Anselmi C. Modern painted palimpsests
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Arenas Alatorre Jesus. Material study of the Codex Colombino
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Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Baglioni P. Maya mural paintings in Calakmul
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Bailey Gregory H. Designing nature
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Barrett Sylvana. An integrated approach for the study of painting techniques
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Basile Giuseppe (1942-2013). Burri project
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Bellucci Roberto. Underdrawing in paintings
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Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology
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Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Berrie Barbara Hepburn. Vibrant surface
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Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Bommel Maarten R. van. After the fact
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Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings
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Bordt Nele. Observations on Rudolf Swoboda’s painting technique
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Brunetti Brunetto Giovanni
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Brunetti Brunetto Giovanni. Colours of indigenous memory
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Buti David. Colours of indigenous memory
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Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
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Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings
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Carrasco Vargas R. Maya mural paintings in Calakmul
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Cartechini Laura. Multi-criterial studies of the masterpieces The Last Judgement attributed to Hans Memling at the National Museum of Gdańsk (2010-2013)
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Casadio Francesca. Vibrant surface
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Castro Rita. Colour in medieval Portuguese manuscripts
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Chelazzi David. Maya mural paintings in Calakmul
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Chelazzi David. Unveiling the artistic technique of the Florentine Codex
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Chiantore Oscar. Outdoor painted surfaces in contemporary art
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Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's Madonna of the Goldfinch
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Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa
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Conti Alessandro (1946-1994)
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Cordeiro Baqueiro M. Maya mural paintings in Calakmul
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Costaras Nicola. These pitchy pigments from their very nature never harden: a nineteenth-century perspective on premature cracking in oil paintings
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Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Crook Jo (1963- ). John Hoyland
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Daffara Claudia. Modern painted palimpsests
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Dahm K. Vibrant surface
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Darrah Josephine A. Connections and coincidences: three pigments
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Daveri Alessia. Burri project
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De Cesare G. Burri project
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De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Doherty Brenda. Modern painted palimpsests
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Domenici Davide (1968- ). Colours of indigenous memory
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Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Ernst Richard R. Science and art - my two passions
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Falcón Tatiana. Material study of the Codex Colombino
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Falkenberg Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Federspiel Beate Knuth. Questions about medieval gesso grounds
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Filippini Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology
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Filtenborg Troels (1951- ). As time passed by came sunset
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Fontana Raffaella. Modern painted palimpsests
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Fotakis Costas. Integrated approach to the study and preservation of painting using laser light technology
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Fratini F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
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Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study
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Frosinini Cecilia. Underdrawing in paintings
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Fukunaga Kaori. Designing nature
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Gallegos Damasia. Argentinean murals
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Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years
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Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s
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Giorgi R. Unveiling the artistic technique of the Florentine Codex
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Glanville Helen. Mens agitat molem
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Glanville Helen. Varnish grounds viewing distance and lighting: some notes on seventeenth-century Italian painting technique
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Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903)
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Hale Charlotte (1959- ). Designing nature
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Hendriks Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Hermens Erma (1958- )
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Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s)
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Hernandez Eumelia. Material study of the Codex Colombino
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Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists
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Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel Winchester Cathedral
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Iazurlo Paola. Burri project
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Janssen Hans (1954- ). After the fact
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Janssens Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Katz Melissa R. William Holman Hunt and the Pre-Raphaelite technique
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Kirby Jo. Paul Delaroche: a case study of academic painting
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Learner Thomas J. S. John Hoyland
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Leeuwestein Margje. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Legrand Stijn. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Leona Marco. Designing nature
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Ling He. Scientific examination for the investigation and conservation for Far East Asian mural paintings
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Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study
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Londero Pablo S. Designing nature
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Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists
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Macaro Gabriella. The Barbizon paintings at the National Gallery London: a technical study
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Magaloni Kerpel Diana Isabel (1961- ). Unveiling the artistic technique of the Florentine Codex
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Marte Fernando. Argentinean murals
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Mascalchi M. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
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Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800
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Matteini Mauro (1943- ). Wall paintings of the monumental cemetery of Pisa
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