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Hermens Erma (1958- )
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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
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Birkenbeul Ina. Consolidation of flaking paint and ground
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Bisacca George. History and use of panels or other rigid supports for easel paintings
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Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
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Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
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Bomford David. Foreword
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Bomford David. Picture cleaning: positivism and metaphysics
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Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
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Buck Susan L. Cross-section microscopy analysis and fluorescent staining
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Buckley Barbara A. Stretchers tensioning and attachments
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Bucklow Spike. The classification of craquelure patterns
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Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
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Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
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Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Cross Maureen. History and use of panels or other rigid supports for easel paintings
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Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
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Dixon Thomas. Storage of easel paintings
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Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
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Druzik James. The lighting of easel paintings
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Eastaugh Nicholas. Optical microscopy
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Eastaugh Nicholas. Pigments in Western easel painting
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Fuster-López Laura. Filling
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Golden Mark (1948- ). Varnishing of acrylic paintings by artists
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Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
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Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
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Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
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Gottsegen Mark D. Recommending materials to artists
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Gottsegen Mark D. Twentieth-century grounds
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Hackney Stephen. Lining easel paintings
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Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
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Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Hermens Erma (1958- ). Binding media
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Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
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Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
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Horovitz Isabel. Consolidation of flaking paint and ground
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Katlan Alexander. History of fabric supports
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Klein Peter. History and use of panels or other rigid supports for easel paintings
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Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
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Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
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Learner Thomas J. S. Modern paints
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Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
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Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
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Lowengard Sarah. Pigments in Western easel painting
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MacBeth Rhona. The technical examination and documentation of easel paintings
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Marvelde Mireille te. Lining easel paintings
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Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Mayer Debora D. Identification of textile fibres found in common painting supports
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Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
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McClure Ian. Framing and microclimate enclosures for panel paintings
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McGinn Mary. Health and safety concerns in the paintings conservation studio
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Michalski Stefan (konserwatorstwo). The lighting of easel paintings
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Myers Gay. Varnishing as part of the conservation treatment of easel paintings
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Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
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Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Nadolny Jilleen. History of visual compensation for paintings
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Nadolny Jilleen. Pigments in Western easel painting
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Noble Petria. Ageing and deterioration of traditional oil and tempera paints
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Oddy William Andrew (1942- )
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Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
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Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
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Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
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Ormsby Bronwyn. Twentieth-century grounds
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Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
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Phenix Alan. A brief survey of historical varnishes
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Phenix Alan. Removal of varnish: organic solvents as cleaning agents
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Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
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Ramsay Barbara A. Travelling exhibitions and transporting paintings
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Reifsnyder Joan. Lining easel paintings
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Rossol Monona. Health and safety concerns in the paintings conservation studio
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Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
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Saunders David. Image documentation for paintings conservation
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Scharff Mikkel. Lining easel paintings
(2)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
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Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
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Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
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Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
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Stoner Joyce Hill (1946- )
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Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Stoner Joyce Hill (1946- ). International public outreach projects
(2)
Stoner Joyce Hill (1946- ). Introduction
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Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
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Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
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Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
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Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
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Townsend Joyce H. A brief survey of historical varnishes
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Townsend Joyce H. Binding media
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Townsend Joyce H. Health and safety concerns in the paintings conservation studio
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Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
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Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
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Walsh Valentine. Optical microscopy
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Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
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Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings
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Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
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The Rijksmuseum Bulletin. - Amsterdam : Rijksmuseum Publications Department ; Zwolle : Waanders Publishers, 2009-. - il. (gł. kolor.) ; 24 cm.
Kwart.
Vol. 57 (2009), no 1-.
Stanowi kontynuację: Bulletin van het Rijksmuseum.
Od Vol. 1 (1953) do 56 (2008) pt.: Bulletin van het Rijksmuseum.
Od Vol. 57 (2009), no 3 red.: Jan de Hond, Marijn Schappelhouman, Frits Scholten.
Od Vol. 58 (2010), no 4 red.: Jan de Hond, Jenny Reynaerts, Marijn Schappelhouman.
Od Vol. 61 (2013) red.: Jan van Campen, Jan de Hond, Jenny Reynaerts, Marijn Schapelhouman.
Od Vol. 64 (2016), no 2 red.: Jan van Campen, Jan de Hond, Jenny Reynaerts, Marijn Schapelhouman i Suzanne Veldink.
