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Bomford David. Picture cleaning: positivism and metaphysics
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Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
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Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
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Campbell Emma. Bestiary in translation
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Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
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Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Dixon Thomas. Storage of easel paintings
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Eastaugh Nicholas. Pigments in Western easel painting
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Gaudek Tomas (1980- ). Roudnice necrologium from 1457-1464 in the State Regional Archive in Trebon
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Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
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Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
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Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
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Gottsegen Mark D. Recommending materials to artists
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Gottsegen Mark D. Twentieth-century grounds
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Grollemond Larisa. Beasts at court: reading the bestiary in the late thirteenth century
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Grollemond Larisa. Bestiary in the modern age
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Hackney Stephen. Lining easel paintings
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Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
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Hermens Erma (1958- ). Binding media
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Hill Rebecca. Beast lore in the Islamic tradition
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Hlinomaz Milan (1959- ). Nahrobky Berku z Dube a napisy v zakupech
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Hlinomaz Milan (1959- ). The tombstones of the Berks from Duba and the inscriptions in Zakupy
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Hnidkova Vendula (1978- ). Modernist small tomb in 1948. The tomb of Edvard Benes
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Hnidkova Vendula (1978- ). Modernisticka hrobka v roce 1948. Hrob Edvarda Benese
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Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
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Holcomb Melanie. Cosmic creatures: animal in Hebrew illuminated manuscripts
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Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
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Horak Petr (1984- ). Return of the Rude Grim Reaper? The perseverance of traditional iconography in modern sepulchral practice
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Horovitz Isabel. Consolidation of flaking paint and ground
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Hruby Petr (1973- ). Sepulkralni tvorba Andrease Lorentze z Freibergu a jeho nasledovniku
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Hruby Petr (1973- ). The sepulchral production of Andreas Lorentz of Freiberg and his successors
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Hutchings Jeremy. Sustainable conservation management of exhibitions
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Katlan Alexander. History of fabric supports
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Kilian Jan (1976- ). Anbanterovsky epitaf z Kasperskych Hor a jeho objednavatel
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Kilian Jan (1976- ). The Anbanter epitaph from the Kasperske Hory and its commissioner
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Klein Peter. History and use of panels or other rigid supports for easel paintings
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Kudlacova Marketa (1974- ). Sepulchral sculpture of the 1890s – the early work of Bohumil Kafka Josef Maratka and Stanislav Sucharda
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Kudlacova Marketa (1974- ). Sepulkralni socharstvi devadesatych let 19. stoleti – rane prace Bohumila Kafky Josefa Maratky a Stanislava Suchardy
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Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
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Learner Thomas J. S. Modern paints
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Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions
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Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
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Liberman Mintz Sharon
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Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
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Lowengard Sarah. Pigments in Western easel painting
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MacBeth Rhona. The technical examination and documentation of easel paintings
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Maresova Jana. Sepulchral monuments in the Inventories of the Historical and Artistic Monuments of the Archaeological Commission of the CASA and in the current inventory projects of the IAH of the CAS
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Maresova Jana. Sepulkralni pamatky v Soupisech pamatek historickych a umeleckych Archeologicke komise CAVU a v soucasnych soupisovych projektech UDU AV CR
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Marvelde Mireille te. Lining easel paintings
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Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Mayer Debora D. Identification of textile fibres found in common painting supports
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Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
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Mezihorakova Klara (1975- ). Sepulchral monuments in the Inventories of the Historical and Artistic Monuments of the Archaeological Commission of the CASA and in the current inventory projects of the IAH of the CAS
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Mezihorakova Klara (1975- ). Sepulkralni pamatky v Soupisech pamatek historickych a umeleckych Archeologicke komise CAVU a v soucasnych soupisovych projektech UDU AV CR
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Morgan Nigel J. (1942- )
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Morrison Elizabeth (1968- )
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Morrison Elizabeth (1968- ). Accommodating antlers making room for hedgehogs and other problems of page design in the medieval bestiary
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Morrison Elizabeth (1968- ). Medieval bestiary: text and illumination
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Muratova Ksenia Mihajlovna. Patrons and artists: tradition and invention in medieval illuminated bestiaries
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Myers Gay. Varnishing as part of the conservation treatment of easel paintings
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Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
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