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Biblioteka Muzeum Narodowego
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Howard Helen
(2)
Adkins Helen (1960- ). Erste Internationale Dada-Messe Berlin 1920
(1)
Alix Trueba Josefina. Der Spanische Pavillon auf der Weltausstellung in Paris 1937
(1)
Ashton Dore. Claes Oldenburg The Store New York 1961
(1)
Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
(1)
Bach Friedrich Teja (1944- ). Atelier Impasse Ronsin - Brancusi Paris
(1)
Baert Barbara (1967- )
(1)
Barrett Sylvana. An integrated approach for the study of painting techniques
(1)
Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
(1)
Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
(1)
Bonito Oliva Achille (1939- ). Contemporanea Rom 1973/74
(1)
Bonito Oliva Achille (1939- ). Pino Pascali Serie degli Armi - die Waffen sind auf die Welt gerichtet 1965/66
(1)
Brandauer Aline. Peggy Guggenheim Art of this century - New York 57th Street 20. Oktober 1942 bis Mai 1947
(1)
Broun Elizabeth
(1)
Brown Milton. Die Armory Show: ein Medienereignis New York/Chicago 1913
(1)
Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
(1)
Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
(1)
Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
(1)
Celant Germano (1940- ). Jannis Kounellis - Ohne Titel - (Dodice Cavalli Vivi) Rom 1969
(1)
Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
(1)
Christensen Marie. Bulging in wax-resin impregnated canvas paintings
(1)
Clarricoates Rhiannon
(1)
Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings
(1)
Darrah Josephine A. Connections and coincidences: three pigments
(1)
Dowding Helen
(1)
Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
(1)
Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
(1)
Eltz Johanna zu (1875-1957). Der Futurismus stellt sich aus: Wanderausstellung der Futuristen 1912
(1)
Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
(1)
Federspiel Beate Knuth. Questions about medieval gesso grounds
(1)
Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
(1)
Friedel Helmut (1946- ). Fernsehgalerie Gerry Schum - Land Art Berlin 1969
(1)
Froysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
(1)
Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years
(1)
Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s
(1)
Glanville Helen. Varnish grounds viewing distance and lighting: some notes on seventeenth-century Italian painting technique
(1)
Grasskamp Walter (1950- ). Documenta - Kunst des XX. Jahrhunderts - Internationale Ausstellung im Museum Fridericianum in Kassel 15. Juli bis 18. September 1955
(1)
Gregers-Hoegh Cecilia. Bulging in wax-resin impregnated canvas paintings
(1)
Grinten Hans van der (1929-2002). Joseph Beuys Stallausstellung Fluxus 1963 in Kranenburg
(1)
Gąsior Agnieszka (1971- )
(1)
Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903)
(1)
Harrison Lynne. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
(1)
Harten Jurgen (1933- ). Der Adler vom Oligozan bis heute Dusseldorf 1972
(1)
Hegewisch Katarina
(1)
Hegewisch Katarina. Einleitung
(1)
Hellen Rebecca (1972- ). 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
(1)
Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings
(1)
Hermens Erma (1958- )
(1)
Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s)
(1)
Herzogenrath Wulf (1944- ). Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Kunstler zu Coln 1912
(1)
Higgs Sally. Paintings affected by mould at the Palace of Westminster
(1)
Hoet Jan (1936-2014). Chambres d'Amis Gent 1986
(1)
Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
(1)
Horsch Markus (1960- )
(1)
Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel Winchester Cathedral
(1)
Howard Helen. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
(1)
Howard Jan (1953- )
(1)
Jahn Wolf (1955- ). Gilbert & George Living Sculpture 1969/70
(1)
Katz Melissa R. William Holman Hunt and the Pre-Raphaelite technique
(1)
Kellein Thomas (1955- ). Walter de Maria 50 m3 (1600 Cubic Feet) Level Dirt Munchen 1968
(1)
Kirby Jo. Paul Delaroche: a case study of academic painting
(1)
Kluser Bernd
(1)
Knuvener Peter (1976- )
(1)
Kollandsrud Kaja (1963- )
(1)
Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings
(1)
Kroesen Justin E. A. (1975- )
(1)
Lindberg Hakan
(1)
Lissitzky El (1890-1941). Der Raum der Abstrakten fur das Provinzialmuseum Hannover 1927/28
(1)
Mai Ekkehard (1946- ). Wiener Sezession
(1)
Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800
(1)
Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection
(1)
Messer Thomas M. (1920-2013). Peggy Guggenheim Art of this century - New York 57th Street 20. Oktober 1942 bis Mai 1947
(1)
Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation
(1)
Metzger Rainer (1961- ). Chambres d'Amis Gent 1986
(1)
Miller Eric. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
(1)
Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings
(1)
Nyborg Ebbe
(1)
Ormsby Bronwyn. 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
(1)
Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
(1)
Peek Marja F. J. (1961- )
(1)
Petersen Ad (1931- ). Dylaby ein dynamisches Labirynth im Stedelijk Museum 1962
(1)
Plahter Unn (1936- )
(1)
Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
(1)
Restany Pierre (1930-2003). Yves Klein Le Vide. Die Leere von Yves Klein. Paris den 28. April 1958
(1)
Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
(1)
Richter Mark
(1)
Rodwell Warwick (1947- )
(1)
Roller Stefan (1961- )
(1)
Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi
(1)
Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
(1)
Roy Ashok. Paul Delaroche: a case study of academic painting
(1)
Santacesaria Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the The last supper by Giorgio Vasari
(1)
Sauerberg Marie Louise
(1)
