Alexandridis Annetta (1968- )
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Alexandridis Annetta (1968- ). 'Classical' plaster casts in enlightenment and colonialist discourse on race
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Araki Shinya (1977- ). Embrace the copy: plaster casts and modernity in art education in Japan
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Basile Joseph J. Models for eternity: the changing role of plaster casts at The Maryland Institute
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Baumstark Reinhold (1944- ). Bayerische Staatsgemaldesammlungen Pinakotheken. Munchen. Alte Pinakothek Masolino da Panicale Anton van Dyck. Neue Pinakotherk Jean-Louis Laneuville Eugene Delacroix. Pinakothek der Moderne John Cage
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Berg Stephan (1959- ). Kunstmuseum Bonn. Expressionisten
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Berthod Bernard (1952- ). L'apparition de la dentelle ecclesiastique l'exemple des rochets de Saint Francois de Sales
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Bevivino Michael Ann. A rampage by vandals: the history and destruction of the plaster casts of the National College of Art and Design of Ireland
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Bickley Anthea. The Bal Blanc held at Cliffe Castle on December 19th 1884
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Bogaerts Ilse. Uniforms and beyond
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Bohmer Sylvia. Suermondt-Ludwig-Museum Aachen. Gemalde des 17. Jahrhunderts
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Bolle-Fivaz Clara. What archival records do or do not say: the destruction of plaster casts in Geneva
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Braun Michael (1964- )
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Brink Peter van den (1956- ). Suermondt-Ludwig-Museum Aachen. Gemalde des 17. Jahrhunderts
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Buhlmann Britta E. Museum Pfalzgalerie Kaiserslautern. Max Slevogt
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Cockx Romy. Introduction: Fashion Museum of Hasselt - MMH
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Coppens Marguerite. Les meandres d'une reconversion. La dentelle d'Alencon 1830-1850
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Dahren Lena. Folklore bobbin made borders compared to bobbin made borders and edgings of gold and silver in the Fashion of Early Modern Time
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Demoen Eve. Introduction: Fashion Museum of Hasselt - MMH
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DiSalvo Lauren Kellogg. Hidden in plain view: the plaster cast collection at the National Museum of Natural History of the Smithsonian Institution
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Diederich Stephan (1961- ). Museum Ludwig Koln. Max Beckmann
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Esgain Caroline. Dentelles anciennes dentelles mecaniques et tulle Robes habillees des annees 1950 et 1960 au Musee du Costume et de la Dentelle
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Faass Martin (1963- ). Liebermann-Villa am Wannsee Berlin. Max Liebermann
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Foster Sally M. (1963- ). Smashing casts: replication of Scottish early medieval sculpture as a case study on the fragility of value
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Friese Peter (1952- ). Weserburg Museum fur moderne Kunst Bremen. Moderne Plastik Fotografie
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Gandin Alice (1973- ). Les Lefebure artistes et industriels de la dentelle - 1829-1932
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Gauthier Catherine (1979- ). Les costumes de Manneken-Pis. Histoire et conservation d'une collection insolite au Musee de la Ville de Bruxelles
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Gross Detlev G. (1957- ). Dom-Museum Bremen. Religiose Kunst des 18. bis 19. Jahrhunderts
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Guse Ernst-Gerhard (1944- ). Klassik Stiftung Weimer Schlossmuseum. Otto Modersohn
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Hackspiel-Mikosch Elisabeth. Politics of lace: the trousseau of Archduches Maria Josepha (1719)
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Hammer Karen E. (1959- ). Grose Kunstschau Worpswede. Worpsweder Kunstlerkolonie
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Heffernan Sandra. Capturing and promoting transparency in lace
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Heinrich Christoph (1960- )
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Henwood-Nivet Sophie. Creer la dentelle: l'exemple d'Henry Ball esquisseur en dentelle a Calais dans les annees 1920
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Herzogenrath Wulf (1944- )
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Hlavackova Konstantina. La dentelle en Republique tcheque: etat des lieux et bref apercu historique
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Holm Henrik (1964- ). The (mis)performance of cast collections
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Hume Hannah C. M. Through Athena's eyes: the Nenry W. Sage collection of casts at Cornell University
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Ivo Sigrid (1961- ). Lace fashion and transparency: it is all in the bag. A stroll through the collection of the Museum of Bags and Purses (Tassenmuseum Hendrikje)
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Joosten Andrea (1968- ). The art of lace: a 17-th century Italian pattern book in the library of the Hamburger Kunsthalle
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Karbacher Ursula (1955- ). Les produits semi-finis comme Trend-Setter de la mode
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Keller Natalia. The rise and fall of the Museo de Copias: on the history of the collection of sculpture replicas in the National Museum of Fine Arts in Santiago de Chile
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Ketelsen Thomas (1955- )
