Lewandowska Katarzyna
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Adamowicz Klaudia. Searching for the fantasy: the theatre of Takarazuka
(1)
Baka-Theis Małgorzata. Kolekcjonowanie pamięci muzeów. O projekcie „Muzeum w polskiej kulturze pamięci...”
(1)
Bednarz Ewelina. Problem przynależności pamięci na przykładzie kolekcji-muzeum Lessera Giełdzińskiego. Przyczynek do badań
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Betlej Andrzej (1971- )
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Biały Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris
(1)
Biedrońska-Słotowa Beata
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Blonka-Drzażdżewska Aleksandra. Jerzy Brodnicki - Van Haardt - une vie deux biographies
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Bobrowska Ewa (1958- )
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Bobrowska Ewa (1958- ). Gorączka Paryża: artyści polscy wobec legendy ville-lumiere
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Bobrowska Ewa (1958- ). Les associations artistiques polonaises en France dans la seconde moitie du XXe siecle : vers une integration du milieu
(1)
Bąbiak Grzegorz Paweł. Dlaczego w Warszawie nie było muzeum sztuk pięknych w XIX wieku?
(1)
Cambon Pierre (1955- ). Korean collection in Paris
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Cervonnaa Svetlana Mihajlovna (1936- ). Kaunas - Vilnius - Paris: Lithuanian parallel of Polish artistic exile during and after World War II
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Chudzikowska Monika. "Chinese Play given in the Chinese Manner"
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De Fraeye Mark (1949- ). San-shin the Mountain God – Korea’s eternal spirit
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Deja Katarzyna (1987- ). Józef Jankowski's play "Kesa" as an example of transculturality in Polish modernism
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Dobrowolski Witold (1939-2019)
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Durda-Dmitruk Magdalena. Mirror Mirages of Gabriela Morawetz
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Dyakonova Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery)
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Dzierżyc-Horniak Anna (1975- ). "Polish art is an interest otherwise it won’t be seen as in comparison with what is being done in the world…". Foksal Gallery and Polish-French artistic relations
(1)
Dąbrowski Józef (1940-2019). "Hanji Paper" – Unique technologies of ancient Korean craft
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Farida Nike. "Et in Arcadia ego". Where Henryk Siemiradzki Lawrence Alma-Tadema and Frederic Leighton met
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First Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's "archaeological workshop"
(1)
Fujii-Karpoluk Yoko. Revived "no" dramas: issues and perspective
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Furmanik-Kowalska Magdalena. Chinese opera ("xiqu") as a significant element of contemporary artwork
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Gajda Kinga Anna (1979- ). Muzeum jako nośnik pamięci
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Gallicchio Allesandro. Polscy artyści i krytycy sztuki pochodzenia żydowskiego z kręgu wydawnictwa Le Triangle w latach 1920-1930
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Gawarski Maurycy. Chinese opera theatrical poster in Beijing in the first half of the twentieth century
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Gawarski Maurycy. List of Polish publications on Chinese theatre since the beginning of the twentieth century
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Gawarski Maurycy. Polish research on Chinese theatre since the beginning of the twentieth century to the present day
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Geron Małgorzata. Roman Zrębowicz "O nowoczesnym malarstwie francuskim. Wspomnienia i refleksje paryskie" [On modern French painting. Parisian memoirs and reflections] (1959)
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Gorlich Aleksandra (1981- ). Kaoyo Gozen and attendants - realtionships between the costumes of the "kabuki" actors of the "Kanadehon Chushingura" play and their woodblock-print illustrations
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Gorzelany-Nowak Dorota (1973- ). Ekspozycja a koncepcja kolekcjonerska. Casus Muzeum Książąt Czartoryskich
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Gołubiew Zofia (1942- )
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Grabowska-Konwent Anna. Roman Cieślewicz - Meanders of Imagination in Archival Order
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Groning Gert (1944- ). The Heewon 희원 where the pungryu 풍류 can be perceived - an outstanding example of garden culture in Korea
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Grubba-Thiede Dorota. From the "Wailing Wall" through affirmative participation to situational "whisper": notes on the Paris works of Wostan Alina Szapocznikow Wanda Czełkowska and Andrzej Wojciechowski in years 1946-1973
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Gryglewicz Tomasz (1949- ). Paris motifs in the art of Jan Lebenstein as an image of man’s downfall in a big city
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Głowacki Wojciech M. (1993- ). "Polyglot of a paintbrush"? Critical reception of "Nero's Torches" in France
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Hanova Marketa. Sada Yakko and the reception of Japanese theatre in the context of Japonisme in the Czech lands
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Helman-Ważny Agnieszka (1974- ). "Hanji Paper" – Unique technologies of ancient Korean craft
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Hibino Kei (1967- ). Making comedy naturalised and vulgar: the theatre of Soganoya Goro the Japanese King of "Kigeki"
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Hirsch Mary E. (1958- ). What does Chinese Shadow Theatre tell us?