Od Vol. 65 (2017), no 2 red.: Jan van Campen, Jan de Hond, Jenny Reynaerts, Marijn Schapelhouman.
Od Vol. 66 (2018), no 1 red.: Jan van Campen, Erik Hinterding, Jan de Hond, Jenny Reynaerts.
Od Vol. 67 (2019), no 1 red.: Jan van Campen, Erik Hinterding, Jan de Hond, Jenny Reynaerts, Ige Verslype.
Od Vol. 68 (2020), no 1 red.: Ludo van Halem, Erik Hinterding, Jan de Hond, Ige Verslype.
W Vol. 69 (2021), no 2 red.: Ludo van Halem, Erma Hermens, Erik Hinterding, Maria Holtrop.
W Vol. 71 (2023), no 1 red.: Esther van Duijn, Ludo van Halem, Erik Hinterding, Maria Holtrop.
Zawartość zasobu KR 239 Czas. II 419
Vol. 57 (2009), no 1-4
Vol. 58 (2010), no 1-4
Vol. 59 (2011), no 1-3
Vol. 60 (2012), no 1-3
Vol. 61 (2013), no 1-4
Vol. 62 (2014), no 1-4
Vol. 63 (2015), no 1-4
Vol. 64 (2016), no 1-4
Vol. 65 (2017), no 1-4
Vol. 66 (2018), no 1-4
Vol. 67 (2019), no 1-4
Vol. 68 (2020), no 1-4
Vol. 69 (2021), no 1-4
Vol. 70 (2022), no 1-4
Vol. 71 (2023), no 1-4
Vol. 72 (2024), no 1
Brak okładki
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Autor
Hermens Erma (1958- ). Peek Marja F. J. (1961- ). Wallert Arie (1950- ). Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Barrett Sylvana. An integrated approach for the study of painting techniques Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Darrah Josephine A. Connections and coincidences: three pigments Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Federspiel Beate Knuth. Questions about medieval gesso grounds Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s Glanville Helen. Varnish, grounds, viewing distance, and lighting: some notes on seventeenth-century Italian painting technique Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903) Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s) Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel, Winchester Cathedral Katz Melissa R. William Holman Hunt and the "Pre-Raphaelite technique" Kirby Jo. Paul Delaroche: a case study of academic painting Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800 Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Roy Ashok. Paul Delaroche: a case study of academic painting Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison Skalová Zuzana. New evidence for the medieval production of icons in the Nile Valley Steinbüchel Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Stulik Dusan (1956- ). An integrated approach for the study of painting techniques Townsend Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875 Wadum Jørgen. Johannes Vermeer (1632–1675) and his use of perspective Wallert Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination Wallert Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Wetering Ernst van de (1938-2021). Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter Woodcock Sally. The Roberson Archive: content and significance Woudhuysen-Keller Renate (1944-2012). Aspects of painting technique in the use of verdigris and copper resinate
Temat
Indeks R0: BMNK
Bibliogr. przy ref. Indeks.
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Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 26406 (1 egz.)
