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Biruiov Urij (1952- ). Poiski novogo ukrainskogo nacional'nogo stila v arhitekture L'vova nacala XX veka (1900-1914)
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Brzyski Anna (1969- ). Centres and peripheries: language barriers and the cultural geography of European modern art
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Cegusova Zoa Anatoliivna. Imaginative and plastic transformations in professional decorative art of Ukraine in the age of globalization
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Denisuk Ol'ga Uriivna. Kobieta w twórczości Hryhorija Kruka : wspaniałe w tym co banalne
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Dovydaityte Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism
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Fedoruk Oleksandr Kasʹanovic (1938- ). Ukraińska Państwowa Akademia Sztuki: podstawy kształtowania (1917–1920)
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Flier Michael S. (1941- )
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Forgacs Eva (1947- ). Whose narrative is it?
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Genova Irina Ivanova (1959- ). Balkan modernism / Balkan modernity: the difficulties of historicizing
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Gleba Galina. Telo Vremeni : har'kovskaa fotograficeskac gruppa Vrema (1971-1980-e)
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Golubec' Orest Mihajlovic (1954- ). Hudozesvennaa sreda L'vova vtoroj poloviny XX veka
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Grabowicz George G. (1943- ). Creating and concealing modernism: The poetry of Pavlo Tychyna reconsidered
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Hanko Vitalij. Dom Ziemstwa w Połtawie – fundamentalne dzieło ukraińskiej architektury secesyjnej XX wieku
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Howard Jeremy. Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner
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Jankeviciute Giedre (1960- ). Traditionalism as modernism: neo-traditionalism in Lithuanian art
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Kara-Vasil'eva Tetana Valeriivna (1941- ). Perespiska K. Simanovskogo i N. Davydovoj v kontekste sotrudnicestva hudoznikov avangarda i narodnyh masterov ukrainskoj vysivki
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Kochubinska Tatiana. Through the roar of space cataclysms on Fedir Tetianych’s artistic practice
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Kolesnik Ljiljana. Dangerous liaisons: the relationship between art and the socialist state. The Croatian experience in the 1950s
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Levinger Esther. Hungarian constructivism and totality
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Mudrak Miroslava Maria (1950- ). Polish modernism and Ukrainian artists: parallel strategies
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Mudrak Miroslava Maria (1950- ). The sobering face of the Ukrainian Avant-Garde in the late 1920s
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Murawska-Muthesius Katarzyna (1955- ). Unworlding slaka or does Eastern (Central) European art exist?
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Osadca Oleksandra. The strategies of visual representation of “Homo Sovieticus” (on the material of the Kharkiv School of Photography)
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Petrova Ol'ga Nikolaevna (1942- ). Tri modeli hudozestvennogo myslenia : tvorcestvo Olega Zivotkova i ego synovej - Sergea i Aleksandra
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Reberski Ivanka. The universal and the regional: modernism in Croatian painting in the 1920s and 1950s
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Rogotcenko Oleksij Oleksijovic. Ukrainian textile art of the 1940s through the 1960s: Genre’s characteristic subject matter of as a proof of triumph of socialist realism
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Sokoluk Ludmila (1937- ). Mihajlo Bojcuk i Mihajlo Zuk kak vypyskniki krakovskoj Akademii izasnyh iskusstv i ih vklad v razvitie ukrainskoj hudozestvennoj kul'tury XX veka
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Stel'masuk Galina Grigor'evna (1943- ). Creative activity of Mariya Harasovska-Dachyshyn: Polish and American periods
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Ursu Natalia Oleksiivna. Podol'skaa Madonna v zivopisi Aleksandra Grena
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Viseslavs'kij Glib Anatolijovic (1962- ). Geografia i osobennosti ukrainskogo nonkonformizma
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Zvanko Lubov Mikolaivna (1972- ). Artysta Jewgienij Agafonow (1879–1955): wybitny przedstawiciel ukraińskiego malarstwa na emigracji
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Zwickl Andras (1964- ). Between conservatism and modernism: classicisms and realisms of the 1920s in Central Europe
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Żmurko Tetiana. A few words about painting
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Żmurko Tetiana. Ja vs. drugoj : fenomen pokolenia semidesatnikov v kontekste ukrainskogo iskusstva vtoroj poloviny XX veka
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Żmurko Tetiana. Through the roar of space cataclysms on Fedir Tetianych’s artistic practice
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