Schmidt-Wulffen Stephan. Die Zukunft aus dem Prufstand: This is Tomorrow London Whitechapel Gallery 1956
(1)
Schulz-Hoffmann Carla (1946- ). Das Ambiente Nero von Lucio Fontana - Prototyp des Environments Mailand 1949
(1)
Scott Rachel. 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
(1)
Seed Alison. Paintings affected by mould at the Palace of Westminster
(1)
Selz Peter Howard (1919-2019). Der Erste Deutsche Herbstsalon Berlin 1913
(1)
Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison
(1)
Skalova Zuzana. New evidence for the medieval production of icons in the Nile Valley
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Rok wydania
2010 - 2019
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1990 - 1999
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1980 - 1989
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Stany Zjednoczone
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angielski
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niemiecki
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Helen Foresman Spencer Museum of Art
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Malarstwo (szt.plast.)
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Rysunek amerykański
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Steir, Pat (1940- )
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Sztuka sakralna
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Sztuka sakralna europejska
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Tångeberg, Peter (1942- )
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6 wyników Filtruj
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1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 19196 (1 egz.)
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Książka
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Są egzemplarze dostępne do wypożyczenia: sygn. Kat. 11142 (1 egz.)
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Autor
Clarricoates Rhiannon. Dowding Helen. Wright Adèle. Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings Christensen Marie. Bulging in wax-resin impregnated canvas paintings Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Frøysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Gregers-Høegh Cecilia. Bulging in wax-resin impregnated canvas paintings Harrison Lynne. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Hellen Rebecca (1972- ). 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings Higgs Sally. Paintings affected by mould at the Palace of Westminster Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Howard Helen. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection Miller Eric. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Ormsby Bronwyn. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Santacesaria Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the "The last supper" by Giorgio Vasari Seed Alison. Paintings affected by mould at the Palace of Westminster Scott Rachel. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Slottved Kimbriel Christine (1982- ). Bulging in wax-resin impregnated canvas paintings Stols-Witlox Maartje (1972- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Stoveland Lena Porsmo. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Sučević Miklin Maja. The challenges of reconstructing water-damaged paint layers on painted wooden panelling Thickett David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Vilde Vladimir. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Wischniowski Tatjana. Oil-based paint under a layer of water: a rare miniature painting technique from the 18th century
Indeks R0: BMNK
Materiały z konferencji: National Museums of Scotland, 12 października 2018 r.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 33820 (1 egz.)
Brak okładki
Książka
W koszyku
Autor
Hermens Erma (1958- ). Peek Marja F. J. (1961- ). Wallert Arie (1950- ). Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Barrett Sylvana. An integrated approach for the study of painting techniques Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Darrah Josephine A. Connections and coincidences: three pigments Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Federspiel Beate Knuth. Questions about medieval gesso grounds Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s Glanville Helen. Varnish, grounds, viewing distance, and lighting: some notes on seventeenth-century Italian painting technique Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903) Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s) Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel, Winchester Cathedral Katz Melissa R. William Holman Hunt and the "Pre-Raphaelite technique" Kirby Jo. Paul Delaroche: a case study of academic painting Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800 Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Roy Ashok. Paul Delaroche: a case study of academic painting Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison Skalová Zuzana. New evidence for the medieval production of icons in the Nile Valley Steinbüchel Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Stulik Dusan (1956- ). An integrated approach for the study of painting techniques Townsend Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875 Wadum Jørgen. Johannes Vermeer (1632–1675) and his use of perspective Wallert Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination Wallert Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Wetering Ernst van de (1938-2021). Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter Woodcock Sally. The Roberson Archive: content and significance Woudhuysen-Keller Renate (1944-2012). Aspects of painting technique in the use of verdigris and copper resinate
Temat
Indeks R0: BMNK
Bibliogr. przy ref. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 26406 (1 egz.)
