Form of Work
Książki
(2)
Status
available
(1)
unavailable
(1)
Branch
Magazyn
(2)
Author
Ackroyd Paul. Retouching media used at the National Gallery London since the nineteenth century
(1)
Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
(1)
Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
(1)
Borchert Till-Holger (1967- )
(1)
Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
(1)
Bucklow Spike. The state of research into retouching resins
(1)
Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
(1)
Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
(1)
Ciatti Marco (1955- ). An unusual case of integration and its solution
(1)
Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
(1)
Couvert Jacqueline
(1)
Cove Sarah. Retouching with a PVA resin medium
(1)
Cross Maureen. Retouching media for acrylic paintings
(1)
Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Debaene Marjan. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
(1)
Dubois Anne
(1)
Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
(1)
Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours
(1)
Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
(1)
Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Ellison Rebecca
(1)
Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching
(1)
Ewing Dan. Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
(1)
Folkes Simon. Texturing fills using a silicone mould
(1)
Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
(1)
Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Galassi Maria Clelia (1954- ). Revising Friedlander - the "underdrawing connoisseurship” and the Master of the Turin Adoration
(1)
Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
(1)
Hanson Andrew. Colour theory and the application of a portable spectrophotometer for retouching
(1)
Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
(1)
Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori"
(1)
Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
(1)
Kempski Mary
(1)
Kempski Mary. The art of tempera retouching
(1)
Kempski Mary. Who is the man in red and who painted him?
(1)
Koneczny Peter. An introduction to B72 Retouching Gels
(1)
Koneczny Peter. Properties of pigments retouching media and their use
(1)
Laine David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
(1)
Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group
(1)
Lowry Kate. Retouching with Paraloid B-72
(1)
Massing Ann. The history of egg tempera as a retouching medium
(1)
Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
(1)
Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
(1)
Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens
(1)
Perier-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise
(1)
Phenix Alan. The composition and chemistry of eggs and egg tempera
(1)
Reddington Sophie. Texturing fills using a silicone mould
(1)
Roma Paolo. An unusual case of integration and its solution
(1)
Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
(1)
Sartiani Oriana (1960- ). An unusual case of integration and its solution
(1)
Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Severini Leonardo. An unusual case of integration and its solution
(1)
Sims Shelley. Retouching media for acrylic paintings
(1)
Smithen Patricia
(1)
Smithen Patricia. Retouching media for acrylic paintings
(1)
Sozzani Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
(1)
Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
(1)
Turnbull Rachel
(1)
Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
(1)
Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
(1)
Whitaker Lucy. Who is the man in red and who painted him?
(1)
Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
(1)
Year
2010 - 2019
(2)
Country
United Kingdom
(2)
Belgium
(1)
France
(1)
Language
English
(2)
Subject
Malarstwo (szt.plast.)
(1)
Malarstwo europejskie
(1)
Malarstwo sakralne europejskie
(1)
Van Schoute, Roger
(1)
Subject: time
1401-
(1)
1501-
(1)
1601-
(1)
Genre/Form
Materiały konferencyjne
(2)
Księgi pamiątkowe
(1)
3 results Filter
Authority data
Kempski Mary (hasło formalne)
Book
In basket
Tytuł: Mixing and matching : approaches to retouching paintings / edited by Rebecca Ellison, Patricia Smithen and Rachel Turnbull.
Wariant tytułu: Approaches to retouching paintings
Adres wydawniczy: London : Archetype Publications : in association with the Icon Paintings Group : British Association of Paintings Conservator-Restorers (BAPCR), 2010.
Opis fizyczny: IX, 179 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Publikacja jest efektem trzech warsztatów zorganizowanch przez Paintings Group of the Institute of Conservation (Icon) oraz British Association of Painting Conservator-Restorers (BAPCR) w Courtauld Institute of Art, Londyn, 2007.
Uwaga: Bibliogr. przy ref.
