnbull Rachel
(1)
Veldink Suzanne. George Hendrik Breitner at work: new insights
(1)
Veliz Zahira. Restoration of paintings in the Spanish royal collections 1734-1820
(1)
Waterfield Giles (1949-2016). Conservation at Dulwich Picture Gallery in the nineteenth century
(1)
Whitehouse Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate
(1)
Year
2010 - 2019
(4)
2000 - 2009
(2)
1960 - 1969
(1)
1950 - 1959
(1)
Country
United Kingdom
(8)
Language
English
(8)
Subject
National Gallery (Londyn)
(4)
Malarstwo (szt.plast.)
(2)
Malarstwo europejskie
(2)
Malarstwo włoskie
(2)
Sztuka
(2)
Konserwatorstwo
(1)
Malarstwo
(1)
Subject: time
1501-
(2)
1801-
(2)
1901-
(2)
2001-0
(2)
1201-
(1)
1301-
(1)
1401-
(1)
1601-
(1)
1701-
(1)
Genre/Form
Materiały konferencyjne
(4)
Dokumenty elektroniczne
(1)
Film angielski
(1)
Film dokumentalny
(1)
Katalogi wystaw
(1)
Katalogi zbiorów
(1)
9 results Filter
Authority data
National Gallery (Londyn). National Gallery Publications (hasło formalne)
(nazwa wcześniejsza) zob. też National Gallery (Londyn). Publications Department (hasło formalne)
(nazwa późniejsza) zob. też National Gallery (Londyn). National Gallery Company (hasło formalne)
Nieużywane formy hasła: National Gallery Publications
Publications Department w 1986 zmienił nazwę na National Gallery Publications, od 1999 pn. National Gallery Company Ltd.
No cover
Movie
DVD
In basket
Autor: Heard James
Tytuł: Close examination [Film] : fakes, mistakes and discoveries / written and narrated by James Heard.
Cechy pliku: Film.
Adres wydawniczy: London : The National Gallery, cop. 2010.
Opis fizyczny: 1 dysk optyczny (DVD) : dźw., kolor. ; w pojemniku, 12 cm.
Seria: The National Gallery DVD collection
Uwaga: Tyt. z ekranu tytułowego.
Uwaga: [Wymagania systemowe: napęd DVD; karta graficzna; karta dźwiękowa].
Temat: National Gallery (Londyn) - zbiory
Temat: Malarstwo - badanie - Wielka Brytania - 21 w. - film
Temat: Sztuka - teoria - film
Gatunek, rodzaj, forma: Film angielski
Gatunek, rodzaj, forma: Film dokumentalny
Gatunek, rodzaj, forma: Dokumenty elektroniczne
Hasło dodatkowe: National Gallery (Londyn). National Gallery Publications
ISBN: 9781857094886
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. El 668 (1 egz.)
No cover
Book
In basket
Autor: Davies Martin (1908-1975)
Tytuł: The earlier Italian schools / by Martin Davies.
Wydanie: 2nd rev. ed.
Adres wydawniczy: London : National Gallery, 1961.
Opis fizyczny: 623 s. ; cm.
Seria: National Gallery Catalogues
Temat: National Gallery (Londyn) - wystawy - 1961
Temat: Malarstwo włoskie - wystawy
Gatunek, rodzaj, forma: Katalogi wystaw
Hasło dodatkowe: National Gallery (Londyn). National Gallery Publications
This item is available in one branch. Expand information to see details.
Dział
Ask the librarian about the availability of copies: sygn. Dział Malarstwa Europejskiego sygn. Kat. 1888 (1 egz.)
No cover
Book
In basket
This item is available in 2 branches. Expand the list to see details.
Magazyn
There are copies available to loan: sygn. sygn. Kat. 2430 (1 egz.)
Dział
Ask the librarian about the availability of copies: sygn. Dział Malarstwa Europejskiego sygn. Kat. 4088 (1 egz.)
No cover
Book
In basket
Autor: Langmuir Erika (1931-2015)
Tytuł: The National Gallery companion guide / Erika Langmuir.
Wydanie: Rev. and expanded ed.
Adres wydawniczy: London : National Gallery Company London, cop. 2006.
Opis fizyczny: 352 s. : il. kolor. ; 24 cm.
Uwaga: Indeks.
Temat: National Gallery (Londyn) - zbiory - 13-20 w
Temat: Malarstwo europejskie - 13-20 w
Temat: Malarstwo europejskie - zbiory - Wielka Brytania - 13-20 w
Hasło dodatkowe: National Gallery (Londyn). National Gallery Publications
ISBN: 1-85709-399-2
ISBN: 978-1-85709-399-5
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. II 24038 (1 egz.)
Book
In basket
Tytuł: Studies in the history of painting restoration : proceedings of a symposium held in London, 23 February 1996 / ed. by Christine Sitwell and Sarah Staniforth.
Wydanie: Reprint.
Adres wydawniczy: London : Archetype Publications : in assoc. with The National Trust, 2002.
Opis fizyczny: X, 180 s. : il. ; 25 cm.
Uwaga: Bibliogr. przy niektórych ref.
