Baker Malcolm (1945- ). Thorvaldsen and three - dimensional portraiture
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Baker Malcolm (1945- ). Thorvaldsen the portrait bust and Europe
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Bang Peter Fibiger. The selfie. Portraits in the digital present and future
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Bencard Ernst Jonas (1961- ). Why are there portrait busts at Thorvaldsens Museum?
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Boggild Johannsen Birgitte (1948- )
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Boggild Johannsen Kristine. Thorvaldsen and three - dimensional portraiture
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Brodder Line. From marble to human being
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Broeng Gitte (1973- ). A realm of possibility. The portraits of Trine Sondergaard
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Busk-Jepsen Karen Benedicte. A token of friendship and esteem
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Busk-Jepsen Karen Benedicte. On Thorvaldsen's women sculptor colleagues
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Crusemann Nicola (1964- ). Reichtum spater erworbener Bildwerke
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Danbolt Mathias (1983- ). In the colonial contact zone. Thorvaldsen's portrait bust of Ghazi-ud-Din Haidar Shah
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Davis Whitney (1958- ). Beheaded
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Dlugaiczyk Martina (1968- ). Mattes Glanzstuck
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Domanig Andrea. Glyptothek der Akademie der bildenden Kunste Wien
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Ehlers Jeannette (1973- ). Ancestors. Forever connected in time and space
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Esbjorn Line. Encounters with portrait busts
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Esbjorn Line. From marble to human being
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Esbjorn Line. New paths to portrait
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Esbjorn Line. Thorvaldsen and three - dimensional portraiture
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Fabricius Johanna (1962- ). Berliner Skulpturennetzwerk
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Fejfer Jane. Faces in 3D. Thorvaldsen and ancient Romans in dialogue
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Fejfer Jane. Thorvaldsen and three - dimensional portraiture
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Fendt Astrid (1951- )
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Fendt Astrid (1951- ). 'My below Thorwaldsen' - or the busts of crown prince Ludwig
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Fendt Astrid (1951- ). Alter ego. Diomedes Włodzimierz Potocki and the portrait historie in antiquity and the neoclassical period
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Fendt Astrid (1951- ). Anfange der Berliner Gipsformerei in der Werkstatt von Christian Daniel Rauch und im Koniglichen Museum
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Fendt Astrid (1951- ). Conventions in portraiture. The choice between classical and contemporary costume
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Fendt Astrid (1951- ). The art of making ideal portraiture. The Victoria Caldoni cas
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Geominy Wilfred (1947- ). Bonner Abguss-Museum im Laufe seiner 200-jahrigen Geschichte
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Gliwitzky Christian. Size matters
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Graepler Daniel (1959- ). Gottinger Sammlung der Gipsabgusse
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Gregersen Anne. Contemporary developments and artistic collaboration at Thorvaldsens Museum
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Griebel Johannes (1977- ). Besser als das Original: die Abgusse der Reliefs der Marc Aurel-Saule
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Harlev Lise (1973- ). Cold hard and monochrome
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Heiberg Plovdrup Sofie. Consuming faces. Looking at the other/self
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Helfrich Miguel. Gipsformerei der Berliner Museen - Kunstmanufaktur seit 1819
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Helle Merete Pryds (1965- ). Portraits in words
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Herholdt Silver Dorte
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Kammel Frank Matthias (1961- ). Stellvertreter des Mittelalters
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Knoll Kordelia (1953- ). Dresdner Abguss-Sammlung
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Kofoed Kira. Idealized and equalized humanity. On Thorvaldsen's bust of Thomas Maitland
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Kohl Jeanette. Before a bust
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Lochman Tomas (1959- ). London und Paris
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Lochman Tomas (1959- ). Skulpturhalle Basel
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Macsotay Bunt Tomas. The thingness of the herm. The chimney-top herm of Henry Philip Hope
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Marohn Frank (1958- ). In ihrer Bedeutung fast vergessen?
