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(2)
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(2)
Whalen Timothy P. Foreword
(2)
Ainsworth Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective
(1)
Albano Albert. Art in transition
(1)
Allen Robert. Naphthalene (1992)
(1)
Andrade Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
(1)
Atkinson Henry L. Wrapped in country
(1)
Baker Wendy. Search for a dimension-neutral effect in the solvent treatment of wood
(1)
Baldini Umberto (1921-2006). Theory of restoration and methodological unity
(1)
Ballard Mary W. Climate and conservation (1994)
(1)
Ballard Mary W. Hanging out: strength elongation and relative humidity: some physical properties of textile fibres (1996)
(1)
Barrett Sylvana. An integrated approach for the study of painting techniques
(1)
Bayer Anja. Preserving and displaying archaeological garments via pressure mounting
(1)
Baÿ Odile. The restoration of wooden painting supports. Two hundred years of history in France
(1)
Beerkens Lydia
(1)
Behlen Beatrice. Peopling the Pleasure Garden
(1)
Bell Clive (1881-1964). Art
(1)
Bellinger Louisa. Basic habits of textile fibres (1963)
(1)
Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton Parish Church of Priessnitz/Saxony
(1)
Bengtsson Sven (1932- ). Preservation of the Wasa sails (1975)
(1)
Berducou Marie. Introduction to archaeological conservation
(1)
Berenson Bernard (1865-1959). Aesthetics and history in the visual arts
(1)
Berenson Bernard (1865-1959). Italian painters of the Renaissance
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Berenson Bernard (1865-1959). Rudiments of connoisseurship
(1)
Bergeon Segolene (1942- ). The restoration of wooden painting supports. Two hundred years of history in France
(1)
Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
(1)
Bezur Aniko. Structural treatment of a seventeenth-century Flemish panel painting
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Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
(1)
Bisacca George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini
(1)
Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
(1)
Bisacca George. The treatment of Durer’s Adam and Eve panels at the Prado Museum
(1)
Blanchette R. A. A guide to wood deterioration caused by microorganisms and insects
(1)
Bobak Simon. A flexible unattached auxiliary support
(1)
Boersma Foekje (1969- ). Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997)
(1)
Boeve-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936
(1)
Bomford David. Foreword
(1)
Bomford David. Introduction: keynote address
(1)
Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Brandi Cesare (1906-1988). The cleaning of pictures in relation to patina varnish and glazes
(1)
Brandi Cesare (1906-1988). Theory of restoration I
(1)
Brandi Cesare (1906-1988). Theory of restoration II
(1)
Brandi Cesare (1906-1988). Theory of restoration III
(1)
Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
(1)
Bret Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musees de France
(1)
Brewer Al. Practical aspects of the structural conservation of large panel paintings
(1)
Brewer Al. Some rejoining methods for panel paintings
(1)
Bringel Anne-Rose. A conservation/restoration technique (2000)
(1)
Brooks Mary M. Acknowledgmenst
(1)
Brooks Mary M. Editors' preface
(1)
Brooks Mary M. Introduction
(1)
Brooks Mary M. New insights into textiles: the potential of x-radiography as an investigative technique (2005)
(1)
Brooks Mary M. Reflecting absence and presence
(1)
Brooks Mary M. To clean or not to clean: the value of soils and creases (1996)
(1)
Brown Elizabeth. Practical aspects of consultation with communities (2005)
(1)
Bruselius Scharff Annemette. Synthetic dyestuffs for textiles and their fastness to washing (1999)
(1)
Brutillot Andre. Reflections on slit stitching in tapestries (2002)
(1)
