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Adam Anikó
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Ahmad Walid. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Arendt Ada
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Assonitis Alessio (1970- ). The expanding role of digitized collections: the Medici Archive
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Bartosch Christina. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Baur Christl. Art with a lifespan: digital technologies and the preservation of bioart
(1)
Brosens Koenraad (1974- ). Slow digital art history and KUbism: or situation awareness and the promise of open-World games
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Brown Kathryn J
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Brown Kathryn J. Feminist digital art history
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Bryson Anna
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Burckhardt Daniel. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Bydzovska Lenka (1956- )
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Cardoso Bruno. Slow digital art history and KUbism: or situation awareness and the promise of open-World games
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Carvalho Rosario Salema de. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
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Champion Erik. Art history heritage games and virtual reality
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Cowan T. L. X-reception: re-mediating trans- feminist and queer performance art
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Cranston Jodi (1969- ). Mapping paintings or how to breathe life into provenance
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Danyi Orsolya
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De Vincentis Stefania. Digital languages for art history: audience engagement virtual and augmented reality
(1)
Decimo Marc (1958- )
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Dohring Marei. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Dot Anna (1991- ). Noise management in the archival ecosystem: debating principles for classification
(1)
Drucker Johanna (1952- ). Blind spot: information visualization and art history
(1)
Du Preez Amanda. Approching Aby Warburg and digital art history: thinking through images
(1)
Eigl Steffen. Berlin as the avant-garde centre or a dream of the new life. Perspectives on art and European collaboration after 1918
(1)
Eigl Steffen. Between self-stylisation and international breakthrough. Some aspects of the major art exhibitions of the 1910s in European context
(1)
Fletcher Pamela M. (1967- ). Digital methods and the study of the art market
(1)
Foka Anna (1981- ). Art history heritage games and virtual reality
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Forgacs Eva (1947- ). Internationalism and its technicalities. The Hungarian avant-garde's outreach to international art 1919-1926
(1)
Gagliardi Susan Elizabeth. Mapping Senufo: mapping as a method to transcend colonial
(1)
Goodyear Anne Collins. The art-historical catalogue in the digital era
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Helmreich Anne (1963- ). Digital methods and the study of the art market
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Hodge Nicholas
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Impett Leonardo. Analyzing gesture in digital art history
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Jackson Ben (1975- ). A service-orientation and open-source approach to developing virtual museums
(1)
Jaskot Paul B. (1963- ). Digital methods and the historiography of art
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Jeffs Amy. Digital 3D modeling for the history art
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Jimerson Lauren. Social media in the art histiry classroom
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Joyeux-Prunel Beatrice (1977- )
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Joyeux-Prunel Beatrice (1977- ). Digital humanites for a spatial global and social history of art
(1)
Joyeux-Prunel Beatrice (1977- ). Paris for central European avant-gardes. What kind of a reception?
(1)
Jozefacka Anna. Cubism goes East. Kahnweiler's Central European network of agents and collectors
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Kandemir Baris. Computerized analysis of paintings
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Kane Steve
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Keens Alexandra
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Kessler Erwin. Printed networks. Romanian avantgarde magazines
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Kiss-Szeman Zsófia (1964- ). Kosice as a model modernist city
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Klinke Harald. The digital transformation of art history
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Kovacs Anna Zsófia (1982- )
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Krebs Sophie (1961- )
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Krmelj Vesna
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Kruljac Vesna
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Kundracikova Barbora (1986- )
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Kurc-Maj Paulina. The style of the present. The beginnings of the constructivist avant-garde in Poland
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Lacourt Jeanne-Bathilde
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Lahoda Vojtech (1955-2019). New art in the last days of mankind
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Langmead Alison. Pointers and proxies: thoughts on the computational modeling of phenomenal World
(1)
Leigh Allison (1983- ). Social media in the art history classroom
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Leitao Ines. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
(1)
Levy Sophie (1967- )
(1)
Li Jia. Computerized analysis of paintings
(1)
Lincoln Matthew D. Tangled metaphors: network thinking and network analysis in the history of art
(1)
Lodder Christina (1948- ). Constructivist dimension
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Luther Anne. Digital provenance open access and data-driven art history
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Mahler Luise. Cubism goes East. Kahnweiler's Central European network of agents and collectors
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Mansbach Steven A. (1950- ). Toward an art of redemption modern mankind
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Mihaly Arpad
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Mitchell Elspeth. Feminist digital art history
