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Autor
Bandura Agnieszka. Politics of replacing in New Romanticism
(1)
Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
(1)
Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
(1)
Brade Johanna (1960- ). Dzieła artystek w zbiorach Schlesisches Museum w Gorlitz
(1)
Czajkowska Irena Barbara. Rola kobiety a rola artystki w XIX i na początku XX wieku
(1)
Dudek-Bujarek Teresa. Młodzieńcza twórczość Herthy Strzygowski (1896-1990)
(1)
Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
(1)
Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
(1)
Filipczyk-Topolnicka Joanna (1969- ). Opolskie plastyczki prezentują
(1)
Gradinaru Camelia. Visual tyranny as autopoiesis
(1)
Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
(1)
Głazek Dorota. Kariery artystyczne absolwentek Akademii Sztuk Pięknych w Katowicach
(1)
Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
(1)
Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
(1)
Jakubowska Agata (1972- ). Artystki śląskie a polityka umiejscowienia
(1)
Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
(1)
Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
(1)
Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
(1)
Kozina Irma. Współczesne projektantki z Górnego Śląska
(1)
Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
(1)
Kseń Barbara
(1)
Kubala Agata. Damnatio memoriae and Roman imperial art
(1)
Kulak Teresa Maria
(1)
Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
(1)
Markowska Anna (1962- )
(1)
Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
(1)
Michałowska Marianna (1970- )
(1)
Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
(1)
Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
(1)
Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
(1)
Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
(1)
Palęcka Alicja. Visualizing the other: ethnographic film as thick description
(1)
Polak Monika
(1)
Popa Lucia. Removing Romania: the Western art world colonized by the East
(1)
Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
(1)
Sikora Patrycja (1978- ). Erasure. Memory Exercises
(1)
Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
(1)
Sinicka Agnieszka. Wilhem Sasnal’s photophobia
(1)
Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
(1)
Soczyńska Agata. Marek Oberlander – a painter undesired by the time
(1)
Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
(1)
Stanicka-Brzezicka Ksenia (1974- ). Od pejzażu po filiżankę czyli o twórczości pół tysiąca śląskich artystek raz jeszcze
(1)
Stec Anna (1987- ). Anish Kapoor Memory
(1)
Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
(1)
Tsiftsi Xanthi. Void the art of erasure. Representing absence in the Jewish Museum Berlin
(1)
Ujma-Gawlik Magdalena (1967- ). Napięcie struny do granic sensu
(1)
Wardeńska Małgorzata
(1)
Worłowska Magdalena. Let self-effacement be my way of blazing – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
(1)
Wąsowska Beata (1955- ). Na Górnym Śląsku bardziej
(1)
Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a quasi-metanarrative. Visible tyranny of Idea?
(1)
Zawada Michał (1985- ). Imaging iconoclasm
(1)
Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art
(1)
Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
(1)
Rok wydania
2010 - 2019
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2000 - 2009
(1)
Kraj wydania
Polska
(3)
Język
polski
(2)
angielski
(1)
Temat
Adach, Adam (1962- )
(1)
Fuhrmann, Roland (1966- )
(1)
Galeria Miejska "Arsenał" (Poznań)
(1)
Josso, Judith (1970- )
(1)
Nahua, Tero Allan (1970- )
(1)
Pamięć
(1)
Roesgen, Jean von (1963- )
(1)
Skorwider, Max (1980- )
(1)
Sosnowska, Monika (1972- )
(1)
Sztuka
(1)
Sztuka kobiet
(1)
Sztuka niemiecka
(1)
Sztuka polska
(1)
Ward, Tina Marie (1970- )
(1)
Wiechowska, Monika (1976- )
(1)
Wojciechowski, Przemysław (1970- )
(1)
Wolna, Maja (1980- )
(1)
Temat: czas
1801-
(1)
1901-
(1)
2001-
(1)
Temat: miejsce
Śląsk
(1)
Gatunek
Katalogi wystaw
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Materiały konferencyjne
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3 wyniki Filtruj
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 22347, III 22331 (2 egz.)
Książka
W koszyku
(Conferences and Studies of the Polish Institute of World Art Studies / editorial board Agnieszka Kluczewska-Wójcik & Jerzy Malinowski ; vol. 13)
Autor
Markowska Anna (1962- ). Bandura Agnieszka. Politics of replacing in New Romanticism Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory? Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945 Gradinaru Camelia. Visual tyranny as autopoiesis Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18, 1977 and the need to allow doubt Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art Jedlińska Eleonora (1954- ). A nook at Wolborska Street, or expunged remains of Jewish culture in Łódź Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature Krzyżanowska Małgorzata Ksenia. "Nothing is getting as old as modernity" – i.e. why the trend for Nine Graphic Artists Group has passed Kubala Agata. Damnatio memoriae and Roman imperial art Markowska Anna (1962- ). Conspicuously absent Jews, alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period) Narušytė Agnė (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevičius Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s "A la recherche de temps perdu" Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places Palęcka Alicja. Visualizing the other: ethnographic film as thick description Popa Lucia. Removing Romania: the Western art world colonized by the "East" Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed Sikora Patrycja (1978- ). Erasure. Memory Exercises Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland Sinicka Agnieszka. Wilhem Sasnal’s photophobia Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland Soczyńska Agata. Marek Oberländer – a painter undesired by the time Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism Stec Anna (1987- ). Anish Kapoor, "Memory" Szczepaniak Barbara. Strategy of erasing, manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s "Album" Tsiftsi Xanthi. Void, the art of erasure. Representing absence in the Jewish Museum Berlin Worłowska Magdalena. "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea? Zawada Michał (1985- ). Imaging iconoclasm Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
Indeks R0: BMNK
Tyt. grzbietowy: Politics of erasure
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 23601, III 23426 (2 egz.)
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