Boust Clotilde. To acquire a good name
(1)
Brookes Anna. De/re-constructing Turner for research projects at Tate
(1)
Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
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Brooks Mary M. Indisputable authenticity: engaging with the real in the museum
(1)
Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Bucklow Spike. Impossible recipes
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Bulow Anna. Cultural heritage online: questions of authenticity authority and authorship
(1)
Burgio Lucia. To acquire a good name
(1)
Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Casanova Conseicao. Study of Portugese 18th-century manuscript
(1)
Caspers Charlotte. De/re-constructing Turner for research projects at Tate
(1)
Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art
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Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century
(1)
Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes
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Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300
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Claro Ana Luisa do Vale Fonseca. Copper pigments in medieval times
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Claro Ana Luisa do Vale Fonseca. Study of Portugese 18th-century manuscript
(1)
Coutinho Barbara. How to keep what was intended to be temporarily functional?
(1)
Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
De Angelis Roberta. Tracing the history of wall paintings through visual documents
(1)
Doherty Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Doherty Tiarna. Oudry's painted menagerie
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Dubois Helene. Master's own hand?
(1)
Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
Eastop Dinah. Cultural heritage online: questions of authenticity authority and authorship
(1)
El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Eyb-Green Sigrid. Studying the artistic process
(1)
Fardi Theodora. Tracing the history of wall paintings through visual documents
(1)
Ferreira Joana Lia. How to keep what was intended to be temporarily functional?
(1)
Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry
(1)
Freitas Ana. Study of Portugese 18th-century manuscript
(1)
Gordon Rebecca. Identifying and pursuing authenticity in contemporary art
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Gordon Rebecca. Real life questions of authenticity
(1)
Hackney Stephen. De/re-constructing Turner for research projects at Tate
(1)
Hermens Erma (1958- ). En plein soleil
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Jones Ceri (1964- ). Bringing the past to life?
(1)
Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Kitlitschka Werner (1938- ). Studying the artistic process
(1)
Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Kroustallis Stefanos. Art for war
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Kutzke Hartmut. A la recherche du pigment perdu
(1)
Kyllonen-Kunnas Paivi. Challenging the material
(1)
Lautenschlager Manfred. Virtues and vices in late medieval art productions
(1)
Lerwill Andrew. De/re-constructing Turner for research projects at Tate
(1)
Lopes Joao A. Copper pigments in medieval times
(1)
Lupu Mihai. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
MacDonald Margaret F. (1944- ). En plein soleil
(1)
Macedo Rita. How to keep what was intended to be temporarily functional?
(1)
Marcos Monserrat Pis. De/re-constructing Turner for research projects at Tate
(1)
Martin Graham (1952- ). To acquire a good name
(1)
Melo Maria Joao. Copper pigments in medieval times
(1)
Melo Maria Joao. Study of Portugese 18th-century manuscript
(1)
Miguel Catarina. Copper pigments in medieval times
(1)
Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century
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Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center
(1)
Moura Laura Filipe (1983- ). Study of Portugese 18th-century manuscript
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Mulholland Richard. And I know damned-well what he wanted: deliberate alteration and interpretations of intent in several late sculptures by David Smith
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Mulholland Richard. Technique and process in the papers of David Smith
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Nadolny Jilleen. Documentary sources for the use of moulds in the production of tin relief
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Neven Sylvie. Comparative analysis of painting recipes
(1)
Niculescu Gheorghe. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery
(1)
Oltrogge Doris (1959- ). A la recherche du pigment perdu
(1)
Ormsby Bronwyn. De/re-constructing Turner for research projects at Tate
(1)
Penney Caron. Rediscovering the Unicorn tapesries
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Peschard Stephane. To acquire a good name
(1)
Petroviciu Irina. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Phenix Alan. Oudry's painted menagerie
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Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
(1)
Pretzel Boris (1961- ). To acquire a good name
(1)
Rajgopal Uthra. Dressing up for the Preston Guild: a very admirable and correct costume!
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Ramos Ana Maria. How to keep what was intended to be temporarily functional?
(1)
Reiche Ina. To acquire a good name
(1)
Rizzo Adriana. Oudry's painted menagerie
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Rohrs Stefan. To acquire a good name
(1)
Rosi Francesca (1977- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Sa Susana Franca de. How to keep what was intended to be temporarily functional?
(1)
Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
(1)
Sassolini Alessandro. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century
(1)
Schonemann Anna. Oudry's painted menagerie
(1)
Scicluna Bernadine. Tracing the history of wall paintings through visual documents
(1)
Shah Bhavesh. To acquire a good name
(1)
Sinclair Ross. Real life questions of authenticity
(1)
Stijnman Ad. Images of copper engravers and plate printers in their workshops 1545-1645
(1)
Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
(1)
Tate Jim. To acquire a good name
(1)
Thomas Jacob. De/re-constructing Turner for research projects at Tate
(1)
Townsend Joyce H. De/re-constructing Turner for research projects at Tate
(1)
Troalen Lore. To acquire a good name
(1)
Ursescu Marta. Romanian handbooks on manuscript illumination in the 18th century
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