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Gabler Wolfram (1954- )
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Krekel Christoph (1966- )
(2)
Schaible Volker
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Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion
(1)
Baumer Ursula. Ernst Ludwig Kirchner's binding media - material surface and colour perception
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Beil Cedric. Ernst Ludwig Kirchner's binding media - material surface and colour perception
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Beltinger Karoline. Cuno Amiet und die Temperamalerei in der Schweiz um 1900
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Berg Klaas Jan van den (1964- ). Breitner's paint box and the colours of Standage
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Blumenroth Diana Sabine. Losemittelsensitivitat moderner Olfarben. Empfindlichkeit synthetisch-organischer Pigmente in Kunstlerfarben des 20. Jahrhunderts
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Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
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Brooks Mary M. Indisputable authenticity: engaging with the real in the museum
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Bulow Anna. Cultural heritage online: questions of authenticity authority and authorship
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Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art
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Coutinho Barbara. How to keep what was intended to be temporarily functional?
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Diependaal Hannie. Breitner's paint box and the colours of Standage
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Dietemann Patrick. Ernst Ludwig Kirchner's binding media - material surface and colour perception
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Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
Eastop Dinah. Cultural heritage online: questions of authenticity authority and authorship
(1)
El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
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Ferreira Joana Lia. How to keep what was intended to be temporarily functional?
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Fiedler Irene (1948- ). Ernst Ludwig Kirchner's binding media - material surface and colour perception
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Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry
(1)
Fucker Beate. Geschichte Herstellung und Verwendung von Glasaugen an barocker polychromer Grossplastik im deutschsprachigen Raum
(1)
Gordon Rebecca
(1)
Gordon Rebecca. Identifying and pursuing authenticity in contemporary art
(1)
Gordon Rebecca. Real life questions of authenticity
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Griesebach Lucius (1942- ). Vorderseite? Ruckseite? ober beides? Uber den Umgang mit Ernst Ludwig Kirchners doppelseitig bemalten Leinwanden
(1)
Groot Suzan de (1972- ). Breitner's paint box and the colours of Standage
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Haidvogl Martina. Audiokunstwerke von Dieter Roth. Problematiken und mogliche Losungsansatze zur Erhaltung
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Haller Ursula
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Hermens Erma (1958- )
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Jones Ceri (1964- ). Bringing the past to life?
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Keijzer Matthijs de. Breitner's paint box and the colours of Standage
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Keulen Henk van. Breitner's paint box and the colours of Standage
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Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
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Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
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Krekel Christoph (1966- ). Der Reichtum der Palette. Kirchners Pigmente
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Lennard Frances
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Macedo Rita. How to keep what was intended to be temporarily functional?
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Megens Luc (1970- ). Breitner's paint box and the colours of Standage
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Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century
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Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center
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Mulholland Richard. And I know damned-well what he wanted: deliberate alteration and interpretations of intent in several late sculptures by David Smith
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Muller Wolfgang (chemia). Losemittelsensitivitat moderner Olfarben. Empfindlichkeit synthetisch-organischer Pigmente in Kunstlerfarben des 20. Jahrhunderts
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Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
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O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery
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Penney Caron. Rediscovering the Unicorn tapesries
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Pfenninger Martina. Audiokunstwerke von Dieter Roth. Problematiken und mogliche Losungsansatze zur Erhaltung
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Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
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Pohlmann Albrecht (1961- ). Der Kunstler schaffe bewusst!. Wilhelm Ostwalds Malerbriefe (1904) und andere Schriften als kunsttechnologisches Paradigma einer kommenden Kunst
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Rajgopal Uthra. Dressing up for the Preston Guild: a very admirable and correct costume!
(1)
Ramos Ana Maria. How to keep what was intended to be temporarily functional?
(1)
Richter Mark. Indanthrenblau Helioechtrot and Pigmentscharlach. Identification of synthetic organic pigments in paintings of Ernst Ludwig Kirchner using Raman microscopy
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Sa Susana Franca de. How to keep what was intended to be temporarily functional?
