Form of Work
Książki
(5)
Status
available
(3)
unavailable
(2)
Branch
Magazyn
(5)
Author
Massing Ann
(3)
Ackroyd Paul. Retouching media used at the National Gallery London since the nineteenth century
(1)
Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(1)
Binski Paul (1956- )
(1)
Birkenbeul Ina. Consolidation of flaking paint and ground
(1)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Consolidation of flaking paint and ground
(1)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(1)
Bomford David. Foreword
(1)
Bomford David. Picture cleaning: positivism and metaphysics
(1)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(1)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(1)
Buckley Barbara A. Stretchers tensioning and attachments
(1)
Bucklow Spike. The classification of craquelure patterns
(1)
Bucklow Spike. The state of research into retouching resins
(1)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(1)
Campbell Lorne (1946- ). Conservation of Netherlandish paintings in the fifteenth and sixteenth centuries
(1)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(1)
Castelli Ciro
(1)
Ciatti Marco (1955- ). An unusual case of integration and its solution
(1)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Cove Sarah. Retouching with a PVA resin medium
(1)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(1)
Cross Maureen. Retouching media for acrylic paintings
(1)
Digney-Peer Shawn. Imitative retouching of easel paintings
(1)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(1)
Dixon Thomas. Storage of easel paintings
(1)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(1)
Druzik James. The lighting of easel paintings
(1)
Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours
(1)
Eastaugh Nicholas. Optical microscopy
(1)
Eastaugh Nicholas. Pigments in Western easel painting
(1)
Ellison Rebecca
(1)
Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching
(1)
Folkes Simon. Texturing fills using a silicone mould
(1)
Fuster-López Laura. Filling
(1)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(1)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(1)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(1)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(1)
Gottsegen Mark D. Recommending materials to artists
(1)
Gottsegen Mark D. Twentieth-century grounds
(1)
Gritt Stephen. Imitative retouching of easel paintings
(1)
Hackney Stephen. Lining easel paintings
(1)
Hanson Andrew. Colour theory and the application of a portable spectrophotometer for retouching
(1)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(1)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Hermens Erma (1958- ). Binding media
(1)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(1)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(1)
Horovitz Isabel. Consolidation of flaking paint and ground
(1)
Hutchings Jeremy. Sustainable conservation management of exhibitions
(1)
Katlan Alexander. History of fabric supports
(1)
Kempski Mary. The art of tempera retouching
(1)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(1)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(1)
Koneczny Peter. An introduction to B72 Retouching Gels
(1)
Koneczny Peter. Properties of pigments retouching media and their use
(1)
Laing Alastair (1944- ). William Seguier and advice to picture collectors
(1)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(1)
Learner Thomas J. S. Modern paints
(1)
Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions
(1)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(1)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(1)
Lowengard Sarah. Pigments in Western easel painting
(1)
Lowry Kate. Retouching with Paraloid B-72
(1)
MacBeth Rhona. The technical examination and documentation of easel paintings
(1)
Marvelde Mireille te. Lining easel paintings
(1)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Massing Ann. Restoration policy in France in the eighteenth century
(1)
Massing Ann. The history of egg tempera as a retouching medium
(1)
Mayer Debora D. Identification of textile fibres found in common painting supports
(1)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(1)
McClure Ian. Framing and microclimate enclosures for panel paintings
(1)
McClure Ian. History of painting conservation and the royal collection
(1)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(1)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(1)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(1)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(1)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Nadolny Jilleen. History of visual compensation for paintings
(1)
Nadolny Jilleen. Pigments in Western easel painting
(1)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(1)
Oddy William Andrew (1942- )
(1)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(1)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(1)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(1)
Ormsby Bronwyn. Twentieth-century grounds
(1)
Perry Roy A. Imitative retouching of easel paintings
(1)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(1)
Phenix Alan. A brief survey of historical varnishes
(1)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(1)
Phenix Alan. The composition and chemistry of eggs and egg tempera
(1)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(1)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(1)
Reddington Sophie. Texturing fills using a silicone mould
(1)
Reifsnyder Joan. Lining easel paintings
(1)
Roma Paolo. An unusual case of integration and its solution
(1)
Year
2010 - 2019
(2)
2000 - 2009
(3)
Country
United Kingdom
(5)
United States
(1)
Language
English
(5)
Subject
Malarstwo (szt.plast.)