Buenger Nancy. Wet with blood: the investigation of Mary Todd Lincoln's Cloak (2000)
(1)
Burnham Eva. Preventative conservation with the help of volunteers: a successful race against time (1992)
(1)
Carbonara Giovanni (1942- ). The integration of the image: problems in the restoration of monuments
(1)
Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
(1)
Carvalho Salome Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes
(1)
Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
(1)
Castelli Ciro. The restoration of panel painting supports. Some case histories
(1)
Cheung Angela Yuenkuen. Dramatic effects on a static stage
(1)
Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
(1)
Chui Sue Ann
(1)
Chui Sue Ann. Preface
(1)
Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
(1)
Clark Kenneth (1903-1983). Looking at pictures
(1)
Clavir Miriam (1948- ). Preserving conceptual integrity: ethics and theory in preventive conservation (1994)
(1)
Clayton Sarah. Clear as mud: how cultural significance determines preservation choices (2003)
(1)
Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Conti Susanna. Loss in textiles: technological and color problems (2004)
(1)
Cooke Bill (historia sztuki). Creasing an ancient textiles (1988)
(1)
Coremans Paul B. Scientific research and the restoration of paintings
(1)
Corzo Miguel Angel (1942- ). Foreword
(1)
Couzens Vicki (1960). Wrapped in country
(1)
Cruickshank Pippa. Lining a banana fibre belt: a cool vacuum table technique (1993)
(1)
Cudell Ana
(1)
Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Dal-Pra Patricia. In situ maintenance and storage: the unique case of textiles (2000)
(1)
Daly Hartin Debra. Local stain removal from Oceanie la mer by Henri Matisse: the development of a reducing bleach technique using a suction disk ultrasonic mister and airbrush (2009)
(1)
Daniel Vinod. Modified atmosphere treatments of insect infestations
(1)
Daniels Vincent. Surfactant investigations into alternatives for synperonic N® (2001)
(1)
Dardes Kathleen (1952- )
(1)
Dardes Kathleen (1952- ). Preface
(1)
Darrah Josephine A. Connections and coincidences: three pigments
(1)
Darroch Lee (1957- ). Wrapped in country
(1)
Derrick Michelle R. (1955- )
(1)
Dodd Wendy. Clear as mud: how cultural significance determines preservation choices (2003)
(1)
Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
(1)
Duin Paul van (1956- ). Panels in furniture: observations and conservation issues
(1)
Eastop Dinah. Acknowledgmenst
(1)
Eastop Dinah. Decision making in conservation: determining the role of artefacts (1998)
(1)
Eastop Dinah. Editors' preface
(1)
Eastop Dinah. Introduction
(1)
Eastop Dinah. To clean or not to clean: the value of soils and creases (1996)
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18 wyników Filtruj
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Bibliogr. s. 219-241. Indeks.
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Półrocz.
Vol. 24 (2009), no 2.
Inny tyt: Conservation Perspectives, the GCI newsletter
Inny tyt: GCI newsletter
Zawartość zasobu KR 239 Czas. III 1106
Vol. 30 (2015), no 1-2
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Bibliogr. s. 312-322. Słownik terminów s. 310-311. Indeks.
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Historical perspectives on preventive conservation / ed. by Sarah Staniforth. - Los Angeles : Getty Conservation Institute, cop. 2013. - XX, [2], 426 s. : il. (w tym kolor.) ; 26 cm.
(Readings in Conservation)
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Bibliogr. s. 498-512. Indeks.
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Tyt. oryg.: La restauration des peintures à Paris (1750-1815): pratiques et discours sur la matérialité des oeuvres d'art, 2012.
Bibliogr. s. 263-281. Indeks.
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Bibliogr. s. 207-229 i przy rozdz. Słownik terminów s. 201-204. Indeks.