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Autor
Hermens Erma (1958- ). Townsend Joyce H. Lautenschlager Manfred. Virtues and vices in late medieval art productions Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes Bucklow Spike. Impossible recipes Ursescu Marta. Romanian handbooks on manuscript illumination in the 18th century Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century Kroustallis Stefanos. Art for war Miguel Catarina. Copper pigments in medieval times Claro Ana Luísa do Vale Fonseca. Copper pigments in medieval times Lopes João A. Copper pigments in medieval times Melo Maria João. Copper pigments in medieval times Nadolny Jilleen. Documentary sources for the use of moulds in the production of tin relief Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300 Neven Sylvie. Comparative analysis of painting recipes Stijnman Ad. Images of copper engravers and plate printers in their workshops 1545-1645 Wagner Lisa. Fine art materials in Vigani's cabinet (1704) at Queens' College, Cambridge Dubois Hélène. Master's own hand? Phenix Alan. Oudry's painted menagerie Doherty Tiarna. Oudry's painted menagerie Schönemann Anna. Oudry's painted menagerie Rizzo Adriana. Oudry's painted menagerie Eyb-Green Sigrid. Studying the artistic process Baatz Wolfgang. Studying the artistic process Kitlitschka Werner (1938- ). Studying the artistic process Hermens Erma (1958- ). "En plein soleil" MacDonald Margaret F. (1944- ). "En plein soleil" Troalen Lore. "To acquire a good name" Reiche Ina. "To acquire a good name" Röhrs Stefan. "To acquire a good name" Pretzel Boris (1961- ). "To acquire a good name" Burgio Lucia. "To acquire a good name" Shah Bhavesh. "To acquire a good name" Peschard Stéphane. "To acquire a good name" Boust Clotilde. "To acquire a good name" Tate Jim. "To acquire a good name" Martin Graham (1952- ). "To acquire a good name" Voigt Friederike. "To acquire a good name" Kutzke Hartmut. À la recherche du pigment perdu Oltrogge Doris (1959- ). À la recherche du pigment perdu Mulholland Richard. Technique and process in the papers of David Smith Kyllonen-Kunnas Paivi. Challenging the material Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Niculescu Gheorghe. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Petroviciu Irina. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Rosi Francesca (1977- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Doherty Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Sassolini Alessandro. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Lupu Mihai. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Fardi Theodora. Tracing the history of wall paintings through visual documents De Angelis Roberta. Tracing the history of wall paintings through visual documents Scicluna Bernadine. Tracing the history of wall paintings through visual documents Vella Daniel. Tracing the history of wall paintings through visual documents Freitas Ana. Study of Portugese 18th-century manuscript Claro Ana Luísa do Vale Fonseca. Study of Portugese 18th-century manuscript Melo Maria João. Study of Portugese 18th-century manuscript Casanova Conseição. Study of Portugese 18th-century manuscript Moura Laura Filipe (1983- ). Study of Portugese 18th-century manuscript Townsend Joyce H. De/re-constructing Turner for research projects at Tate Thomas Jacob. De/re-constructing Turner for research projects at Tate Caspers Charlotte. De/re-constructing Turner for research projects at Tate Marcos Monserrat Pis. De/re-constructing Turner for research projects at Tate Brookes Anna. De/re-constructing Turner for research projects at Tate Ormsby Bronwyn. De/re-constructing Turner for research projects at Tate Hackney Stephen. De/re-constructing Turner for research projects at Tate Lerwill Andrew. De/re-constructing Turner for research projects at Tate Barrett Brian D. (1951- ). Archives of Blockx, an Antwerp family of chemist-colourmen, founded 1865
Temat
Indeks R0: BMNK
Bibliogr. po art.
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Są egzemplarze dostępne do wypożyczenia: sygn. III 22104 (1 egz.)
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Gordon Rebecca. Hermens Erma (1958- ). Lennard Frances. Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion Bülow Anna. Cultural heritage online: questions of authenticity, authority and authorship Brooks Mary M. "Indisputable authenticity": engaging with the real in the museum Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art Coutinho Bárbara. How to keep what was intended to be temporarily functional? Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Eastop Dinah. Cultural heritage online: questions of authenticity, authority and authorship El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Ferreira Joana Lia. How to keep what was intended to be temporarily functional? Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry Gordon Rebecca. "Real life" questions of authenticity Gordon Rebecca. Identifying and pursuing authenticity in contemporary art Jones Ceri (1964- ). Bringing the past to life? Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Macedo Rita. How to keep what was intended to be temporarily functional? Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center Mulholland Richard. "And I know damned-well what he wanted": deliberate alteration and interpretations of intent in several late sculptures by David Smith Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery Penney Caron. Rediscovering the Unicorn tapesries Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Rajgopal Uthra. Dressing up for the Preston Guild: a "very admirable and correct costume!" Ramos Ana Maria. How to keep what was intended to be temporarily functional? Sá Susana França de. How to keep what was intended to be temporarily functional? Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Sinclair Ross. "Real life" questions of authenticity Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
Temat
Indeks R0: BMNK
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 31639 (1 egz.)
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(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
Indeks R0: BMNK
Bibliogr. s. 765-866. Indeks.
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The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
Indeks R0: BMNK
Bibliogr. s. 792-890. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
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Wszystkie egzemplarze są obecnie wypożyczone: sygn. II 35746 (1 egz.)
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