Beke Laszló (1944-2022)
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Benson Timothy O. (1950- )
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Benson Timothy O. (1950- ). Mapping culture in Central Europe: Dada and Devetsil
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Brzyski Anna (1969- ). Centres and peripheries: language barriers and the cultural geography of European modern art
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Bydzovska Lenka (1956- )
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Causey Faya. Tectonic Cezanne
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Cipuria Bela (1967- ). Georgian modernism national expectations and the First World War
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Dovydaityte Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism
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Dudko Oksana. Riflemen art. Visualizing the Ukrainian war
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Eigl Steffen. Berlin as the avant-garde centre or a dream of the new life. Perspectives on art and European collaboration after 1918
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Eigl Steffen. Between self-stylisation and international breakthrough. Some aspects of the major art exhibitions of the 1910s in European context
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Faassen S. A. J. van (1949- ). De Stijl neo-plasticism and abstraction 1908-1918
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Forgacs Eva (1947- ). Cezanne at the Bauhaus and in twentieth-century constructive art
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Forgacs Eva (1947- ). I work with rational madness
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Forgacs Eva (1947- ). Internationalism and its technicalities. The Hungarian avant-garde's outreach to international art 1919-1926
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Forgacs Eva (1947- ). War as psychological social and intellectual experience. The concept of national art and the First World War in Hungary. Lajos Fulep and the dynamisc of national and international
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Forgacs Eva (1947- ). Whose narrative is it?
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Gat Janos. Istvan Farkas: dreams and visions
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Genova Irina Ivanova (1959- ). Balkan modernism / Balkan modernity: the difficulties of historicizing
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Genova Irina Ivanova (1959- ). Modernism and the national idea - reflections of the First World War
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Gergely Mariann (1956- )
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Gerharde-Upeniece Ginta (1963- ). Art and the new Latvian state (1918-1920). Modernism - between cosmopolitan inspirations and a substantive national factor
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Geskó Judit (1954- ). Cezanne and non-Arcadian abstraction. What is influence? An experimental answer to Baxandall’s question
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Gryglewicz Tomasz (1949-2022). Ideology or culture: on the art of a non-existing Central Europe at the time of the avant-garde and the Yalta conference
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Gunnarsson Annika (1968- ). Cosmonational. Neither national nor cosmopolitan - but a tinge of avant-garde modernism
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Gur'anova Nina Aibertovna (1963- ). The Russian avant-garde and the Great War. Visions and utopias
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Gyergyadesz Laszló (1947- ). From Andrassy Avenue to the Cifra Palace. The Wolfner-Farkas-Glucks Collection in the Katona József Museum of Kecskemet
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Głuchowska Lidia (1973- )
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Głuchowska Lidia (1973- ). International expressionism as the style of the Great War? Remakrs on its adaptation and evaluation
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Głuchowska Lidia (1973- ). Jewish artistic networks around the Great War. The voice of others and the utopia of Yiddishland
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Głuchowska Lidia (1973- ). The Great War and the new art in Poland. Between patriotic ethos nationalization of modernism and international attemps in aesthetic
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Głuchowska Lidia (1973- ). The war to end all wars... (A)Nationalism and cosmopolitanism in the avant-garde and modernist studies in visual culture and literature
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Harambourg Lydia (1947- ). Istvan Farkas: a modernist of the Ecole de Paris
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Hjartarson Benedikt (1972- ). Abstract constructivism and the case of Finnur Jónsson. Universa language - national idiom?
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Hnidkova Vendula (1978- ). Respect and thriumph. Intentions and meanings of Czech architecture before and after the First World War
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Howard Jeremy. Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner
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Hume Naomi (1971- ). Cut & paste in exile and war. Otto Gutfreund's Parisian collages
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Jankeviciute Giedre (1960- ). Traditionalism as modernism: neo-traditionalism in Lithuanian art
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Janssen Hans (1954- ). De Stijl neo-plasticism and abstraction 1908-1918
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Jelsbak Torben (1973- ). The aesthetics of neutrality. The impact of the First World War on Danish art and culture
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Joyeux-Prunel Beatrice (1977- ). Paris for central European avant-gardes. What kind of a reception?
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Jozefacka Anna. Cubism goes East. Kahnweiler's Central European network of agents and collectors
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Kessler Erwin. Printed networks. Romanian avantgarde magazines
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Kessler Erwin. War as inverter in Romanian art between 1912 and 1924
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Kiss-Szeman Zsófia (1964- ). Kosice as a model modernist city
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Kolesnik Ljiljana. Dangerous liaisons: the relationship between art and the socialist state. The Croatian experience in the 1950s
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Kopócsy Anna. Colour sound and smell all resonate as one. Istvan Farkas and his portfolio collaboration with Andre Salmon: Correspondances
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Kovacs Anna Zsófia (1982- )
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Kundracikova Barbora (1986- )
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Kurc-Maj Paulina. The style of the present. The beginnings of the constructivist avant-garde in Poland
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Kļaviņs Eduards (1937- ). The ambivalence of ethnography in the context of Latvian modernism
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Lahoda Vojtech (1955-2019). Global form and local spirit: Czech and Central European modern art
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Lahoda Vojtech (1955-2019). New art in the last days of mankind
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Lahoda Vojtech (1955-2019). Transnational or national cubism? Vincenc Kramar on cubism
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Lebensztejn Jean-Claude (1942- ). Cezanne and the Russian avant-garde (as seen from Paris)
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Levinger Esther. Hungarian constructivism and totality
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Lewis Mary Tompkins. Cezanne and constructivism. Historiography
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Lodder Christina (1948- ). Constructivist dimension
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Lodder Christina (1948- ). International constructivism and the legacy of unovis in the 1920s: El Lissitzky Katarzyna Kobro and Władisław Strzemiński
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Mahler Luise. Cubism goes East. Kahnweiler's Central European network of agents and collectors
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Mansbach Steven A. (1950- ). Closing remarks and general reflections
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Mansbach Steven A. (1950- ). Toward an art of redemption modern mankind
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Markója Csilla (1967- ). Facing catastrophe. Istvan Farkas painter of the Ecole de Paris and his master Laszló Mednyanszky
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Mazzone Marian. Location process identity: actions and happenings in the 1960s
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McLean Brian (1944- )
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Mudrak Miroslava Maria (1950- ). Polish modernism and Ukrainian artists: parallel strategies
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Murawska-Muthesius Katarzyna (1955- ). Unworlding slaka or does Eastern (Central) European art exist?
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Nagy Katalin S. (1944- ). The World of Istvan Farkas
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Nagy Ladislav (1974- )
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Ozerkov Dmitrij Urʹevic (1976- ). Paul Cezanne as a Russian avant-garde painter
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Pachmanova Martina (1970- ). Les femmes artistes d’aujourd’hui: Czech women artists in the context of international modernism
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Prelog Petar (1972- ). In pursuit of national identity. Croatian modern art before and after the Great War
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Prelovsek Damjan (1945- ). The architect Joze Plecnik: the originator of critical regionalism
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Quintana Pareja Emilio (1964- ). Don Quixote in the trenches. The birth of avant-garde poetry in Spanish language between civilization and barbarism
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Reberski Ivanka. The universal and the regional: modernism in Croatian painting in the 1920s and 1950s
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Ruppen Fabienne. Constructing drawings: on Cezanne's use of artists' manual
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Rydiger Monika (1961- ). City space dynamics. Symphony of a metropolis
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Sawicki Nicholas (1974- ). Modernist paradigms after the war: the case of Max Dvorak
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Schultz Deborah. Methodological issues: researching socialist realist Romania
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