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Blumenroth Diana Sabine. Losemittelsensitivitat moderner Olfarben. Empfindlichkeit synthetisch-organischer Pigmente in Kunstlerfarben des 20. Jahrhunderts
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Chang Julie. Reconstructing lacquer technology through Chinese classical texts
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Chang Julie. The reproduction of realistic samples of Chinese export lacquer for research
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Chao Raina. Compensation for small loses to lacquer and inlaid decoration using paper fills painted and glazed in situ
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Chao Raina. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
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Dias Cristina Maria Barrocas (1964- ). Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
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Ebert Bettina (1983- ). A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings
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Feston Briana. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
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Fiedler Irene (1948- ). Ernst Ludwig Kirchner's binding media - material surface and colour perception
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Gabler Wolfram (1954- )
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Haidvogl Martina. Audiokunstwerke von Dieter Roth. Problematiken und mogliche Losungsansatze zur Erhaltung
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Hrdlickova Kuckova Stepanka. Searching for blood in Chinese lacquerware: zhu xie hui
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Hsu Hsin-hui. Fusing and refreshing the memory: conserving a Chinese lacquered Buddha sculpture in London
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Johnson Galante Diana. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
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Keijzer Matthijs de. Breitner's paint box and the colours of Standage
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Keulen Henk van. Breitner's paint box and the colours of Standage
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Khanjian Herant. Some observations on the composition of Chinese lacquer
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Kitagawa Erin. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
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Korber Ulrike. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
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Miklin-Kniefacz Silvia. Searching for blood in Chinese lacquerware: zhu xie hui
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Miklin-Kniefacz Silvia. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
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Parson Walther (1966- ). Searching for blood in Chinese lacquerware: zhu xie hui
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Petersen W. Christian. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
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Petisca Maria Joao. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
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Pitthard Vaclav (1966- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
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Schilling Michael R. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
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Schilling Michael R. Some observations on the composition of Chinese lacquer
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Schilling Michael R. The reproduction of realistic samples of Chinese export lacquer for research
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Stanek Sabine. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
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Tjiong Amy. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
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Toro Manuela. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
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Watson Adsit Kristen. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
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