Form of Work
Książki
(2)
Status
unavailable
(2)
Branch
Magazyn
(2)
Author
Ackroyd Paul. Retouching media used at the National Gallery London since the nineteenth century
(1)
Balch Pippa
(1)
Bordt Nele. Observations on Rudolf Swoboda’s painting technique
(1)
Bucklow Spike. The state of research into retouching resins
(1)
Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings
(1)
Ciatti Marco (1955- ). An unusual case of integration and its solution
(1)
Costaras Nicola
(1)
Costaras Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings
(1)
Cove Sarah. Retouching with a PVA resin medium
(1)
Cross Maureen. Retouching media for acrylic paintings
(1)
Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours
(1)
Ellison Rebecca
(1)
Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching
(1)
Folkes Simon. Texturing fills using a silicone mould
(1)
Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Glanville Helen
(1)
Hanson Andrew. Colour theory and the application of a portable spectrophotometer for retouching
(1)
Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists
(1)
Kempski Mary. The art of tempera retouching
(1)
Koneczny Peter. An introduction to B72 Retouching Gels
(1)
Koneczny Peter. Properties of pigments retouching media and their use
(1)
Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Lowry Kate
(1)
Lowry Kate. Retouching with Paraloid B-72
(1)
Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists
(1)
Macaro Gabriella. The Barbizon paintings at the National Gallery London: a technical study
(1)
Massing Ann. The history of egg tempera as a retouching medium
(1)
Phenix Alan. The composition and chemistry of eggs and egg tempera
(1)
Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Reddington Sophie. Texturing fills using a silicone mould
(1)
Roma Paolo. An unusual case of integration and its solution
(1)
Saltmarsh Polly
(1)
Sartiani Oriana (1960- ). An unusual case of integration and its solution
(1)
Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique
(1)
Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Severini Leonardo. An unusual case of integration and its solution
(1)
Simon Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century
(1)
Sims Shelley. Retouching media for acrylic paintings
(1)
Smithen Patricia
(1)
Smithen Patricia. Retouching media for acrylic paintings
(1)
Sozzani Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
(1)
Speleers Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris
(1)
Sperber Roxanne. The retouching practices of John Linnell: technique patronage and practice from two works in the Yale Center for British Art
(1)
Splendore Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Straub Michaela. The conservation and research of two paintings by Alfred East RA
(1)
Sutcliffe Victoria
(1)
Tomlinson Hayley. Ernst-Victor Hareux and the Barbizon Artists
(1)
Turnbull Rachel
(1)
Veldink Suzanne. George Hendrik Breitner at work: new insights
(1)
Whitehouse Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate
(1)
Woltman Nienke. George Hendrik Breitner at work: new insights
(1)
Woodcock Sally. Alteration restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen
(1)
Wright Adele. "Method cannot govern everything". Delacroix: mid-century modern master
(1)
Year
2010 - 2019
(2)
Country
United Kingdom
(2)
Language
English
(2)
Subject
Konserwatorstwo
(1)
Malarstwo (szt.plast.)
(1)
Malarstwo europejskie
(1)
Subject: time
1801-
(1)
1901-
(1)
2001-0
(1)
Genre/Form
Materiały konferencyjne
(2)
2 results Filter
Book
In basket
Tytuł: Mixing and matching : approaches to retouching paintings / edited by Rebecca Ellison, Patricia Smithen and Rachel Turnbull.
Wariant tytułu: Approaches to retouching paintings
Adres wydawniczy: London : Archetype Publications : in association with the Icon Paintings Group : British Association of Paintings Conservator-Restorers (BAPCR), 2010.
Opis fizyczny: IX, 179 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Publikacja jest efektem trzech warsztatów zorganizowanch przez Paintings Group of the Institute of Conservation (Icon) oraz British Association of Painting Conservator-Restorers (BAPCR) w Courtauld Institute of Art, Londyn, 2007.
Uwaga: Bibliogr. przy ref.
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja - materiały konferencyjne
Temat: Malarstwo (szt.plast.) - technika - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Ellison, Rebecca.
Hasło dodatkowe: Smithen, Patricia.
Hasło dodatkowe: Turnbull, Rachel.
