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Źródło opisu
Biblioteka Muzeum Narodowego
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Forma i typ
Książki
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dostępne
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Magazyn
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Autor
Wąsowska-Pawlik Agata (1972- ). Wstęp
(2)
Balcus Arnis (1978- )
(1)
Bandura Agnieszka. Politics of replacing in New Romanticism
(1)
Bałdyga Zofia (1987- )
(1)
Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
(1)
Bienias Agnieszka (1976- )
(1)
Birgus Vladimir (1954- )
(1)
Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
(1)
Bystrzak Magdalena (1986- )
(1)
Ciucka Paulina (1981- )
(1)
Dumitran Adriana
(1)
Dumitran Adriana. Perspektywy Wschodu i Zachodu w albumach krajoznawczych Hedy Loffler
(1)
Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
(1)
Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
(1)
Gorczyca Łukasz (1972- )
(1)
Gorczyca Łukasz (1972- ). Fotoblok
(1)
Gradinaru Camelia. Visual tyranny as autopoiesis
(1)
Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
(1)
Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
(1)
Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
(1)
Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
(1)
Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
(1)
Kamińska Aleksandra (1980- )
(1)
Kiiler Eve (1960- )
(1)
Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
(1)
Koklesova Bohunka (1972- )
(1)
Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
(1)
Kubala Agata. Damnatio memoriae and Roman imperial art
(1)
Kussel Claudia (1975- )
(1)
Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
(1)
Lastovskyte-Frittoli Erika (1981- )
(1)
Majchrowski Jacek Maria (1947- ). Introduction
(1)
Majchrowski Jacek Maria (1947- ). Wstęp
(1)
Markowska Anna (1962- )
(1)
Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
(1)
Mazur Adam (1977- )
(1)
Mazur Adam (1977- ). A brief historyof Lithuanian photography
(1)
Mazur Adam (1977- ). A labyrinth in photography
(1)
Mazur Adam (1977- ). Fotoblok
(1)
Mazur Adam (1977- ). Labirynt fotografii
(1)
Mazur Adam (1977- ). Mała historia fotografii litewskiej
(1)
Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
(1)
Narusyte Agne (1970- )
(1)
Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
(1)
Narusyte Agne (1970- ). Rupture in the memory of images
(1)
Narusyte Agne (1970- ). Szczeliny pamięci obrazów
(1)
Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
(1)
Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
(1)
Palęcka Alicja. Visualizing the other: ethnographic film as thick description
(1)
Popa Lucia. Removing Romania: the Western art world colonized by the East
(1)
Pospech Tomas (1974- )
(1)
Puklus Peter (1980- )
(1)
Samulionyte Vilma (1978- ). A labyrinth in photography
(1)
Samulionyte Vilma (1978- ). Labirynt fotografii
(1)
Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
(1)
Seraphim Peter-Christian
(1)
Sikora Patrycja (1978- ). Erasure. Memory Exercises
(1)
Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
(1)
Sinicka Agnieszka. Wilhem Sasnal’s photophobia
(1)
Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
(1)
Soczyńska Agata. Marek Oberlander – a painter undesired by the time
(1)
Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
(1)
Stec Anna (1987- ). Anish Kapoor Memory
(1)
Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
(1)
Taylor-Kucia Jessica
(1)
Tsiftsi Xanthi. Void the art of erasure. Representing absence in the Jewish Museum Berlin
(1)
Warmuz Daniel (1987- )
(1)
Wiegand Thomas (1960- ). Książka fotograficzna jako narzędzie propagandy na przykładzie NRD
(1)
Wilczyk Wojciech (1961- )
(1)
Worłowska Magdalena. Let self-effacement be my way of blazing – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
(1)
Wąsowska-Pawlik Agata (1972- ). Introduction
(1)
Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a quasi-metanarrative. Visible tyranny of Idea?
(1)
Zawada Michał (1985- ). Imaging iconoclasm
(1)
Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art
(1)
Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
(1)
Żak Natalia (1984- ). A labyrinth in photography
(1)
Żak Natalia (1984- ). Labirynt fotografii
(1)
Rok wydania
2020 - 2024
(1)
2010 - 2019
(2)
Kraj wydania
Polska
(3)
Język
polski
(2)
angielski
(1)
Temat
Międzynarodowe Centrum Kultury (Kraków)
(2)
Fotografia artystyczna
(1)
Fotografia europejska
(1)
Fotografia litewska
(1)
Fotografia polska
(1)
Książka
(1)
Pamięć
(1)
Sztuka
(1)
Temat: czas
1901-
(2)
1801-
(1)
2001-
(1)
Temat: miejsce
Europa Środkowa
(1)
Litwa
(1)
Gatunek
Katalogi wystaw
(2)
Materiały konferencyjne
(1)
3 wyniki Filtruj
Książka
W koszyku
Katalog wystawy prezentowanej w Galerii Międzynarodowego Centrum Kultury w Krakowie, 16.06-24.09.2023.
Bibliogr. w przypisach do art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 26755 sygn. III 26755 (1 egz.)
Książka
W koszyku
Publ. towarzyszy wystawie prezentowanej w Międzynarodowym Centrum Kultury w Krakowie, 21 listopda 2019 - 1 marca 2020.
Bibliogr. w przypisach.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24795 sygn. III 24795 (1 egz.)
Książka
W koszyku
(Conferences and Studies of the Polish Institute of World Art Studies / editorial board Agnieszka Kluczewska-Wójcik & Jerzy Malinowski ; vol. 13)
Autor
Markowska Anna (1962- ). Bandura Agnieszka. Politics of replacing in New Romanticism Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory? Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945 Gradinaru Camelia. Visual tyranny as autopoiesis Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18, 1977 and the need to allow doubt Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art Jedlińska Eleonora (1954- ). A nook at Wolborska Street, or expunged remains of Jewish culture in Łódź Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature Krzyżanowska Małgorzata Ksenia. "Nothing is getting as old as modernity" – i.e. why the trend for Nine Graphic Artists Group has passed Kubala Agata. Damnatio memoriae and Roman imperial art Markowska Anna (1962- ). Conspicuously absent Jews, alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period) Narušytė Agnė (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevičius Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s "A la recherche de temps perdu" Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places Palęcka Alicja. Visualizing the other: ethnographic film as thick description Popa Lucia. Removing Romania: the Western art world colonized by the "East" Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed Sikora Patrycja (1978- ). Erasure. Memory Exercises Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland Sinicka Agnieszka. Wilhem Sasnal’s photophobia Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland Soczyńska Agata. Marek Oberländer – a painter undesired by the time Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism Stec Anna (1987- ). Anish Kapoor, "Memory" Szczepaniak Barbara. Strategy of erasing, manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s "Album" Tsiftsi Xanthi. Void, the art of erasure. Representing absence in the Jewish Museum Berlin Worłowska Magdalena. "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea? Zawada Michał (1985- ). Imaging iconoclasm Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
Indeks R0: BMNK
Tyt. grzbietowy: Politics of erasure
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 23426 sygn. III 23426, III 23601 sygn. III 23601 (2 egz.)
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