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Alma-Tadema, Lawrence (1836-1912)
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Fries Museum (Leeuwarden)
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Lawrence Alma-Tadema : at home in antiquity / edited for the Fries Museum by Elizabeth Prettejohn & Peter Trippi ; introductions by Elizabeth Prettejohn ; essays by Jan Dirk Baetens, Ivo Blom, Petra ten-Doesschate Chu, Markus Fellinger, Charlotte Gere, Elizabeth Prettejohn, Daniel Robbins, Marlies Stoter, Peter Trippi ; highlights by Eline van den Berg, Carolyn Epps Dixon, Alistair Grant, Anne Helmreich, Ian Jenkins, Stephanie Moser, Wendy Sijnesael, Robert Verhoogt ; [translations: Mark Poysden, Steven Lindberg]. - Munich ; London ; New York : Prestel Publishing, cop. 2016. - 239 s. : il. (gł. kolor.) ; 31 cm.
Indeks R0: BMNK
Publikacja towarzysząca wystawie: Fries Museum, Leeuwarden, 1 October 2016 - 7 February 2017 ; Belvedere, Vienna, 24 February - 18 June 2017 ; Leighton House Museum, London, 7 July - 29 October 2017.
Bibliogr. s. 211-218. Indeksy.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 22694 (1 egz.)
Brak okładki
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The rise of the modern art market in London, 1850-1939 / edited by Pamela Fletcher and Anne Helmreich. - Manchester ; New York : Manchester University Press, 2011. - XVI, 346 s. : il. ; 24 cm.
Autor
Fletcher Pamela M. (1967- ). Helmreich Anne (1963- ). Westgarth Mark. "Florid-looking speculators in art and virtu" Fletcher Pamela M. (1967- ). Shopping for art Helmreich Anne (1963- ). Goupil Gallery at the intersection between London, continent and Empire Robins Anna Gruetzner (1950- ). Marketing post-impressionism Stephenson Andrew (1957- ). Strategies of display and modes of consumption in London art galleries in the inter-war years Codell Julie F. (1945- ). Art press and the art market Holt Ysanne. Call of commerce O'Neill Morna. Decorative politics and direct pictures MacGilp Alexandra. Mathew Smith, the Tate Gallery and the London art market Warner Malcolm (1953- ). Millais in the marketplace Rix Brenda (1956- ). Branding the vision Montfort Patricia de. Negotiating a reputation Nunn Pamela Gerrish. Home from home
Indeks R0: BMNK
Bibliogr. s. 312-340. Indeks. Słownik terminów.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 30351 (1 egz.)
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The Routledge companion to digital humanities and art history / edited by Kathryn Brown. - New York ; London : Routledge, Taylor & Francis Group, 2020. - XXV, 498 s. : il. ; 26 cm.
(Routledge Art History and Visual Studies Companions)
Autor
Brown Kathryn J. Ahmad Walid. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Assonitis Alessio (1970- ). The expanding role of digitized collections: the Medici Archive Bartosch Christina. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Baur Christl. Art with a lifespan: digital technologies and the preservation of bioart Brosens Koenraad (1974- ). Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Brown Kathryn J. Feminist digital art history Burckhardt Daniel. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Cardoso Bruno. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Carvalho Rosário Salema de. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Champion Erik. Art history, heritage games, and virtual reality Cowan T. L. X-reception: re-mediating trans- feminist and queer performance art Cranston Jodi (1969- ). Mapping paintings, or how to breathe life into provenance De Vincentis Stefania. Digital languages for art history: audience engagement, virtual and augmented reality Dot Anna (1991- ). Noise management in the archival ecosystem: debating principles for classification Döhring Marei. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Drucker Johanna (1952- ). Blind spot: information visualization and art history Du Preez Amanda. Approching Aby Warburg and digital art history: thinking through images Fletcher Pamela M. (1967- ). Digital methods and the study of the art market Foka Anna (1981- ). Art history, heritage games, and virtual reality Gagliardi Susan Elizabeth. Mapping Senufo: mapping as a method to transcend colonial Goodyear Anne Collins. The art-historical catalogue in the digital era Helmreich Anne (1963- ). Digital methods and the study of the art market Impett Leonardo. Analyzing gesture in digital art history Jackson Ben (1975- ). A service-orientation and open-source approach to developing virtual museums Jaskot Paul B. (1963- ). Digital methods and the historiography of art Jeffs Amy. Digital 3D modeling for the history art Jimerson Lauren. Social media in the art histiry classroom Joyeux-Prunel Béatrice (1977- ). Digital humanites for a spatial, global, and social history of art Kandemir Baris. Computerized analysis of paintings Klinke Harald. The digital transformation of art history Langmead Alison. Pointers and proxies: thoughts on the computational modeling of phenomenal World Leigh Allison (1983- ). Social media in the art history classroom Leitão Inês. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Li Jia. Computerized analysis of paintings Lincoln Matthew D. Tangled metaphors: network thinking and network analysis in the history of art Luther Anne. Digital provenance, open access, and data-driven art history Mitchell Elspeth. Feminist digital art history Mulloli Nirmalie. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Newbury David. Pointers and proxies: thoughts on the computational modeling of phenomenal World Rodríguez-Ortega Nuria. Image processing and compute vision in the field of art history Rosa Javier de la. Curation, content, creation: computer approches to fine arts Rosenberg Raphael (1962- ). The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Santa Olalla Pablo. Noise management in the archival ecosystem: debating principles for classification Sekelj Sanja. Qualitative approches to network analysis in art history: research on contemporary artists' networks Snyder Lisa M. Research, process, publication, and pedagogy: reconstructing the World's Columbian Exposition of 1893 Stanford Emma. A field guide to digital surrogates: evaluating and contextualizing a rapidly changing resource Suárez Juan-Luis. Curation, content, creation: computer approches to fine arts Truyen Fred. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Tsiang Katherine R. (1949- ). Digital imaging projects for Asian art and visual culture: transcultural mediations and collaborations Vascon Luca Nicolò. Digital languages for art history: audience engagement, virtual and augmented reality Wang James Z. (1972- ). Computerized analysis of paintings Wellington Robert J. (1954- ). Metadata, material culture, and global art history White Martin. A service-orientation and open-source approach to developing virtual museums Xavier Rafaela. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
Indeks R0: BMNK
Bibliogr. przy art. Indeks.
dostępna do wypożyczenia
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 25671 (1 egz.)
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