Hasło dodatkowe: Ackroyd, Paul. Retouching media used at the National Gallery, London, since the nineteenth century
Hasło dodatkowe: Bucklow, Spike. The state of research into retouching resins
Hasło dodatkowe: Ciatti, Marco (1955- ). An unusual case of integration and its solution
Hasło dodatkowe: Cove, Sarah. Retouching with a PVA resin medium
Hasło dodatkowe: Cross, Maureen. Retouching media for acrylic paintings
Hasło dodatkowe: Dunkerton, Jill (1952- ). Retouching with Gamblin conservation colours
Hasło dodatkowe: Evans, Stig. Colour theory and the application of a portable spectrophotometer for retouching
Hasło dodatkowe: Folkes, Simon. Texturing fills using a silicone mould
Hasło dodatkowe: Hanson, Andrew. Colour theory and the application of a portable spectrophotometer for retouching
Hasło dodatkowe: Kempski, Mary. The art of tempera retouching
Hasło dodatkowe: Koneczny, Peter. An introduction to B72 Retouching Gels
Hasło dodatkowe: Koneczny, Peter. Properties of pigments, retouching media and their use
Hasło dodatkowe: Lowry, Kate. Retouching with Paraloid B-72
Hasło dodatkowe: Massing, Ann. The history of egg tempera as a retouching medium
Hasło dodatkowe: Phenix, Alan. The composition and chemistry of eggs and egg tempera
Hasło dodatkowe: Reddington, Sophie. Texturing fills using a silicone mould
Hasło dodatkowe: Roma, Paolo. An unusual case of integration and its solution
Hasło dodatkowe: Sartiani, Oriana (1960- ). An unusual case of integration and its solution
Hasło dodatkowe: Severini, Leonardo. An unusual case of integration and its solution
Hasło dodatkowe: Sims, Shelley. Retouching media for acrylic paintings
Hasło dodatkowe: Smithen, Patricia. Retouching media for acrylic paintings
Hasło dodatkowe: Sozzani, Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: Institute of Conservation (Londyn). Paintings Group
Hasło dodatkowe: British Association of Paintings Conservator-Restorers
ISBN: 978-1-904982-50-0
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. II 31514 (1 egz.)
Book
In basket
Tytuł: A changing art : nineteenth-century painting practice and conservation / edited by Nicola Costaras, Kate Lowry, Helen Glanville, Pippa Balch, Victoria Sutcliffe and Polly Saltmarsh.
Wariant tytułu: Nineteenth-century painting practice and conservation
Adres wydawniczy: London : Archetype Publications : The British Association of Paintings Conservator-Restorers, 2017.
Opis fizyczny: IX, 133 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Bibliogr. przy art.
Temat: Konserwatorstwo - Wielka Brytania - 19-21 w. - materiały konferencyjne
Temat: Malarstwo europejskie - 19 w. - materiały konferencyjne
Temat: Malarstwo europejskie - ochrona i konserwacja - 19-21 w. - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Balch, Pippa.
Hasło dodatkowe: Costaras, Nicola.
Hasło dodatkowe: Glanville, Helen.
Hasło dodatkowe: Lowry, Kate.
Hasło dodatkowe: Saltmarsh, Polly.
Hasło dodatkowe: Sutcliffe, Victoria.
Hasło dodatkowe: Bordt, Nele. Observations on Rudolf Swoboda’s painting technique
Hasło dodatkowe: Carlyle, Leslie. Building visual evidence of past practices in the creation of oil paintings
Hasło dodatkowe: Costaras, Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings
Hasło dodatkowe: Frezzato, Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Herring, Sarah. Ernst-Victor Hareux and the Barbizon Artists
Hasło dodatkowe: Lo Russo, Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Macaro, Gabriella. Ernst-Victor Hareux and the Barbizon Artists
Hasło dodatkowe: Macaro, Gabriella. The Barbizon paintings at the National Gallery, London: a technical study
Hasło dodatkowe: Poldi, Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Saunders-Blessley, Katy. Observations on Rudolf Swoboda’s painting technique
Hasło dodatkowe: Savoia, Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Simon, Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century
Hasło dodatkowe: Speleers, Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris
Hasło dodatkowe: Sperber, Roxanne. The retouching practices of John Linnell: technique, patronage and practice from two works in the Yale Center for British Art
Hasło dodatkowe: Splendore, Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Straub, Michaela. The conservation and research of two paintings by Alfred East RA
Hasło dodatkowe: Tomlinson, Hayley. Ernst-Victor Hareux and the Barbizon Artists
Hasło dodatkowe: Veldink, Suzanne. George Hendrik Breitner at work: new insights
Hasło dodatkowe: Whitehouse, Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate
Hasło dodatkowe: Woltman, Nienke. George Hendrik Breitner at work: new insights
Hasło dodatkowe: Woodcock, Sally. Alteration, restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen
Hasło dodatkowe: Wright, Adèle. "Method cannot govern everything". Delacroix: mid-century modern master
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: British Association of Paintings Conservator-Restorers
ISBN: 978-1-909492-54-7
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. II 31515 (1 egz.)
The item has been added to the basket. If you don't know what the basket is for, click here for details.
Do not show it again