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Biblioteka Muzeum Narodowego
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Autor
Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
(1)
Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Baerdemaeker Marieke de
(1)
Barker Jessica. Alabaster as a material for funerary monuments
(1)
Bary Peter. Foreword M Leuven
(1)
Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Beamish Caroline
(1)
Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
(1)
Borchert Till-Holger (1967- )
(1)
Briat-Philippe Magali
(1)
Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
(1)
Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
(1)
Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
(1)
Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
(1)
Couvert Jacqueline
(1)
Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
De Beer Lloyd. English alabaster and the continent
(1)
De Roy Judy. Marbre d'alabastre: status of the interdisciplinary research project on marble and alabaster
(1)
Debaene Marjan (1978- )
(1)
Debaene Marjan (1978- ). Alabaster altarpieces. Introduction
(1)
Debaene Marjan (1978- ). Preface
(1)
Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
(1)
Debaene Marjan (1978- ). Sacred and secular. Introduction
(1)
Des Cars Laurence (1966- ). Foreword Musee du Louvre
(1)
Deschemaeker Bernard
(1)
Dubois Anne
(1)
Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
(1)
Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
(1)
Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
(1)
Fontaine Laurent. Marbre d'alabastre: status of the interdisciplinary research project on marble and alabaster
(1)
Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
(1)
Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
(1)
Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
(1)
Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
(1)
Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in Memento mori
(1)
Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Iterbeke Hannah
(1)
Jugie Sophie (1961- ). Alabaster as a material for sculpture. Introduction
(1)
Jugie Sophie (1961- ). Funerary sculpture. Introduction
(1)
Jugie Sophie (1961- ). Preface
(1)
Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
(1)
Kempski Mary. Who is the man in red and who painted him?
(1)
Kloppmann Wolfram. How to distinguish alabaster from alabaster: tracing the material back from the artwork to the quarry
(1)
Laine David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
(1)
Le Pogam Pierre-Yves (1964- )
(1)
Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group
(1)
Lipińska Aleksandra (1973- ). Rhetoric of alabaster: the material between its affordances and cultural meaning
(1)
Mareel Samuel (1974- )
(1)
Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
(1)
Morte Garcia Carmen (1949- ). Alabaster altarpieces in the Iberian Peninsula: from gothic to baroque
(1)
Muller Sofie (1974- ). Epilogue: alabaster mentalis trinitas terrestris
(1)
Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
(1)
Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens
(1)
Patigny Geraldine (1975- ). Marbre d'alabastre: status of the interdisciplinary research project on marble and alabaster
(1)
Perier-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise
(1)
Pistolesi Donald
(1)
Preedy Lee
(1)
Roller Stefan (1961- ). The Rimini altarpiece and alabaster sculpture in the Southern Netherlands around 1430
(1)
Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
(1)
Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Scholten Frits (1959- )
(1)
Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
(1)
Trusted Marjorie
(1)
Van Binnebeke Emile
(1)
Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
(1)
Vanhauwaert Soetkin (1987- ). The head of St John the Baptist in alabaster: the object in context
(1)
Veldman Christian
(1)
Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
(1)
Whitaker Lucy. Who is the man in red and who painted him?
