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Bandura Agnieszka. Politics of replacing in New Romanticism
(1)
Bender Agnieszka (1962- )
(1)
Bernatowicz Aleksandra
(1)
Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
(1)
Biruiov Urij (1952- )
(1)
Biłozór-Salwa Małgorzata (1980- )
(1)
Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
(1)
Bończuk-Dawidziuk Urszula
(1)
Bończuk-Dawidziuk Urszula. Collecting Antiquities at the Archaeological Museum of the Royal University in Wrocław in the second half of the nineteenth century
(1)
Brzezińska-Marjanowska Wioletta
(1)
Ceci Francesca. The Sobieskis: memories prints paintings and letters in the collections of the Sovrintendenza Capitolina di Roma in the Roman chronicles and in Rome: a historical commentary
(1)
Czerkwiński Piotr (1984?- )
(1)
D'Amico Serena. United by context divided by collection: the nineteenth century collecting of prehistoric artifacts from Villafrati (Sicily Italy)
(1)
Dorota Iwona
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Dziubecki Tomasz (1957- )
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Dębowska-Ludwin Joanna
(1)
Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
(1)
Eysymontt Rafał (1959- ). Wieża mieszkalna - twierdza rodu czy symbol miejskiej komuny? Średniowieczne wieże mieszkalne Rzymu
(1)
Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
(1)
First Grzegorz
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Gerc Lidia (1973- )
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Gorzelany-Nowak Dorota (1973- )
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Gorzelany-Nowak Dorota (1973- ). The overlooked collection: the ancient art collection of the Princes Czartoryski Museum
(1)
Gołyźniak Paweł. Glyptic treasures in Krakow and old master paintings collection of Constantine Schmidt-Ciążyński
(1)
Gradinaru Camelia. Visual tyranny as autopoiesis
(1)
Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
(1)
Głowa Anna. The collection of late Antique textiles from Egypt acquired in 1893 by the Archaeological Cabinet of the Jagiellonian University in the context of the early interest in Coptic weaving
(1)
Haake Michał (1974- )
(1)
Halbertsma Ruurd (1958- ). From antiquarianism to scholarship: classical archaeology in the Netherlands 1600–1840
(1)
Harasimowicz Jan (1950- )
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Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
(1)
Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
(1)
Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
(1)
Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
(1)
Kaczmarek Romuald (1959- ). Temat jadwiżański w sztuce Michaela Wilmanna. Tradycja i następstwa
(1)
Kazimierczak Mariola (1960- )
(1)
Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
(1)
Korczyński Adam
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Kos Jerzy Krzysztof. Nieznany projekt Teatru Narodowego w Berlinie autorstwa Carla G. Langhansa
(1)
Krypczyk-De Barra Aleksandra
(1)
Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
(1)
Królikowska-Dziubecka Marzena (1959?- )
(1)
Kubala Agata. Copying after masterworks of ancient art. The plaster casts collection of the Museum of the University of Wrocław and its ideological and academic context
(1)
Kubala Agata. Damnatio memoriae and Roman imperial art
(1)
Kubala Agata. From Greece to Wrocław: Eduard Schaubert's collection of Antiquities
(1)
Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
(1)
Malinowski Jerzy (1950- )
(1)
Markowska Anna (1962- )
(1)
Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
(1)
Martini Annarita. From the Capitol to the Louvre: the journey of a relief of Mithras
(1)
Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
(1)
Moretti Cursi Giulia. The Dionysian Ancient Reliefs of the Cardelli Collection: A Product of Seven - teenth Century Classicism or an Interpretative Paradigm?
(1)
Mączyński Ryszard (1954- )
(1)
Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
(1)
Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
(1)
Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
(1)
Norskov Vinnie. Introduction: When is a collection a collection? Provenance studies and the role of dealer's collections
(1)
Nowakowski Wojciech (archeologia). Die ostpreussischen Sammlungen der vaterlandischen Alterthumer im 18 Jh
(1)
Okoń Waldemar (1953- ). Bitwa niejedno ma imię
(1)
Palica Magdalena (1980- ). Antiquities collections in Silesia - terra incognita?