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Saint-George Caroline von (1971- ). Die Asthetik der Oberflache. Vom Umgang mit Firnis inderdeutschen Malerei um1900 mit abschliessendem Blick auf die Brucke
(1)
Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
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Schaefer Iris
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Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century
(1)
Scherrer Nadim C. Losemittelsensitivitat moderner Olfarben. Empfindlichkeit synthetisch-organischer Pigmente in Kunstlerfarben des 20. Jahrhunderts
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Schick Karin (1968- ). Farbe in Schwarz-Weiss: Kompositionen bei Kirchner
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Sinclair Ross. Real life questions of authenticity
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Skowranek Heide (1973- ). Der Reichtum der Palette. Kirchners Pigmente
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Skowranek Heide (1973- ). Unmittelbar und expressiv? Zur technischen Genese der Malerei Ernst Ludwig Kirchners
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Soika Aya (1975- ). Die Originalitat der Brucke
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Stege Heike (1970- ). Indanthrenblau Helioechtrot and Pigmentscharlach. Identification of synthetic organic pigments in paintings of Ernst Ludwig Kirchner using Raman microscopy
(1)
Steuer Christoph. Indanthrenblau Helioechtrot and Pigmentscharlach. Identification of synthetic organic pigments in paintings of Ernst Ludwig Kirchner using Raman microscopy
(1)
Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
(1)
Zumbuhl Stefan. Losemittelsensitivitat moderner Olfarben. Empfindlichkeit synthetisch-organischer Pigmente in Kunstlerfarben des 20. Jahrhunderts
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Rok wydania
2010 - 2019
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1980 - 1989
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Kraj wydania
Niemcy
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Wielka Brytania
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Język
niemiecki
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angielski
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Temat
Sztuka
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Brücke
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Kirchner, Ernst Ludwig (1880-1938)
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Malarstwo
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Malarstwo niemieckie
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Gatunek
Materiały konferencyjne
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3 wyniki Filtruj
Brak okładki
Czasopismo
W koszyku
Półrocznik.
Jg. 1, H. 1 (1987)-.
Inny tyt: Kunsttechnologie und Konservierung
ZKK Jg. , H. 1 (2001)-
Tyt. równoległy: Journal for Art Technology and Conservation
Opis na podst. Jg. , H. 1 (2011).
Tyt. równol. w Jg. 29 (2015), H. 1.
W Jg. 29 (2015), H. 1 red.: Ursula Haller, Christoph Krekel, Volker Schaible.
W Jg. 30 (2016), H. 1 red.: Ursula Haller, Christoph Krekel, Iris Schaefer, Volker Schaible.
W Jg. 33 (2019), H. 1 red.: Ursula Haller, Christoph Krekel, Iris Schaefer.
Zawartość zasobu KR 239 Czas. III 2217
Jg. 25 (2011), H. 1-2
Jg. 26 (2012), H. 1-2
Jg. 27 (2013), H. 1-2
Jg. 27 (2013), H. 1-2
Jg. 29 (2015), H. 1-2
Jg. 30 (2016), H. 1-2
Jg. 31 (2017), H. 1-2
Jg. 32 (2018), H. 1-2
Jg. 33 (2019), H. 1-2
Jg. 34 (2021), H. 1
Jg. 35 (2022), H. 1-2
Jg. 36 (2023), H. 1-2
Brak okładki
Książka
W koszyku
Autor
Gabler Wolfram (1954- ). Krekel Christoph (1966- ). Schaible Volker. Baumer Ursula. Ernst Ludwig Kirchner's binding media - material, surface and colour perception Beil Cedric. Ernst Ludwig Kirchner's binding media - material, surface and colour perception Beltinger Karoline. Cuno Amiet und die Temperamalerei in der Schweiz um 1900 Berg Klaas Jan van den (1964- ). Breitner's paint box and the colours of Standage Blumenroth Diana Sabine. Lösemittelsensitivität moderner Ölfarben. Empfindlichkeit synthetisch-organischer Pigmente in Künstlerfarben des 20. Jahrhunderts Diependaal Hannie. Breitner's paint box and the colours of Standage Dietemann Patrick. Ernst Ludwig Kirchner's binding media - material, surface and colour perception Fiedler Irene (1948- ). Ernst Ludwig Kirchner's binding media - material, surface and colour perception Fücker Beate. Geschichte, Herstellung und Verwendung von Glasaugen an barocker, polychromer Grossplastik im deutschsprachigen Raum