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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
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Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
(2)
Eastaugh Nicholas. Optical microscopy
(2)
Eastaugh Nicholas. Pigments in Western easel painting
(2)
Fuster-López Laura. Filling
(2)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Hackney Stephen. Lining easel paintings
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(2)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(2)
Reifsnyder Joan. Lining easel paintings
(2)
Rossol Monona. Health and safety concerns in the paintings conservation studio
(2)
Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
(2)
Saunders David. Image documentation for paintings conservation
(2)
Scharff Mikkel. Lining easel paintings
(2)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
(2)
Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
(2)
Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
(2)
Stoner Joyce Hill (1946- )
(2)
Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Stoner Joyce Hill (1946- ). International public outreach projects
(2)
Stoner Joyce Hill (1946- ). Introduction
(2)
Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
(2)
Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
(2)
Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
(2)
Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Townsend Joyce H. A brief survey of historical varnishes
(2)
Townsend Joyce H. Binding media
(2)
Townsend Joyce H. Health and safety concerns in the paintings conservation studio
(2)
Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
(2)
Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
(2)
Walsh Valentine. Optical microscopy
(2)
Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
(2)
Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings
(2)
Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
(2)
Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
(2)
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Year
2020 - 2023
(1)
2010 - 2019
(3)
Country
United Kingdom
(3)
United States
(3)
France
(1)
Language
English
(3)
French
(1)
Subject
Malarstwo (szt.plast.)
(2)
Degas, Edgar
(1)
Grafika hiszpańska
(1)
Konserwatorstwo
(1)
Malarstwo francuskie
(1)
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Malarstwo hiszpańskie
(1)
Musée d'Orsay (Paryż)
(1)
National Gallery of Art (Waszyngton ; 1937- )
(1)
Ochrona zabytków
(1)
Picasso, Pablo
(1)
Rysunek hiszpański
(1)
Rzeźba francuska
(1)
Rzeźba hiszpańska
(1)
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Subject: time
1801-
(2)
1901-
(2)
2001-
(1)
Genre/Form
Katalogi wystaw
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Authority data
Hoenigswald Ann (hasło formalne)
Book
In basket
Tytuł: Degas / volume editors Daphne Barbour, Suzanne Quillen Lomax ; [authors Daphne Barbour, Barbara H. Berrie, John K. Delaney, Kathryn A. Dooley, Michelle Facini, Ann Hoenigswald, Kimberly A. Jones, Richard Kendall, Suzanne Quillen Lomax, Alison Luchs, Michael Palmer, Kimberly Schenck, Shelley Sturman].
Wariant tytułu: Facture : conservation, science, art history
Adres wydawniczy: Washington : National Gallery of Art, Washington ; New Haven ; London : distributed by Yale University Press, cop. 2017.
Opis fizyczny: XIV, [2], 180 s. : il. (gł. kolor.) ; 29 cm.
Uwaga: T. monogr.: "Facture : conservation, science, art history". Vol. 3 (2017).
Uwaga: Bibliogr. przy art.
Uwaga: DOKUMENT W ZBIORZE CZASOPISM zob. WARIANT TYTUŁU
Temat: Degas Edgar 1834-1917 - twórczość
Temat: National Gallery of Art Waszyngton ; 1937- - zbiory - 19-20 w
Temat: Malarstwo francuskie - 19-20 w
Temat: Malarstwo francuskie - zbiory - Stany Zjednoczone - 19-20 w
Temat: Rzeźba francuska - 19-20 w
Temat: Rzeźba francuska - zbiory - Stany Zjednoczone - 19-20 w
Hasło dodatkowe: Barbour, Daphne.
Hasło dodatkowe: Lomax, Suzanne Quillen.
