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Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Blass-Simmen Brigit. Foreword
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Borchert Till-Holger (1967- )
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Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
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Caglioti Francesco (1964- ). Working on Donatello
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Cavazzini Laura. Donatello in Florence Donatello and his public
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Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
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Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
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Cooper Donal (1974- )
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Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Didi-Huberman Georges (1953- ). Torsion pathos dis-grace. A critical reconsideration of the bust of Niccolo da Uzzano
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Dubois Anne
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Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
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Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
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Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Fehrenbach Frank. Rilievo schiacciato. Donatello and the forces of sculpture
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Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Gaehtgens Thomas W. (1940- ). Wilhelm von Bode and the Renaissance in the German Empire
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Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
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Galli Aldo (1967- ). Donatello in Florence Donatello and his public
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Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
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Giles Lucas
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Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
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Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in Memento mori
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Hirschfelder Dagmar (1973- ). At last: Donatello in Berlin
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Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
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Hoffmann Sabine (1975- )
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Hofmann Paul. At last: Donatello in Berlin
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Huth Andreas (1959- )
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Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
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Kempski Mary. Who is the man in red and who painted him?
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Kerr-Lewis Whitney. Donatello in London: a South Kensington story
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Laine David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group
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Lohr Wolf-Dietrich
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Medolago Martina
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Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
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Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens
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Perier-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise
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Rastorguev Vasilij Alekseevic
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Rostel Alexander
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Rowley Neville (1978- )
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Rowley Neville (1978- ). Donatello inventor of the Renaissance. A visit to the exhibition
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Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Scansani Marco
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Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Tocha Veronika
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Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
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Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Whitaker Lucy. Who is the man in red and who painted him?
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Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
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angielski
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Donatello (1386-1466)
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Gemäldegalerie (Berlin)
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Van Schoute, Roger (1930-2017)
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5 wyników Filtruj
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 16860 sygn. III 16860 (1 egz.)
Książka
W koszyku
Katalog wystawy: Gemäldegalerie, Staatliche Museen zu Berlin, 2.10.2022 - 8.01.2023.
Bibliogr. s. 330-342.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 26559 sygn. III 26559 (1 egz.)
Książka
W koszyku
(Dessin Sous-Jacent et la Technologie dans la Peinture = Underdrawing and Technology in Painting ; symposium 19)
Autor
Borchert Till-Holger (1967- ). Couvert Jacqueline. Dubois Anne. Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies, connoisseurship and provenance research Bücken Véronique. Le Triptyque de l'Adoration des Mages (Turin-Gênes) et le mecenat d'Hendrik Keddekin, abbe de Ter Doest Ciulisová Ingrid (1960- ). The Saint Michael altarpiece in Spišská Kapitula - a preliminary report Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination, cleaning and restoration Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve, Archives de l’Université, ms. A2) Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop Ewing Dan. Two "new" paintings by Jan de Beer – technical studies, connoisseurship and provenance research Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Fücker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop Galassi Maria Clelia (1954- ). Revising Friedländer - the "underdrawing connoisseurship” and the Master of the Turin Adoration Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg, c. 1420 - new findings about painting process and characteristics Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori" Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy Kempski Mary. Who is the man in red and who painted him? Lainé David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens Périer-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés - as unusual altarpiece Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Whitaker Lucy. Who is the man in red and who painted him? Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
Indeks R0: BMNK
Konferencja zorganizowana przez: Université catholique de Louvain, Musée de Louvain-la-Neuve, and Musea Brugge in collaboration with KIK-IRPA, Royal Institute for Cultural Heritage, Illuminare - Centre for Study of Medieval Art - KULeuven - University of Leuven.
Druk. dedyk.: In memoriam Roger Van Schoute.
Bibliogr. s. 351-369.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24321 sygn. III 24321 (1 egz.)
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