(3)
Konserwatorstwo angielskie
(2)
Ołtarze angielskie
(2)
Malarstwo angielskie
(1)
Malarstwo sakralne angielskie
(1)
Westminster (Londyn)
(1)
Subject: time
1401-
(2)
1301-
(1)
Subject: place
Thornham Parva
(1)
Genre/Form
Materiały konferencyjne
(2)
6 results Filter
Authority data
Massing Ann (hasło formalne)
No cover
Book
In basket
Tytuł: The Thornham Parva Retable : technique, conservation and context of an English medieval painting / edited by Ann Massing.
Adres wydawniczy: Cambridge : University of Cambridge. The Hamilton Kerr Institute ; London : Harvey Miller Publishers, 2003.
Opis fizyczny: 237 s. : il. (w tym kolor.) ; 29 cm.
Seria: Painting and Practice
Uwaga: Bibliogr. s. 230-231. Słownik terminów.
Temat: Konserwatorstwo angielskie
Temat: Malarstwo sakralne angielskie - technika - 14 w
Temat: Ołtarze angielskie - historia - 14 w
Temat: Ołtarze angielskie - ochrona i konserwacja
Temat: Ołtarze angielskie - technika - 15 w
Temat: Thornham Parva - sztuka - 14 w
Hasło dodatkowe: Massing, Ann.
Hasło dodatkowe: University of Cambridge. The Hamilton Kerr Institute
Hasło dodatkowe: Brepols
ISBN: 1-872501-07-9
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 18605 (1 egz.)
No cover
Book
In basket
Tytuł: The Westminster Retable : history, technique, conservation / edited by Paul Binski and Ann Massing ; with the assistance of Marie Louise Sauerberg.
Adres wydawniczy: Cambridge : University of Cambridge. The Hamilton Kerr Institute ; London ; Turnhout : Harvey Miller Publishers, 2009.
Opis fizyczny: 464 s. : il. (w tym kolor.) ; 29 cm.
Seria: Painting and Practice
Uwaga: Bibliogr. s. 447-449. Indeks. Słownik terminów.
Temat: Westminster (Londyn) - 15 w
Temat: Konserwatorstwo angielskie
Temat: Malarstwo angielskie - technika - 15 w
Temat: Ołtarze angielskie - historia - 15 w
Temat: Ołtarze angielskie - ochrona i konserwacja - 15 w
Temat: Ołtarze angielskie - technika - 15 w
Hasło dodatkowe: Binski, Paul (1956- ).
Hasło dodatkowe: Massing, Ann.
Hasło dodatkowe: Sauerberg, Marie Louise.
Hasło dodatkowe: University of Cambridge. The Hamilton Kerr Institute
Hasło dodatkowe: Brepols
ISBN: 978-1-905375-28-8
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 18024 (1 egz.)
Book
In basket
Tytuł: Studies in the history of painting restoration : proceedings of a symposium held in London, 23 February 1996 / ed. by Christine Sitwell and Sarah Staniforth.
Wydanie: Reprint.
Adres wydawniczy: London : Archetype Publications : in assoc. with The National Trust, 2002.
Opis fizyczny: X, 180 s. : il. ; 25 cm.
Uwaga: Bibliogr. przy niektórych ref.
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Sitwell, Christine.
Hasło dodatkowe: Staniforth, Sarah.
Hasło dodatkowe: Thomas, Anabel (1945- ). Restoration or renovation
Hasło dodatkowe: Campbell, Lorne (1946- ). Conservation of Netherlandish paintings in the fifteenth and sixteenth centuries
Hasło dodatkowe: Talley, Mansfield Kirby (1941- ). Miscreants and hotentots
Hasło dodatkowe: Véliz, Zahira. Restoration of paintings in the Spanish royal collections, 1734-1820
Hasło dodatkowe: Massing, Ann. Restoration policy in France in the eighteenth century
Hasło dodatkowe: McClure, Ian. History of painting conservation and the royal collection
Hasło dodatkowe: Laing, Alastair (1944- ). William Seguier and advice to picture collectors
Hasło dodatkowe: Waterfield, Giles (1949-2016). Conservation at Dulwich Picture Gallery in the nineteenth century
Hasło dodatkowe: Sitwell, Christine. Approach to restoration in English country houses
Hasło dodatkowe: Rose, Jenny. Investigation into the domestic care of paintings in English country houses in the eighteenth and nineteenth centuries
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: National Trust
ISBN: 1-873132-46-8
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. II 30404 (1 egz.)
Book
In basket
Tytuł: Mixing and matching : approaches to retouching paintings / edited by Rebecca Ellison, Patricia Smithen and Rachel Turnbull.
