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Bracker Alison Lee. Introduction
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Brooks Mary M. Editors' preface
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Brooks Mary M. Introduction
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Brooks Mary M. New insights into textiles: the potential of x-radiography as an investigative technique (2005)
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Brooks Mary M. To clean or not to clean: the value of soils and creases (1996)
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Bruselius Scharff Annemette. Synthetic dyestuffs for textiles and their fastness to washing (1999)
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Brutillot Andre. Reflections on slit stitching in tapestries (2002)
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Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art
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Clavir Miriam (1948- ). Conservation and cultural significance
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Cooke Bill (historia sztuki). Creasing an ancient textiles (1988)
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Daniels Vincent. Surfactant investigations into alternatives for synperonic N® (2001)
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Eastop Dinah. Decision making in conservation: determining the role of artefacts (1998)
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Eastop Dinah. Introduction
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Eastop Dinah. The cultural dynamics of conservation principles in reported practice
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Eastop Dinah. To clean or not to clean: the value of soils and creases (1996)
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Eastop Dinah. Two contrasting minimally interventive upholstery treatments: different roles different treatments (1997)
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Estham Inger (1928-2016). Eighty years of Pietas (1988)
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Fiske Tina. White Walls: installations absence iteration and difference
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Flury-Lemberg Mechthild (1929- ). Conservation with needle and thread (1988)
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Flury-Lemberg Mechthild (1929- ). Examples of textile conservation in the historical Museum Bern (1957/58)
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Flury-Lemberg Mechthild (1929- ). Introduction to Textile conservation and research (1988)
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Fogelmarck Stig (1916-2006). John Bottiger: keeper of textiles (1988)
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French Ann. Textile or art? The conservation display and storage of modern textile art (2004)
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Geijer Agnes (1898-1989). Brief reply from Dr. Geijer Stockholm 12 June 1961 (1961)
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Gill Victoria. Clear as mud: how cultural significance determines preservation choices (2003)
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Chemical principles of textile conservation / Ágnes Tímár-Balázsy and Dinah Eastop. - Oxford [etc.] : Butterworth : Heinemann, 2002. - XX, 443 s., [16] s. tabl. kolor. : il. ; 26 cm.
(Butterworth-Heinemann Series of Conservation and Museology)
Bibliogr. po rozdz. Indeks.
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Autor
Brooks Mary M. Eastop Dinah. Whalen Timothy P. Foreword Brooks Mary M. Acknowledgmenst Eastop Dinah. Acknowledgmenst Brooks Mary M. Editors' preface Eastop Dinah. Editors' preface Eastop Dinah. Introduction Brooks Mary M. Introduction Brooks Mary M. Reflecting absence and presence Ishii Mie. Conserving an Ainu robe within the framework of Japan's cultural property preservation policy Atkinson Henry L. "Wrapped in country" Couzens Vicki (1960). "Wrapped in country" Darroch Lee (1957- ). "Wrapped in country" Grieves Genevieve (1976- ). "Wrapped in country" Hamilton Samantha. "Wrapped in country" Jones-Amin Holly. "Wrapped in country" Nicholson Mandy. "Wrapped in country" Reynolds Amanda (1971- ). "Wrapped in country" Te Kanawa Rangi. Kahu ora Tamarapa Awhina (1966- ). Kahu ora Peranteau Anne. Kahu ora Bayer Anja. Preserving and displaying archaeological garments via pressure mounting Uden Jeremy S. Conservation and display of the tahitian mourner's costume at the Pitt Rivers Museum, University of Oxford Richardson Heather M. Conservation and display of the tahitian mourner's costume at the Pitt Rivers Museum, University of Oxford Lee Rachael. Conservation and display of the tahitian mourner's costume at the Pitt Rivers Museum, University of Oxford Slocombe Emma. Dress in the limelight Tinker Zenzie. Dress in the limelight Gill Kathryn. Making sense of a fragmentary coat found concealed within a building Paula Teresa Cristina Toledo de (1959- ). Back to black Gresswell Claire. Concepts in practice Hashagen Joanna. Concepts in practice Wood Janet. Concepts in practice Scaturro Sarah. Delicate balance Fung Joyce. Delicate balance Ford Micheline. Fashion as art Leong Roger (1961- ). Fashion as art Wilcox Claire (1954- ). Radicalizing the representation of fashion Behlen Beatrice. Peopling the Pleasure Garden Supianek-Chassay Christine. Peopling the Pleasure Garden Yeung Evita S. Dramatic effects on a static stage Cheung Angela Yuenkuen. Dramatic effects on a static stage Phillips Kristin. Conserving damage Mortier Bianca M. du. Moving forward together Meijer Suzan. Moving forward together