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Mulloli Nirmalie. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Nagy Ladislav (1974- )
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Newbury David. Pointers and proxies: thoughts on the computational modeling of phenomenal World
(1)
Pusztai Tunde
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Rodriguez-Ortega Nuria. Image processing and compute vision in the field of art history
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Rosa Javier de la. Curation content creation: computer approches to fine arts
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Rosenberg Raphael (1962- ). The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Rydiger Monika (1961- ). City space dynamics. Symphony of a metropolis
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Santa Olalla Pablo. Noise management in the archival ecosystem: debating principles for classification
(1)
Sarkady Krisztina
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Sekelj Sanja. Qualitative approches to network analysis in art history: research on contemporary artists' networks
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Snyder Lisa M. Research process publication and pedagogy: reconstructing the World's Columbian Exposition of 1893
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Soucek Martin (1964- )
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Srp Karel (1958- )
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Srp Karel (1958- ). Discoverers of new beauties. Devetsil between Life II and the Frony anthology
(1)
Srp Karel (1958- ). Unstable Central Europe
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Stanford Emma. A field guide to digital surrogates: evaluating and contextualizing a rapidly changing resource
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Suarez Juan-Luis. Curation content creation: computer approches to fine arts
(1)
Subotić Irina (1942- ). Zenit as ideological foundation of the 1924 International Exhibition of New Art
(1)
Travnicek Jiri (1960- ). And so they've gone and killed our Central Europe... On the history of a concept
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Truyen Fred. Slow digital art history and KUbism: or situation awareness and the promise of open-World games
(1)
Tsiang Katherine R. (1949- ). Digital imaging projects for Asian art and visual culture: transcultural mediations and collaborations
(1)
Varkonyi Gyorgy (1951- ). The keen-sighted. The evolution of the Hungarian avant-garde
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Vascon Luca Nicolo. Digital languages for art history: audience engagement virtual and augmented reality
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Viszóki Agnes
(1)
Vojvodik Josef. The dynamics of exsplosion of art at the centre of Europa (1908-1928)
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Wang James Z. (1972- ). Computerized analysis of paintings
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Wayne Kenneth (1961- )
(1)
Wellington Robert J. (1954- ). Metadata material culture and global art history
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Werkner Patrick (1953- ). Kineticism
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White Martin. A service-orientation and open-source approach to developing virtual museums
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Wittlich Petr (1932- ). Ars una
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2020 - 2024
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2010 - 2019
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Galéria Mesta Bratislavy
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Janus Pannonius Múzeum
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Magyar Nemzeti Galéria (Budapeszt)
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Malarstwo włoskie
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Międzynarodowe Centrum Kultury (Kraków)
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Modigliani, Amadeo (1884-1920)
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Muzeum umění (Ołomuniec)
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Autor
Arendt Ada. Bryson Anna. Hodge Nicholas. Nagy Ladislav (1974- ). Srp Karel (1958- ). Viszóki Ágnes. Bydžovská Lenka (1956- ). Danyi Orsolya. Eigl Steffen. Berlin as the avant-garde centre, or a dream of the new life. Perspectives on art and European collaboration after 1918 Eigl Steffen. Between self-stylisation and international breakthrough. Some aspects of the major art exhibitions of the 1910s in European context Forgács Éva (1947- ). Internationalism and its technicalities. The Hungarian avant-garde's outreach to international art 1919-1926 Joyeux-Prunel Béatrice (1977- ). Paris for central European avant-gardes. What kind of a reception? Jozefacka Anna. Cubism goes East. Kahnweiler's Central European network of agents and collectors Kessler Erwin. Printed networks. Romanian avantgarde magazines Kiss-Szemán Zsófia (1964- ). Košice as a model modernist city Krmelj Vesna. Kruljac Vesna. Kundračíková Barbora (1986- ). Kurc-Maj Paulina. The style of the present. The beginnings of the constructivist avant-garde in Poland Lahoda Vojtěch (1955-2019). "New art" in the "last days of mankind" Lodder Christina (1948- ). Constructivist dimension Mahler Luise. Cubism goes East. Kahnweiler's Central European network of agents and collectors Mansbach Steven A. (1950- ). Toward an art of redemption modern mankind Pusztai Tünde. Rydiger Monika (1961- ). City, space, dynamics. Symphony of a metropolis Souček Martin (1964- ). Srp Karel (1958- ). Discoverers of new beauties. Devětsil between Life II and the Frony anthology Srp Karel (1958- ). Unstable Central Europe Subotić Irina (1942- ). Zenit as ideological foundation of the 1924 International Exhibition of New Art Trávníček Jiří (1960- ). "And so they've gone and killed our Central Europe..." On the history of a concept Várkonyi György (1951- ). "The keen-sighted". The evolution of the Hungarian avant-garde Vojvodík Josef. The dynamics of exsplosion of art at the centre of Europa (1908-1928) Werkner Patrick (1953- ). Kineticism Wittlich Petr (1932- ). Ars una Żak Natalia (1984- ). Towards new art. Prefigurations of avant-garde tendencies in the work of Polish artists
Indeks R0: BMNK
Katalog wystaw: Muzeum umění, Ołomuniec, 20 września 1918 - 27 stycznia 2019, Międzynarodowe Centrum Kultury, Kraków, 5 marca - 9 czerwca 2019, Galéria mesta Bratislavy, 28 czerwca - 27 października 2019, Janus Pannonius Múzeum, Pécs, 29 listopada 2019 - 1 kwietnia 2020.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24843, III 24844 (2 egz.)