Wariant tytułu: Approaches to retouching paintings
Adres wydawniczy: London : Archetype Publications : in association with the Icon Paintings Group : British Association of Paintings Conservator-Restorers (BAPCR), 2010.
Opis fizyczny: IX, 179 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Publikacja jest efektem trzech warsztatów zorganizowanch przez Paintings Group of the Institute of Conservation (Icon) oraz British Association of Painting Conservator-Restorers (BAPCR) w Courtauld Institute of Art, Londyn, 2007.
Uwaga: Bibliogr. przy ref.
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja - materiały konferencyjne
Temat: Malarstwo (szt.plast.) - technika - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Ellison, Rebecca.
Hasło dodatkowe: Smithen, Patricia.
Hasło dodatkowe: Turnbull, Rachel.
Hasło dodatkowe: Ackroyd, Paul. Retouching media used at the National Gallery, London, since the nineteenth century
Hasło dodatkowe: Bucklow, Spike. The state of research into retouching resins
Hasło dodatkowe: Ciatti, Marco (1955- ). An unusual case of integration and its solution
Hasło dodatkowe: Cove, Sarah. Retouching with a PVA resin medium
Hasło dodatkowe: Cross, Maureen. Retouching media for acrylic paintings
Hasło dodatkowe: Dunkerton, Jill (1952- ). Retouching with Gamblin conservation colours
Hasło dodatkowe: Evans, Stig. Colour theory and the application of a portable spectrophotometer for retouching
Hasło dodatkowe: Folkes, Simon. Texturing fills using a silicone mould
Hasło dodatkowe: Hanson, Andrew. Colour theory and the application of a portable spectrophotometer for retouching
Hasło dodatkowe: Kempski, Mary. The art of tempera retouching
Hasło dodatkowe: Koneczny, Peter. An introduction to B72 Retouching Gels
Hasło dodatkowe: Koneczny, Peter. Properties of pigments, retouching media and their use
Hasło dodatkowe: Lowry, Kate. Retouching with Paraloid B-72
Hasło dodatkowe: Massing, Ann. The history of egg tempera as a retouching medium
Hasło dodatkowe: Phenix, Alan. The composition and chemistry of eggs and egg tempera
Hasło dodatkowe: Reddington, Sophie. Texturing fills using a silicone mould
Hasło dodatkowe: Roma, Paolo. An unusual case of integration and its solution
Hasło dodatkowe: Sartiani, Oriana (1960- ). An unusual case of integration and its solution
Hasło dodatkowe: Severini, Leonardo. An unusual case of integration and its solution
Hasło dodatkowe: Sims, Shelley. Retouching media for acrylic paintings
Hasło dodatkowe: Smithen, Patricia. Retouching media for acrylic paintings
Hasło dodatkowe: Sozzani, Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: Institute of Conservation (Londyn). Paintings Group
Hasło dodatkowe: British Association of Paintings Conservator-Restorers
ISBN: 978-1-904982-50-0
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. II 31514 (1 egz.)
Book
In basket
Tytuł: The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield.
Adres wydawniczy: London ; New York : Routledge Taylor & Francis Group, 2012.
Opis fizyczny: XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
Seria: Routledge Series in Conservation and Museology
Uwaga: Bibliogr. s. 765-866. Indeks.
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja
Hasło dodatkowe: Stoner, Joyce Hill (1946- ).
Hasło dodatkowe: Rushfield, Rebecca (1954- ).
Hasło dodatkowe: Oddy, William Andrew (1942- ).
Hasło dodatkowe: Ackroyd, Paul. The structural conservation of paintings on wooden panel supports
Hasło dodatkowe: Birkenbeul, Ina. Consolidation of flaking paint and ground
Hasło dodatkowe: Bisacca, George. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Consolidation of flaking paint and ground
Hasło dodatkowe: Blewett, Morwenna R. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bomford, David. Picture cleaning: positivism and metaphysics
Hasło dodatkowe: Boon, Jaap J. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Buck, Susan L. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Buckley, Barbara A. Stretchers, tensioning, and attachments
Hasło dodatkowe: Bucklow, Spike. The classification of craquelure patterns
Hasło dodatkowe: Burnstock, Aviva. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Carlyle, Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Carlyle, Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
Hasło dodatkowe: Castelli, Ciro.
