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Biblioteka Muzeum Narodowego
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Lahoda Vojtech (1955-2019)
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Aagesen Dorthe (1966- ). The aesthetics of neutrality. The impact of the First World War on Danish art and culture
(1)
Benson Timothy O. (1950- ). Mapping culture in Central Europe: Dada and Devetsil
(1)
Brzyski Anna (1969- ). Centres and peripheries: language barriers and the cultural geography of European modern art
(1)
Cipuria Bela (1967- ). Georgian modernism national expectations and the First World War
(1)
Dovydaityte Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism
(1)
Dudko Oksana. Riflemen art. Visualizing the Ukrainian war
(1)
Forgacs Eva (1947- ). War as psychological social and intellectual experience. The concept of national art and the First World War in Hungary. Lajos Fulep and the dynamisc of national and international
(1)
Forgacs Eva (1947- ). Whose narrative is it?
(1)
Genova Irina Ivanova (1959- ). Balkan modernism / Balkan modernity: the difficulties of historicizing
(1)
Genova Irina Ivanova (1959- ). Modernism and the national idea - reflections of the First World War
(1)
Gerharde-Upeniece Ginta (1963- ). Art and the new Latvian state (1918-1920). Modernism - between cosmopolitan inspirations and a substantive national factor
(1)
Gryglewicz Tomasz (1949-2022). Ideology or culture: on the art of a non-existing Central Europe at the time of the avant-garde and the Yalta conference
(1)
Gunnarsson Annika (1968- ). Cosmonational. Neither national nor cosmopolitan - but a tinge of avant-garde modernism
(1)
Gur'anova Nina Aibertovna (1963- ). The Russian avant-garde and the Great War. Visions and utopias
(1)
Głuchowska Lidia (1973- )
(1)
Głuchowska Lidia (1973- ). International expressionism as the style of the Great War? Remakrs on its adaptation and evaluation
(1)
Głuchowska Lidia (1973- ). Jewish artistic networks around the Great War. The voice of others and the utopia of Yiddishland
(1)
Głuchowska Lidia (1973- ). The Great War and the new art in Poland. Between patriotic ethos nationalization of modernism and international attemps in aesthetic
(1)
Głuchowska Lidia (1973- ). The war to end all wars... (A)Nationalism and cosmopolitanism in the avant-garde and modernist studies in visual culture and literature
(1)
Hjartarson Benedikt (1972- ). Abstract constructivism and the case of Finnur Jónsson. Universa language - national idiom?
(1)
Hnidkova Vendula (1978- ). Respect and thriumph. Intentions and meanings of Czech architecture before and after the First World War
(1)
Howard Jeremy. Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner
(1)
Hume Naomi (1971- ). Cut & paste in exile and war. Otto Gutfreund's Parisian collages
(1)
Jankeviciute Giedre (1960- ). Traditionalism as modernism: neo-traditionalism in Lithuanian art
(1)
Jelsbak Torben (1973- ). The aesthetics of neutrality. The impact of the First World War on Danish art and culture
(1)
Kessler Erwin. War as inverter in Romanian art between 1912 and 1924
(1)
Kolesnik Ljiljana. Dangerous liaisons: the relationship between art and the socialist state. The Croatian experience in the 1950s
(1)
Kļaviņs Eduards (1937- ). The ambivalence of ethnography in the context of Latvian modernism
(1)
Lahoda Vojtech (1955-2019). Global form and local spirit: Czech and Central European modern art
(1)
Lahoda Vojtech (1955-2019). Transnational or national cubism? Vincenc Kramar on cubism
(1)
Levinger Esther. Hungarian constructivism and totality
(1)
Lodder Christina (1948- ). International constructivism and the legacy of unovis in the 1920s: El Lissitzky Katarzyna Kobro and Władisław Strzemiński
(1)
Mansbach Steven A. (1950- ). Closing remarks and general reflections
(1)
Mazzone Marian. Location process identity: actions and happenings in the 1960s
(1)
Mudrak Miroslava Maria (1950- ). Polish modernism and Ukrainian artists: parallel strategies
(1)
Murawska-Muthesius Katarzyna (1955- ). Unworlding slaka or does Eastern (Central) European art exist?
