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Arendt Ada
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Arianda Nina (1983- )
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(1)
Bartlova Milena (1958- ). Artistic form as a communication medium: what is beautiful about the beautiful style?
(1)
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(1)
Baumer Ursula
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Benson Timothy O. (1950- ). Mapping culture in Central Europe: Dada and Devetsil
(1)
Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
(1)
Betts Jonathan (1955- ). Clocks and watches
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Biro Peter Paul
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Blahynka Miloslav (1961-2011). Samuel Capricornus composer in the services of the Evangelical Lutheran Church in Bratislava
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Bockova Hana (1955- ). Image of the protestant in religious educational literature
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Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
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Boon Jaap J. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
(1)
Bryson Anna
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Brzyski Anna (1969- ). Centres and peripheries: language barriers and the cultural geography of European modern art
(1)
Bullock Linda. Chemical agents of deterioration
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Buzek Vaclav. The manifestation of religious identity in the symbolic communications of Ferdinand of Tyrol
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Bydzovska Lenka (1956- )
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Calnan Christopher. Lacquer and japanning
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Child Robert. Biological agents of deterioration
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Cook Nettie. Events: planning and protection
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Cotgrove Caroline. Events : planning and protection
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Cotte Pascal (1958- )
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Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Daniels Mark. Health and safety
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Dietemann Patrick
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Dodinet Elisabeth. A note on the Colorant Gamboge its introduction in Europe and use in coloured glazes
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Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues
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Dodinet Elisabeth. Frankinscene Boswellia sp. Burseraceae: Identification issues and analyses of the sources throughout history
(1)
Dovydaityte Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism
(1)
Doyal Sherry. World culture collections
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Dunn-Sixt Marilyn. Linens and whitework
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Eigl Steffen. Berlin as the avant-garde centre or a dream of the new life. Perspectives on art and European collaboration after 1918
(1)
Eigl Steffen. Between self-stylisation and international breakthrough. Some aspects of the major art exhibitions of the 1910s in European context
(1)
Emmerling Erwin (1952- )
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Ferguson Rebecca (1983- )
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Fisher Alfred. Window glass
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Forgacs Eva (1947- ). Internationalism and its technicalities. The Hungarian avant-garde's outreach to international art 1919-1926
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Forgacs Eva (1947- ). Whose narrative is it?
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Franzen Wilfried (1943- ). Catholic media in utraquist Bohemia
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Fras Vlado. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Frears Stephen (1941- )
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French Ann. Costume and accessories
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Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Genova Irina Ivanova (1959- ). Balkan modernism / Balkan modernity: the difficulties of historicizing
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Grant Hugh A. (1945- )
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Greenacre Mary. Living in historic houses
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Gruber Christian (1939- )
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Gryglewicz Tomasz (1949-2022). Ideology or culture: on the art of a non-existing Central Europe at the time of the avant-garde and the Yalta conference
(1)
Harris Rupert. Arms and armour
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Harris Rupert. Metals
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Harris Rupert. Metalwork
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Harris Rupert. Outdoor metals
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Helberg Simon (1980- )
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Hickey Sarah. Transporting objects
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Hlavacek Petr (1974- ). Catholics utraquists and lutherans in Northwestern Bohemia or public space as a medium for declaring confessional identity
(1)
Hodge Nicholas
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Holeton David R. (1948- ). Bohemia speaking to God: the search for a national liturgical expression
(1)
Horst Jerre van der
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Howard Jeremy. Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner
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Hubkova Jana. Events in Bohemia as pictured in protestant illustrated single- and multiple-sheet broadsheets from 1618-1620
(1)
Jackson Frances. Vehicles
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Jackson Patricia. Glass
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Jakubec Ondrej (1976- ). We believe that Your Ladyship will deign to accept this small gift from us with gratitude. Artworks and literature as means for strengthening catholicism in Moravia before the battle of the White Mountain
(1)
Jankeviciute Giedre (1960- ). Traditionalism as modernism: neo-traditionalism in Lithuanian art
(1)
Joyeux-Prunel Beatrice (1977- ). Paris for central European avant-gardes. What kind of a reception?
