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Biblioteka Muzeum Narodowego
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Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
(1)
Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Arenthals Jeannette van (1963- )
(1)
Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Bijsterveld Arnoud-Jan A. (1962- )
(1)
Bijsterveld Arnoud-Jan A. (1962- ). Royal burial places in Western Europe
(1)
Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
(1)
Boer Dick E. H. de (1947- ). Metra de Morte
(1)
Boggild Johannsen Birgitte (1948- ). Cum tota posteritas digne ut meruit simul honorare nequeat
(1)
Borchert Till-Holger (1967- )
(1)
Breure Leendert (1949- ). The richness of Memoria and the Web
(1)
Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
(1)
Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
(1)
Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
(1)
Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
(1)
Couvert Jacqueline
(1)
Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
(1)
Defoer Henri L. M. (1936- ). The Triptych of the Pauw-Sas Family from the Utrecht Charterhouse
(1)
Dikken Charlotte (1984- ). A monument to a glorious past and a questionable future?
(1)
Dubois Anne
(1)
Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
(1)
Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
(1)
Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Engen Hildo van (1972- ). Memor esto mei
(1)
Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
(1)
Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
(1)
Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
(1)
Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
(1)
Goudriaan Koen (1950- ). Geert Grote: a founder fading into oblivion?
(1)
Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
(1)
Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in Memento mori
(1)
Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Horch Caroline (1959- ). Das steinerne Festbuch als Memorialbild
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Hoven van Genderen Bram van den (1957- ). Memoria and Amende Honorable in the Utrecht Collegiate Chapter of St Mary
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Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
(1)
Kempski Mary. Who is the man in red and who painted him?
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Laine David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
(1)
Leerdam Andrea van (1981- ). The Last Judgement with Christian II of Denmark and Isabella of Austria
(1)
Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group
(1)
Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
(1)
Meuwissen Daantje (1970- ). The Last Judgement with Christian II of Denmark and Isabella of Austria
(1)
Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
(1)
Oexle Otto Gerhard (1939-2016). Fama und memoria der Wissenschaft in der Kunst der Fruhen Neuzeit
(1)
Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens
(1)
Oosterwijk Sophie (1959- ). Babes on brackets on medieval tomb monuments: a meaningful distinction or an iconographic oddity?
(1)
Perier-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise
(1)
Ragetli Kim (1982- )
(1)
Ragetli Kim (1982- ). In word and deed
(1)
Ragetli Kim (1982- ). Living memoria
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Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
(1)
Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Schilp Thomas (1953- ). Memoria in der Dunkelheit der Nacht
(1)
Schleif Corine. Mapping the social topography of memorials
(1)
Speetjens Annemarie (1971- ). The Founder the Chaplain and the ecclesiastical authorities
(1)
Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
(1)
Trio Paul (1958- ). Obituaries or anniversary books: handle with care!
(1)
Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
(1)
Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Weijert Rolf de
(1)
Weijert Rolf de. Gift-giving practises in the Utrecht Charterhouse
(1)
Weijert Rolf de. Living memoria
(1)
Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
(1)
Whitaker Lucy. Who is the man in red and who painted him?
(1)
Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
(1)
Wustefeld Wilhelmina C.M. (1953- ). Clavicula Salomonis or: occult affairs in Amsterdam's Kalverstraat?