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Kim Alexandra. Luminous lace - lighting up a palace's stories
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Kjellberg Anne (1945- ). Lace in the wardrobe of queen Maud of Norway
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Kowalska Joanna Regina. Lace inspired by the folk art of Podhale. The National School of Lace-Making in Zakopane and its influence on fashion in the first fifty years of its existence
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Kreul Andreas (1961- ). Zur aktuellen Baugeschichte der Kunsthalle Bremen
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Kuster Bernd (1952- ). Landesmuseum fur Kunst und Kulturgeschichte Prinzenpalais Oldenburg. Malerei des Informel
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Lahnemann Ingmar (1974- )
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Laveleye Berengere de. Les costumes de Manneken-Pis. Histoire et conservation d'une collection insolite au Musee de la Ville de Bruxelles
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Leisner Nadine. Keep the copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit
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Luckhardt Ulrich (1958- )
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Menković Mirjana (1957- ). Lace as a fashion detail in Mirjana Marić's Collections. A note on Yugoslav fashion between 1970s and 1990s
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Moriniere Soline (1988- ). The fate of cast collection in French education: between destruction and abandonment
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Mossinger Ingrid. Kunstsammlungen Chemnitz. Lovis Corinth
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Muller Markus (1965- ). Graphikmuseum Pablo Picasso Munster. Pablo Picasso die Kubisten Andre Masson
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Nicolai Dorothea. Le tutu romantique. La transparence des spectres
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Oldewurtel Ulfert. Keep the copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit
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Pantouvaki Sofia. Technology-inspired experimental new transparencies
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Payne Emma M. From pillar to post: calssical casts at the British Museum
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Pearson Stephanie. Falling between the cracks: UC Berkeley's plaster casts
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Pinatel Christiane. Destruction of plaster casts in workshops and collections of important French institution in th 19th and 20th centuries
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Plank Annika. Kunstmuseum Stuttgart. Videoarbeiten
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Politou Xenia. Transparence et dentelle dans le costume de cour de la reine Olga (1867-1913): deux elements empruntes aux costumes regionaux grecs
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Rabe Britta. Verkauft verschenkt zerstort. Vergessen? Die Frankfurter Abguss-Sammlung9en): Versuch einer Rekonstruktion
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Rabinowitz Adam. Museum od ancient art or white elephant? The battle collection of plaster casts at the Unievrsity of Texas at Austin
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Ramnefalk Birgitta (1943- ). Lace and legislation in Norway 1600-1799
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Reich Annette. Museum Pfalzgalerie Kaiserslautern. Max Slevogt
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Ring Christian (1976- ). Hamburger Kunsthalle. Der franzosische Impressionismus: Erwerbungen durch Gustav Pauli
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Roettig Petra (1957- )
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Schad Beate. Tradition and innovation od plauen lace
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Schmidt Hans-Werner (1951- ). Museum der bildenden Kunste Lepizig. Kunstlergruppe Nabis
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Schorner Hadwiga. Von systematischer Vernachlassigung bis absichtlicher Zerstorung: Gipsabgusse in Jenaer und Wiener Antikensammlungen im 20. Jahrhundert
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Schreiter Charlotte. Burnt destroyed sold lost: the fate of cast collections in the 18th and 19th centuries
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Schrenk Klaus (1949- ). Staatliche Kunsthalle Karlsruhe. Deutsche Renaissancemalerei
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Schwarz Isabelle. Sprengel Museum Hannover. Nam June Paik
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Splitter Rudiger (1967- ). Die Abguss-Sammlungen im Museum Fridericianum und in der Gemaldegalerie Kassel
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Stamm Rainer. Kunstsammlungen Bottcherstrase Bremen. Lucas Cranach Paula Modersohn-Becker
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Swann June. Seventeenth century shoe roses
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Ter Assatouroff Corinne
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Ter Assatouroff Corinne. Presentations du Musee du Costume et de la dentelle de la Ville de Bruxelles
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Thonnissen Karin (1951- ). The hat veil
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Thurmann Peter. Kunsthalle zu Kiel. Deutsche Malerei des 19. Jahrhunderts
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Uchalova Eva (1944- ). Prague fashion houses 1900-48
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Winkler-Horacek Lorenz (1963- )
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Winkler-Horacek Lorenz (1963- ). Destroy the copy? Destroy the copy! A history of (non-)appreciation
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Winkler-Horacek Lorenz (1963- ). The fate of the Berlin plaster cast collections: from veneration to dectruction defacement and disposal
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Wolter Gundula (1951- ). Pants with lace or: when trousers became female
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