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Jozefacka Anna. Cubism goes East. Kahnweiler's Central European network of agents and collectors
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Julien Sophie. Chemical agents of deterioration
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(1)
Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
(1)
Kemp Martin (1942- )
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Kessler Erwin. Printed networks. Romanian avantgarde magazines
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Keune Katrien
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Kiss-Szeman Zsófia (1964- ). Kosice as a model modernist city
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Kolesnik Ljiljana. Dangerous liaisons: the relationship between art and the socialist state. The Croatian experience in the 1950s
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Kuhlenthal Michael. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Story of the new masterpiece by Leonardo da Vinci - La Bella Principessa
Bella Principessa
Na obwol.: "The story of the new masterpiece by Leonardo da Vinci - La Bella Principessa". Tyt. grzbiet.: "La Bella Principessa".
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The National Trust manual of housekeeping : care and conservation of collections in historic houses. - Edition revised. - Swindon : National Trust, 2011. - [6], 922 s. : il. (gł. kolor.) ; 29 cm.
Autor
Reynolds Fiona. Staniforth Sarah. Conservation: principles, practice and ethics Staniforth Sarah. Paintings Rowell Christopher. The historic house context : The National Trust Experience Abey-Koch Madelaine. History of housekeeping Lloyd Helen. Ceramics Lloyd Helen. Collections outdoors Lloyd Helen. Decorative light fittings Lloyd Helen. Floor coverings Lloyd Helen. Floors Lloyd Helen. Light as an agent of deterioration Lloyd Helen. Opening historic houses Lloyd Helen. Physical agents of deterioration Lloyd Helen. Staffing historic houses Lloyd Helen. Window glass Lithgow Katy. Building work : planning and protection Lithgow Katy. Housekeeping tasks Lithgow Katy. Outdoor wood Lithgow Katy. Physical agents of deterioration Lithgow Katy. Planning and managing housekeeping Lithgow Katy. Polychrome sculpture Lithgow Katy. Storage Julien Sophie. Chemical agents of deterioration Bullock Linda. Chemical agents of deterioration Bullock Linda. Display cases and exhibitions Child Robert. Biological agents of deterioration Proudfoot Trevor. Mosaics and decorative tiles Proudfoot Trevor. Plasterwork Proudfoot Trevor. Polychrome sculpture Proudfoot Trevor. Stone, plaster, and terracotta Proudfoot Trevor. Stonework Stewart John. Mosaics and decorative tiles Davison Sandra. Glass Davison Sandra. Mosaics and decorative tiles Davison Sandra. Stone, plaster, and terracotta Sitwell Christine. Lacquer and japanning Sitwell Christine. Painted interiors: wall paintings and painted decoration Sitwell Christine. Polychrome sculpture Sandiford Mark. Wallpaper Mapes Phillippa. Wallpaper Capadose Jeremy. Furniture Capadose Jeremy. Gilded and painted wood Capadose Jeremy. Woodwork Fisher Alfred. Window glass Harris Rupert. Arms and armour Harris Rupert. Metals Harris Rupert. Metalwork Harris Rupert. Outdoor metals Mortimer Martin. Decorative light fittings Daintith Christine. Ceramics Jackson Patricia. Glass Betts Jonathan (1955- ). Clocks and watches Seeley Nigel. Commissioning conservation work Seeley Nigel. Historic house technology Seeley Nigel. Plastics Seeley Nigel. Scientific instruments Marsland Victoria. Gilded and painted wood Calnan Christopher. Lacquer and japanning Calnan Christopher. Leather Rendell Caroline. Keeping records Rendell Caroline. Textiles Marko Ksynia. Tapestries, carpets, and rugs Dunn-Sixt Marilyn. Linens and whitework Mackenzie Althea. Costume and accessories French Ann. Costume and accessories Bush Andrew. Glazed framework paper and other materials Bush Andrew. Paper Storey Graeme. Glazed framework paper and other materials Storey Graeme. Paper Bendix Caroline. Books Pickwoad Nicholas. Books Bools Anita. Photographs Derbyshire Alan. Portrait miniatures Moore Simon. Natural history collections Doyal Sherry. World culture collections Murray Christine. World culture collections Shelley Linda. World culture collections Sully Dean. Archaeological collections Daniels Vincent. Plastics Jackson Frances. Vehicles Nicholson Christopher. Vehicles Daniels Mark. Health and safety Martin Tim. Historic house technology McCarthy Catherine. Events : planning and protection Cotgrove Caroline. Events : planning and protection Macalister Fiona. Display cases and exhibitions Cook Nettie. Events: planning and protection Nicky Ingram. Interpreting conservation Greenacre Mary. Living in historic houses Vint Julie. Living in historic houses Reid Margaret. Transporting objects Hickey Sarah. Transporting objects Staniforth Sarah. Agents of deterioration Staniforth Sarah. Chemical agents of deterioration Staniforth Sarah. Relative humidity as an agent of deterioration
Indeks R0: BMNK
Wyd. popr., oparte na trzeciej edycji z 2008 r.
