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Ainsworth Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective
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Andrade Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Baker Wendy. Search for a dimension-neutral effect in the solvent treatment of wood
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Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton Parish Church of Priessnitz/Saxony
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Bezur Aniko. Structural treatment of a seventeenth-century Flemish panel painting
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Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
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Bisacca George. The treatment of Durer’s Adam and Eve panels at the Prado Museum
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Boeve-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936
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Bomford David. Foreword
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Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
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Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
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Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Carvalho Salome Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes
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Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
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Christensen Marie. Bulging in wax-resin impregnated canvas paintings
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Chui Sue Ann
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Chui Sue Ann. Preface
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Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
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Clarricoates Rhiannon
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Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings
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Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Dowding Helen
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Duin Paul van (1956- ). Panels in furniture: observations and conservation issues
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Fife Gwendoline R. Developments in education in the Netherlands for the conservation of panel paintings
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Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
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Froysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Fuente Martinez Jose de la. The treatment of Durer’s Adam and Eve panels at the Prado Museum
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Galitzine George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
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Garcia Miguel. Structural interventions on sixteenth-century monumental oak panels in Tomar portugal
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Giani Elisabetta. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Grattan David W. Search for a dimension-neutral effect in the solvent treatment of wood
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Gregers-Hoegh Cecilia. Bulging in wax-resin impregnated canvas paintings
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Griesbach Monica. A hybrid approach to the structural treatment of panel paintings: case studies from American collections
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Grontoft Terje (1962- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Haack Christensen Anne (1980- ). Interim results of a needs assessment survey for the field of panel paintings conservation
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Hackney Stephen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Hamm James. Structural treatment of a seventeenth-century Flemish panel painting
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Harrison Lynne. Finding solutions for mounting ancient Egyptian funerary portraits
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Harrison Lynne. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Hellen Rebecca (1972- ). 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings
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Higgs Sally. Paintings affected by mould at the Palace of Westminster
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Hola Aleksandra. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts Kraków
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Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
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Hopfner Ingrid. The development of flexible auxiliary support systems for panel paintings and the monitoring of panel movement by strain gauges
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Howard Helen. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Kelberlau Sandra. Structural treatment of a seventeenth-century Flemish panel painting
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Kostecki Grzegorz. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts Kraków
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Kozłowski Roman (chemia). Allowable microclimatic variations for painted wood: direct tracing of damage development
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Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings
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Lasyk Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
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Lemus Elsa M. Arroyo. La Virgen del Perdón after the fire of 1967
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Lopez-Aparicio Susana (1975- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Marchant Ray. Alleviating stress in the framing of panel paintings
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Marchant Ray. Experimental evaluation of adhesive-filler combinations for joining panel paintings
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Marchant Ray. The repair and support of thinned panel paintings: a case study in modifying established techniques
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Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection
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Miller Eric. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Monfardini PierPaolo. Structural and climate control systems for thinned panel paintings
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Mora Costanza. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings
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Muller-Christensen Sigrid (1904-1994)
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Myers Alan Miller (1955- ). Marvel seal envelopes at the Metropolitan Museum of Art
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Myers Alan Miller (1955- ). The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
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New Britta. Experimental evaluation of adhesive-filler combinations for joining panel paintings
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New Britta. The repair and support of thinned panel paintings: a case study in modifying established techniques
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Newman Nicola. Finding solutions for mounting ancient Egyptian funerary portraits
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Obarzanowski Michał. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Odlyha Marianne. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Ormond Devi. Alleviating stress in the framing of panel paintings
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Ormsby Bronwyn. 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Ortega Antonio. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Perla Maria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Phenix Alan
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Phenix Alan. Preface
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Provinciali Beatrice. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Richard Mervin. Further studies on the benefit of adding silica gel to microclimate packages for panel paintings
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Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
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Roeders Jessica. The history of cradling in the Frans Hals Museum Haarlem
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Rogala Dawn V. Structural treatment of a seventeenth-century Flemish panel painting
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Rubino Angelo. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Ryhl-Svendsen Morten. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Saccuman Roberto. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Salgueiro Joana Isabel Monteiro da Silva. Conservation study of the wooden support of The Pentecost by Vasco FernandesTechnical and c
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Santacesaria Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the The last supper by Giorgio Vasari
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Scharff Mikkel. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Scharff Mikkel. Interim results of a needs assessment survey for the field of panel paintings conservation
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Schreuder Kees. Developments in education in the Netherlands for the conservation of panel paintings
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Schuette Marie (1878-1975)
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Scott Rachel. 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Seed Alison. Paintings affected by mould at the Palace of Westminster
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Seymour Kate (1968- ). Developments in education in the Netherlands for the conservation of panel paintings
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Slottved Kimbriel Christine (1982- ). Bulging in wax-resin impregnated canvas paintings
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Soavi Albertina. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Sozzani Laurent. Microclimate vitrines for panel paintings: an update
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Stols-Witlox Maartje (1972- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Das Stickereiwerk / Marie Schuette, Sigrid Müller-Christensen. - Tübingen : Verlag Ernst Wasmuth, cop. 1963. - 59 s., 29 k. tabl. kolor., 296 s. tabl. ; 30 cm.
Bibliogr. przy opisach katalogowych.
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Zapytaj bibliotekarza o dostępność egzemplarzy do wypożyczenia: sygn. Dział Tkanin sygn. III 8082 (1 egz.)