(1)
Rok wydania
2010 - 2019
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Kraj wydania
Belgia
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Francja
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Holandia
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Wielka Brytania
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Język
angielski
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Temat
Bueren, Truus van (1946- )
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Malarstwo europejskie
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Malarstwo sakralne europejskie
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Van Schoute, Roger (1930-2017)
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Temat: czas
1401-
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1601-
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Gatunek
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2 wyniki Filtruj
Książka
W koszyku
(Middeleeuwse Studies en Bronnen ; 137)
Autor
Arenthals Jeannette van (1963- ). Bijsterveld Arnoud-Jan A. (1962- ). Ragetli Kim (1982- ). Weijert Rolf de. Bijsterveld Arnoud-Jan A. (1962- ). Royal burial places in Western Europe Boer Dick E. H. de (1947- ). Metra de Morte Bøggild Johannsen Birgitte (1948- ). "Cum tota posteritas digne ut meruit simul honorare nequeat" Breure Leendert (1949- ). The richness of Memoria and the Web Defoer Henri L. M. (1936- ). The Triptych of the Pauw-Sas Family from the Utrecht Charterhouse Dikken Charlotte (1984- ). A monument to a glorious past and a questionable future? Engen Hildo van (1972- ). Memor esto mei Goudriaan Koen (1950- ). Geert Grote: a founder fading into oblivion? Horch Caroline (1959- ). Das steinerne Festbuch als "Memorialbild" Hoven van Genderen Bram van den (1957- ). Memoria and Amende Honorable in the Utrecht Collegiate Chapter of St Mary Leerdam Andrea van (1981- ). The Last Judgement with Christian II of Denmark and Isabella of Austria Meuwissen Daantje (1970- ). The Last Judgement with Christian II of Denmark and Isabella of Austria Oexle Otto Gerhard (1939-2016). Fama und memoria der Wissenschaft in der Kunst der Frühen Neuzeit Oosterwijk Sophie (1959- ). Babes on brackets on medieval tomb monuments: a meaningful distinction or an iconographic oddity? Ragetli Kim (1982- ). In word and deed Ragetli Kim (1982- ). Living memoria Schilp Thomas (1953- ). Memoria in der Dunkelheit der Nacht Schleif Corine. Mapping the social topography of memorials Speetjens Annemarie (1971- ). The Founder, the Chaplain and the ecclesiastical authorities Trio Paul (1958- ). Obituaries or anniversary books: handle with care! Weijert Rolf de. Gift-giving practises in the Utrecht Charterhouse Weijert Rolf de. Living memoria Wüstefeld Wilhelmina C.M. (1953- ). Clavicula Salomonis or: occult affairs in Amsterdam's Kalverstraat?
Indeks R0: BMNK
Bibliogr. s. 379-413.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 31951 sygn. II 31951 (1 egz.)
Książka
W koszyku
(Dessin Sous-Jacent et la Technologie dans la Peinture = Underdrawing and Technology in Painting ; symposium 19)
Autor
Borchert Till-Holger (1967- ). Couvert Jacqueline. Dubois Anne. Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies, connoisseurship and provenance research Bücken Véronique. Le Triptyque de l'Adoration des Mages (Turin-Gênes) et le mecenat d'Hendrik Keddekin, abbe de Ter Doest Ciulisová Ingrid (1960- ). The Saint Michael altarpiece in Spišská Kapitula - a preliminary report Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination, cleaning and restoration Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve, Archives de l’Université, ms. A2) Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop Ewing Dan. Two "new" paintings by Jan de Beer – technical studies, connoisseurship and provenance research Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Fücker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop Galassi Maria Clelia (1954- ). Revising Friedländer - the "underdrawing connoisseurship” and the Master of the Turin Adoration Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg, c. 1420 - new findings about painting process and characteristics Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori" Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy Kempski Mary. Who is the man in red and who painted him? Lainé David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens Périer-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés - as unusual altarpiece Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Whitaker Lucy. Who is the man in red and who painted him? Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
Indeks R0: BMNK
Konferencja zorganizowana przez: Université catholique de Louvain, Musée de Louvain-la-Neuve, and Musea Brugge in collaboration with KIK-IRPA, Royal Institute for Cultural Heritage, Illuminare - Centre for Study of Medieval Art - KULeuven - University of Leuven.
Druk. dedyk.: In memoriam Roger Van Schoute.
Bibliogr. s. 351-369.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24321 sygn. III 24321 (1 egz.)
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