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Sitwell, Christine.
Hasło dodatkowe: Staniforth, Sarah.
Hasło dodatkowe: Thomas, Anabel (1945- ). Restoration or renovation
Hasło dodatkowe: Campbell, Lorne (1946- ). Conservation of Netherlandish paintings in the fifteenth and sixteenth centuries
Hasło dodatkowe: Talley, Mansfield Kirby (1941- ). Miscreants and hotentots
Hasło dodatkowe: Véliz, Zahira. Restoration of paintings in the Spanish royal collections, 1734-1820
Hasło dodatkowe: Massing, Ann. Restoration policy in France in the eighteenth century
Hasło dodatkowe: McClure, Ian. History of painting conservation and the royal collection
Hasło dodatkowe: Laing, Alastair (1944- ). William Seguier and advice to picture collectors
Hasło dodatkowe: Waterfield, Giles (1949-2016). Conservation at Dulwich Picture Gallery in the nineteenth century
Hasło dodatkowe: Sitwell, Christine. Approach to restoration in English country houses
Hasło dodatkowe: Rose, Jenny. Investigation into the domestic care of paintings in English country houses in the eighteenth and nineteenth centuries
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: National Trust
ISBN: 1-873132-46-8
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. II 30404 (1 egz.)
Book
In basket
Tytuł: Mixing and matching : approaches to retouching paintings / edited by Rebecca Ellison, Patricia Smithen and Rachel Turnbull.
Wariant tytułu: Approaches to retouching paintings
Adres wydawniczy: London : Archetype Publications : in association with the Icon Paintings Group : British Association of Paintings Conservator-Restorers (BAPCR), 2010.
Opis fizyczny: IX, 179 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Publikacja jest efektem trzech warsztatów zorganizowanch przez Paintings Group of the Institute of Conservation (Icon) oraz British Association of Painting Conservator-Restorers (BAPCR) w Courtauld Institute of Art, Londyn, 2007.
Uwaga: Bibliogr. przy ref.
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja - materiały konferencyjne
Temat: Malarstwo (szt.plast.) - technika - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Ellison, Rebecca.
Hasło dodatkowe: Smithen, Patricia.
Hasło dodatkowe: Turnbull, Rachel.
Hasło dodatkowe: Ackroyd, Paul. Retouching media used at the National Gallery, London, since the nineteenth century
Hasło dodatkowe: Bucklow, Spike. The state of research into retouching resins
Hasło dodatkowe: Ciatti, Marco (1955- ). An unusual case of integration and its solution
Hasło dodatkowe: Cove, Sarah. Retouching with a PVA resin medium
Hasło dodatkowe: Cross, Maureen. Retouching media for acrylic paintings
Hasło dodatkowe: Dunkerton, Jill (1952- ). Retouching with Gamblin conservation colours
Hasło dodatkowe: Evans, Stig. Colour theory and the application of a portable spectrophotometer for retouching
Hasło dodatkowe: Folkes, Simon. Texturing fills using a silicone mould
Hasło dodatkowe: Hanson, Andrew. Colour theory and the application of a portable spectrophotometer for retouching
Hasło dodatkowe: Kempski, Mary. The art of tempera retouching
Hasło dodatkowe: Koneczny, Peter. An introduction to B72 Retouching Gels
Hasło dodatkowe: Koneczny, Peter. Properties of pigments, retouching media and their use
Hasło dodatkowe: Lowry, Kate. Retouching with Paraloid B-72
Hasło dodatkowe: Massing, Ann. The history of egg tempera as a retouching medium
Hasło dodatkowe: Phenix, Alan. The composition and chemistry of eggs and egg tempera
Hasło dodatkowe: Reddington, Sophie. Texturing fills using a silicone mould
Hasło dodatkowe: Roma, Paolo. An unusual case of integration and its solution
Hasło dodatkowe: Sartiani, Oriana (1960- ). An unusual case of integration and its solution
Hasło dodatkowe: Severini, Leonardo. An unusual case of integration and its solution
Hasło dodatkowe: Sims, Shelley. Retouching media for acrylic paintings
Hasło dodatkowe: Smithen, Patricia. Retouching media for acrylic paintings
Hasło dodatkowe: Sozzani, Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: Institute of Conservation (Londyn). Paintings Group
Hasło dodatkowe: British Association of Paintings Conservator-Restorers
ISBN: 978-1-904982-50-0
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. II 31514 (1 egz.)
Book
In basket
Tytuł: A changing art : nineteenth-century painting practice and conservation / edited by Nicola Costaras, Kate Lowry, Helen Glanville, Pippa Balch, Victoria Sutcliffe and Polly Saltmarsh.
Wariant tytułu: Nineteenth-century painting practice and conservation
Adres wydawniczy: London : Archetype Publications : The British Association of Paintings Conservator-Restorers, 2017.
Opis fizyczny: IX, 133 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Bibliogr. przy art.
Temat: Konserwatorstwo - Wielka Brytania - 19-21 w. - materiały konferencyjne
Temat: Malarstwo europejskie - 19 w. - materiały konferencyjne
Temat: Malarstwo europejskie - ochrona i konserwacja - 19-21 w. - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Balch, Pippa.
