Beke Laszló (1944-2022)
(1)
Benson Timothy O. (1950- )
(1)
Benson Timothy O. (1950- ). Mapping culture in Central Europe: Dada and Devetsil
(1)
Brzyski Anna (1969- ). Centres and peripheries: language barriers and the cultural geography of European modern art
(1)
Bydzovska Lenka (1956- )
(1)
Causey Faya. Tectonic Cezanne
(1)
Cipuria Bela (1967- ). Georgian modernism national expectations and the First World War
(1)
Dovydaityte Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism
(1)
Dudko Oksana. Riflemen art. Visualizing the Ukrainian war
(1)
Eigl Steffen. Berlin as the avant-garde centre or a dream of the new life. Perspectives on art and European collaboration after 1918
(1)
Eigl Steffen. Between self-stylisation and international breakthrough. Some aspects of the major art exhibitions of the 1910s in European context
(1)
Faassen S. A. J. van (1949- ). De Stijl neo-plasticism and abstraction 1908-1918
(1)
Forgacs Eva (1947- ). Cezanne at the Bauhaus and in twentieth-century constructive art
(1)
Forgacs Eva (1947- ). I work with rational madness
(1)
Forgacs Eva (1947- ). Internationalism and its technicalities. The Hungarian avant-garde's outreach to international art 1919-1926
(1)
Forgacs Eva (1947- ). War as psychological social and intellectual experience. The concept of national art and the First World War in Hungary. Lajos Fulep and the dynamisc of national and international
(1)
Forgacs Eva (1947- ). Whose narrative is it?
(1)
Gat Janos. Istvan Farkas: dreams and visions
(1)
Genova Irina Ivanova (1959- ). Balkan modernism / Balkan modernity: the difficulties of historicizing
(1)
Genova Irina Ivanova (1959- ). Modernism and the national idea - reflections of the First World War
(1)
Gergely Mariann (1956- )
(1)
Gerharde-Upeniece Ginta (1963- ). Art and the new Latvian state (1918-1920). Modernism - between cosmopolitan inspirations and a substantive national factor
(1)
Geskó Judit (1954- ). Cezanne and non-Arcadian abstraction. What is influence? An experimental answer to Baxandall’s question
(1)
Gryglewicz Tomasz (1949-2022). Ideology or culture: on the art of a non-existing Central Europe at the time of the avant-garde and the Yalta conference
(1)
Gunnarsson Annika (1968- ). Cosmonational. Neither national nor cosmopolitan - but a tinge of avant-garde modernism
(1)
Gur'anova Nina Aibertovna (1963- ). The Russian avant-garde and the Great War. Visions and utopias
(1)
Gyergyadesz Laszló (1947- ). From Andrassy Avenue to the Cifra Palace. The Wolfner-Farkas-Glucks Collection in the Katona József Museum of Kecskemet
(1)
Głuchowska Lidia (1973- )
(1)
Głuchowska Lidia (1973- ). International expressionism as the style of the Great War? Remakrs on its adaptation and evaluation
(1)
Głuchowska Lidia (1973- ). Jewish artistic networks around the Great War. The voice of others and the utopia of Yiddishland
(1)
Głuchowska Lidia (1973- ). The Great War and the new art in Poland. Between patriotic ethos nationalization of modernism and international attemps in aesthetic
(1)
Głuchowska Lidia (1973- ). The war to end all wars... (A)Nationalism and cosmopolitanism in the avant-garde and modernist studies in visual culture and literature
(1)
Harambourg Lydia (1947- ). Istvan Farkas: a modernist of the Ecole de Paris
(1)
Hjartarson Benedikt (1972- ). Abstract constructivism and the case of Finnur Jónsson. Universa language - national idiom?
(1)
Hnidkova Vendula (1978- ). Respect and thriumph. Intentions and meanings of Czech architecture before and after the First World War
(1)
Howard Jeremy. Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner
(1)
Hume Naomi (1971- ). Cut & paste in exile and war. Otto Gutfreund's Parisian collages
(1)
Jankeviciute Giedre (1960- ). Traditionalism as modernism: neo-traditionalism in Lithuanian art
(1)
Janssen Hans (1954- ). De Stijl neo-plasticism and abstraction 1908-1918
(1)
Jelsbak Torben (1973- ). The aesthetics of neutrality. The impact of the First World War on Danish art and culture
(1)
Joyeux-Prunel Beatrice (1977- ). Paris for central European avant-gardes. What kind of a reception?