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(Readings in Conservation ; 4)
Autor
Brooks Mary M. Eastop Dinah. Allen Robert. Naphthalene (1992) Ballard Mary W. Climate and conservation (1994) Ballard Mary W. Hanging out: strength, elongation, and relative humidity: some physical properties of textile fibres (1996) Bellinger Louisa. Basic habits of textile fibres (1963) Bengtsson Sven (1932- ). Preservation of the "Wasa" sails (1975) Boersma Foekje (1969- ). Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997) Bringel Anne-Rose. A conservation/restoration technique (2000) Brooks Mary M. New insights into textiles: the potential of x-radiography as an investigative technique (2005) Brooks Mary M. To clean or not to clean: the value of soils and creases (1996) Brown Elizabeth. Practical aspects of consultation with communities (2005) Bruselius Scharff Annemette. Synthetic dyestuffs for textiles and their fastness to washing (1999) Brutillot André. Reflections on slit stitching in tapestries (2002) Buenger Nancy. Wet with blood: the investigation of Mary Todd Lincoln's Cloak (2000) Burnham Eva. Preventative conservation with the help of volunteers: a successful race against time (1992) Clavir Miriam (1948- ). Preserving conceptual integrity: ethics and theory in preventive conservation (1994) Clayton Sarah. Clear as mud: how cultural significance determines preservation choices (2003) Conti Susanna. Loss in textiles: technological and color problems (2004) Cruickshank Pippa. Lining a banana fibre belt: a cool vacuum table technique (1993) Cooke Bill (historia sztuki). Creasing an ancient textiles (1988) Dal-Prà Patricia. In situ maintenance and storage: the unique case of textiles (2000) Daly Hartin Debra. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Daniels Vincent. Surfactant investigations into alternatives for synperonic N® (2001) Dodd Wendy. Clear as mud: how cultural significance determines preservation choices (2003) Eastop Dinah. Decision making in conservation: determining the role of artefacts (1998) Eastop Dinah. To clean or not to clean: the value of soils and creases (1996) Eastop Dinah. Two contrasting minimally interventive upholstery treatments: different roles, different treatments (1997) Estham Inger (1928-2016). Eighty years of Pietas (1988) Fields John. Surfactant investigations into alternatives for synperonic N® (2001) Fikioris Margaret A. Charting the future: conservation principles of Henry Francis du Pont (1986) Finch Karen (1921-2018). Note on the damaging effect of flameproofing on a tapestry hanging (1969) Finch Karen (1921-2018). Textiles as documents of history and those who care for them (2000) Flury-Lemberg Mechthild (1929- ). Conservation with needle and thread (1988) Flury-Lemberg Mechthild (1929- ). Examples of textile conservation in the historical Museum, Bern (1957/58) Flury-Lemberg Mechthild (1929- ). Introduction to "Textile conservation and research" (1988) Fogelmarck Stig (1916-2006). John Böttiger: keeper of textiles (1988) French Ann. Textile or art? The conservation, display and storage of modern textile art (2004) Geijer Agnes (1898-1989). Brief reply from Dr. Geijer, Stockholm, 12 June 1961 (1961) Geijer Agnes (1898-1989). Dangerous methods for the conservation of textiles (1961) Geijer Agnes (1898-1989). Preservation of textile objects (1963) Gill Kathryn. Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997) Gill Kathryn. Two contrasting minimally interventive upholstery treatments: different roles, different treatments (1997) Gill Victoria. Clear as mud: how cultural significance determines preservation choices (2003) Haldane Elizabeth-Anne. Avendale for reformation: conservation of a 17th century covenanting banner (2003) Hartog Frances. Surfactant investigations into alternatives for synperonic N® (2001) Hayward Maria. Naphthalene (1992) Heald Susan. Practical aspects of consultation with communities (2005) Hefford Wendy. The restoration of the tapestries (1971) Herrmann Hannelore. Looking back at thirty years of textile conservation and restoration in the Federal Republic of Germany (1989) Hillyer Lynda. