Bickley Anthea. The "Bal Blanc" held at Cliffe Castle on December 19th 1884
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Bogaerts Ilse. Uniforms and beyond
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Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
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Boon Jaap J. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
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Chabanne Laure (1976- ). Franz Xaver Winterhalter ind dei Franzosische Malerei. Echo der Salons
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Cockx Romy. Introduction: Fashion Museum of Hasselt - MMH
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Coleman Elizabeth Ann. Die Damenmode bei Winterhalter und Worth
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Coppens Marguerite. Les meandres d'une reconversion. La dentelle d'Alencon 1830-1850
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Dahren Lena. Folklore bobbin made borders compared to bobbin made borders and edgings of gold and silver in the Fashion of Early Modern Time
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Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Demoen Eve. Introduction: Fashion Museum of Hasselt - MMH
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Dodinet Elisabeth. A note on the Colorant Gamboge its introduction in Europe and use in coloured glazes
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Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues
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Dodinet Elisabeth. Frankinscene "Boswellia" sp. Burseraceae: Identification issues and analyses of the sources throughout history
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Emmerling Erwin (1952- )
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Esgain Caroline. Dentelles anciennes dentelles mecaniques et tulle Robes habillees des annees 1950 et 1960 au Musee du Costume et de la Dentelle
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Fischer Fritz (1954- )
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Fras Vlado. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region
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Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Gandin Alice (1973- ). Les Lefebure artistes et industriels de la dentelle - 1829-1932
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Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Gauthier Catherine (1979- ). Les costumes de Manneken-Pis. Histoire et conservation d'une collection insolite au Musee de la Ville de Bruxelles
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Gruber Christian (1939- )
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Hackspiel-Mikosch Elisabeth. Politics of lace: the trousseau of Archduches Maria Josepha (1719)
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Haugland Kristina (1959- )
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Heffernan Sandra. Capturing and promoting transparency in lace
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Henwood-Nivet Sophie. Creer la dentelle: l'exemple d'Henry Ball esquisseur en dentelle a Calais dans les annees 1920
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Hlavackova Konstantina. La dentelle en Republique tcheque: etat des lieux et bref apercu historique
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Ivo Sigrid (1961- ). Lace fashion and transparency: it is all in the bag. A stroll through the collection of the Museum of Bags and Purses (Tassenmuseum Hendrikje)
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Joosten Andrea (1968- ). The art of lace: a 17-th century Italian pattern book in the library of the Hamburger Kunsthalle
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Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
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Karbacher Ursula (1955- ). Les produits semi-finis comme "Trend-Setter" de la mode
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Kessler-Aurisch Helga. Der vollendete Hofmaler
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Kim Alexandra. Luminous lace - lighting up a palace's stories
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Kjellberg Anne (1945- ). Lace in the wardrobe of queen Maud of Norway
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Kowalska Joanna Regina. Lace inspired by the folk art of Podhale. The National School of Lace-Making in Zakopane and its influence on fashion in the first fifty years of its existence
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Kuffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts
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Kuhlenthal Michael. "Lustrieren lasieren lackieren". Die Erforschungvon Lusterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft
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Kuhlenthal Michael. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region
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Kuhlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Kuhlenthal Michael. Lusterfassungen von Skulpturen nd Altarretabeln im kunstlerischen Ausstattungskonzept des Barock und Rokoko
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Kurzel-Runtscheiner Monika
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Laveleye Berengere de. Les costumes de Manneken-Pis. Histoire et conservation d'une collection insolite au Musee de la Ville de Bruxelles
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Menković Mirjana (1957- ). Lace as a fashion detail in Mirjana Marić's Collections. A note on Yugoslav fashion between 1970s and 1990s
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Moser-Seiberl Lukas. Die Altare von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee
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Moser-Seiberl Lukas. Historische Rezepte von farbigen Lustern Goldlacken auf Metallfolien und weiβen bzw. transparenten Uberzugen (ca. 1100-1800)
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Nicolai Dorothea. Le tutu romantique. La transparence des spectres
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Ormond Richard (1939- )
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Panter Armin (1958- )
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Pantouvaki Sofia. Technology-inspired experimental new transparencies
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Pelludat Inga. Das Cuivillies-Theater in Munchen
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Pelludat Inga. The "Green Lacquered Room" in the Prince-Bishop's palace of Wurzburg (1769-1772)
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Politou Xenia. Transparence et dentelle dans le costume de cour de la reine Olga (1867-1913): deux elements empruntes aux costumes regionaux grecs
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Ramnefalk Birgitta (1943- ). Lace and legislation in Norway 1600-1799
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Reisberg Eugene Barilo von. Winterhalters Italienisches Intermezzo
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Richter Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria)
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Richter Mark. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region
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Richter Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf
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Richter Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf
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Richter Mark. Coloured glazes of the High Altarpiece by Judas Thaddaus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland)
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Richter Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim
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Richter Mark. Coloured glazes on metal leaf: definition and terminology
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Richter Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Richter Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Richter Mark. Historische Rezepte von farbigen Lustern Goldlacken auf Metallfolien und weiβen bzw. transparenten Uberzugen (ca. 1100-1800)
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Richter Mark. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
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Richter Mark. Polychrome wooden reliquary retable (dated 1740-1773)
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Richter Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany Austria and Switzerland (c. 1600-1780)
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Richter Mark. The "Green Lacquered Room" in the Prince-Bishop's palace of Wurzburg (1769-1772)
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Richter Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf
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Richter Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomunster
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Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria)
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Richter Mark. The red glazed drapes in the Cuivillies-Theatre: results of the scientific examination
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Rolando Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Schad Beate. Tradition and innovation od plauen lace
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