Hasło dodatkowe: Clarke, Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Cross, Maureen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Digney-Peer, Shawn. Imitative retouching of easel paintings
Hasło dodatkowe: Dixon, Thomas. Framing, glazing, backing, and hanging of paintings on canvas
Hasło dodatkowe: Dixon, Thomas. Storage of easel paintings
Hasło dodatkowe: Dolgikh, Irina V. (1974- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Druzik, James. The lighting of easel paintings
Hasło dodatkowe: Eastaugh, Nicholas. Optical microscopy
Hasło dodatkowe: Eastaugh, Nicholas. Pigments in Western easel painting
Hasło dodatkowe: Fuster-López, Laura. Filling
Hasło dodatkowe: Golden, Mark (1948- ). Varnishing of acrylic paintings by artists
Hasło dodatkowe: Goltz, Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Goltz, Michael von der (1956- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Goltz, Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Gottsegen, Mark D. Recommending materials to artists
Hasło dodatkowe: Gottsegen, Mark D. Twentieth-century grounds
Hasło dodatkowe: Gritt, Stephen. Imitative retouching of easel paintings
Hasło dodatkowe: Hackney, Stephen. Lining easel paintings
Hasło dodatkowe: Heiber, Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Hermens, Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Hermens, Erma (1958- ). Binding media
Hasło dodatkowe: Hoenigswald, Ann. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Holubec, Inken Maria. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Horovitz, Isabel. Consolidation of flaking paint and ground
Hasło dodatkowe: Hutchings, Jeremy. Sustainable conservation management of exhibitions
Hasło dodatkowe: Katlan, Alexander. History of fabric supports
Hasło dodatkowe: Klein, Peter. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Klocke, Jens. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Learner, Thomas J. S. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Learner, Thomas J. S. Modern paints
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Sustainable conservation management of exhibitions
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Loon, Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Lowengard, Sarah. Pigments in Western easel painting
Hasło dodatkowe: MacBeth, Rhona. The technical examination and documentation of easel paintings
Hasło dodatkowe: Marvelde, Mireille te. Lining easel paintings
Hasło dodatkowe: Massing, Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Mayer, Debora D. Identification of textile fibres found in common painting supports
Hasło dodatkowe: Mayer, Lance.Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Myers, Gay. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: McClure, Ian. Framing and microclimate enclosures for panel paintings
Hasło dodatkowe: McGinn, Mary. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Michalski, Stefan (konserwatorstwo). The lighting of easel paintings
Hasło dodatkowe: Nadolny, Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
Hasło dodatkowe: Nadolny, Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Nadolny, Jilleen. History of visual compensation for paintings
Hasło dodatkowe: Nadolny, Jilleen. Pigments in Western easel painting
Hasło dodatkowe: Noble, Petria. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Olley, Peggy A. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Ormsby, Bronwyn. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Ormsby, Bronwyn. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Ormsby, Bronwyn. Twentieth-century grounds
Hasło dodatkowe: Perry, Roy A. Imitative retouching of easel paintings
Hasło dodatkowe: Petersen, Karin. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Phenix, Alan. A brief survey of historical varnishes
Hasło dodatkowe: Phenix, Alan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Proctor, Robert G. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Ramsay, Barbara A. Travelling exhibitions and transporting paintings
Hasło dodatkowe: Reifsnyder, Joan. Lining easel paintings
Hasło dodatkowe: Rossol, Monona. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Rushfield, Rebecca (1954- ). Conservation organizations and professional standards
Hasło dodatkowe: Saunders, David. Image documentation for paintings conservation
Hasło dodatkowe: Scharff, Mikkel. Lining easel paintings
Hasło dodatkowe: Scharff, Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Schmitt, Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
Hasło dodatkowe: Scholte, Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Spaabaek, Lin Rosa. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stassinopoulos, Stergios. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stavroudis, Chris. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Grounds, 1400-1900
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). International public outreach projects
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Introduction
Hasło dodatkowe: Streeton, Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stringari, Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66
Hasło dodatkowe: Swicklik, Michael. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Thomas, Karen. Imitative retouching of easel paintings
Hasło dodatkowe: Tomkiewicz, Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Townsend, Joyce H. A brief survey of historical varnishes
Hasło dodatkowe: Townsend, Joyce H. Binding media
Hasło dodatkowe: Townsend, Joyce H. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Townsend, Joyce H. Imitative retouching of easel paintings
Hasło dodatkowe: Townsend, Joyce H. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Wadum, Jørgen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Walsh, Valentine. Optical microscopy
Hasło dodatkowe: Whitten, Jill. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Wolbers, Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Young, Christina. History of fabric supports
Hasło dodatkowe: Taylor & Francis
ISBN: 978-0-7506-8199-5
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 23047 (1 egz.)
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