Griesebach Lucius (1942- ). Vorderseite? Rűckseite? ober beides? Über den Umgang mit Ernst Ludwig Kirchners doppelseitig bemalten Leinwänden Groot Suzan de (1972- ). Breitner's paint box and the colours of Standage Haidvogl Martina. Audiokunstwerke von Dieter Roth. Problematiken und mögliche Lōsungsansätze zur Erhaltung Keijzer Matthijs de. Breitner's paint box and the colours of Standage Keulen Henk van. Breitner's paint box and the colours of Standage Krekel Christoph (1966- ). "Der Reichtum der Palette". Kirchners Pigmente Megens Luc (1970- ). Breitner's paint box and the colours of Standage Müller Wolfgang (chemia). Lösemittelsensitivität moderner Ölfarben. Empfindlichkeit synthetisch-organischer Pigmente in Künstlerfarben des 20. Jahrhunderts Pfenninger Martina. Audiokunstwerke von Dieter Roth. Problematiken und mögliche Lōsungsansätze zur Erhaltung Pohlmann Albrecht (1961- ). "Der Künstler schaffe bewusst!". Wilhelm Ostwalds "Malerbriefe" (1904) und andere Schriften als kunsttechnologisches Paradigma einer kommenden Kunst Richter Mark. Indanthrenblau, Helioechtrot and Pigmentscharlach. Identification of synthetic organic pigments in paintings of Ernst Ludwig Kirchner using Raman microscopy Saint-George Caroline von (1971- ). Die Ästhetik der Oberfläche. Vom Umgang mit Firnis inderdeutschen Malerei um1900 mit abschliessendem Blick auf die "Brücke" Scherrer Nadim C. Lösemittelsensitivität moderner Ölfarben. Empfindlichkeit synthetisch-organischer Pigmente in Künstlerfarben des 20. Jahrhunderts Schick Karin (1968- ). Farbe in Schwarz-Weiss: Kompositionen bei Kirchner Skowranek Heide (1973- ). Unmittelbar und expressiv? Zur technischen Genese der Malerei Ernst Ludwig Kirchners Skowranek Heide (1973- ). "Der Reichtum der Palette". Kirchners Pigmente Soika Aya (1975- ). Die Originalität der "Brücke" Stege Heike (1970- ). Indanthrenblau, Helioechtrot and Pigmentscharlach. Identification of synthetic organic pigments in paintings of Ernst Ludwig Kirchner using Raman microscopy Steuer Christoph. Indanthrenblau, Helioechtrot and Pigmentscharlach. Identification of synthetic organic pigments in paintings of Ernst Ludwig Kirchner using Raman microscopy Zumbühl Stefan. Lösemittelsensitivität moderner Ölfarben. Empfindlichkeit synthetisch-organischer Pigmente in Künstlerfarben des 20. Jahrhunderts
Indeks R0: BMNK
Z. monogr.: "Zeitschrift für Kunsttechnologie und Konservierung". Jg. 27 (2013), H. 1.
Tyt. wg nagł.
Bibliogr.w przypisach do ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Zapytaj bibliotekarza: sygn. Czas. III 2217/27/1 (1 egz.)
Książka
W koszyku
Autor
Gordon Rebecca. Hermens Erma (1958- ). Lennard Frances. Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion Bülow Anna. Cultural heritage online: questions of authenticity, authority and authorship Brooks Mary M. "Indisputable authenticity": engaging with the real in the museum Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art Coutinho Bárbara. How to keep what was intended to be temporarily functional? Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Eastop Dinah. Cultural heritage online: questions of authenticity, authority and authorship El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Ferreira Joana Lia. How to keep what was intended to be temporarily functional? Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry Gordon Rebecca. "Real life" questions of authenticity Gordon Rebecca. Identifying and pursuing authenticity in contemporary art Jones Ceri (1964- ). Bringing the past to life? Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Macedo Rita. How to keep what was intended to be temporarily functional? Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center Mulholland Richard. "And I know damned-well what he wanted": deliberate alteration and interpretations of intent in several late sculptures by David Smith Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery Penney Caron. Rediscovering the Unicorn tapesries Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Rajgopal Uthra. Dressing up for the Preston Guild: a "very admirable and correct costume!" Ramos Ana Maria. How to keep what was intended to be temporarily functional? Sá Susana França de. How to keep what was intended to be temporarily functional? Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Sinclair Ross. "Real life" questions of authenticity Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
Temat
Indeks R0: BMNK
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 31639 (1 egz.)
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