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Autor
Gordon Rebecca. Hermens Erma (1958- ). Lennard Frances. Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion Bülow Anna. Cultural heritage online: questions of authenticity, authority and authorship Brooks Mary M. "Indisputable authenticity": engaging with the real in the museum Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art Coutinho Bárbara. How to keep what was intended to be temporarily functional? Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Eastop Dinah. Cultural heritage online: questions of authenticity, authority and authorship El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Ferreira Joana Lia. How to keep what was intended to be temporarily functional? Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry Gordon Rebecca. "Real life" questions of authenticity Gordon Rebecca. Identifying and pursuing authenticity in contemporary art Jones Ceri (1964- ). Bringing the past to life? Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Macedo Rita. How to keep what was intended to be temporarily functional? Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center Mulholland Richard. "And I know damned-well what he wanted": deliberate alteration and interpretations of intent in several late sculptures by David Smith Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery Penney Caron. Rediscovering the Unicorn tapesries Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Rajgopal Uthra. Dressing up for the Preston Guild: a "very admirable and correct costume!" Ramos Ana Maria. How to keep what was intended to be temporarily functional? Sá Susana França de. How to keep what was intended to be temporarily functional? Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Sinclair Ross. "Real life" questions of authenticity Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
Temat
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 31639 (1 egz.)
Książka
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Autor
Richmond Alison. Bracker Alison Lee. Ashley-Smith Jonathan (1946- ). The basis of conservation ethics Avrami Erica. Heritage, values, and sustainability Bauerová Zuzana (1974- ). A critical reflection on Czechoslovak conservation-restoration: its theory and methodological approach Bracker Alison Lee. Introduction Brajer Isabelle. The concept of authenticity expressed in the treatment of wall paintings in Denmark Cane Simon. Why do we conserve? Developing understanding of conservation as a cultural construct Caple Chris (1958- ). The aims of conservation Clavir Miriam (1948- ). Conservation and cultural significance Clifford Helen (1962- ). The problem of patina: thoughts on changing attitudes to old and new things Eastop Dinah. The cultural dynamics of conservation principles in reported practice Enote Jim. Conservation, access and use in a museum of living culture Fiske Tina. White Walls: installations, absence, iteration and difference Hoeniger Cathleen Sara (1958- ). The development of principles in paintings conservation: case studies from the restoration of Raphael's art Jokilehto Jukka (1938- ). Conservation principles in the international context Kaminitz Marian A. Conservation, access and use in a museum of living culture Kemp Jonathan (1920- ). Practical ethics v2.0 Molotch Harvey Luskin (1940- ). The challenge of installation art Muñoz Viñas Salvador (1963- ). Minimal intervention revisited Pye Elizabeth. Archaeological conservation: scientific practice or sociel process? Quam Curtis. Conservation, access and use in a museum of living culture Rée Jonathan (1948- ). Auto-Icons Richmond Alison. Introduction Scott Marcelle. Ethics and practice: Australian and New Zealand conservation context Smith Catherine. Ethics and practice: Australian and New Zealand conservation context Stanley-Price Nicholas (1947- ). The reconstruction of ruins: principles and practice Sterrett Jill. Contemporary museums of contemporary art West W. Richard (1943- ). Conservation, access and use in a museum of living culture Wharton Glenn. The challenge of installation art Yatsattie Eileen. Conservation, access and use in a museum of living culture
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Długość kolejki oczekujących: 1.