(1)
Paliusyte Aiste (1966- ). Antiquities in the collection of the Radziwiłł family in the Wettin era
(1)
Palęcka Alicja. Visualizing the other: ethnographic film as thick description
(1)
Petrekova Eliska. Luxury souvenir or precious original: the case of the bronze tripod from the Real Museo Borbonico
(1)
Popa Lucia. Removing Romania: the Western art world colonized by the East
(1)
Poso Regina (1942- ). Per Arek
(1)
Prałat Emilian (1984- )
(1)
Raj Grażyna
(1)
Salvatelli Luca. Anno ab incarnatione Domini Nostri MLXVI: a note about Halley's Comet in Viterbo's Archbishop library collection
(1)
Santagati Elena (1967- ). Collecting in Sicily in the nineteenth century: Baron Judica and the wonders of Ancient Akrai
(1)
Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
(1)
Seidel-Grzesińska Agnieszka. Symbolika kolumny w obrazie ołtarzowym Łukasza Cranacha młodszego z kościoła zamkowego w Dessau
(1)
Serafini Isabella. The memorial to the visit of the queen of Poland Maria Casimira Sobieski in the Musei Capitolini: history style setting up and dismantling over two centuries
(1)
Sikora Patrycja (1978- ). Erasure. Memory Exercises
(1)
Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
(1)
Sinicka Agnieszka. Wilhem Sasnal’s photophobia
(1)
Skotniczna Ewa (1985- )
(1)
Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
(1)
Soczyńska Agata. Marek Oberlander – a painter undesired by the time
(1)
Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
(1)
Stec Anna (1987- ). Anish Kapoor Memory
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Stern Gaius. The pieces of the Ara Pacis
(1)
Suba Zoltan. Master and disciple: Bertel Thorvaldsen's private collection and its impact on neoclassicism
(1)
Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
(1)
Szczepańska Barbara (1972- ). Cytat z modernizmu. Andrzej Frydecki i jego niezrealizowany projekt Urzędów Niezespolonych w Katowicach
(1)
Sławińska Joanna (historia sztuki). The collection of late Antique textiles from Egypt acquired in 1893 by the Archaeological Cabinet of the Jagiellonian University in the context of the early interest in Coptic weaving
(1)
Tsiftsi Xanthi. Void the art of erasure. Representing absence in the Jewish Museum Berlin
(1)
Walkiewicz Pauline (1981?- )
(1)
Wisłocki Marcin. Wybrałem cię spośród ludu. Uwagi o relacjach międzyy władzą religią i pobożnością w sztuce luterańskiej około roku 1600
(1)
Witkowski Jacek (1956- ; historia sztuki). Średniowieczny ceremoniał pogrzebowy książąt śląskich i jego odbicie w sztuce sepulkralnej
(1)
Wojtyła Arkadiusz (1978-2021). Architektura sakralna Wielkopolski na mapie nowozytnej Europy. Rzecz o nowej książce Andrzeja J. Baranowskiego
(1)
Worłowska Magdalena. Let self-effacement be my way of blazing – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
(1)
Wyrzykowska Małgorzata (1971- )
(1)
Wyrzykowska Małgorzata (1971- ). Dr Arkadiusz Wojtyła (1978-2021) - naukowiec i artysta
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Zarzycki Jakub (1988- )
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Zarzycki Jakub (1988- ). Arkadiusz Wojtyła (1978-2021) - spis publikacji
(1)
Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a quasi-metanarrative. Visible tyranny of Idea?
(1)
Zawada Michał (1985- ). Imaging iconoclasm
(1)
Ziarkowski Dominik
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Ziółkowska-Ganc Emilia (1984- )
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Opis wg. tyt. nagł.
Z. monogr.: Quart. 2021, nr 3 (61).
Bibliogr. przy art.