Hasło dodatkowe: Kendall, Richard (1946-2021). Degas and difficulty
Hasło dodatkowe: Hoenigswald, Ann. Question of finish in the work of Edgar Degas
Hasło dodatkowe: Jones, Kimberly. Question of finish in the work of Edgar Degas
Hasło dodatkowe: Lomax, Suzanne Quillen. Edgar Degas's wax sculptures: characterization and comparison with contemporary practice
Hasło dodatkowe: Berrie, Barbara Hepburn. Edgar Degas's wax sculptures: characterization and comparison with contemporary practice
Hasło dodatkowe: Palmer, Michael (1933- ). Edgar Degas's wax sculptures: characterization and comparison with contemporary practice
Hasło dodatkowe: Barbour, Daphne. Casting Degas's sculpture into bronze: a closer look
Hasło dodatkowe: Sturman, Shelley. Casting Degas's sculpture into bronze: a closer look
Hasło dodatkowe: Facini, Michelle. Technical exploration of Edgar Degas's "Ballet scene": a late pastel on tracing paper
Hasło dodatkowe: Dooley, Kathryn A. Technical exploration of Edgar Degas's "Ballet scene": a late pastel on tracing paper
Hasło dodatkowe: Delaney, John K. (1961- ). Technical exploration of Edgar Degas's "Ballet scene": a late pastel on tracing paper
Hasło dodatkowe: Lomax, Suzanne Quillen. Technical exploration of Edgar Degas's "Ballet scene": a late pastel on tracing paper
Hasło dodatkowe: Palmer, Michael (1933- ). Technical exploration of Edgar Degas's "Ballet scene": a late pastel on tracing paper
Hasło dodatkowe: Schenck, Kimberly. Edgar Degas and Mary Cassatt: a comparison of drawings for soft-ground etchings
Hasło dodatkowe: Luchs, Alison. "Little dancer" in wax and words: reading a sonnet by Edgar Degas
Hasło dodatkowe: National Gallery of Art (Waszyngton ; 1937- )
Hasło dodatkowe: Yale University Press
ISBN: 978-0-300-23011-6
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. Czas. III 2457/3 (1 egz.)
Book
In basket
Tytuł: Picasso : bleu et rose / [auteurs sous la direction de Laurent Le Bon, Claire Bernardi, Stéphanie Molins, Émilia Philippot - Martin Bertin, Raphaël Buvier, Lionel Britten, Christine Burger, Laura Couvreur, Lili Davenas, Camille Frasca, Cécile Girardeau, Cécile Godefroy, Malén Gual Pascual, Stéphane Guégan, Ann Hoenigswald, Jèssica Jaques, Reyes Jiménez-Garnica, Isis Jourda, Marianne Le Morvan, Laura Leze, Marilyn Mc Cully, Colette Morel, Virginie Perdrisot, Michael Raeburn, Claustre Rafart Planas, William H. Robinson, Vérane Tasseau, Clémence Vallée, Edouard Vallès, Nicolaj Van der Meulen, Hans-Christoph von Tavel, Coline Zellal].
Wariant tytułu: Bleu et rose
Adres wydawniczy: Vanves : Hazan ; Paris : Musée d'Orsay, cop. 2018.
Opis fizyczny: 405, [3] s. : il. kolor. ; 29 cm.
Uwaga: Katalog wydany w związku z wystawą: "Picasso. Bleu et rose", Paris, musée d'Orsay, 18 septembre 2018 - 6 janvier 2019.
Uwaga: Bibliogr. s. 399-401. Indeks.
Temat: Picasso Pablo 1881-1973 - wystawy
Temat: Musée d'Orsay Paryż - wystawy - 2018-2019
Temat: Grafika hiszpańska - wystawy - 20 w
Temat: Malarstwo hiszpańskie - wystawy - 19-20 w
Temat: Rysunek hiszpański - wystawy - 19-20 w
Temat: Rzeźba hiszpańska - wystawy - 20 w
Gatunek, rodzaj, forma: Katalogi wystaw
Hasło dodatkowe: Bernardi, Claire.
Hasło dodatkowe: Le Bon, Laurent (1969- ).
Hasło dodatkowe: Molins, Stéphanie.
Hasło dodatkowe: Philippot, Émilia.
Hasło dodatkowe: Bernardi, Claire. Journal 1900
Hasło dodatkowe: Bernardi, Claire. Journal 1901
Hasło dodatkowe: Bernardi, Claire. La première étincelle d'un feu d'artifice
Hasło dodatkowe: Bertin, Marion.
Hasło dodatkowe: Bouvier, Raphaël. Journal 1904
Hasło dodatkowe: Bouvier, Raphaël. Journal 1906
Hasło dodatkowe: Bouvier, Raphaël. La première étincelle d'un feu d'artifice
Hasło dodatkowe: Britten, Lionel.
Hasło dodatkowe: Burger, Christine.
