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Ciulisova Ingrid (1960- )
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Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
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Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Bakos Jan (1943- )
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Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Borchert Till-Holger (1967- )
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Borutova Dana
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Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
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Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
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Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Ciulisova Ingrid (1960- ). Julius von Schlosser court art and iconology
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Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
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Couvert Jacqueline
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Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Darmstadter Beatrix (1972- ). Julius von Schlosser und die neu geschaffene Sammlung historischer Musikinstrumente
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Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Dubois Anne
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Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
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Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
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Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
(1)
Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
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Gerat Ivan (1964- )
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Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
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Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
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Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in Memento mori
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Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
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Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
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Kempski Mary. Who is the man in red and who painted him?
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Kessler Hans-Ulrich. Ew. Excellenz Hochverehrter Herr Geheimrat. Die Korrespondenz von Julius von Schlosser an Wilhelm von Bode in den Jahren 1889-1924
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Kirchweger Franz (1965- ). Julius von Schlosser. Schriftenverzeichnis
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Kretzschmar Marthe (1979- ). Julius von Schlossers Geschichte der Portrabildnerei in Wachs. Eine Momentaufnahme seines wissenschaftlichen Selbstverstadnisses
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Laine David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group
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Locher Hubert (1963- ). Inselhaftigkeit. Uber Julius von Schlossers Kunstbegriff
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Medvecky Jozef (1947- )
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Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
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Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens
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Orisko Stefan
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Perier-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise
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Potzl-Malikova Maria
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Rainer Paulus (1972- ). In den Weiten volksbildnerischer Gelehrsamkeit. Julius von Schlosser und das Beispiel Saliera
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Rampley Matthew (1966- ). A Moment of crisis. Julius von Schlosser the history of art as Style and the history of art as Language
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Rosenauer Artur (1940- ). Schlosser und Riegl
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Rosenberg Raphael (1962- ). Die Kunstliteratur - nach Epochen oder Gattungen?
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Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Schlegel Konrad (1968- ). Aus der Wiener Kunstkammer. Fragmente zur Rolle der Kleinplastik bei Julius von Schlosser
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Schutze Sebastian (1961- )
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Schutze Sebastian (1961- ). Grundfragen der Kunstgeschichte. Julius von Schlosser zum 150. Geburtstag
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Schutze Sebastian (1961- ). Kritische Kunstgeschichte in ihrem Sinn. Schlosser und Croce
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Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Thimann Michael (1970- ). Kunstgeschichte als Bucherwissenschaft. Julius von Schlosser und Aby Warburg
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Togner Milan (1938-2011)
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Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Vanco Martin (1970- )
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Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
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Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Whitaker Lucy. Who is the man in red and who painted him?
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Williams Robert (1955- ). Schlosser Vossler and Wolfflin
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Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
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Van Schoute, Roger (1930-2017)
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4 wyniki Filtruj
Brak okładki
Książka
W koszyku
Pocta Karolovi Kahounovi
Materiały konferencji odbytej w Bratysławie w 2000 r. Zsfassung lub summ. po art.
Bibliogr. prac K. Kahouna s. 227-231.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 21892/3 sygn. II 21892/3 (1 egz.)
Książka
W koszyku
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 33197 sygn. II 33197 (1 egz.)
Brak okładki
Książka
W koszyku
Autor
Schütze Sebastian (1961- ). Ciulisová Ingrid (1960- ). Julius von Schlosser, court art and iconology Darmstädter Beatrix (1972- ). Julius von Schlosser und die neu geschaffene Sammlung historischer Musikinstrumente Kessler Hans-Ulrich. "Ew. Excellenz, Hochverehrter Herr Geheimrat". Die Korrespondenz von Julius von Schlosser an Wilhelm von Bode in den Jahren 1889-1924 Kirchweger Franz (1965- ). Julius von Schlosser. Schriftenverzeichnis Kretzschmar Marthe (1979- ). Julius von Schlossers Geschichte der Porträbildnerei in Wachs. Eine Momentaufnahme seines wissenschaftlichen Selbstverstädnisses Locher Hubert (1963- ). Inselhaftigkeit. Über Julius von Schlossers Kunstbegriff Rainer Paulus (1972- ). In den Weiten volksbildnerischer Gelehrsamkeit. Julius von Schlosser und das Beispiel Saliera Rampley Matthew (1966- ). A Moment of crisis. Julius von Schlosser, the history of art as "Style", and the history of art as "Language" Rosenberg Raphael (1962- ). Die Kunstliteratur - nach Epochen oder Gattungen? Rosenauer Artur (1940- ). Schlosser und Riegl Schlegel Konrad (1968- ). Aus der Wiener Kunstkammer. Fragmente zur Rolle der Kleinplastik bei Julius von Schlosser Schütze Sebastian (1961- ). Grundfragen der Kunstgeschichte. Julius von Schlosser zum 150. Geburtstag Schütze Sebastian (1961- ). "Kritische Kunstgeschichte in ihrem Sinn". Schlosser und Croce Thimann Michael (1970- ). Kunstgeschichte als Bücherwissenschaft. Julius von Schlosser und Aby Warburg Williams Robert (1955- ). Schlosser, Vossler, and Wölfflin
Indeks R0: BMNK
Opis wg okł.
T. monogr.: Wiener Jahrbuch für Kunstgeschichte. Bd. 66 (2020).
Mat. sesji zorg. z okazji 150. rocznicy urodzin Schlossera, Wien, 6-7 października 2016.
Bibliogr. prac J. von Schlossera s. 221-226.
Bibliogr. w przypisach do ref.
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Magazyn
Zapytaj bibliotekarza: sygn. Czas. III 1004/66 sygn. Czas. III 1004/66 (1 egz.)
Książka
W koszyku
(Dessin Sous-Jacent et la Technologie dans la Peinture = Underdrawing and Technology in Painting ; symposium 19)
Autor
Borchert Till-Holger (1967- ). Couvert Jacqueline. Dubois Anne. Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies, connoisseurship and provenance research Bücken Véronique. Le Triptyque de l'Adoration des Mages (Turin-Gênes) et le mecenat d'Hendrik Keddekin, abbe de Ter Doest Ciulisová Ingrid (1960- ). The Saint Michael altarpiece in Spišská Kapitula - a preliminary report Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination, cleaning and restoration Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve, Archives de l’Université, ms. A2) Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop Ewing Dan. Two "new" paintings by Jan de Beer – technical studies, connoisseurship and provenance research Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Fücker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop Galassi Maria Clelia (1954- ). Revising Friedländer - the "underdrawing connoisseurship” and the Master of the Turin Adoration Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg, c. 1420 - new findings about painting process and characteristics Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori" Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy Kempski Mary. Who is the man in red and who painted him? Lainé David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens Périer-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés - as unusual altarpiece Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Whitaker Lucy. Who is the man in red and who painted him? Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
Indeks R0: BMNK
Konferencja zorganizowana przez: Université catholique de Louvain, Musée de Louvain-la-Neuve, and Musea Brugge in collaboration with KIK-IRPA, Royal Institute for Cultural Heritage, Illuminare - Centre for Study of Medieval Art - KULeuven - University of Leuven.
Druk. dedyk.: In memoriam Roger Van Schoute.
Bibliogr. s. 351-369.
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Są egzemplarze dostępne do wypożyczenia: sygn. III 24321 sygn. III 24321 (1 egz.)
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