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Clarricoates Rhiannon. Dowding Helen. Wright Adèle. Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings Christensen Marie. Bulging in wax-resin impregnated canvas paintings Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Frøysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Gregers-Høegh Cecilia. Bulging in wax-resin impregnated canvas paintings Harrison Lynne. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Hellen Rebecca (1972- ). 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings Higgs Sally. Paintings affected by mould at the Palace of Westminster Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Howard Helen. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection Miller Eric. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Ormsby Bronwyn. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Santacesaria Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the "The last supper" by Giorgio Vasari Seed Alison. Paintings affected by mould at the Palace of Westminster Scott Rachel. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Slottved Kimbriel Christine (1982- ). Bulging in wax-resin impregnated canvas paintings Stols-Witlox Maartje (1972- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Stoveland Lena Porsmo. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Sučević Miklin Maja. The challenges of reconstructing water-damaged paint layers on painted wooden panelling Thickett David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Vilde Vladimir. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Wischniowski Tatjana. Oil-based paint under a layer of water: a rare miniature painting technique from the 18th century
Indeks R0: BMNK
Materiały z konferencji: National Museums of Scotland, 12 października 2018 r.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 33820 (1 egz.)
Brak okładki
Książka
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Autor
Chui Sue Ann. Phenix Alan. Ainsworth Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective Andrade Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Baker Wendy. Search for a dimension-neutral effect in the solvent treatment of wood Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton, Parish Church of Priessnitz/Saxony Bezùr Anikò. Structural treatment of a seventeenth-century Flemish panel painting Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels Bisacca George. The treatment of Dürer’s Adam and Eve panels at the Prado Museum Boevé-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936 Bomford David. Foreword Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development Carvalho Salomé Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies Chui Sue Ann. Preface Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Duin Paul van (1956- ). Panels in furniture: observations and conservation issues Fife Gwendoline R. Developments in education in the Netherlands for the conservation of panel paintings Fuente Martinez José de la. The treatment of Dürer’s Adam and Eve panels at the Prado Museum Galitzine George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels Garcia Miguel. Structural interventions on sixteenth-century monumental oak panels in Tomar, portugal Giani Elisabetta. The conservation of an Insieme: The Madonna of Aracoeli and its original display Grattan David W. Search for a dimension-neutral effect in the solvent treatment of wood Griesbach Monica. A hybrid approach to the structural treatment of panel paintings: case studies from American collections Grøntoft Terje (1962- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Haack Christensen Anne (1980- ). Interim results of a needs assessment survey for the field of panel paintings conservation Hackney Stephen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Hamm James. Structural treatment of a seventeenth-century Flemish panel painting Harrison Lynne. Finding solutions for mounting ancient Egyptian funerary portraits Hola Aleksandra. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków Hopfner Ingrid. The development of flexible auxiliary support systems for panel paintings and the monitoring of panel movement by strain gauges Kelberlau Sandra. Structural treatment of a seventeenth-century Flemish panel painting Kostecki Grzegorz. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków Kozłowski Roman (chemia). Allowable microclimatic variations for painted wood: direct tracing of damage development Lasyk Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development Lemus Elsa M. Arroyo. La Virgen del Perdón after the fire of 1967 Lopez-Aparicio Susana (1975- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Łukomski Michał. Allowable microclimatic variations for painted wood: direct tracing of damage development Marchant Ray. Alleviating stress in the framing of panel paintings Marchant Ray. Experimental evaluation of adhesive-filler combinations for joining panel paintings Marchant Ray. The repair and support of thinned panel paintings: a case study in modifying established techniques Monfardini PierPaolo. Structural and climate control systems for thinned panel paintings Mora Costanza. The conservation of an Insieme: The Madonna of Aracoeli and its original display Myers Alan Miller (1955- ). Marvel seal envelopes at the Metropolitan Museum of Art Myers Alan Miller (1955- ). The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels New Britta. Experimental evaluation of adhesive-filler combinations for joining panel paintings New Britta. The repair and support of thinned panel paintings: a case study in modifying established techniques Newman Nicola. Finding solutions for mounting ancient Egyptian funerary portraits Obarzanowski Michał. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Odlyha Marianne. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Ormond Devi. Alleviating stress in the framing of panel paintings Ortega Antonio. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Perla Maria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Phenix Alan. Preface Provinciali Beatrice. The conservation of an Insieme: The Madonna of Aracoeli and its original display Richard Mervin. Further studies on the benefit of adding silica gel to microclimate packages for panel paintings Roeders Jessica. The history of cradling in the Frans Hals Museum, Haarlem Rogala Dawn V. Structural treatment of a seventeenth-century Flemish panel painting Rubino Angelo. The conservation of an Insieme: The Madonna of Aracoeli and its original display Ryhl-Svendsen Morten. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Saccuman Roberto. The conservation of an Insieme: The Madonna of Aracoeli and its original display Salgueiro Joana Isabel Monteiro da Silva. Conservation study of the wooden support of The Pentecost by Vasco FernandesTechnical and c Scharff Mikkel. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Scharff Mikkel. Interim results of a needs assessment survey for the field of panel paintings conservation Schreuder Kees. Developments in education in the Netherlands for the conservation of panel paintings Seymour Kate (1968- ). Developments in education in the Netherlands for the conservation of panel paintings Soavi Albertina. The conservation of an Insieme: The Madonna of Aracoeli and its original display Sozzani Laurent. Microclimate vitrines for panel paintings: an update Thickett David. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Thornton Jonathan. Structural treatment of a seventeenth-century Flemish panel painting Wadum Jørgen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Wadum Jørgen. Interim results of a needs assessment survey for the field of panel paintings conservation Weinstein Joan. Foreword Whalen Timothy P. Foreword Williams Donald C. (konserwatorstwo). Some experiences with flexible gap-fillingaAdhesives for the conservation of wood objects Woolston Jonathan. Restoration - a sound practice Young Christina. Experimental evaluation of adhesive-filler combinations for joining panel paintings
Indeks R0: BMNK
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 26405 (1 egz.)
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