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja - materiały konferencyjne
Temat: Malarstwo (szt.plast.) - technika - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Ellison, Rebecca.
Hasło dodatkowe: Smithen, Patricia.
Hasło dodatkowe: Turnbull, Rachel.
Hasło dodatkowe: Ackroyd, Paul. Retouching media used at the National Gallery, London, since the nineteenth century
Hasło dodatkowe: Bucklow, Spike. The state of research into retouching resins
Hasło dodatkowe: Ciatti, Marco (1955- ). An unusual case of integration and its solution
Hasło dodatkowe: Cove, Sarah. Retouching with a PVA resin medium
Hasło dodatkowe: Cross, Maureen. Retouching media for acrylic paintings
Hasło dodatkowe: Dunkerton, Jill (1952- ). Retouching with Gamblin conservation colours
Hasło dodatkowe: Evans, Stig. Colour theory and the application of a portable spectrophotometer for retouching
Hasło dodatkowe: Folkes, Simon. Texturing fills using a silicone mould
Hasło dodatkowe: Hanson, Andrew. Colour theory and the application of a portable spectrophotometer for retouching
Hasło dodatkowe: Kempski, Mary. The art of tempera retouching
Hasło dodatkowe: Koneczny, Peter. An introduction to B72 Retouching Gels
Hasło dodatkowe: Koneczny, Peter. Properties of pigments, retouching media and their use
Hasło dodatkowe: Lowry, Kate. Retouching with Paraloid B-72
Hasło dodatkowe: Massing, Ann. The history of egg tempera as a retouching medium
Hasło dodatkowe: Phenix, Alan. The composition and chemistry of eggs and egg tempera
Hasło dodatkowe: Reddington, Sophie. Texturing fills using a silicone mould
Hasło dodatkowe: Roma, Paolo. An unusual case of integration and its solution
Hasło dodatkowe: Sartiani, Oriana (1960- ). An unusual case of integration and its solution
Hasło dodatkowe: Severini, Leonardo. An unusual case of integration and its solution
Hasło dodatkowe: Sims, Shelley. Retouching media for acrylic paintings
Hasło dodatkowe: Smithen, Patricia. Retouching media for acrylic paintings
Hasło dodatkowe: Sozzani, Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: Institute of Conservation (Londyn). Paintings Group
Hasło dodatkowe: British Association of Paintings Conservator-Restorers
ISBN: 978-1-904982-50-0
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. II 31514 (1 egz.)
Book
In basket
Autor: Symposium for the Study of Underdrawing and Technology in Painting (19 ; 2014 ; Bruges)
Tytuł: Technical studies of paintings : problems of attribution (15th-17th centuries) : papers presented at the Nineteenth Symposium for the Study of Underdrawing and Technology in Painting, held in Bruges, 11-13 September 2014 / edited by Anne Dubois, Jacqueline Couvert and Till-Holger Borchert.
Wariant tytułu: Papers presented at the Nineteenth Symposium for the Study of Underdrawing and Technology in Painting, held in Bruges, 11-13 September 2014
Wariant tytułu: Problems of attribution (15th-17th centuries)
Adres wydawniczy: Paris ; Leuven ; Bristol, CT : Peeters, 2018.
Opis fizyczny: XXI, [1], 376 s. : il. (gł. kolor.) ; 31 cm.
Seria: Dessin Sous Jacent et la Technologie dans la Peinture
Uwaga: Konferencja zorganizowana przez: Université catholique de Louvain, Musée de Louvain-la-Neuve, and Musea Brugge in collaboration with KIK-IRPA, Royal Institute for Cultural Heritage, Illuminare - Centre for Study of Medieval Art - KULeuven - University of Leuven.
Uwaga: Druk. dedyk.: In memoriam Roger Van Schoute.
Uwaga: Bibliogr. s. 351-369.