Bibliogr. s. 884-887 i przy art. Indeks.
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Są egzemplarze dostępne do wypożyczenia: sygn. III 23120 (1 egz.)
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Autor
Arendt Ada. Bryson Anna. Hodge Nicholas. Nagy Ladislav (1974- ). Srp Karel (1958- ). Viszóki Ágnes. Bydžovská Lenka (1956- ). Danyi Orsolya. Eigl Steffen. Berlin as the avant-garde centre, or a dream of the new life. Perspectives on art and European collaboration after 1918 Eigl Steffen. Between self-stylisation and international breakthrough. Some aspects of the major art exhibitions of the 1910s in European context Forgács Éva (1947- ). Internationalism and its technicalities. The Hungarian avant-garde's outreach to international art 1919-1926 Joyeux-Prunel Béatrice (1977- ). Paris for central European avant-gardes. What kind of a reception? Jozefacka Anna. Cubism goes East. Kahnweiler's Central European network of agents and collectors Kessler Erwin. Printed networks. Romanian avantgarde magazines Kiss-Szemán Zsófia (1964- ). Košice as a model modernist city Krmelj Vesna. Kruljac Vesna. Kundračíková Barbora (1986- ). Kurc-Maj Paulina. The style of the present. The beginnings of the constructivist avant-garde in Poland Lahoda Vojtěch (1955-2019). "New art" in the "last days of mankind" Lodder Christina (1948- ). Constructivist dimension Mahler Luise. Cubism goes East. Kahnweiler's Central European network of agents and collectors Mansbach Steven A. (1950- ). Toward an art of redemption modern mankind Pusztai Tünde. Rydiger Monika (1961- ). City, space, dynamics. Symphony of a metropolis Souček Martin (1964- ). Srp Karel (1958- ). Discoverers of new beauties. Devětsil between Life II and the Frony anthology Srp Karel (1958- ). Unstable Central Europe Subotić Irina (1942- ). Zenit as ideological foundation of the 1924 International Exhibition of New Art Trávníček Jiří (1960- ). "And so they've gone and killed our Central Europe..." On the history of a concept Várkonyi György (1951- ). "The keen-sighted". The evolution of the Hungarian avant-garde Vojvodík Josef. The dynamics of exsplosion of art at the centre of Europa (1908-1928) Werkner Patrick (1953- ). Kineticism Wittlich Petr (1932- ). Ars una Żak Natalia (1984- ). Towards new art. Prefigurations of avant-garde tendencies in the work of Polish artists
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Katalog wystaw: Muzeum umění, Ołomuniec, 20 września 1918 - 27 stycznia 2019, Międzynarodowe Centrum Kultury, Kraków, 5 marca - 9 czerwca 2019, Galéria mesta Bratislavy, 28 czerwca - 27 października 2019, Janus Pannonius Múzeum, Pécs, 29 listopada 2019 - 1 kwietnia 2020.
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Są egzemplarze dostępne do wypożyczenia: sygn. III 24843, III 24844 (2 egz.)