(1)
Pachmanova Martina (1970- ). Les femmes artistes d’aujourd’hui: Czech women artists in the context of international modernism
(1)
Prelog Petar (1972- ). In pursuit of national identity. Croatian modern art before and after the Great War
(1)
Prelovsek Damjan (1945- ). The architect Joze Plecnik: the originator of critical regionalism
(1)
Quintana Pareja Emilio (1964- ). Don Quixote in the trenches. The birth of avant-garde poetry in Spanish language between civilization and barbarism
(1)
Reberski Ivanka. The universal and the regional: modernism in Croatian painting in the 1920s and 1950s
(1)
Sawicki Nicholas (1974- ). Modernist paradigms after the war: the case of Max Dvorak
(1)
Schultz Deborah. Methodological issues: researching socialist realist Romania
(1)
Simicić Darko (1957- ). The case of Dada: searching through the archipelago of the avant-gardes in Central Europe
(1)
Szczerski Andrzej (1971- ). Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner
(1)
Veivo Harri (1969- ). Cosmopolitanism nationalism and the reconfigurations of the map of Europe in the discourse of modernity in Finland in the 1920s
(1)
Versari Maria Elena. The Central European avant-garde of the 1920s: the battleground for futurist identity?
(1)
Waenerberg Annika. National features in modern art: Edwin Lyden (1879-1956) and Wassily Kandinsky (1866-1944)
(1)
Wenderski Michał. Uncanonical impulses to the canon. Polish and Belgian contributions to international constructivism
(1)
Wierzbicka Anna (historia sztuki). Artists from Central and Eastern Europe in the Ecole de Paris Milieu (1918-1939): the problem of assimilation and identity
(1)
Witkovsky Matthew S. (1967- ). The cage of the center
(1)
Wunsche Isabel (1965- ). Biocentric modernism: the other side of the avant-garde
(1)
Zwickl Andras (1964- ). Between conservatism and modernism: classicisms and realisms of the 1920s in Central Europe
(1)
Rok wydania
2020 - 2024
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2000 - 2009
(1)
Kraj wydania
Czechy
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angielski
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Sztuka europejska
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Kosmopolityzm
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Modernizm
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Nacjonalizm
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Sztuka
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Temat: czas
1918-
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Gatunek
Materiały konferencyjne
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2 wyniki Filtruj
Książka
W koszyku
Autor
Głuchowska Lidia (1973- ). Lahoda Vojtěch (1955-2019). Aagesen Dorthe (1966- ). The aesthetics of neutrality. The impact of the First World War on Danish art and culture Cipuria Bela (1967- ). Georgian modernism, national expectations, and the First World War Dudko Oksana. Riflemen art. Visualizing the Ukrainian war Forgács Éva (1947- ). War as psychological , social and intellectual experience. The concept of "national art" and the First World War in Hungary. Lajos Fülep and the dynamisc of "national" and "international" Genova Irina Ivanova (1959- ). Modernism and the national idea - reflections of the First World War Gerharde-Upeniece Ginta (1963- ). Art and the new Latvian state (1918-1920). Modernism - between cosmopolitan inspirations and a substantive national factor Głuchowska Lidia (1973- ). International expressionism as the style of the Great War? Remakrs on its adaptation and evaluation Głuchowska Lidia (1973- ). Jewish artistic networks around the Great War. The voice of "others" and the utopia of "Yiddishland" Głuchowska Lidia (1973- ). The Great War and the new art in Poland. Between patriotic ethos, nationalization of modernism, and international attemps in aesthetic Głuchowska Lidia (1973- ). "The war to end all wars"... (A)Nationalism and cosmopolitanism in the avant-garde and modernist studies in visual culture and literature Gunnarsson Annika (1968- ). Cosmonational. Neither national nor cosmopolitan - but a tinge of avant-garde modernism Gur'ânova Nina Aľbertovna (1963- ). The Russian avant-garde and the Great War. Visions and utopias Hjartarson Benedikt (1972- ). Abstract constructivism and the case of Finnur Jónsson. Universa language - national idiom? Hnídková Vendula (1978- ). Respect and thriumph. Intentions and meanings of Czech architecture before and after the First World War Hume Naomi (1971- ). Cut & paste in exile and war. Otto Gutfreund's Parisian collages Jelsbak Torben (1973- ). The aesthetics of neutrality. The impact of the First World War on Danish art and culture Kessler Erwin. War as inverter in Romanian art between 1912 and 1924 Lahoda Vojtěch (1955-2019). Transnational or national cubism? Vincenc Kramář on cubism Mansbach Steven A. (1950- ). Closing remarks and general reflections Prelog Petar (1972- ). In pursuit of national identity. Croatian modern art before and after the Great War Quintana Pareja Emilio (1964- ). Don Quixote in the trenches. The birth of avant-garde poetry in Spanish language between civilization and barbarism Veivo Harri (1969- ). Cosmopolitanism, nationalism, and the reconfigurations of the map of Europe in the discourse of modernity in Finland in the 1920s Wenderski Michał. Uncanonical impulses to the canon. Polish and Belgian contributions to international constructivism
Indeks R0: BMNK
Materiały konferencyjne: Praga, 25-27 listopada 2014 r.