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Hinkel Ada. A sleeveless doublet circa 1585 from the Germanisches Nationalmuseum, Nuremberg (2002) Hofenk de Graaff Judith H. Some recent developments in the cleaning of ancient textiles (1982) Jędrzejewska Hanna (1906-2002). Problems in the conservation of textiles: needle versus adhesive (1981) Jędrzejewska Hanna (1906-2002). Problems of ethics in the conservation of textiles (1980) Johansen Katia (1948- ). Perfumed garments, their preservation and presentation: "...the good smell of old clothes" (1999) Johnson Jessica S. Practical aspects of consultation with communities (2005) Kajitani Nobuko. A contact/pressure mounting system (1986) Kajitani Nobuko. Care of fabrics in the Museum (1977) Kaminitz Marian A. Practical aspects of consultation with communities (2005) Kirkpatrick Bridie. Clear as mud: how cultural significance determines preservation choices (2003) Kite Marion. Conservator safety: Mercury in felt hats (2003) Kite Marion. The conservation of an English embroidered picture using an oriental paper method: a joint approach (1995) Kovács Tibor (1940-2013). A thousand-year-old relic in a new setting Krippendorf Agnes. "Information is defense": conservation in Auschwitz (2002) Landi Sheila. Three examples of textile conservation in the Victoria and Albert Museum (1966) Leene Jentina E. Restoration and preservation of ancient textiles, and natural science (1963) Leene Jentina E. The "Delft" methods for the conservation of textiles: response to Dr. Agnès Geijer, Stockholm (1961) Leene Jentina E. The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Lennard Frances. The conservation of the United Tin Plate Workers' Society Banner of 1821 (1989) Lister Alison. Making the most of mounts: expanding the role of display mounts in the preservation and interpretation of historic textiles (1997) Lodewijks Johan. The history of conservation and restoration of flags and banners in the Netherlands (1980) Lugtigheid Renée. A tale of two tapestries: considerations of restoration, de-restoration, and re-restoration (1995) Maheux Anne F. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Marko Ksynia. Two case histories: a seventeenth-century Antwerp tapestry and an eighteenth-century English Soho tapestry (1989) Martin Graham (1952- ). Conservator safety: Mercury in felt hats (2003) Martin Graham (1952- ). State of the art: non-invasive interrogation of textiles in museum collections (2008) Masschelein-Kleiner Liliane. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) McClean Lynn. Avendale for reformation: conservation of a 17th century covenanting banner (2003) McHugh Kelly. Practical aspects of consultation with communities (2005) Meert Geert. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) Morgan Helen. Lining a banana fibre belt: a cool vacuum table technique (1993) Niekamp Bettina. Alterations, historical restorations, restoration and conservation interventions (2008) O'Connor Sonia A. New insights into textiles: the potential of x-radiography as an investigative technique (2005) Odegaard Nancy (1955- ). Addressing the problem: the team approach (2005) Orlofsky Patsy. The role of connoisseurship in determining the textile conservator's treatment options (1993) Peacock Elizabeth E. Drying archaeological textiles (1992) Phipps Elena. A contact/pressure mounting system (1986) Pool Marilen. Addressing the problem: the team approach (2005) Raster Barbara. Removal of previous "restorations" from Islamic textiles in the Bouvier Collection: analysis and treatment (1994) Rice James W. Principles of textile conservation science, no. I: general chemical and physical structural features of the natural textile fibres (1962) Rice James W. Principles of textile conservation science, no. V: the characterisctics of soils and stains encountered on historic textiles (1964) Rice James W. Principles of textile conservation science, no. VI: the wonders of water in wetcleaning (1966) Rice James W. Principles of textile conservation science, no. VIII: Drycleaning of fine and fragile textiles (1967) Richardson Emma. State of the art: non-invasive interrogation of textiles in museum collections (2008) Ringgaard Maj. An investigation of the effects of borohydride treatments of oxidized cellulose textiles (2002) Rinuy Anne. Removal of previous "restorations" from Islamic textiles in the Bouvier Collection: analysis and treatment (1994) Robinson John M. Uppark restored: the conservation of the contents (1996) Rowell Christopher. Uppark restored: the conservation of the contents (1996) Ruggles Anne. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Sadongei Alyce (1959- ). Addressing the problem: the team approach (2005) Semečkin P. A. "Workshop for the repair of antique needlework": on the history of the decorative arts section of the Central State Restoration Workshops, 1919-1934 (2000/2001) Seth-Smith Alexandra. Animal glue removal from sixteenth-century Flemish tapestry fragments: a comparative study of three cleaning methods (1996) Sieders R. The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Singer Poppy. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Stauffer Annemarie. A study of the conservation problems of archaeological textiles treated with synthetic consolidants (2005) Sykas Philip A. Caring or wearing? (1987) Temmink-van Dijkhuizen Marike. Textiles in all conditions: opinions about restoration and conservation from changing perspectives (1990) Timar-Balazsy Agnes (1948-2001). Drying behaviour of fibres (1999) Tinker Zenzie. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Trupin Deborah Lee. Flag conservation then and now (2003) Trupin Deborah Lee. The role of connoisseurship in determining the textile conservator's treatment options (1993) Tse Season. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Uytenbogaart J. W. H. (1897-1964). The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Vandermeersch-Coppens d'Eeckenbrugge Bernadette. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) Vuori Jan. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Webber Pauline. The conservation of an English embroidered picture using an oriental paper method: a joint approach (1995) Windsor Deirdre. Preserving the historic document: minimal conservation intervation for 18th- and 19th-century needlework and pictorial embroidery (1999) Wingham Andrew. Surfactant investigations into alternatives for synperonic N® (2001) Wyeth Paul. State of the art: non-invasive interrogation of textiles in museum collections (2008) Zhang Xiaomei. State of the art: non-invasive interrogation of textiles in museum collections (2008)
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Dardes Kathleen (1952- ). Rothe Andrea (1936- ). Baÿ Odile. The restoration of wooden painting supports. Two hundred years of history in France Bergeon Ségolène (1942- ). The restoration of wooden painting supports. Two hundred years of history in France Bisacca George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini Blanchette R. A. A guide to wood deterioration caused by microorganisms and insects Bobak Simon. A flexible unattached auxiliary support Bomford David. Introduction: keynote address Bret Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Brewer Al. Practical aspects of the structural conservation of large panel paintings Brewer Al. Some rejoining methods for panel paintings Castelli Ciro. The restoration of panel painting supports. Some case histories Corzo Miguel Angel (1942- ). Foreword Daniel Vinod. Modified atmosphere treatments of insect infestations Dardes Kathleen (1952- ). Preface Emile-Mâle Gilberte (1912-2008). The restoration of wooden painting supports. Two hundred years of history in France Glatigny Jean-Albert. Backings of painted panels. Reinforcement and constraint Hanlon Gordon. Modified atmosphere treatments of insect infestations Hoadley R. Bruce (1933-2019). Chemical and physical properties of wood Hoadley R. Bruce (1933-2019). Identification of wood in painting panels Horns James S. Richard Buck. The development and use of the balsa backing for panel paintings Huot Claude. The restoration of wooden painting supports. Two hundred years of history in France Jaunard Daniel. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Klein Peter. Dendrochronological analyses of panel paintings Lebas Frédéric J. M. The cradling of a relief of the annunciation attributed to Martin Schaffner Mandron Patrick. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Marchant Raymond. The development of a flexible attached auxiliary support Marussich Giovanni. Florentine structural stabilization techniques McClure Ian. History of structural conservation of panel paintings in Great Britain McClure Ian. The framing of wooden panels Mecklenburg Marion F. Technical considerations for the transport of panel paintings Reeve Anthony M. Structural conservation of panel paintings at the National Gallery, London Richard Mervin. Technical considerations for the transport of panel paintings Rothe Andrea (1936- ). Critical history of panel painting restoration in Italy Rothe Andrea (1936- ). Florentine structural stabilization techniques Rothe Andrea (1936- ). Preface Schiessl Ulrich (1948-2011). History of structural panel painting conservation in Austria, Germany and Switzerland Schniewind Arno P. (1929- ). Consolidation of wooden panels Tumosa Charles S. Technical considerations for the transport of panel paintings Uzielli Luca. Historical overview of panel-making techniques in central Italy Véliz Zahira. Wooden panels and their preparation for painting from the Middle Ages to the seventeenth century in Spain Wadum Jørgen. Historical overview of panel-making techniques in the northern countries Wadum Jørgen. Microclimate boxes for panel paintings Walker Philip (1925- ). The making of panels. History of relevant woodworking tools and techniques Walsh John (1937- ). Foreword Williams Donald C. (konserwatorstwo). A survey of adhesives for wood conservation Wilmering Antoine M. A Renaissance Studiolo from the Ducal Palace in Gubbio. Technical aspects of the conservation treatment