(1)
Williams Karen
(1)
Woelk Moritz (1963- )
(1)
Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
(1)
Zoschg Michaela. Alabaster altarpieces. Introduction
(1)
Zoschg Michaela. Sacred and secular. Introduction
(1)
Rok wydania
2020 - 2024
(1)
2010 - 2019
(1)
Kraj wydania
Wielka Brytania
(2)
Belgia
(1)
Francja
(1)
Język
angielski
(2)
Temat
Alabaster
(1)
M van Museum Leuven
(1)
Malarstwo europejskie
(1)
Malarstwo sakralne europejskie
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Rzeźba europejska
(1)
Van Schoute, Roger (1930-2017)
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Temat: czas
1401-
(2)
1501-
(2)
1601-
(2)
1301-
(1)
2001-
(1)
Gatunek
Księgi pamiątkowe
(1)
Materiały konferencyjne
(1)
2 wyniki Filtruj
Książka
W koszyku
Autor
Beamish Caroline. Debaene Marjan (1978- ). Pistolesi Donald. Preedy Lee. Williams Karen. Baerdemaeker Marieke de. Barker Jessica. Alabaster as a material for funerary monuments Bary Peter. Foreword M Leuven De Beer Lloyd. English alabaster and the continent De Roy Judy. "Marbre d'alabastre": status of the interdisciplinary research project on marble and alabaster Debaene Marjan (1978- ). Alabaster altarpieces. Introduction Debaene Marjan (1978- ). Preface Debaene Marjan (1978- ). Sacred and secular. Introduction Briat-Philippe Magali. Des Cars Laurence (1966- ). Foreword Musée du Louvre Deschemaeker Bernard. Fontaine Laurent. "Marbre d'alabastre": status of the interdisciplinary research project on marble and alabaster Iterbeke Hannah. Jugie Sophie (1961- ). Alabaster as a material for sculpture. Introduction Jugie Sophie (1961- ). Funerary sculpture. Introduction Jugie Sophie (1961- ). Preface Kloppmann Wolfram. How to distinguish alabaster from alabaster: tracing the material back from the artwork to the quarry Le Pogam Pierre-Yves (1964- ). Lipińska Aleksandra (1973- ). Rhetoric of alabaster: the material between its affordances and cultural meaning Mareel Samuel (1974- ). Morte García Carmen (1949- ). Alabaster altarpieces in the Iberian Peninsula: from gothic to baroque Muller Sofie (1974- ). Epilogue: alabaster mentalis, trinitas terrestris Patigny Géraldine (1975- ). "Marbre d'alabastre": status of the interdisciplinary research project on marble and alabaster Roller Stefan (1961- ). The Rimini altarpiece and alabaster sculpture in the Southern Netherlands, around 1430 Scholten Frits (1959- ). Trusted Marjorie. Van Binnebeke Emile. Vanhauwaert Soetkin (1987- ). The head of St John the Baptist in alabaster: the object in context Veldman Christian Woelk Moritz (1963- ). Zöschg Michaela. Alabaster altarpieces. Introduction Zöschg Michaela. Sacred and secular. Introduction
Indeks R0: BMNK
Katalog wystawy: Museum Leuven, 14.10.2022 - 26.02.2023.
Bibliogr. s. 292-307. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 27008 (1 egz.)
Książka
W koszyku
(Dessin Sous-Jacent et la Technologie dans la Peinture = Underdrawing and Technology in Painting ; symposium 19)
Autor
Borchert Till-Holger (1967- ). Couvert Jacqueline. Dubois Anne. Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies, connoisseurship and provenance research Bücken Véronique. Le Triptyque de l'Adoration des Mages (Turin-Gênes) et le mecenat d'Hendrik Keddekin, abbe de Ter Doest Ciulisová Ingrid (1960- ). The Saint Michael altarpiece in Spišská Kapitula - a preliminary report Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination, cleaning and restoration Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve, Archives de l’Université, ms. A2) Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop Ewing Dan. Two "new" paintings by Jan de Beer – technical studies, connoisseurship and provenance research Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Fücker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop Galassi Maria Clelia (1954- ). Revising Friedländer - the "underdrawing connoisseurship” and the Master of the Turin Adoration Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg, c. 1420 - new findings about painting process and characteristics Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori" Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy Kempski Mary. Who is the man in red and who painted him? Lainé David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens Périer-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés - as unusual altarpiece Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Whitaker Lucy. Who is the man in red and who painted him? Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
Indeks R0: BMNK
Konferencja zorganizowana przez: Université catholique de Louvain, Musée de Louvain-la-Neuve, and Musea Brugge in collaboration with KIK-IRPA, Royal Institute for Cultural Heritage, Illuminare - Centre for Study of Medieval Art - KULeuven - University of Leuven.
Druk. dedyk.: In memoriam Roger Van Schoute.
Bibliogr. s. 351-369.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24321 (1 egz.)
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