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Kubala Agata. Bończuk-Dawidziuk Urszula. Collecting Antiquities at the Archaeological Museum of the Royal University in Wrocław in the second half of the nineteenth century Ceci Francesca. The Sobieskis: memories, prints, paintings, and letters in the collections of the Sovrintendenza Capitolina di Roma, in the Roman chronicles and in Rome: a historical commentary D'Amico Serena. United by context, divided by collection: the nineteenth century collecting of prehistoric artifacts from Villafrati (Sicily, Italy) Głowa Anna. The collection of late Antique textiles from Egypt acquired in 1893 by the Archaeological Cabinet of the Jagiellonian University in the context of the early interest in "Coptic" weaving Gołyźniak Paweł. Glyptic treasures in Krakow and old master paintings collection of Constantine Schmidt-Ciążyński Gorzelany-Nowak Dorota (1973- ). The overlooked collection: the ancient art collection of the Princes Czartoryski Museum Halbertsma Ruurd (1958- ). From antiquarianism to scholarship: classical archaeology in the Netherlands, 1600–1840 Martini Annarita. From the Capitol to the Louvre: the journey of a relief of Mithras Moretti Cursi Giulia. The Dionysian Ancient Reliefs of the Cardelli Collection: A Product of Seven - teenth Century Classicism or an Interpretative Paradigm? Nørskov Vinnie. Introduction: When is a collection a collection? Provenance studies and the role of dealer's collections Nowakowski Wojciech (archeologia). Die ostpreussischen Sammlungen der "vaterländischen Alterthümer" im 18 Jh. Kubala Agata. From Greece to Wrocław: Eduard Schaubert's collection of Antiquities Palica Magdalena (1980- ). Antiquities collections in Silesia - terra incognita? Paliušytė Aistė (1966- ). Antiquities in the collection of the Radziwiłł family in the Wettin era Petřeková Eliška. Luxury souvenir or precious original: the case of the bronze tripod from the Real Museo Borbonico Salvatelli Luca. "Anno ab incarnatione Domini Nostri MLXVI": a note about Halley's Comet in Viterbo's Archbishop library collection Santagati Elena (1967- ). Collecting in Sicily in the nineteenth century: Baron Judica and the wonders of Ancient Akrai Serafini Isabella. The memorial to the visit of the queen of Poland Maria Casimira Sobieski in the Musei Capitolini: history, style, setting up and dismantling over two centuries Sławińska Joanna (historia sztuki). The collection of late Antique textiles from Egypt acquired in 1893 by the Archaeological Cabinet of the Jagiellonian University in the context of the early interest in "Coptic" weaving Stern Gaius. The pieces of the Ara Pacis Suba Zoltán. Master and disciple: Bertel Thorvaldsen's private collection and its impact on neoclassicism
Indeks R0: BMNK
Bibliogr. przy ref. Indeks.
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(Conferences and Studies of the Polish Institute of World Art Studies / editorial board Agnieszka Kluczewska-Wójcik & Jerzy Malinowski ; vol. 13)
Autor
Markowska Anna (1962- ). Bandura Agnieszka. Politics of replacing in New Romanticism Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory? Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945 Gradinaru Camelia. Visual tyranny as autopoiesis Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18, 1977 and the need to allow doubt Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art Jedlińska Eleonora (1954- ). A nook at Wolborska Street, or expunged remains of Jewish culture in Łódź Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature Krzyżanowska Małgorzata Ksenia. "Nothing is getting as old as modernity" – i.e. why the trend for Nine Graphic Artists Group has passed Kubala Agata. Damnatio memoriae and Roman imperial art Markowska Anna (1962- ). Conspicuously absent Jews, alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period) Narušytė Agnė (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevičius Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s "A la recherche de temps perdu" Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places Palęcka Alicja. Visualizing the other: ethnographic film as thick description Popa Lucia. Removing Romania: the Western art world colonized by the "East" Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed Sikora Patrycja (1978- ). Erasure. Memory Exercises Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland Sinicka Agnieszka. Wilhem Sasnal’s photophobia Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland Soczyńska Agata. Marek Oberländer – a painter undesired by the time Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism Stec Anna (1987- ). Anish Kapoor, "Memory" Szczepaniak Barbara. Strategy of erasing, manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s "Album" Tsiftsi Xanthi. Void, the art of erasure. Representing absence in the Jewish Museum Berlin Worłowska Magdalena. "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea? Zawada Michał (1985- ). Imaging iconoclasm Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
Indeks R0: BMNK
Tyt. grzbietowy: Politics of erasure
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