Hasło dodatkowe: Couvreur, Laura.
Hasło dodatkowe: Davenas, Lili.
Hasło dodatkowe: Frasca, Camille.
Hasło dodatkowe: Girardeau, Cécile.
Hasło dodatkowe: Godefroy, Cécile. Picasso sculpteur
Hasło dodatkowe: Gual, Malén (1956- ). Picasso érotique
Hasło dodatkowe: Guégan, Stéphane. Entretien avec John Richardson
Hasło dodatkowe: Hoenigswald, Ann. Transparence et leurres de la période rose
Hasło dodatkowe: Jaques Pi, Jèssica (1967- ). Le séjour à Gósol
Hasło dodatkowe: Jiménez de Garnica, Reyes. La technique de la période bleue
Hasło dodatkowe: Jourda, Isis.
Hasło dodatkowe: Le Bon, Laurent (1969- ). La première étincelle d'un feu d'artifice
Hasło dodatkowe: Le Morvan, Marianne (1985- ). Les expositions de la galerie B. Weill
Hasło dodatkowe: Le Morvan, Marianne (1985- ). Oeuvres exposées à la galerie B. Well, 1902 et 1904
Hasło dodatkowe: Leze, Laura.
Hasło dodatkowe: McCully, Marilyn. L'exposition à la galerie Serrurier
Hasło dodatkowe: McCully, Marilyn. L'exposition Vollard
Hasło dodatkowe: McCully, Marilyn. Oeuvres exposées à la galerie Serrurier, 1905
Hasło dodatkowe: McCully, Marilyn. Oeuvres exposées à la galerie Vollard, 1901
Hasło dodatkowe: Meulen, Nicolaj van der.
Hasło dodatkowe: Molins, Stéphanie. Journal 1902
Hasło dodatkowe: Molins, Stéphanie. Journal 1903
Hasło dodatkowe: Molins, Stéphanie. La première étincelle d'un feu d'artifice
Hasło dodatkowe: Morel, Colette (1993- ). Expositions de Picasso entre 1900 et 1906
Hasło dodatkowe: Morel, Colette (1993- ). Périodes bleue et rose dans les expositions Picasso
Hasło dodatkowe: Perdrisot, Virginie.
Hasło dodatkowe: Philippot, Émilia. Journal 1900
Hasło dodatkowe: Philippot, Émilia. Journal 1905
Hasło dodatkowe: Philippot, Émilia. La première étincelle d'un feu d'artifice
Hasło dodatkowe: Philippot, Émilia. Le Bateau-Lavoir
Hasło dodatkowe: Raeburn, Michael (1940- ). Oeuvres exposées à la galerie Serrurier, 1905
Hasło dodatkowe: Raeburn, Michael (1940- ). Oeuvres exposées à la galerie Vollard, 1901
Hasło dodatkowe: Raeburn, Michael (1940- ). Saint-Lazare et le Dr Jullien
Hasło dodatkowe: Rafart Planas, Claustre.
Hasło dodatkowe: Robinson, William H. (1955- ). La Vie
Hasło dodatkowe: Tasseau, Vérane.
Hasło dodatkowe: Tavel, Hans Christoph von (1935- ).
Hasło dodatkowe: Vallée Clémence.
Hasło dodatkowe: Vallès, Eduard (1971- ). Els quatre gats
Hasło dodatkowe: Vallès, Eduard (1971- ). Les origines hispaniques de la période bleue
Hasło dodatkowe: Zellal, Coline. Picasso graveur
Hasło dodatkowe: Éditions Hazan
Hasło dodatkowe: Musée d'Orsay (Paryż)
ISBN: 978-2-754-11474-5
ISBN: 978-2-35433-272-3
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 25852 (1 egz.)
Book
In basket
Tytuł: The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield.
Adres wydawniczy: London ; New York : Routledge Taylor & Francis Group, 2012.
Opis fizyczny: XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
Seria: Routledge Series in Conservation and Museology
Uwaga: Bibliogr. s. 765-866. Indeks.
Temat: Malarstwo szt.plast. - ochrona i konserwacja
Hasło dodatkowe: Stoner, Joyce Hill (1946- ).
Hasło dodatkowe: Rushfield, Rebecca (1954- ).