Bibliogr. s. 573-615. Indeksy.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 26274 (1 egz.)
Książka
W koszyku
Autor
Lahoda Vojtěch (1955-2019). Benson Timothy O. (1950- ). Mapping culture in Central Europe: Dada and Devětsil Brzyski Anna (1969- ). Centres and peripheries: language barriers and the cultural geography of European modern art Dovydaitytė Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism Forgács Éva (1947- ). Whose narrative is it? Genova Irina Ivanova (1959- ). Balkan modernism / Balkan modernity: the difficulties of historicizing Gryglewicz Tomasz (1949-2022). Ideology or culture: on the art of a non-existing Central Europe at the time of the avant-garde and the Yalta conference Howard Jeremy. Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner Jankevičiutė Giedrė (1960- ). Traditionalism as modernism: neo-traditionalism in Lithuanian art Kļaviņš Eduards (1937- ). The ambivalence of ethnography in the context of Latvian modernism Kolešnik Ljiljana. Dangerous liaisons: the relationship between art and the socialist state. The Croatian experience in the 1950s Lahoda Vojtěch (1955-2019). Global form and local spirit: Czech and Central European modern art Levinger Esther. Hungarian constructivism and totality Lodder Christina (1948- ). International constructivism and the legacy of unovis in the 1920s: El Lissitzky, Katarzyna Kobro and Władisław Strzemiński Mazzone Marian. Location, process, identity: actions and happenings in the 1960s Mudrak Miroslava Marìâ (1950- ). Polish modernism and Ukrainian artists: parallel strategies Murawska-Muthesius Katarzyna (1955- ). Unworlding slaka, or does Eastern (Central) European art exist? Pachmanová Martina (1970- ). Les femmes artistes d’aujourd’hui: Czech women artists in the context of international modernism Prelovšek Damjan (1945- ). The architect Jože Plečnik: the originator of critical regionalism Reberski Ivanka. The universal and the regional: modernism in Croatian painting in the 1920s and 1950s Sawicki Nicholas (1974- ). Modernist paradigms after the war: the case of Max Dvořák Schultz Deborah. Methodological issues: researching socialist realist Romania Šimičić Darko (1957- ). The case of Dada: searching through the archipelago of the avant-gardes in Central Europe Szczerski Andrzej (1971- ). Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner Versari Maria Elena. The Central European avant-garde of the 1920s: the battleground for futurist identity? Waenerberg Annika. National features in modern art: Edwin Lydén (1879-1956) and Wassily Kandinsky (1866-1944) Wierzbicka Anna (historia sztuki). Artists from Central and Eastern Europe in the École de Paris Milieu (1918-1939): the problem of assimilation and identity Witkovsky Matthew S. (1967- ). The cage of the center Wünsche Isabel (1965- ). Biocentric modernism: the other side of the avant-garde Zwickl András (1964- ). Between conservatism and modernism: classicisms and realisms of the 1920s in Central Europe
Indeks R0: BMNK
Bibliogr. w przypisach do ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 26282 (1 egz.)
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