Książka
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(Readings in Conservation ; 4)
Autor
Brooks Mary M. Eastop Dinah. Allen Robert. Naphthalene (1992) Ballard Mary W. Climate and conservation (1994) Ballard Mary W. Hanging out: strength, elongation, and relative humidity: some physical properties of textile fibres (1996) Bellinger Louisa. Basic habits of textile fibres (1963) Bengtsson Sven (1932- ). Preservation of the "Wasa" sails (1975) Boersma Foekje (1969- ). Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997) Bringel Anne-Rose. A conservation/restoration technique (2000) Brooks Mary M. New insights into textiles: the potential of x-radiography as an investigative technique (2005) Brooks Mary M. To clean or not to clean: the value of soils and creases (1996) Brown Elizabeth. Practical aspects of consultation with communities (2005) Bruselius Scharff Annemette. Synthetic dyestuffs for textiles and their fastness to washing (1999) Brutillot André. Reflections on slit stitching in tapestries (2002) Buenger Nancy. Wet with blood: the investigation of Mary Todd Lincoln's Cloak (2000) Burnham Eva. Preventative conservation with the help of volunteers: a successful race against time (1992) Clavir Miriam (1948- ). Preserving conceptual integrity: ethics and theory in preventive conservation (1994) Clayton Sarah. Clear as mud: how cultural significance determines preservation choices (2003) Conti Susanna. Loss in textiles: technological and color problems (2004) Cruickshank Pippa. Lining a banana fibre belt: a cool vacuum table technique (1993) Cooke Bill (historia sztuki). Creasing an ancient textiles (1988) Dal-Prà Patricia. In situ maintenance and storage: the unique case of textiles (2000) Daly Hartin Debra. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Daniels Vincent. Surfactant investigations into alternatives for synperonic N® (2001) Dodd Wendy. Clear as mud: how cultural significance determines preservation choices (2003) Eastop Dinah. Decision making in conservation: determining the role of artefacts (1998) Eastop Dinah. To clean or not to clean: the value of soils and creases (1996) Eastop Dinah. Two contrasting minimally interventive upholstery treatments: different roles, different treatments (1997) Estham Inger (1928-2016). Eighty years of Pietas (1988) Fields John. Surfactant investigations into alternatives for synperonic N® (2001) Fikioris Margaret A. Charting the future: conservation principles of Henry Francis du Pont (1986) Finch Karen (1921-2018). Note on the damaging effect of flameproofing on a tapestry hanging (1969) Finch Karen (1921-2018). Textiles as documents of history and those who care for them (2000) Flury-Lemberg Mechthild (1929- ). Conservation with needle and thread (1988) Flury-Lemberg Mechthild (1929- ). Examples of textile conservation in the historical Museum, Bern (1957/58) Flury-Lemberg Mechthild (1929- ). Introduction to "Textile conservation and research" (1988) Fogelmarck Stig (1916-2006). John Böttiger: keeper of textiles (1988) French Ann. Textile or art? The conservation, display and storage of modern textile art (2004) Geijer Agnes (1898-1989). Brief reply from Dr. Geijer, Stockholm, 12 June 1961 (1961) Geijer Agnes (1898-1989). Dangerous methods for the conservation of textiles (1961) Geijer Agnes (1898-1989). Preservation of textile objects (1963) Gill Kathryn. Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997) Gill Kathryn. Two contrasting minimally interventive upholstery treatments: different roles, different treatments (1997) Gill Victoria. Clear as mud: how cultural significance determines preservation choices (2003) Haldane Elizabeth-Anne. Avendale for reformation: conservation of a 17th century covenanting banner (2003) Hartog Frances. Surfactant investigations into alternatives for synperonic N® (2001) Hayward Maria. Naphthalene (1992) Heald Susan. Practical aspects of consultation with communities (2005) Hefford Wendy. The restoration of the tapestries (1971) Herrmann Hannelore. Looking back at thirty years of textile conservation and restoration in the Federal Republic of Germany (1989) Hillyer Lynda. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Hinkel Ada. A sleeveless doublet circa 1585 from the Germanisches Nationalmuseum, Nuremberg (2002) Hofenk de Graaff Judith H. Some recent developments in the cleaning of ancient textiles (1982) Jędrzejewska Hanna (1906-2002). Problems in the conservation of textiles: needle versus adhesive (1981) Jędrzejewska Hanna (1906-2002). Problems of ethics in the conservation of textiles (1980) Johansen Katia (1948- ). Perfumed garments, their preservation and presentation: "...the good smell of old clothes" (1999) Johnson Jessica S. Practical aspects of consultation with communities (2005) Kajitani Nobuko. A contact/pressure mounting system (1986) Kajitani Nobuko. Care of fabrics in the Museum (1977) Kaminitz Marian A. Practical aspects of consultation with communities (2005) Kirkpatrick Bridie. Clear as mud: how cultural significance determines preservation choices (2003) Kite Marion. Conservator safety: Mercury in felt hats (2003) Kite Marion. The conservation of an English embroidered picture using an oriental paper method: a joint approach (1995) Kovács Tibor (1940-2013). A thousand-year-old relic in a new setting Krippendorf Agnes. "Information is defense": conservation in Auschwitz (2002) Landi Sheila. Three examples of textile conservation in the Victoria and Albert Museum (1966) Leene Jentina E. Restoration and preservation of ancient textiles, and natural science (1963) Leene Jentina E. The "Delft" methods for the conservation of textiles: response to Dr. Agnès Geijer, Stockholm (1961) Leene Jentina E. The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Lennard Frances. The conservation of the United Tin Plate Workers' Society Banner of 1821 (1989) Lister Alison. Making the most of mounts: expanding the role of display mounts in the preservation and interpretation of historic textiles (1997) Lodewijks Johan. The history of conservation and restoration of flags and banners in the Netherlands (1980) Lugtigheid Renée. A tale of two tapestries: considerations of restoration, de-restoration, and re-restoration (1995) Maheux Anne F. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Marko Ksynia. Two case histories: a seventeenth-century Antwerp tapestry and an eighteenth-century English Soho tapestry (1989) Martin Graham (1952- ). Conservator safety: Mercury in felt hats (2003) Martin Graham (1952- ). State of the art: non-invasive interrogation of textiles in museum collections (2008) Masschelein-Kleiner Liliane. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) McClean Lynn. Avendale for reformation: conservation of a 17th century covenanting banner (2003) McHugh Kelly. Practical aspects of consultation with communities (2005) Meert Geert. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) Morgan Helen. Lining a banana fibre belt: a cool vacuum table technique (1993) Niekamp Bettina. Alterations, historical restorations, restoration and conservation interventions (2008) O'Connor Sonia A. New insights into textiles: the potential of x-radiography as an investigative technique (2005) Odegaard Nancy (1955- ). Addressing the problem: the team approach (2005) Orlofsky Patsy. The role of connoisseurship in determining the textile conservator's treatment options (1993) Peacock Elizabeth E. Drying archaeological textiles (1992) Phipps Elena. A contact/pressure mounting system (1986) Pool Marilen. Addressing the problem: the team approach (2005) Raster Barbara. Removal of previous "restorations" from Islamic textiles in the Bouvier Collection: analysis and treatment (1994) Rice James W. Principles of textile conservation science, no. I: general chemical and physical structural features of the natural textile fibres (1962) Rice James W. Principles of textile conservation science, no. V: the characterisctics of soils and stains encountered on historic textiles (1964) Rice James W. Principles of textile conservation science, no. VI: the wonders of water in wetcleaning (1966) Rice James W. Principles of textile conservation science, no. VIII: Drycleaning of fine and fragile textiles (1967) Richardson Emma. State of the art: non-invasive interrogation of textiles in museum collections (2008) Ringgaard Maj. An investigation of the effects of borohydride treatments of oxidized cellulose textiles (2002) Rinuy Anne. Removal of previous "restorations" from Islamic textiles in the Bouvier Collection: analysis and treatment (1994) Robinson John M. Uppark restored: the conservation of the contents (1996) Rowell Christopher. Uppark restored: the conservation of the contents (1996) Ruggles Anne. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Sadongei Alyce (1959- ). Addressing the problem: the team approach (2005) Semečkin P. A. "Workshop for the repair of antique needlework": on the history of the decorative arts section of the Central State Restoration Workshops, 1919-1934 (2000/2001) Seth-Smith Alexandra. Animal glue removal from sixteenth-century Flemish tapestry fragments: a comparative study of three cleaning methods (1996) Sieders R. The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Singer Poppy. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Stauffer Annemarie. A study of the conservation problems of archaeological textiles treated with synthetic consolidants (2005) Sykas Philip A. Caring or wearing? (1987) Temmink-van Dijkhuizen Marike. Textiles in all conditions: opinions about restoration and conservation from changing perspectives (1990) Timar-Balazsy Agnes (1948-2001). Drying behaviour of fibres (1999) Tinker Zenzie. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Trupin Deborah Lee. Flag conservation then and now (2003) Trupin Deborah Lee. The role of connoisseurship in determining the textile conservator's treatment options (1993) Tse Season. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Uytenbogaart J. W. H. (1897-1964). The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Vandermeersch-Coppens d'Eeckenbrugge Bernadette. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) Vuori Jan. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Webber Pauline. The conservation of an English embroidered picture using an oriental paper method: a joint approach (1995) Windsor Deirdre. Preserving the historic document: minimal conservation intervation for 18th- and 19th-century needlework and pictorial embroidery (1999) Wingham Andrew. Surfactant investigations into alternatives for synperonic N® (2001) Wyeth Paul. State of the art: non-invasive interrogation of textiles in museum collections (2008) Zhang Xiaomei. State of the art: non-invasive interrogation of textiles in museum collections (2008)
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Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 26994 (1 egz.)
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