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Meine-Schawe Monika (1953- ). Villa Stuck in Munchen
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Mergenthaler Markus (1973- ). Knauf-Museum Iphofen - vom Wirtshaus zum Museum
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Moller Jes Fabricius (1966- ). Identity and portraiture. The problem of the individual around 1800
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Mrgan Lejla. Antiquity actualized. Caroline and Wilhelm von Humboldt
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Mrgan Lejla. The ancient ideal as a protection against affect. Caroline and Wilhelm von Humboldt's reception of their portrait busts
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Mrgan Lejla. The portrait as proxy
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Mrgan Lejla. Thorvaldsen and three - dimensional portraiture
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Muth Susanne (1967- ). Abguss-Sammlungen in Berlin - heute und morgen
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Myssok Johannes. The Thorvaldsen Napoleon
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Parker Grant. Nelson Mandela behind bars
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Pfanner Michael (1955- ). How long does an artist need for a portrait in marble?
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Pfisterer Ulrich (1968- ). Thorvaldsen and three - dimensional portraiture
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Pfisterer Ulrich (1968- ). Workshop cult and workshop knowledge. Production and portraits in Thorvaldsen's Studio
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Platz-Horster Gertrud (1942- ). Gipssammlung im Neuen Museum - Ausstattung und Aufstellung
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Rasmussen Sara Marie. Encounters with portrait busts
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Recke Nikolaj. Ancestors. Forever connected in time and space
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Remmy Michael. Digitale Bestandsverwaltung von Abguss-Sammlungen: ARACHNE
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Remmy Michael. Letzte Zeugnisse
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Rotili Valeria. Accademia Nazionale di San Luca in Rom und ihre Sammlungen
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Schelper Thomas. Formen und Abgusse - Technik und Handwerk in der Berliner Gipsformerei
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Schelper Thomas. Gipsformerei in Berlin-Charlottenburg
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Schindler Tabea (1982- ). Mythicizing Thorvaldsen depicting a superstar. Some thoughts on his self-portrait statue
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Schneider Rolf Michael. Faces in 3D. Thorvaldsen and ancient Romans in dialogue
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Schneider Rolf Michael. Thorvaldsen and three - dimensional portraiture
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Scholl Andreas (1959- ). Widerschein einstigen Glanzes
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Schram Vejlby Anna (1979- ). On beauty
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Schreiter Charlotte. Berliner Abguss-Sammlungen des 17. bis 19. Jhs. im europaischen Kontext
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Schreiter Charlotte. Mannheimer Antikensaal
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Schroder Nele (1981- )
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Schroder Nele (1981- ). Abgusse in Forschung und Lehre - Farben Rekonstruktionen und vergleichendes Sehen
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Schroder Nele (1981- ). Digitale Bestandsverwaltung von Abguss-Sammlungen: ARACHNE
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Schroder Nele (1981- ). Geschichte(n) von Berliner Abgussen: was sagt der historische Altbestand uber seine Vergangenheit aus?
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Schroder Nele (1981- ). Gipsformerei ab dem mittleren 19. Jh
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Schroder Nele (1981- ). Zu Abgussen der Berliner Akademie
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Schroder Nele (1981- ). Zu Abgussen der Friedrich-Wilhelms-Universitat
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Schroder Nele (1981- ). Zu Abgussen der Koniglichen Museen Berlin
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Schwan Wolfgang. Oft ubersehene Kleinigkeiten
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Sedlarz Claudia. Gipssammlung der Berliner Akademie der Kunste von 1750 bis 1815
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Skjothaug Laila. Open borders in Thorvaldsen's workshop
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Skovmoller Amalie. In the colonial contact zone. Thorvaldsen's portrait bust of Ghazi-ud-Din Haidar Shah
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Skovmoller Amalie. The portrait as proxy
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Skovmoller Amalie. Thorvaldsen and three - dimensional portraiture
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