(1)
Jozefacka Anna. Cubism goes East. Kahnweiler's Central European network of agents and collectors
(1)
Kessler Erwin. Printed networks. Romanian avantgarde magazines
(1)
Kessler Erwin. War as inverter in Romanian art between 1912 and 1924
(1)
Kiss-Szeman Zsófia (1964- ). Kosice as a model modernist city
(1)
Kolesnik Ljiljana. Dangerous liaisons: the relationship between art and the socialist state. The Croatian experience in the 1950s
(1)
Kopócsy Anna. Colour sound and smell all resonate as one. Istvan Farkas and his portfolio collaboration with Andre Salmon: Correspondances
(1)
Kovacs Anna Zsófia (1982- )
(1)
Kundracikova Barbora (1986- )
(1)
Kurc-Maj Paulina. The style of the present. The beginnings of the constructivist avant-garde in Poland
(1)
Kļaviņs Eduards (1937- ). The ambivalence of ethnography in the context of Latvian modernism
(1)
Lahoda Vojtech (1955-2019). Global form and local spirit: Czech and Central European modern art
(1)
Lahoda Vojtech (1955-2019). New art in the last days of mankind
(1)
Lahoda Vojtech (1955-2019). Transnational or national cubism? Vincenc Kramar on cubism
(1)
Lebensztejn Jean-Claude (1942- ). Cezanne and the Russian avant-garde (as seen from Paris)
(1)
Levinger Esther. Hungarian constructivism and totality
(1)
Lewis Mary Tompkins. Cezanne and constructivism. Historiography
(1)
Lodder Christina (1948- ). Constructivist dimension
(1)
Lodder Christina (1948- ). International constructivism and the legacy of unovis in the 1920s: El Lissitzky Katarzyna Kobro and Władisław Strzemiński
(1)
Mahler Luise. Cubism goes East. Kahnweiler's Central European network of agents and collectors
(1)
Mansbach Steven A. (1950- ). Closing remarks and general reflections
(1)
Mansbach Steven A. (1950- ). Toward an art of redemption modern mankind
(1)
Markója Csilla (1967- ). Facing catastrophe. Istvan Farkas painter of the Ecole de Paris and his master Laszló Mednyanszky
(1)
Mazzone Marian. Location process identity: actions and happenings in the 1960s
(1)
McLean Brian (1944- )
(1)
Mudrak Miroslava Maria (1950- ). Polish modernism and Ukrainian artists: parallel strategies
(1)
Murawska-Muthesius Katarzyna (1955- ). Unworlding slaka or does Eastern (Central) European art exist?
(1)
Nagy Katalin S. (1944- ). The World of Istvan Farkas
(1)
Nagy Ladislav (1974- )
(1)
Ozerkov Dmitrij Urʹevic (1976- ). Paul Cezanne as a Russian avant-garde painter
(1)
Pachmanova Martina (1970- ). Les femmes artistes d’aujourd’hui: Czech women artists in the context of international modernism
(1)
Prelog Petar (1972- ). In pursuit of national identity. Croatian modern art before and after the Great War
(1)
Prelovsek Damjan (1945- ). The architect Joze Plecnik: the originator of critical regionalism
(1)
Quintana Pareja Emilio (1964- ). Don Quixote in the trenches. The birth of avant-garde poetry in Spanish language between civilization and barbarism
(1)
Reberski Ivanka. The universal and the regional: modernism in Croatian painting in the 1920s and 1950s
(1)
Ruppen Fabienne. Constructing drawings: on Cezanne's use of artists' manual
(1)
Rydiger Monika (1961- ). City space dynamics. Symphony of a metropolis
(1)
Sawicki Nicholas (1974- ). Modernist paradigms after the war: the case of Max Dvorak
(1)
Schultz Deborah. Methodological issues: researching socialist realist Romania
(1)