Książka
W koszyku
(Routledge Art History and Visual Studies Companions)
Autor
Brown Kathryn J. Ahmad Walid. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Assonitis Alessio (1970- ). The expanding role of digitized collections: the Medici Archive Bartosch Christina. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Baur Christl. Art with a lifespan: digital technologies and the preservation of bioart Brosens Koenraad (1974- ). Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Brown Kathryn J. Feminist digital art history Burckhardt Daniel. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Cardoso Bruno. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Carvalho Rosário Salema de. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Champion Erik. Art history, heritage games, and virtual reality Cowan T. L. X-reception: re-mediating trans- feminist and queer performance art Cranston Jodi (1969- ). Mapping paintings, or how to breathe life into provenance De Vincentis Stefania. Digital languages for art history: audience engagement, virtual and augmented reality Dot Anna (1991- ). Noise management in the archival ecosystem: debating principles for classification Döhring Marei. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Drucker Johanna (1952- ). Blind spot: information visualization and art history Du Preez Amanda. Approching Aby Warburg and digital art history: thinking through images Fletcher Pamela M. (1967- ). Digital methods and the study of the art market Foka Anna (1981- ). Art history, heritage games, and virtual reality Gagliardi Susan Elizabeth. Mapping Senufo: mapping as a method to transcend colonial Goodyear Anne Collins. The art-historical catalogue in the digital era Helmreich Anne (1963- ). Digital methods and the study of the art market Impett Leonardo. Analyzing gesture in digital art history Jackson Ben (1975- ). A service-orientation and open-source approach to developing virtual museums Jaskot Paul B. (1963- ). Digital methods and the historiography of art Jeffs Amy. Digital 3D modeling for the history art Jimerson Lauren. Social media in the art histiry classroom Joyeux-Prunel Béatrice (1977- ). Digital humanites for a spatial, global, and social history of art Kandemir Baris. Computerized analysis of paintings Klinke Harald. The digital transformation of art history Langmead Alison. Pointers and proxies: thoughts on the computational modeling of phenomenal World Leigh Allison (1983- ). Social media in the art history classroom Leitão Inês. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Li Jia. Computerized analysis of paintings Lincoln Matthew D. Tangled metaphors: network thinking and network analysis in the history of art Luther Anne. Digital provenance, open access, and data-driven art history Mitchell Elspeth. Feminist digital art history Mulloli Nirmalie. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Newbury David. Pointers and proxies: thoughts on the computational modeling of phenomenal World Rodríguez-Ortega Nuria. Image processing and compute vision in the field of art history Rosa Javier de la. Curation, content, creation: computer approches to fine arts Rosenberg Raphael (1962- ). The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Santa Olalla Pablo. Noise management in the archival ecosystem: debating principles for classification Sekelj Sanja. Qualitative approches to network analysis in art history: research on contemporary artists' networks Snyder Lisa M. Research, process, publication, and pedagogy: reconstructing the World's Columbian Exposition of 1893 Stanford Emma. A field guide to digital surrogates: evaluating and contextualizing a rapidly changing resource Suárez Juan-Luis. Curation, content, creation: computer approches to fine arts Truyen Fred. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Tsiang Katherine R. (1949- ). Digital imaging projects for Asian art and visual culture: transcultural mediations and collaborations Vascon Luca Nicolò. Digital languages for art history: audience engagement, virtual and augmented reality Wang James Z. (1972- ). Computerized analysis of paintings Wellington Robert J. (1954- ). Metadata, material culture, and global art history White Martin. A service-orientation and open-source approach to developing virtual museums Xavier Rafaela. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
Indeks R0: BMNK
Bibliogr. przy art. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 25671 (1 egz.)
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