Bach Friedrich Teja (1944- ). Atelier Impasse Ronsin - Brancusi Paris
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Baert Barbara (1967- )
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Barrett Sylvana. An integrated approach for the study of painting techniques
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Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Bonito Oliva Achille (1939- ). Contemporanea Rom 1973/74
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Bonito Oliva Achille (1939- ). Pino Pascali Serie degli Armi - die Waffen sind auf die Welt gerichtet 1965/66
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Brandauer Aline. Peggy Guggenheim Art of this century - New York 57th Street 20. Oktober 1942 bis Mai 1947
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Brown Milton. Die Armory Show: ein Medienereignis New York/Chicago 1913
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Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
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Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
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Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Celant Germano (1940- ). Jannis Kounellis - Ohne Titel - (Dodice Cavalli Vivi) Rom 1969
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Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Christensen Marie. Bulging in wax-resin impregnated canvas paintings
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Clarricoates Rhiannon
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Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings
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Darrah Josephine A. Connections and coincidences: three pigments
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Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Eltz Johanna zu (1875-1957). Der Futurismus stellt sich aus: Wanderausstellung der Futuristen 1912
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Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Federspiel Beate Knuth. Questions about medieval gesso grounds
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Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
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Friedel Helmut (1946- ). Fernsehgalerie Gerry Schum - Land Art Berlin 1969
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Froysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years
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Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s
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Glanville Helen. Varnish grounds viewing distance and lighting: some notes on seventeenth-century Italian painting technique
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Grasskamp Walter (1950- ). Documenta - Kunst des XX. Jahrhunderts - Internationale Ausstellung im Museum Fridericianum in Kassel 15. Juli bis 18. September 1955
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Gregers-Hoegh Cecilia. Bulging in wax-resin impregnated canvas paintings
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Grinten Hans van der (1929-2002). Joseph Beuys Stallausstellung Fluxus 1963 in Kranenburg
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Gąsior Agnieszka (1971- )
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Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903)
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Harrison Lynne. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Harten Jurgen (1933- ). Der Adler vom Oligozan bis heute Dusseldorf 1972
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Hegewisch Katarina. Einleitung
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Hellen Rebecca (1972- ). 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings
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Hermens Erma (1958- )
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Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s)
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Herzogenrath Wulf (1944- ). Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Kunstler zu Coln 1912
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Higgs Sally. Paintings affected by mould at the Palace of Westminster
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Hoet Jan (1936-2014). Chambres d'Amis Gent 1986
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Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
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Horsch Markus (1960- )
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Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel Winchester Cathedral
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Howard Helen. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Jahn Wolf (1955- ). Gilbert & George Living Sculpture 1969/70
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Katz Melissa R. William Holman Hunt and the Pre-Raphaelite technique
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Kellein Thomas (1955- ). Walter de Maria 50 m3 (1600 Cubic Feet) Level Dirt Munchen 1968
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Kirby Jo. Paul Delaroche: a case study of academic painting
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Knuvener Peter (1976- )
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Kollandsrud Kaja (1963- )
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Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings
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Kroesen Justin E. A. (1975- )
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Lissitzky El (1890-1941). Der Raum der Abstrakten fur das Provinzialmuseum Hannover 1927/28
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Mai Ekkehard (1946- ). Wiener Sezession
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Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800
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Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection
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Messer Thomas M. (1920-2013). Peggy Guggenheim Art of this century - New York 57th Street 20. Oktober 1942 bis Mai 1947
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Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Metzger Rainer (1961- ). Chambres d'Amis Gent 1986
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Miller Eric. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings
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Ormsby Bronwyn. 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Peek Marja F. J. (1961- )
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Petersen Ad (1931- ). Dylaby ein dynamisches Labirynth im Stedelijk Museum 1962
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Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Restany Pierre (1930-2003). Yves Klein Le Vide. Die Leere von Yves Klein. Paris den 28. April 1958
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Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
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Rodwell Warwick (1947- )
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Roller Stefan (1961- )
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Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi
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Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Roy Ashok. Paul Delaroche: a case study of academic painting
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Santacesaria Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the The last supper by Giorgio Vasari
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Sauerberg Marie Louise
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Schmidt-Wulffen Stephan. Die Zukunft aus dem Prufstand: This is Tomorrow London Whitechapel Gallery 1956
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Schulz-Hoffmann Carla (1946- ). Das Ambiente Nero von Lucio Fontana - Prototyp des Environments Mailand 1949
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Scott Rachel. 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Seed Alison. Paintings affected by mould at the Palace of Westminster
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Selz Peter Howard (1919-2019). Der Erste Deutsche Herbstsalon Berlin 1913
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Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison
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Skalova Zuzana. New evidence for the medieval production of icons in the Nile Valley
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