Hasło dodatkowe: Oddy, William Andrew (1942- ).
Hasło dodatkowe: Ackroyd, Paul. The structural conservation of paintings on wooden panel supports
Hasło dodatkowe: Birkenbeul, Ina. Consolidation of flaking paint and ground
Hasło dodatkowe: Bisacca, George. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Consolidation of flaking paint and ground
Hasło dodatkowe: Blewett, Morwenna R. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bomford, David. Picture cleaning: positivism and metaphysics
Hasło dodatkowe: Boon, Jaap J. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Buck, Susan L. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Buckley, Barbara A. Stretchers, tensioning, and attachments
Hasło dodatkowe: Bucklow, Spike. The classification of craquelure patterns
Hasło dodatkowe: Burnstock, Aviva. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Carlyle, Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Carlyle, Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
Hasło dodatkowe: Castelli, Ciro.
Hasło dodatkowe: Clarke, Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Cross, Maureen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Digney-Peer, Shawn. Imitative retouching of easel paintings
Hasło dodatkowe: Dixon, Thomas. Framing, glazing, backing, and hanging of paintings on canvas
Hasło dodatkowe: Dixon, Thomas. Storage of easel paintings
Hasło dodatkowe: Dolgikh, Irina V. (1974- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Druzik, James. The lighting of easel paintings
Hasło dodatkowe: Eastaugh, Nicholas. Optical microscopy
Hasło dodatkowe: Eastaugh, Nicholas. Pigments in Western easel painting
Hasło dodatkowe: Fuster-López, Laura. Filling
Hasło dodatkowe: Golden, Mark (1948- ). Varnishing of acrylic paintings by artists
Hasło dodatkowe: Goltz, Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Goltz, Michael von der (1956- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Goltz, Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Gottsegen, Mark D. Recommending materials to artists
Hasło dodatkowe: Gottsegen, Mark D. Twentieth-century grounds
Hasło dodatkowe: Gritt, Stephen. Imitative retouching of easel paintings
Hasło dodatkowe: Hackney, Stephen. Lining easel paintings
Hasło dodatkowe: Heiber, Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Hermens, Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Hermens, Erma (1958- ). Binding media
Hasło dodatkowe: Hoenigswald, Ann. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Holubec, Inken Maria. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Horovitz, Isabel. Consolidation of flaking paint and ground
Hasło dodatkowe: Hutchings, Jeremy. Sustainable conservation management of exhibitions
Hasło dodatkowe: Katlan, Alexander. History of fabric supports
Hasło dodatkowe: Klein, Peter. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Klocke, Jens. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Learner, Thomas J. S. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Learner, Thomas J. S. Modern paints
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Sustainable conservation management of exhibitions
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Loon, Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Lowengard, Sarah. Pigments in Western easel painting
Hasło dodatkowe: MacBeth, Rhona. The technical examination and documentation of easel paintings
Hasło dodatkowe: Marvelde, Mireille te. Lining easel paintings
Hasło dodatkowe: Massing, Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Mayer, Debora D. Identification of textile fibres found in common painting supports
Hasło dodatkowe: Mayer, Lance.Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Myers, Gay. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: McClure, Ian. Framing and microclimate enclosures for panel paintings
Hasło dodatkowe: McGinn, Mary. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Michalski, Stefan (konserwatorstwo). The lighting of easel paintings
Hasło dodatkowe: Nadolny, Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
Hasło dodatkowe: Nadolny, Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Nadolny, Jilleen. History of visual compensation for paintings
Hasło dodatkowe: Nadolny, Jilleen. Pigments in Western easel painting
Hasło dodatkowe: Noble, Petria. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Olley, Peggy A. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Ormsby, Bronwyn. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Ormsby, Bronwyn. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Ormsby, Bronwyn. Twentieth-century grounds
Hasło dodatkowe: Perry, Roy A. Imitative retouching of easel paintings
Hasło dodatkowe: Petersen, Karin. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Phenix, Alan. A brief survey of historical varnishes
Hasło dodatkowe: Phenix, Alan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Proctor, Robert G. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Ramsay, Barbara A. Travelling exhibitions and transporting paintings
Hasło dodatkowe: Reifsnyder, Joan. Lining easel paintings
Hasło dodatkowe: Rossol, Monona. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Rushfield, Rebecca (1954- ). Conservation organizations and professional standards
Hasło dodatkowe: Saunders, David. Image documentation for paintings conservation