Temat: Van Schoute Roger (1930-2017) - księga pamiątkowa
Temat: Malarstwo europejskie - 15-17 w. - materiały konferencyjne
Temat: Malarstwo europejskie - technika - 15-17 w. - materiały konferencyjne
Temat: Malarstwo europejskie - technologia - 15-17 w. - materiały konferencyjne
Temat: Malarstwo sakralne europejskie - 15-17 w. - materiały konferencyjne
Temat: Malarstwo sakralne europejskie - technika - 15-17 w. - materiały konferencyjne
Temat: Malarstwo sakralne europejskie - technologia - 15-17 w. - materiały konferencyjne
Gatunek, rodzaj, forma: Księgi pamiątkowe
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Borchert, Till-Holger (1967- ).
Hasło dodatkowe: Couvert, Jacqueline.
Hasło dodatkowe: Dubois, Anne.
Hasło dodatkowe: Ainsworth, Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
Hasło dodatkowe: Allart, Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
Hasło dodatkowe: Baum, Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
Hasło dodatkowe: Billinge, Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
Hasło dodatkowe: Brink, Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies, connoisseurship and provenance research
Hasło dodatkowe: Bücken, Véronique. Le Triptyque de l'Adoration des Mages (Turin-Gênes) et le mecenat d'Hendrik Keddekin, abbe de Ter Doest
Hasło dodatkowe: Ciulisová, Ingrid (1960- ). The Saint Michael altarpiece in Spišská Kapitula - a preliminary report
Hasło dodatkowe: Chorley, Claire. Hans Holbein Hans of Antwerp - findings from the recent examination, cleaning and restoration
Hasło dodatkowe: Christie, Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
Hasło dodatkowe: Currie, Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
Hasło dodatkowe: Debaene, Marjan. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
Hasło dodatkowe: Dubois, Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve, Archives de l’Université, ms. A2)
Hasło dodatkowe: Dyballa, Katrin. The oeuvre of Jan Swart van Groningen reconsidered
Hasło dodatkowe: Eckstein, Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
Hasło dodatkowe: Ewing, Dan. Two “new” paintings by Jan de Beer – technical studies, connoisseurship and provenance research
Hasło dodatkowe: Faries, Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
Hasło dodatkowe: Fraiture, Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
Hasło dodatkowe: Fransen, Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
Hasło dodatkowe: Fücker, Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
Hasło dodatkowe: Galassi, Maria Clelia (1954- ). Revising Friedländer - the "underdrawing connoisseurship” and the Master of the Turin Adoration
Hasło dodatkowe: Gifford, E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
Hasło dodatkowe: Hartwieg, Babette (1958- ). The Goldene Tafel from Liineburg, c. 1420 - new findings about painting process and characteristics
Hasło dodatkowe: Henderiks, Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori"
Hasło dodatkowe: Hirschfelder, Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
Hasło dodatkowe: Kemperdick, Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
Hasło dodatkowe: Kempski, Mary. Who is the man in red and who painted him?
Hasło dodatkowe: Lainé, David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
Hasło dodatkowe: Limentani Virdis, Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group
Hasło dodatkowe: Meuwissen, Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
Hasło dodatkowe: Niessen, Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
Hasło dodatkowe: Oosterwijk, Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens
Hasło dodatkowe: Périer-D'Ieteren, Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise
Hasło dodatkowe: Sandalinas Linares, Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
Hasło dodatkowe: Saverwyns, Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
Hasło dodatkowe: Steyaert, Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
Hasło dodatkowe: Van Eyck, Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés - as unusual altarpiece
Hasło dodatkowe: Waterman, Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
Hasło dodatkowe: Whitaker, Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
Hasło dodatkowe: Whitaker, Lucy. Who is the man in red and who painted him?
Hasło dodatkowe: Wolters, Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
Hasło dodatkowe: Uitgeverij Peeters (Leuven)
ISBN: 978-90-429-3532-7
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 24321 (1 egz.)
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