Książka
W koszyku
Autor
Hegewisch Katarina. Klüser Bernd. Adkins Helen (1960- ). "Erste Internationale Dada-Messe", Berlin 1920 Alix Trueba Josefina. Der Spanische Pavillon auf der Weltausstellung in Paris 1937 Ashton Dore. Claes Oldenburg "The Store", New York 1961 Bach Friedrich Teja (1944- ). Atelier Impasse Ronsin - Brancusi, Paris Bonito Oliva Achille (1939- ). Contemporanea, Rom 1973/74 Bonito Oliva Achille (1939- ). Pino Pascali "Serie degli Armi" - die Waffen sind auf die Welt gerichtet, 1965/66 Brandauer Aline. Peggy Guggenheim "Art of this century" - New York, 57th Street, 20. Oktober 1942 bis Mai 1947 Brown Milton. Die Armory Show: ein Medienereignis, New York/Chicago 1913 Celant Germano (1940- ). Jannis Kounellis - Ohne Titel - (Dodice Cavalli Vivi), Rom 1969 Eltz Johanna zu (1875-1957). Der Futurismus stellt sich aus: Wanderausstellung der Futuristen, 1912 Friedel Helmut (1946- ). Fernsehgalerie Gerry Schum - Land Art, Berlin 1969 Grasskamp Walter (1950- ). Documenta - Kunst des XX. Jahrhunderts - Internationale Ausstellung im Museum Fridericianum in Kassel, 15. Juli bis 18. September 1955 Grinten Hans van der (1929-2002). Joseph Beuys "Stallausstellung" Fluxus 1963 in Kranenburg Harten Jürgen (1933- ). "Der Adler vom Oligozän bis heute", Düsseldorf 1972 Hegewisch Katarina. Einleitung Herzogenrath Wulf (1944- ). Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Künstler zu Cöln 1912 Hoet Jan (1936-2014). "Chambres d'Amis", Gent 1986 Kellein Thomas (1955- ). Walter de Maria "50 m3 (1600 Cubic Feet) Level Dirt", München 1968 Lissitzky El (1890-1941). "Der Raum der Abstrakten" für das Provinzialmuseum Hannover 1927/28 Mai Ekkehard (1946- ). Wiener Sezession Messer Thomas M. (1920-2013). Peggy Guggenheim "Art of this century" - New York, 57th Street, 20. Oktober 1942 bis Mai 1947 Metzger Rainer (1961- ). "Chambres d'Amis", Gent 1986 Petersen Ad (1931- ). Dylaby, ein dynamisches Labirynth im Stedelijk Museum 1962 Restany Pierre (1930-2003). Yves Klein "Le Vide". Die Leere von Yves Klein. Paris, den 28. April 1958 Schmidt-Wulffen Stephan. Die Zukunft aus dem Prufstand: "This is Tomorrow", London, Whitechapel Gallery 1956 Schulz-Hoffmann Carla (1946- ). Das "Ambiente Nero" von Lucio Fontana - Prototyp des Environments, Mailand 1949 Selz Peter Howard (1919-2019). Der "Erste Deutsche Herbstsalon", Berlin 1913 Smolik Noemi. Letzte futuristische Ausstellung 0, 10, Petrograd 1915 - das Ende einer Entwicklung Smolik Noemi. Mir Iskusstva - der Beginn der russischen Moderne, Petersburg 1899 Strelow Hans. "Leben mit Pop - Demonstration für den kapitalistischen Realismus" von Konrad Lueg und Gerhard Richter, Düsseldorf 1963 Szeemann Harald (1933-2005). "When attitudes become form", Bern 1969 Jahn Wolf (1955- ). Gilbert & George "Living Sculpture", 1969/70
Temat
Indeks R0: BMNK
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 25746 (1 egz.)
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