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Ignaczak Paweł (1978- ). Les graveurs polonais en France apres 1945 dans les collections artistiques de la Bibliotheque Polonaise de Paris
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Inoue Takashi. Particularity and new possibilities of Mishima's dramas
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Janke Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums
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Jankowska Małgorzata (1971- ). Hunting for self-image. Construction of identity of Nikki S. Lee and Katarzyna Kozyra art
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Jarmuł-Niemczyk Katarzyna
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Jedlińska Eleonora (1954- ). Zofia Lipecka - L’Art et l’infinie harmonie du Chaos
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Jędrzejewska Anna Kornelia (1982- ). Zbiory form piernikarskich w Toruniu od XVII wieku do 1926 roku w świetle inwentarza Stanisława Dąbrowskiego
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Karpova Tatʹana Lʹvovna (1960- ). Siemiradzki as a portrait painter
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Kaulbach Barbara M. (1950- ). Chinese theatre at the crossroads - Ouyang Yuqian and the West
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Kazimierczak Mariola (1960-). Pamięć o „muzeum” archeologicznym Michała Tyszkiewicza w Rzymie
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Kennedy Beccy. Orienting and disorienting contemporary Korean art
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Klisińska-Kopacz Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
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Kluczewska-Wójcik Agnieszka. Le "Dossier Pologne" de la galerie l’Ollave de Lyon
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Kluczewska-Wójcik Agnieszka. Powrót "nowoczesnych"
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Kluczewska-Wójcik Agnieszka. Reassessing Academism: Bouguereau Cabanel Gerome and Siemiradzki
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Kluczewska-Wójcik Agnieszka. „Istnienie narodu jest codziennie ponawianym wyborem”. Muzea przemysłu i sztuk dekoracyjnych jako miejsce formowania dyskursu tożsamościowego
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Komatsu Hiroshi. Similarity and difference
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Konwerska Barbara (historia). Geneza i rozwój zorganizowanej turystyki w wielickiej kopalni soli (1774–1918)
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Kroplewska-Gajewska Anna (1963- ). Kolekcja Muzeum Towarzystwa Naukowego w Toruniu
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Kubiak Ho-Chi Beata (1958- )
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Kubiak Ho-Chi Beata (1958- ). Tragedy and the tragic in the Japanese puppet theatre
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Kucharzewska Joanna (1973- ). Between tradition and modernity. From the works of Seung H-Sang an architect from South Korea
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Kuczyńska Agnieszka (historia sztuki). "Christ and the sinner" by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting
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Kuczyńska Agnieszka (historia sztuki). Seulement la liberte. Zbigniew Makowski Paris and Surrealism in 1962
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Kulpińska Katarzyna. The graphic work and publishing activities of Franciszek Prochaska (1891-1972)
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Kwiatkowska Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique
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Kłudkiewicz Kamila. Muzeum im. Mielżyńskich versus Kaiser Friedrich Museum w Poznaniu. Współistnienie polskiego i niemieckiego muzeum sztuki na przełomie XIX i XX wieku
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Laskowska Magdalena. Henryk Siemiradzki - works memorabilia documents : the history of the collection os the artist's legacy in the National Museum in Krakow
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Lecińska-Ruchniewicz Monika. Entering the "world of dreams"
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Lee Insoo. Intercultural call from the Third World: Jaram Lee's Brecht "pansori" "Sacheonga"
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Lee Sang Woo. Between art and scandal: the actresses of "Towolhoe" and the gender politics of "scandal"
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Lee-Niinioja Hee Sook (1946- ). Costume culture of Hanbok as a living heritage and Korean identity
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Li Wei. On female consciousness in contemporary "xiqu" in China
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Li Ying. Theatre and politics in China (PRC) in the recent years
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Lis Marianna. Wacinwa
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Majewski Piotr (1970- ). Le voyage de Pierre Restany pour la Pologne en 1960 et ses echos dans les ecrits du critique
(1)
Malinowski Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction
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Malinowski Jerzy (1950- ). Jewish artists from Poland in post-war Paris
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