Form of Work
Książki
(3)
Status
available
(3)
Branch
Magazyn
(3)
Author
Lennard Frances
(4)
Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion
(1)
Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
Brooks Mary M. Indisputable authenticity: engaging with the real in the museum
(1)
Bulow Anna. Cultural heritage online: questions of authenticity authority and authorship
(1)
Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art
(1)
Coutinho Barbara. How to keep what was intended to be temporarily functional?
(1)
Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
Eastop Dinah. Cultural heritage online: questions of authenticity authority and authorship
(1)
El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Ewer Patricia
(1)
Ferreira Joana Lia. How to keep what was intended to be temporarily functional?
(1)
Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry
(1)
Gordon Rebecca
(1)
Gordon Rebecca. Identifying and pursuing authenticity in contemporary art
(1)
Gordon Rebecca. Real life questions of authenticity
(1)
Hayward Maria
(1)
Hermens Erma (1958- )
(1)
Jones Ceri (1964- ). Bringing the past to life?
(1)
Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Macedo Rita. How to keep what was intended to be temporarily functional?
(1)
Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century
(1)
Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center
(1)
Mulholland Richard. And I know damned-well what he wanted: deliberate alteration and interpretations of intent in several late sculptures by David Smith
(1)
Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery
(1)
Penney Caron. Rediscovering the Unicorn tapesries
(1)
Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
(1)
Rajgopal Uthra. Dressing up for the Preston Guild: a very admirable and correct costume!
(1)
Ramos Ana Maria. How to keep what was intended to be temporarily functional?
(1)
Sa Susana Franca de. How to keep what was intended to be temporarily functional?
(1)
Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
(1)
Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century
(1)
Sinclair Ross. Real life questions of authenticity
(1)
Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
(1)
Year
2010 - 2019
(2)
2000 - 2009
(1)
Country
Poland
(2)
United Kingdom
(1)
Language
English
(3)
Subject
Tkaniny artystyczne
(2)
Konserwatorstwo
(1)
Konserwatortwo
(1)
Sztuka
(1)
Tapiserie
(1)
Genre/Form
Materiały konferencyjne
(1)
4 results Filter
Authority data
Lennard Frances (hasło formalne)
No cover
Book
In basket
Tytuł: Textile conservation: advances in practice / ed. by Frances Lennard and Patricia Ewer.
Adres wydawniczy: Amsterdam [etc.] : Elsevier Butterworth Heinemann, 2010.
Opis fizyczny: XXIII, 311 s. : il. kolor. ; 26 cm.
Temat: Konserwatorstwo
Temat: Tkaniny artystyczne - konserwacja
Hasło dodatkowe: Ewer, Patricia.
Hasło dodatkowe: Lennard, Frances.
ISBN: 978-0-7506-6790-6
ISBN: 0-7506-6790-7
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 17211 (1 egz.)
No cover
Book
In basket
Autor: Lennard Frances
Tytuł: Tapestry conservation : principles and practice / Frances Lennard, Maria Hayward.
Adres wydawniczy: Oxford : Butterworth-Heinemann ; Amsterdam [etc.] : Elsevier, 2006.
Opis fizyczny: 247 s. : il. (w tym kolor.) ; 26 cm.
Seria: Butterworth Heinemann Series of Conservation and Museology
Uwaga: Uszkodzona k. 129/130.
Uwaga: Bibliogr. s. 235-239.
Temat: Konserwatortwo
Temat: Tapiserie - konserwacja
Temat: Tkaniny artystyczne - konserwacja
Hasło dodatkowe: Hayward, Maria.
ISBN: 0-7506-6184-4
ISBN: 978-0-7506-6184-3
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 15096 (1 egz.)
Book
In basket
Tytuł: Authenticity and replication : the "real thing" in art and conservation : proceedings of the international conference held at the University of Glasgow, 6-7 December 2012 / edited by Rebecca Gordon, Erma Hermens and Frances Lennard.
Wariant tytułu: "Real thing" in art and conservation
Adres wydawniczy: London : Archetype Publications, 2014.
Opis fizyczny: IX, 214 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Bibliogr. przy ref.
Temat: Sztuka - ochrona i konserwacja - materiały konferencyjne
Temat: Sztuka - reprodukcje - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Gordon, Rebecca.
Hasło dodatkowe: Hermens, Erma (1958- ).
Hasło dodatkowe: Lennard, Frances.
Hasło dodatkowe: Allardt, Alexandra. Stitching the 21st century into a Gilded Age mansion
Hasło dodatkowe: Bülow, Anna. Cultural heritage online: questions of authenticity, authority and authorship
Hasło dodatkowe: Brooks, Mary M. "Indisputable authenticity": engaging with the real in the museum
Hasło dodatkowe: Brooks, Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
Hasło dodatkowe: Chiostrini, Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art
Hasło dodatkowe: Coutinho, Bárbara. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Eastop, Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
Hasło dodatkowe: Eastop, Dinah. Cultural heritage online: questions of authenticity, authority and authorship
Hasło dodatkowe: El-Maalouf, Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
Hasło dodatkowe: Ferreira, Joana Lia. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Foskett, Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry
Hasło dodatkowe: Gordon, Rebecca. "Real life" questions of authenticity
Hasło dodatkowe: Gordon, Rebecca. Identifying and pursuing authenticity in contemporary art
Hasło dodatkowe: Jones, Ceri (1964- ). Bringing the past to life?
Hasło dodatkowe: Khalife, Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
Hasło dodatkowe: Krekel, Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
Hasło dodatkowe: Macedo, Rita. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Milnes, Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century
Hasło dodatkowe: Morena, Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center
Hasło dodatkowe: Mulholland, Richard. "And I know damned-well what he wanted": deliberate alteration and interpretations of intent in several late sculptures by David Smith
Hasło dodatkowe: Nurse, Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
Hasło dodatkowe: O'Neill, Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery
Hasło dodatkowe: Penney, Caron. Rediscovering the Unicorn tapesries
Hasło dodatkowe: Plender, Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
Hasło dodatkowe: Rajgopal, Uthra. Dressing up for the Preston Guild: a "very admirable and correct costume!"
Hasło dodatkowe: Ramos, Ana Maria. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Sá, Susana França de. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Saltmarsh, Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
Hasło dodatkowe: Scharffenberg, Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century
Hasło dodatkowe: Sinclair, Ross. "Real life" questions of authenticity
Hasło dodatkowe: Sugiyama, Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
Hasło dodatkowe: Archetype Publications
ISBN: 978-1-904982-99-9
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. II 31639 (1 egz.)
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