Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton Parish Church of Priessnitz/Saxony
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Bezur Aniko. Structural treatment of a seventeenth-century Flemish panel painting
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Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
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Bisacca George. The treatment of Durer’s Adam and Eve panels at the Prado Museum
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Boeve-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936
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Bomford David. Foreword
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Bommel Maarten R. van. (Ultra) high performace liquid chromatography. Full characterisation of organic colorants
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Bommel Maarten R. van. Flowers from Holland. Antique Dutch furniture with later added marquetry from the late 19th and early 20th century
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Bommel Maarten R. van. Unravelling the colour palette. The reconstruction and analysis of synthetic colour stains
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Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Boonstra Jaap. Flowers from Holland. Antique Dutch furniture with later added marquetry from the late 19th and early 20th century
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Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
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Broschke Grit. Ganz boesiert mit ausgelegter Arbeit von Holz und mit verschiedenen Farben. Rekonstruktionsversuch zur einstigen Farbenpracht einer Vertafelung der Gebruder Spindler im Potsdamer Neuen Palais
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Broschke Ralf. Ganz boesiert mit ausgelegter Arbeit von Holz und mit verschiedenen Farben. Rekonstruktionsversuch zur einstigen Farbenpracht einer Vertafelung der Gebruder Spindler im Potsdamer Neuen Palais
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Bruys Pol. Flowers from Holland. Antique Dutch furniture with later added marquetry from the late 19th and early 20th century
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Carvalho Salome Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes
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Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
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Chastang Yannik. Maintaining the colour. 18th century marquetry discolouration and historical furniture finishes in France
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Chui Sue Ann. Preface
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Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
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Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Duin Paul van (1956- ). Fifty shades of brown. How colourful was furniture in the past?
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Duin Paul van (1956- ). Panels in furniture: observations and conservation issues
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Eifler Frieder. Das Holz wahrend des Wachsens zu farben. Historische Durchfarbeverfahren an saftfrischem Holz
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Engelhardt Clara von. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
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Fantini Enrica. Unravelling the colour palette. The reconstruction and analysis of synthetic colour stains
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Fife Gwendoline R. Developments in education in the Netherlands for the conservation of panel paintings
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Fuente Martinez Jose de la. The treatment of Durer’s Adam and Eve panels at the Prado Museum
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Galitzine George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
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Garcia Miguel. Structural interventions on sixteenth-century monumental oak panels in Tomar portugal
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Giani Elisabetta. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Grattan David W. Search for a dimension-neutral effect in the solvent treatment of wood
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Griesbach Monica. A hybrid approach to the structural treatment of panel paintings: case studies from American collections
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Grontoft Terje (1962- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Grzywacz Cecily M. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
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Haack Christensen Anne (1980- ). Interim results of a needs assessment survey for the field of panel paintings conservation
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Hackney Stephen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Hamm James. Structural treatment of a seventeenth-century Flemish panel painting
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Harrison Lynne. Finding solutions for mounting ancient Egyptian funerary portraits
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Heginbotham Arlen. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
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Hola Aleksandra. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts Kraków
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Hopfner Ingrid. The development of flexible auxiliary support systems for panel paintings and the monitoring of panel movement by strain gauges
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Huber Jurgen. True colours. A quest to find the original appearance of French marquetry on three case studies
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Hughes Gary. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
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Kelberlau Sandra. Structural treatment of a seventeenth-century Flemish panel painting
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Kostecki Grzegorz. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts Kraków
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Kozłowski Roman (chemia). Allowable microclimatic variations for painted wood: direct tracing of damage development
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Lasyk Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
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Lemus Elsa M. Arroyo. La Virgen del Perdón after the fire of 1967
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Lopez-Aparicio Susana (1975- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Marchant Ray. Alleviating stress in the framing of panel paintings
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Marchant Ray. Experimental evaluation of adhesive-filler combinations for joining panel paintings
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Marchant Ray. The repair and support of thinned panel paintings: a case study in modifying established techniques
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Metcalfe Jack. Synthetic dyestuffs versus historical wood stains. The use of commercially available dyed veneers on the replica of the Diana and Minerva commode by Thomas Chippendale
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Michaelsen Hans (1946- )
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Michaelsen Hans (1946- ). Dischpleter giessen. Kunsttechnologische Studien zu Herstellungsverfahren fur farbige Steinimitationen aus Holzspanen
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Michaelsen Hans (1946- ). Gestocktes Holz - spalted wood. Verwendung pilzmodifizierter Holzer als farbiges Gestaltungsmittel im Kunsthandwerk der Gegenwart
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Michaelsen Hans (1946- ). Sechs Kisten Tischlerarbeit von Neuwied. Markieterie- und Farbetechniken am fruhklassizistischen Mobelensemble der Roentgen-Werkstatt im Schloss Worlitz
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Monfardini PierPaolo. Structural and climate control systems for thinned panel paintings
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Mora Costanza. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Myers Alan Miller (1955- ). Marvel seal envelopes at the Metropolitan Museum of Art
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Myers Alan Miller (1955- ). The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
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New Britta. Experimental evaluation of adhesive-filler combinations for joining panel paintings
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New Britta. The repair and support of thinned panel paintings: a case study in modifying established techniques
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Newman Nicola. Finding solutions for mounting ancient Egyptian funerary portraits
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Obarzanowski Michał. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Odlyha Marianne. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Ormond Devi. Alleviating stress in the framing of panel paintings
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Ortega Antonio. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Pape Hans-Werner. Sechs Kisten Tischlerarbeit von Neuwied. Markieterie- und Farbetechniken am fruhklassizistischen Mobelensemble der Roentgen-Werkstatt im Schloss Worlitz
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Perla Maria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Piening Heinrich (1960- ). From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
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Provinciali Beatrice. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Richard Mervin. Further studies on the benefit of adding silica gel to microclimate packages for panel paintings
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Roeders Jessica. The history of cradling in the Frans Hals Museum Haarlem
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Rogala Dawn V. Structural treatment of a seventeenth-century Flemish panel painting
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Rubino Angelo. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Ryhl-Svendsen Morten. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Saccuman Roberto. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Salgueiro Joana Isabel Monteiro da Silva. Conservation study of the wooden support of The Pentecost by Vasco FernandesTechnical and c
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Scharff Mikkel. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Scharff Mikkel. Interim results of a needs assessment survey for the field of panel paintings conservation
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Schreuder Kees. Developments in education in the Netherlands for the conservation of panel paintings
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Schulz Henrik. Uber den Informationsgehalt instrumenteller Analyse. Ein Fallbeispiel aus der Roentgen-Werkstatt
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Seymour Kate (1968- ). Developments in education in the Netherlands for the conservation of panel paintings
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Smith Michael. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
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Soavi Albertina. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Sozzani Laurent. Microclimate vitrines for panel paintings: an update
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Thickett David. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Thornton Jonathan. Structural treatment of a seventeenth-century Flemish panel painting
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