Hasło dodatkowe: Scharff, Mikkel. Lining easel paintings
Hasło dodatkowe: Scharff, Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Schmitt, Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
Hasło dodatkowe: Scholte, Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Spaabaek, Lin Rosa. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stassinopoulos, Stergios. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stavroudis, Chris. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Grounds, 1400-1900
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). International public outreach projects
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Introduction
Hasło dodatkowe: Streeton, Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stringari, Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66
Hasło dodatkowe: Swicklik, Michael. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Thomas, Karen. Imitative retouching of easel paintings
Hasło dodatkowe: Tomkiewicz, Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Townsend, Joyce H. A brief survey of historical varnishes
Hasło dodatkowe: Townsend, Joyce H. Binding media
Hasło dodatkowe: Townsend, Joyce H. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Townsend, Joyce H. Imitative retouching of easel paintings
Hasło dodatkowe: Townsend, Joyce H. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Wadum, Jørgen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Walsh, Valentine. Optical microscopy
Hasło dodatkowe: Whitten, Jill. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Wolbers, Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Young, Christina. History of fabric supports
Hasło dodatkowe: Taylor & Francis
ISBN: 978-0-7506-8199-5
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 23047 (1 egz.)
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Tytuł: The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield.
Wydanie: 2nd ed.
Adres wydawniczy: London ; New York : Routledge Taylor & Francis Group, 2022.
Opis fizyczny: XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
Seria: Routledge Series in Conservation and Museology
Uwaga: Bibliogr. s. 792-890. Indeks.
Temat: Konserwatorstwo - 20-21 w
Temat: Malarstwo szt.plast. - ochrona i konserwacja
Temat: Ochrona zabytków - metody
Hasło dodatkowe: Stoner, Joyce Hill (1946- ).
Hasło dodatkowe: Rushfield, Rebecca (1954- ).
Hasło dodatkowe: Oddy, William Andrew (1942- ).
Hasło dodatkowe: Ackroyd, Paul. The structural conservation of paintings on wooden panel supports
Hasło dodatkowe: Bartoletti, Angelica. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Baade, Brian. Recommending materials to artists
Hasło dodatkowe: Berg, Klaas Jan van den (1964- ). Modern oil paints
Hasło dodatkowe: Birkenbeul, Ina. Consolidation of flaking paint and ground
Hasło dodatkowe: Bisacca, George. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Consolidation of flaking paint and ground
Hasło dodatkowe: Blewett, Morwenna R. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bomford, David. Picture cleaning: positivism and metaphysics
Hasło dodatkowe: Boon, Jaap J. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Breare, Caitlin. The technical examination and documentation of easel paintings
Hasło dodatkowe: Buck, Susan L. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Buckley, Barbara A. Stretchers, tensioning, and attachments
Hasło dodatkowe: Bucklow, Spike. The classification of craquelure patterns
Hasło dodatkowe: Burnstock, Aviva. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Carlyle, Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Carlyle, Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
Hasło dodatkowe: Clarke, Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Cross, Maureen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Cushman, Matthew. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: DeGhetaldi, Kristin. Recommending materials to artists
Hasło dodatkowe: Digney-Peer, Shawn. The imitative retouching of easel paintings
Hasło dodatkowe: Dixon, Thomas. Framing, glazing, backing, and hanging of paintings on canvas
Hasło dodatkowe: Dixon, Thomas. Storage of easel paintings
Hasło dodatkowe: Dolgikh, Irina V. (1974- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Druzik, James. The lighting of easel paintings
Hasło dodatkowe: Eastaugh, Nicholas. Optical microscopy
Hasło dodatkowe: Eastaugh, Nicholas. Pigments in Western easel painting
Hasło dodatkowe: Finn, Clare. Written documentation for paintings conservation
Hasło dodatkowe: Fuster-López, Laura. Filling
Hasło dodatkowe: Golden, Mark (1948- ). Varnishing of acrylic paintings by artists
Hasło dodatkowe: Goltz, Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Goltz, Michael von der (1956- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Goltz, Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Gottsegen, Mark D. Recommending materials to artists
Hasło dodatkowe: Gottsegen, Mark D. Twentieth-century grounds
Hasło dodatkowe: Gritt, Stephen. The imitative retouching of easel paintings
Hasło dodatkowe: Hackney, Stephen. Lining easel paintings
Hasło dodatkowe: Heiber, Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Hermens, Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Hermens, Erma (1958- ). Binding media