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Brooks Mary M. Eastop Dinah. Whalen Timothy P. Foreword Brooks Mary M. Acknowledgmenst Eastop Dinah. Acknowledgmenst Brooks Mary M. Editors' preface Eastop Dinah. Editors' preface Eastop Dinah. Introduction Brooks Mary M. Introduction Brooks Mary M. Reflecting absence and presence Ishii Mie. Conserving an Ainu robe within the framework of Japan's cultural property preservation policy Atkinson Henry L. "Wrapped in country" Couzens Vicki (1960). "Wrapped in country" Darroch Lee (1957- ). "Wrapped in country" Grieves Genevieve (1976- ). "Wrapped in country" Hamilton Samantha. "Wrapped in country" Jones-Amin Holly. "Wrapped in country" Nicholson Mandy. "Wrapped in country" Reynolds Amanda (1971- ). "Wrapped in country" Te Kanawa Rangi. Kahu ora Tamarapa Awhina (1966- ). Kahu ora Peranteau Anne. Kahu ora Bayer Anja. Preserving and displaying archaeological garments via pressure mounting Uden Jeremy S. Conservation and display of the tahitian mourner's costume at the Pitt Rivers Museum, University of Oxford Richardson Heather M. Conservation and display of the tahitian mourner's costume at the Pitt Rivers Museum, University of Oxford Lee Rachael. Conservation and display of the tahitian mourner's costume at the Pitt Rivers Museum, University of Oxford Slocombe Emma. Dress in the limelight Tinker Zenzie. Dress in the limelight Gill Kathryn. Making sense of a fragmentary coat found concealed within a building Paula Teresa Cristina Toledo de (1959- ). Back to black Gresswell Claire. Concepts in practice Hashagen Joanna. Concepts in practice Wood Janet. Concepts in practice Scaturro Sarah. Delicate balance Fung Joyce. Delicate balance Ford Micheline. Fashion as art Leong Roger (1961- ). Fashion as art Wilcox Claire (1954- ). Radicalizing the representation of fashion Behlen Beatrice. Peopling the Pleasure Garden Supianek-Chassay Christine. Peopling the Pleasure Garden Yeung Evita S. Dramatic effects on a static stage Cheung Angela Yuenkuen. Dramatic effects on a static stage Phillips Kristin. Conserving damage Mortier Bianca M. du. Moving forward together Meijer Suzan. Moving forward together
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Chui Sue Ann. Phenix Alan. Ainsworth Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective Andrade Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Baker Wendy. Search for a dimension-neutral effect in the solvent treatment of wood Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton, Parish Church of Priessnitz/Saxony Bezùr Anikò. Structural treatment of a seventeenth-century Flemish panel painting Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels Bisacca George. The treatment of Dürer’s Adam and Eve panels at the Prado Museum Boevé-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936 Bomford David. Foreword Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development Carvalho Salomé Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies Chui Sue Ann. Preface Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Duin Paul van (1956- ). Panels in furniture: observations and conservation issues Fife Gwendoline R. Developments in education in the Netherlands for the conservation of panel paintings Fuente Martinez José de la. The treatment of Dürer’s Adam and Eve panels at the Prado Museum Galitzine George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels Garcia Miguel. Structural interventions on sixteenth-century monumental oak panels in Tomar, portugal Giani Elisabetta. The conservation of an Insieme: The Madonna of Aracoeli and its original display Grattan David W. Search for a dimension-neutral effect in the solvent treatment of wood Griesbach Monica. A hybrid approach to the structural treatment of panel paintings: case studies from American collections Grøntoft Terje (1962- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Haack Christensen Anne (1980- ). Interim results of a needs assessment survey for the field of panel paintings conservation Hackney Stephen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Hamm James. Structural treatment of a seventeenth-century Flemish panel painting Harrison Lynne. Finding solutions for mounting ancient Egyptian funerary portraits Hola Aleksandra. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków Hopfner Ingrid. The development of flexible auxiliary support systems for panel paintings and the monitoring of panel movement by strain gauges Kelberlau Sandra. Structural treatment of a seventeenth-century Flemish panel painting Kostecki Grzegorz. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków Kozłowski Roman (chemia). Allowable microclimatic variations for painted wood: direct tracing of damage development Lasyk Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development Lemus Elsa M. Arroyo. La Virgen del Perdón after the fire of 1967 Lopez-Aparicio Susana (1975- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Łukomski Michał. Allowable microclimatic variations for painted wood: direct tracing of damage development Marchant Ray. Alleviating stress in the framing of panel paintings Marchant Ray. Experimental evaluation of adhesive-filler combinations for joining panel paintings Marchant Ray. The repair and support of thinned panel paintings: a case study in modifying established techniques Monfardini PierPaolo. Structural and climate control systems for thinned panel paintings Mora Costanza. The conservation of an Insieme: The Madonna of Aracoeli and its original display Myers Alan Miller (1955- ). Marvel seal envelopes at the Metropolitan Museum of Art Myers Alan Miller (1955- ). The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels New Britta. Experimental evaluation of adhesive-filler combinations for joining panel paintings New Britta. The repair and support of thinned panel paintings: a case study in modifying established techniques Newman Nicola. Finding solutions for mounting ancient Egyptian funerary portraits Obarzanowski Michał. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Odlyha Marianne. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Ormond Devi. Alleviating stress in the framing of panel paintings Ortega Antonio. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Perla Maria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Phenix Alan. Preface Provinciali Beatrice. The conservation of an Insieme: The Madonna of Aracoeli and its original display Richard Mervin. Further studies on the benefit of adding silica gel to microclimate packages for panel paintings Roeders Jessica. The history of cradling in the Frans Hals Museum, Haarlem Rogala Dawn V. Structural treatment of a seventeenth-century Flemish panel painting Rubino Angelo. The conservation of an Insieme: The Madonna of Aracoeli and its original display Ryhl-Svendsen Morten. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Saccuman Roberto. The conservation of an Insieme: The Madonna of Aracoeli and its original display Salgueiro Joana Isabel Monteiro da Silva. Conservation study of the wooden support of The Pentecost by Vasco FernandesTechnical and c Scharff Mikkel. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Scharff Mikkel. Interim results of a needs assessment survey for the field of panel paintings conservation Schreuder Kees. Developments in education in the Netherlands for the conservation of panel paintings Seymour Kate (1968- ). Developments in education in the Netherlands for the conservation of panel paintings Soavi Albertina. The conservation of an Insieme: The Madonna of Aracoeli and its original display Sozzani Laurent. Microclimate vitrines for panel paintings: an update Thickett David. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Thornton Jonathan. Structural treatment of a seventeenth-century Flemish panel painting Wadum Jørgen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Wadum Jørgen. Interim results of a needs assessment survey for the field of panel paintings conservation Weinstein Joan. Foreword Whalen Timothy P. Foreword Williams Donald C. (konserwatorstwo). Some experiences with flexible gap-fillingaAdhesives for the conservation of wood objects Woolston Jonathan. Restoration - a sound practice Young Christina. Experimental evaluation of adhesive-filler combinations for joining panel paintings
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(Readings in Conservation ; [vol. 3])
Autor
Melucco Vaccaro Alessandra (1940- ). Stanley-Price Nicholas (1947- ). Talley Mansfield Kirby (1941- ). Albano Albert. Art in transition Baldini Umberto (1921-2006). Theory of restoration and methodological unity Bell Clive (1881-1964). Art Berducou Marie. Introduction to archaeological conservation Berenson Bernard (1865-1959). Aesthetics and history in the visual arts Berenson Bernard (1865-1959). Italian painters of the Renaissance Berenson Bernard (1865-1959). Rudiments of connoisseurship Brandi Cesare (1906-1988). The cleaning of pictures in relation to patina, varnish, and glazes Brandi Cesare (1906-1988). Theory of restoration, I Brandi Cesare (1906-1988). Theory of restoration, II Brandi Cesare (1906-1988). Theory of