Berger Cordula (1955- ). Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Bommel Maarten R. van. (Ultra) high performace liquid chromatography. Full characterisation of organic colorants
(1)
Bommel Maarten R. van. Flowers from Holland. Antique Dutch furniture with later added marquetry from the late 19th and early 20th century
(1)
Bommel Maarten R. van. Unravelling the colour palette. The reconstruction and analysis of synthetic colour stains
(1)
Boonstra Jaap. Flowers from Holland. Antique Dutch furniture with later added marquetry from the late 19th and early 20th century
(1)
Broschke Grit. Ganz boesiert mit ausgelegter Arbeit von Holz und mit verschiedenen Farben. Rekonstruktionsversuch zur einstigen Farbenpracht einer Vertafelung der Gebruder Spindler im Potsdamer Neuen Palais
(1)
Broschke Ralf. Ganz boesiert mit ausgelegter Arbeit von Holz und mit verschiedenen Farben. Rekonstruktionsversuch zur einstigen Farbenpracht einer Vertafelung der Gebruder Spindler im Potsdamer Neuen Palais
(1)
Bruys Pol. Flowers from Holland. Antique Dutch furniture with later added marquetry from the late 19th and early 20th century
(1)
Chang Julie. Reconstructing lacquer technology through Chinese classical texts
(1)
Chang Julie. Some observations on the composition of Chinese lacquer
(1)
Chang Julie. The reproduction of realistic samples of Chinese export lacquer for research
(1)
Chao Raina. Compensation for small loses to lacquer and inlaid decoration using paper fills painted and glazed in situ
(1)
Chao Raina. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Chastang Yannik. Maintaining the colour. 18th century marquetry discolouration and historical furniture finishes in France
(1)
Dias Cristina Maria Barrocas (1964- ). Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
(1)
Dias Luis. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
(1)
Duin Paul van (1956- ). Fifty shades of brown. How colourful was furniture in the past?
(1)
Duin Paul van. Bending Asian lacquer in eighteenth-century Paris: new discoveries
(1)
Ebert Bettina (1983- ). A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings
(1)
Eifler Frieder. Das Holz wahrend des Wachsens zu farben. Historische Durchfarbeverfahren an saftfrischem Holz
(1)
Engelhardt Clara von. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
(1)
Fantini Enrica. Unravelling the colour palette. The reconstruction and analysis of synthetic colour stains
(1)
Feston Briana. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Grieser Martina (1968- ). Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Grieser Martina (1968- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
(1)
Grzywacz Cecily M. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
(1)
Hagelskamp Christina. Bending Asian lacquer in eighteenth-century Paris: new discoveries
(1)
Hatchfield Pamela B. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Heginbotham Arlen. Bending Asian lacquer in eighteenth-century Paris: new discoveries
(1)
Heginbotham Arlen. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers
(1)
Heginbotham Arlen. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
(1)
Heginbotham Arlen. Some observations on the composition of Chinese lacquer
(1)
Hrdlickova Kuckova Stepanka. Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Hsu Hsin-hui. Fusing and refreshing the memory: conserving a Chinese lacquered Buddha sculpture in London
(1)
Huber Jurgen. True colours. A quest to find the original appearance of French marquetry on three case studies
(1)
Hughes Gary. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
(1)
Johnson Galante Diana. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Jordan Christiane. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
(1)
Keulen Henk van. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers
(1)
Khanjian Herant. Some observations on the composition of Chinese lacquer
(1)
Kitagawa Erin. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Korber Ulrike. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
(1)
Mass Jennifer L. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Matsen Catherine. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Mesmaeker Delphine. The Japanese Tower at the Royal Domain in Laeken: a remarkable application of Japanese lacquer techniques in Belgium
(1)
Metcalfe Jack. Synthetic dyestuffs versus historical wood stains. The use of commercially available dyed veneers on the replica of the Diana and Minerva commode by Thomas Chippendale
(1)
Michaelsen Hans (1946- )
(1)
Michaelsen Hans (1946- ). Dischpleter giessen. Kunsttechnologische Studien zu Herstellungsverfahren fur farbige Steinimitationen aus Holzspanen
(1)
Michaelsen Hans (1946- ). Gestocktes Holz - spalted wood. Verwendung pilzmodifizierter Holzer als farbiges Gestaltungsmittel im Kunsthandwerk der Gegenwart
(1)
Michaelsen Hans (1946- ). Sechs Kisten Tischlerarbeit von Neuwied. Markieterie- und Farbetechniken am fruhklassizistischen Mobelensemble der Roentgen-Werkstatt im Schloss Worlitz
(1)
Miklin Richard. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
(1)
Miklin-Kniefacz Silvia. Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Miklin-Kniefacz Silvia. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
(1)
Pace Jessica. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Pape Hans-Werner. Sechs Kisten Tischlerarbeit von Neuwied. Markieterie- und Farbetechniken am fruhklassizistischen Mobelensemble der Roentgen-Werkstatt im Schloss Worlitz
(1)
Parson Walther (1966- ). Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Petersen W. Christian. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Petisca Maria Joao. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Piening Heinrich (1960- ). From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
(1)
Pitthard Vaclav (1966- ). Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Pitthard Vaclav (1966- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
(1)
Randall Megan. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Rivers Shayne. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry
(1)
Rivers Shayne. Editorial
(1)
Saunders David. Editorial
(1)
Schilling Michael R. A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings
(1)
Schilling Michael R. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers
(1)
Schilling Michael R. Reconstructing lacquer technology through Chinese classical texts
(1)
Schilling Michael R. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
(1)
Schilling Michael R. Some observations on the composition of Chinese lacquer
(1)
Schilling Michael R. The reproduction of realistic samples of Chinese export lacquer for research
(1)
Schulz Henrik. Uber den Informationsgehalt instrumenteller Analyse. Ein Fallbeispiel aus der Roentgen-Werkstatt
(1)
Smith Michael. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
(1)
Stanek Sabine. Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Stanek Sabine. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
(1)
Strahan Donna K. Measuring mercury emissions from cinnabar lacquer objects
(1)
Sully Dean. Fusing and refreshing the memory: conserving a Chinese lacquered Buddha sculpture in London
(1)
Szelewski Mike. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers
(1)
Taylor Ambrose C. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry
(1)
Thei Judith. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry
(1)
Tjiong Amy. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Toro Manuela. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Tsukada Masahiko. Measuring mercury emissions from cinnabar lacquer objects
(1)
Watson Adsit Kristen. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Webb Marianne. The reproduction of realistic samples of Chinese export lacquer for research
(1)
