Christensen Marie. Bulging in wax-resin impregnated canvas paintings
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Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings
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Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
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Froysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Gregers-Hoegh Cecilia. Bulging in wax-resin impregnated canvas paintings
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Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Harrison Lynne. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Hellen Rebecca (1972- ). 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Hendriks Ella. Paintings fade like flowers: colour change in paintings by Vincent van Gogh
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Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings
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Higgs Sally. Paintings affected by mould at the Palace of Westminster
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Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
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Howard Helen. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Keith Larry. Colour change and restoration
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Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings
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Lee Judith. Colour change and modern paints; an overview
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Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection
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Miller Eric. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings
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Ormsby Bronwyn. 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Ormsby Bronwyn. Colour change and modern paints; an overview
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Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Padfield Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage
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Pottasch Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Rae Caroline. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
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Raskar Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
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Santacesaria Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the The last supper by Giorgio Vasari
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Schneider Enriquez Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Scott Rachel. 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Seed Alison. Paintings affected by mould at the Palace of Westminster
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Sheldon Libby. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
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Slottved Kimbriel Christine (1982- ). Bulging in wax-resin impregnated canvas paintings
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Speleers Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
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Spring Marika. Fading darkening browning blanching: a review of our current understanding of colour change and its consequences in old master paintings
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Stenger Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Stols-Witlox Maartje (1972- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Stoveland Lena Porsmo. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Sucević Miklin Maja. The challenges of reconstructing water-damaged paint layers on painted wooden panelling
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Syversen Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Thickett David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
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Townsend Joyce H. Microfading: a useful tool for paintings conservators?
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Verhave Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
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Vila Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Vilde Vladimir. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
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Wadum Jorgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Wischniowski Tatjana. Oil-based paint under a layer of water: a rare miniature painting technique from the 18th century
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