restoration, III Carbonara Giovanni (1942- ). The integration of the image: problems in the restoration of monuments Clark Kenneth (1903-1983). Looking at pictures Coremans Paul B. Scientific research and the restoration of paintings France-Lanord Albert (1915-1993). Knowing how to "question" the Friedländer Max J. (1867-1958). On art and connoisseurship Friedländer Max J. (1867-1958). On restoration Gombrich Ernst Hans (1909-2001). Fron light into paint Keck Sheldon. Further materials for a history of conservation Marijnissen Roger H. (1923- ). Degradation, conservation, and restoration of works of art: historical overview Mora Laura (1923-2015). Problems of presentation Mora Paolo (1921-1998). Problems of presentation Morra Umberto. Conversations with Berenson Morris William (1834-1896). Manifesto of the Society for the Protection of Ancient Buildings Panofsky Erwin (1892-1968). The history of art as a humanistic discipline Philippot Albert. The problem of the integation of lacunae in the restoration of paintings Philippot Paul (1925- ). Historic preservation: phiosophy, criteria, guidelines, I Philippot Paul (1925- ). Problems of presentation Philippot Paul (1925- ). Restoration from the perspective of the humanities Philippot Paul (1925- ). The idea of patina and dhe cleaning of paintings Philippot Paul (1925- ). The problem of the integation of lacunae in the restoration of paintings Pope-Hennessy John Wyndham (1913-1994). Connoisseurship Richardson John (1924-2019). Crimes against the Cubists Riegl Alois (1858-1905). The modern cult of monuments: its essence and its development Rossi Pinelli Orietta (1943- ). the surgery of memory: ancient sculpture and historical restorations Ruskin John (1819-1900). Fundamental laws of sculpture Ruskin John (1819-1900). On Turnerian mystery: secondly, willful Ruskin John (1819-1900). The lamp of memory, I Ruskin John (1819-1900). The lamp of memory, II Ruskin John (1819-1900). The nature of Gothic Torraca Giorgio. The scientist's role inhitoric preservation with particular reference to stone conservation Urbani Giovanni (1923-2018). The science and art of conservation of cultural property Viollet-le-Duc Eugène Emmanuel (1814-1879). Restoration Weil Phoebe Dent. A review of the history and practice of patination Wetering Ernst van de (1938- ). The autonomy of restoration: ethical considerations in relation to artistic concepts Wetering Ernst van de (1938- ). The surface of objects and museumstyle Wölfflin Heinrich (1864-1945). Principles of art history Yourcenar Marguerite (1903-1987). That mighty sculptor, Time
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Bibliogr. s. 451-471. Indeks.
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Hermens Erma (1958- ). Peek Marja F. J. (1961- ). Wallert Arie (1950- ). Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Barrett Sylvana. An integrated approach for the study of painting techniques Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Darrah Josephine A. Connections and coincidences: three pigments Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Federspiel Beate Knuth. Questions about medieval gesso grounds Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s Glanville Helen. Varnish, grounds, viewing distance, and lighting: some notes on seventeenth-century Italian painting technique Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903) Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s) Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel, Winchester Cathedral Katz Melissa R. William Holman Hunt and the "Pre-Raphaelite technique" Kirby Jo. Paul Delaroche: a case study of academic painting Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800 Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Roy Ashok. Paul Delaroche: a case study of academic painting Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison Skalová Zuzana. New evidence for the medieval production of icons in the Nile Valley Steinbüchel Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Stulik Dusan (1956- ). An integrated approach for the study of painting techniques Townsend Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875 Wadum Jørgen. Johannes Vermeer (1632–1675) and his use of perspective Wallert Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination Wallert Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Wetering Ernst van de (1938-2021). Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter Woodcock Sally. The Roberson Archive: content and significance Woudhuysen-Keller Renate (1944-2012). Aspects of painting technique in the use of verdigris and copper resinate
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