Hasło dodatkowe: Costaras, Nicola.
Hasło dodatkowe: Glanville, Helen.
Hasło dodatkowe: Lowry, Kate.
Hasło dodatkowe: Saltmarsh, Polly.
Hasło dodatkowe: Sutcliffe, Victoria.
Hasło dodatkowe: Bordt, Nele. Observations on Rudolf Swoboda’s painting technique
Hasło dodatkowe: Carlyle, Leslie. Building visual evidence of past practices in the creation of oil paintings
Hasło dodatkowe: Costaras, Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings
Hasło dodatkowe: Frezzato, Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Herring, Sarah. Ernst-Victor Hareux and the Barbizon Artists
Hasło dodatkowe: Lo Russo, Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Macaro, Gabriella. Ernst-Victor Hareux and the Barbizon Artists
Hasło dodatkowe: Macaro, Gabriella. The Barbizon paintings at the National Gallery, London: a technical study
Hasło dodatkowe: Poldi, Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Saunders-Blessley, Katy. Observations on Rudolf Swoboda’s painting technique
Hasło dodatkowe: Savoia, Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Simon, Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century
Hasło dodatkowe: Speleers, Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris
Hasło dodatkowe: Sperber, Roxanne. The retouching practices of John Linnell: technique, patronage and practice from two works in the Yale Center for British Art
Hasło dodatkowe: Splendore, Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Straub, Michaela. The conservation and research of two paintings by Alfred East RA
Hasło dodatkowe: Tomlinson, Hayley. Ernst-Victor Hareux and the Barbizon Artists
Hasło dodatkowe: Veldink, Suzanne. George Hendrik Breitner at work: new insights
Hasło dodatkowe: Whitehouse, Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate
Hasło dodatkowe: Woltman, Nienke. George Hendrik Breitner at work: new insights
Hasło dodatkowe: Woodcock, Sally. Alteration, restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen
Hasło dodatkowe: Wright, Adèle. "Method cannot govern everything". Delacroix: mid-century modern master
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: British Association of Paintings Conservator-Restorers
ISBN: 978-1-909492-54-7
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. II 31515 (1 egz.)
Book
In basket
Tytuł: Authenticity and replication : the "real thing" in art and conservation : proceedings of the international conference held at the University of Glasgow, 6-7 December 2012 / edited by Rebecca Gordon, Erma Hermens and Frances Lennard.
Wariant tytułu: "Real thing" in art and conservation
Adres wydawniczy: London : Archetype Publications, 2014.
Opis fizyczny: IX, 214 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Bibliogr. przy ref.
Temat: Sztuka - ochrona i konserwacja - materiały konferencyjne
Temat: Sztuka - reprodukcje - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Gordon, Rebecca.
Hasło dodatkowe: Hermens, Erma (1958- ).
Hasło dodatkowe: Lennard, Frances.
Hasło dodatkowe: Allardt, Alexandra. Stitching the 21st century into a Gilded Age mansion
Hasło dodatkowe: Bülow, Anna. Cultural heritage online: questions of authenticity, authority and authorship
Hasło dodatkowe: Brooks, Mary M. "Indisputable authenticity": engaging with the real in the museum
Hasło dodatkowe: Brooks, Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
Hasło dodatkowe: Chiostrini, Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art
Hasło dodatkowe: Coutinho, Bárbara. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Eastop, Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
Hasło dodatkowe: Eastop, Dinah. Cultural heritage online: questions of authenticity, authority and authorship
Hasło dodatkowe: El-Maalouf, Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
Hasło dodatkowe: Ferreira, Joana Lia. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Foskett, Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry
Hasło dodatkowe: Gordon, Rebecca. "Real life" questions of authenticity
Hasło dodatkowe: Gordon, Rebecca. Identifying and pursuing authenticity in contemporary art
Hasło dodatkowe: Jones, Ceri (1964- ). Bringing the past to life?
Hasło dodatkowe: Khalife, Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
Hasło dodatkowe: Krekel, Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
Hasło dodatkowe: Macedo, Rita. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Milnes, Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century
Hasło dodatkowe: Morena, Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center
Hasło dodatkowe: Mulholland, Richard. "And I know damned-well what he wanted": deliberate alteration and interpretations of intent in several late sculptures by David Smith
Hasło dodatkowe: Nurse, Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
Hasło dodatkowe: O'Neill, Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery
Hasło dodatkowe: Penney, Caron. Rediscovering the Unicorn tapesries
Hasło dodatkowe: Plender, Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
Hasło dodatkowe: Rajgopal, Uthra. Dressing up for the Preston Guild: a "very admirable and correct costume!"
Hasło dodatkowe: Ramos, Ana Maria. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Sá, Susana França de. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Saltmarsh, Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
Hasło dodatkowe: Scharffenberg, Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century
Hasło dodatkowe: Sinclair, Ross. "Real life" questions of authenticity
Hasło dodatkowe: Sugiyama, Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
Hasło dodatkowe: Archetype Publications
ISBN: 978-1-904982-99-9
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. II 31639 (1 egz.)
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