Hasło dodatkowe: Hoenigswald, Ann. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Holubec, Inken Maria. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Horovitz, Isabel. Consolidation of flaking paint and ground
Hasło dodatkowe: Hummelen, IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Hutchings, Jeremy. The sustainable conservation management of exhibitions
Hasło dodatkowe: Katlan, Alexander. History of fabric supports
Hasło dodatkowe: Keune, Katrien. Research into and analysis of the materials of easel paintings
Hasło dodatkowe: Klein, Peter. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Klocke, Jens. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Learner, Thomas J. S. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Learner, Thomas J. S. Modern paints
Hasło dodatkowe: Lee, Judith. Modern oil paints
Hasło dodatkowe: Lee, Judith. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Emergency preparedness and recovery
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Loon, Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Lowengard, Sarah. Pigments in Western easel painting
Hasło dodatkowe: Ludvigsen, Loa. Image documentation for paintings conservation
Hasło dodatkowe: MacBeth, Rhona. The technical examination and documentation of easel paintings
Hasło dodatkowe: Marvelde, Mireille te. Lining easel paintings
Hasło dodatkowe: Massing, Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Mayer, Debora D. Identification of textile fibres found in common painting supports
Hasło dodatkowe: Mayer, Lance.Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Myers, Gay. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: McClure, Ian. Framing and microclimate enclosures for panel paintings
Hasło dodatkowe: McGinn, Mary. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Michalski, Stefan (konserwatorstwo). The lighting of easel paintings
Hasło dodatkowe: Nadolny, Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
Hasło dodatkowe: Nadolny, Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Nadolny, Jilleen. History of visual compensation for paintings
Hasło dodatkowe: Nadolny, Jilleen. Pigments in Western easel painting
Hasło dodatkowe: Noble, Petria. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Olley, Peggy A. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Ormsby, Bronwyn. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Ormsby, Bronwyn. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Ormsby, Bronwyn. Modern oil paints
Hasło dodatkowe: Ormsby, Bronwyn. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Ormsby, Bronwyn. Twentieth-century grounds
Hasło dodatkowe: Perry, Roy A. The imitative retouching of easel paintings
Hasło dodatkowe: Petersen, Karin. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Phenix, Alan. A brief survey of historical varnishes
Hasło dodatkowe: Phenix, Alan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Proctor, Robert G. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Ramsay, Barbara A. Travelling exhibitions and transporting paintings
Hasło dodatkowe: Reifsnyder, Joan. Lining easel paintings
Hasło dodatkowe: Rossol, Monona. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Rushfield, Rebecca (1954- ). Conservation organizations and professional standards
Hasło dodatkowe: Saunders, David. Image documentation for paintings conservation
Hasło dodatkowe: Scharff, Mikkel. Lining easel paintings
Hasło dodatkowe: Scharff, Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Schmitt, Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
Hasło dodatkowe: Scholte, Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Spaabaek, Lin Rosa. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stassinopoulos, Stergios. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stavroudis, Chris. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Grounds, 1400-1900
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). International public outreach projects
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Introduction
Hasło dodatkowe: Streeton, Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stringari, Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66
Hasło dodatkowe: Swicklik, Michael. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Thomas, Karen. The imitative retouching of easel paintings
Hasło dodatkowe: Tomkiewicz, Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Townsend, Joyce H. A brief survey of historical varnishes
Hasło dodatkowe: Townsend, Joyce H. Binding media
Hasło dodatkowe: Townsend, Joyce H. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Townsend, Joyce H. The imitative retouching of easel paintings
Hasło dodatkowe: Townsend, Joyce H. Removal of varnish: organic solvents as cleanings agents
Hasło dodatkowe: Townsend, Joyce H. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Wadum, Jørgen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Walsh, Valentine. Optical microscopy
Hasło dodatkowe: Whitten, Jill. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Wolbers, Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Young, Christina. History of fabric supports
Hasło dodatkowe: Zumbühl, Stefan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Taylor & Francis
ISBN: 978-0367-54764-6
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. II 35746 (1 egz.)
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