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Autor
Bartlová Milena (1958- ). Šroněk Michal (1952- ). Bartlová Milena (1958- ). Artistic form as a communication medium: what is beautiful about the beautiful style? Bartlová Milena (1958- ). The crossroads of communication Blahynka Miloslav (1961-2011). Samuel Capricornus, composer in the services of the Evangelical Lutheran Church in Bratislava Bočkova Hana (1955- ). Image of the protestant in religious educational literature Bůžek Václav. The manifestation of religious identity in the symbolic communications of Ferdinand of Tyrol Franzen Wilfried (1943- ). Catholic media in utraquist Bohemia Hlaváček Petr (1974- ). Catholics, utraquists and lutherans in Northwestern Bohemia, or public space as a medium for declaring confessional identity Holeton David R. (1948- ). Bohemia speaking to God: the search for a national liturgical expression Hubková Jana. Events in Bohemia as pictured in protestant illustrated single- and multiple-sheet broadsheets from 1618-1620 Jakubec Ondřej (1976- ). "We believe that Your Ladyship will deign to accept this small gift from us with gratitude". Artworks and literature as means for strengthening catholicism in Moravia before the battle of the White Mountain Kuracinová-Valová Miroslava. The lutherans versus the crypto-calvinists of Spiš fighting (not only)over visual representations Malý Tomáš (1978- ). 'Confessional identity' in Moravian royal towns in the 16th and 17th centuries? Maňas Vladimír (1979- ). Confraternities of litterati in Moravia: funerary, musical, confessionalising corporations? Medvecký Jozef (1947- ). Speculum Justificationis. The 1611 Thurzo altarpiece and its Nuremberg model Mutlová Petra (1976- ). Communication texts through images: Nicholas of Dresden's Tabule Palmitessa James R. Overlapping and intersecting communication networks in Prague at the time of the Passau invasion of 1611 Pavlíčkova Radmila (1974- ). The funeral sermon as a confessional confrontation and manifestation Přidalová Jana. The wall painting "The law and the Gospel"? in St. Wenceslas Church in Moravian Ostrava, its iconography and the influence of utraquism Robinson-Hammerstein Helga (1938- ). Viewing and singing the World of God in lutheran Germany Šárovcová Martina (1979- ). Modus legendi: illuminated utraquist choir books of the Bohemian renaissance Škarpová Marie (1977- ). Šteyer's Kancionál český as a component of a re-catholicisation of the censorship Šroněk Michal (1952- ). Visual culture and the unity of Brethren: 'do not make yourselves graven images...' Szewczyk Aleksandra (1979- ). The bishop as shepherd and as duke: some aspects of the patronage of art by the Bishop of Wrocław in the sixteenth century Walczak Marek (1965- ). Sędziwój of Czechle and images. Art as a medium of religious identity in Poland in the second half of the 15th century Zilynská Blanka. From learned disputation to the happening. The propagation of faith through word and image
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Są egzemplarze dostępne do wypożyczenia: sygn. III 24728 (1 egz.)
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Autor
Lahoda Vojtěch (1955-2019). Benson Timothy O. (1950- ). Mapping culture in Central Europe: Dada and Devětsil Brzyski Anna (1969- ). Centres and peripheries: language barriers and the cultural geography of European modern art Dovydaitytė Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism Forgács Éva (1947- ). Whose narrative is it? Genova Irina Ivanova (1959- ). Balkan modernism / Balkan modernity: the difficulties of historicizing Gryglewicz Tomasz (1949-2022). Ideology or culture: on the art of a non-existing Central Europe at the time of the avant-garde and the Yalta conference Howard Jeremy. Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner Jankevičiutė Giedrė (1960- ). Traditionalism as modernism: neo-traditionalism in Lithuanian art Kļaviņš Eduards (1937- ). The ambivalence of ethnography in the context of Latvian modernism Kolešnik Ljiljana. Dangerous liaisons: the relationship between art and the socialist state. The Croatian experience in the 1950s Lahoda Vojtěch (1955-2019). Global form and local spirit: Czech and Central European modern art Levinger Esther. Hungarian constructivism and totality Lodder Christina (1948- ). International constructivism and the legacy of unovis in the 1920s: El Lissitzky, Katarzyna Kobro and Władisław Strzemiński Mazzone Marian. Location, process, identity: actions and happenings in the 1960s Mudrak Miroslava Marìâ (1950- ). Polish modernism and Ukrainian artists: parallel strategies Murawska-Muthesius Katarzyna (1955- ). Unworlding slaka, or does Eastern (Central) European art exist? Pachmanová Martina (1970- ). Les femmes artistes d’aujourd’hui: Czech women artists in the context of international modernism Prelovšek Damjan (1945- ). The architect Jože Plečnik: the originator of critical regionalism Reberski Ivanka. The universal and the regional: modernism in Croatian painting in the 1920s and 1950s Sawicki Nicholas (1974- ). Modernist paradigms after the war: the case of Max Dvořák Schultz Deborah. Methodological issues: researching socialist realist Romania Šimičić Darko (1957- ). The case of Dada: searching through the archipelago of the avant-gardes in Central Europe Szczerski Andrzej (1971- ). Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner Versari Maria Elena. The Central European avant-garde of the 1920s: the battleground for futurist identity? Waenerberg Annika. National features in modern art: Edwin Lydén (1879-1956) and Wassily Kandinsky (1866-1944) Wierzbicka Anna (historia sztuki). Artists from Central and Eastern Europe in the École de Paris Milieu (1918-1939): the problem of assimilation and identity Witkovsky Matthew S. (1967- ). The cage of the center Wünsche Isabel (1965- ). Biocentric modernism: the other side of the avant-garde Zwickl András (1964- ). Between conservatism and modernism: classicisms and realisms of the 1920s in Central Europe
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Bibliogr. w przypisach do ref.
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Są egzemplarze dostępne do wypożyczenia: sygn. III 26282 (1 egz.)
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(Studien aus dem Institut für Baugeschichte, Kunstgeschichte, Kunst und Design, Restaurierung mit Architekturmuseum Technische Universität München, Fakultät für Architektur)
Autor
Emmerling Erwin (1952- ). Kühlenthal Michael. Richter Mark. Baumer Ursula. Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables Boon Jaap J. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780) Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Dietemann Patrick. Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues Dodinet Elisabeth. Frankinscene "Boswellia" sp. Burseraceae: Identification issues and analyses of the sources throughout history Dodinet Elisabeth. A note on the Colorant Gamboge, its introduction in Europe and use in coloured glazes Fras Vlado. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Gruber Christian (1939- ). Grundmann Günther. Horst Jerre van der. Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Keune Katrien. Küffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts Kühlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Kühlenthal Michael. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Kühlenthal Michael. Lüsterfassungen von Skulpturen nd Altarretabeln im künstlerischen Ausstattungskonzept des Barock und Rokoko Kühlenthal Michael. "Lüstrieren, lasieren, lackieren". Die Erforschungvon Lüsterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft Mach Martin. Moser-Seiberl Lukas. Die Altäre von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee Moser-Seiberl Lukas. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800) Pelludat Inga. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772) Pelludat Inga. Das Cuivilliés-Theater in München Rapp Klaus. Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria) Richter Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria) Richter Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf Richter Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf Richter Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomünster Richter Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Richter Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf Richter Mark. Coloured glazes of the High Altarpiece by Judas Thaddäus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland) Richter Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim Richter Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Richter Mark. Coloured glazes on metal leaf: definition and terminology Richter Mark. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772) Richter Mark. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800) Richter Mark. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria) Richter Mark. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780) Richter Mark. Polychrome wooden reliquary retable (dated 1740-1773) Richter Mark. The red glazed drapes in the Cuivilliés-Theatre: results of the scientific examination Richter Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany, Austria and Switzerland (c. 1600-1780) Rolando Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Schäfer Stephan. A luminescent metal chelate stain and its application protocol for the identification of proteinaceous binding media within paint cross sections Schieber Judith. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Schott Frauke. Polychrome wooden reliquary retable (dated 1740-1773) Schott Frauke. Der Reliquienschrein aus der Hauskapelle des Friedlhofes in Abwinkl, Bad Wiessee Stege Heike (1970- ). Tokarski Caroline (1976- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Tucic Vojislav. Vanden Berghe Ina. Analysis of organic pigments applied on baroque and rokoko sculptures and retables Wenzel Juliane. Der Hochaltar der Schlosskapelle Mariae Himmelfahrt in Sünching Wolf Stefan. Das Cuivilliés-Theater in München
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