Form of Work
Książki
(3)
Status
unavailable
(3)
Branch
Magazyn
(3)
Author
Carlyle Leslie
(2)
Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(1)
Balch Pippa
(1)
Birkenbeul Ina. Consolidation of flaking paint and ground
(1)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Consolidation of flaking paint and ground
(1)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(1)
Bomford David. Foreword
(1)
Bomford David. Picture cleaning: positivism and metaphysics
(1)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(1)
Bordt Nele. Observations on Rudolf Swoboda’s painting technique
(1)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(1)
Buckley Barbara A. Stretchers tensioning and attachments
(1)
Bucklow Spike. The classification of craquelure patterns
(1)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(1)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings
(1)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(1)
Castelli Ciro
(1)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Costaras Nicola
(1)
Costaras Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings
(1)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(1)
Digney-Peer Shawn. Imitative retouching of easel paintings
(1)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(1)
Dixon Thomas. Storage of easel paintings
(1)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(1)
Druzik James. The lighting of easel paintings
(1)
Eastaugh Nicholas. Optical microscopy
(1)
Eastaugh Nicholas. Pigments in Western easel painting
(1)
Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Fuster-López Laura. Filling
(1)
Glanville Helen
(1)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(1)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(1)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(1)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(1)
Gottsegen Mark D. Recommending materials to artists
(1)
Gottsegen Mark D. Twentieth-century grounds
(1)
Gritt Stephen. Imitative retouching of easel paintings
(1)
Hackney Stephen. Lining easel paintings
(1)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(1)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Hermens Erma (1958- ). Binding media
(1)
Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists
(1)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(1)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(1)
Horovitz Isabel. Consolidation of flaking paint and ground
(1)
Hutchings Jeremy. Sustainable conservation management of exhibitions
(1)
Katlan Alexander. History of fabric supports
(1)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(1)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(1)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(1)
Learner Thomas J. S. Modern paints
(1)
Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions
(1)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(1)
Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(1)
Lowengard Sarah. Pigments in Western easel painting
(1)
Lowry Kate
(1)
MacBeth Rhona. The technical examination and documentation of easel paintings
(1)
Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists
(1)
Macaro Gabriella. The Barbizon paintings at the National Gallery London: a technical study
(1)
Marvelde Mireille te. Lining easel paintings
(1)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Mayer Debora D. Identification of textile fibres found in common painting supports
(1)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(1)
McClure Ian. Framing and microclimate enclosures for panel paintings
(1)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(1)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(1)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(1)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(1)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Nadolny Jilleen. History of visual compensation for paintings
(1)
Nadolny Jilleen. Pigments in Western easel painting
(1)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(1)
Oddy William Andrew (1942- )
(1)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(1)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(1)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(1)
Ormsby Bronwyn. Twentieth-century grounds
(1)
Perry Roy A. Imitative retouching of easel paintings
(1)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(1)
Phenix Alan. A brief survey of historical varnishes
(1)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(1)
Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(1)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(1)
Reifsnyder Joan. Lining easel paintings
(1)
Rossol Monona. Health and safety concerns in the paintings conservation studio
(1)
Rushfield Rebecca (1954- )
(1)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
(1)
Saltmarsh Polly
(1)
Saunders David. Image documentation for paintings conservation
(1)
Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique
(1)
Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Scharff Mikkel. Lining easel paintings
(1)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(1)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(1)
Year
2010 - 2019
(2)
2000 - 2009
(1)
Country
United Kingdom
(3)
United States
(1)
Language
English
(3)
Subject
Konserwatorstwo
(1)
Malarstwo
(1)
Malarstwo (szt.plast.)
(1)
Malarstwo europejskie
(1)
Subject: time
1801-
(2)
1901-
(1)
2001-0
(1)
Genre/Form
Materiały konferencyjne
(1)
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Book
In basket
Autor: Carlyle Leslie
Tytuł: The artist's assistant : oil painting instruction manuals and handbook in Britain 1800-1900 : with reference to selected eighteenth-century sources / Leslie Carlyle.
Adres wydawniczy: London : Archetype Publications, 2002.
Opis fizyczny: XVIII, 589 s. : il. ; 31 cm.
Uwaga: Indeks.
Temat: Malarstwo - technika - Wielka Brytania - 19 w. - podręcznik
ISBN: 1-873132-16-6
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 19344 (1 egz.)
Authority data
Carlyle Leslie (hasło formalne)
Book
In basket
Tytuł: A changing art : nineteenth-century painting practice and conservation / edited by Nicola Costaras, Kate Lowry, Helen Glanville, Pippa Balch, Victoria Sutcliffe and Polly Saltmarsh.
Wariant tytułu: Nineteenth-century painting practice and conservation
Adres wydawniczy: London : Archetype Publications : The British Association of Paintings Conservator-Restorers, 2017.
Opis fizyczny: IX, 133 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Bibliogr. przy art.
Temat: Konserwatorstwo - Wielka Brytania - 19-21 w. - materiały konferencyjne
Temat: Malarstwo europejskie - 19 w. - materiały konferencyjne
Temat: Malarstwo europejskie - ochrona i konserwacja - 19-21 w. - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Balch, Pippa.
Hasło dodatkowe: Costaras, Nicola.
Hasło dodatkowe: Glanville, Helen.
Hasło dodatkowe: Lowry, Kate.
Hasło dodatkowe: Saltmarsh, Polly.
Hasło dodatkowe: Sutcliffe, Victoria.
Hasło dodatkowe: Bordt, Nele. Observations on Rudolf Swoboda’s painting technique
Hasło dodatkowe: Carlyle, Leslie. Building visual evidence of past practices in the creation of oil paintings
Hasło dodatkowe: Costaras, Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings
Hasło dodatkowe: Frezzato, Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Herring, Sarah. Ernst-Victor Hareux and the Barbizon Artists
Hasło dodatkowe: Lo Russo, Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Macaro, Gabriella. Ernst-Victor Hareux and the Barbizon Artists
Hasło dodatkowe: Macaro, Gabriella. The Barbizon paintings at the National Gallery, London: a technical study
Hasło dodatkowe: Poldi, Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Saunders-Blessley, Katy. Observations on Rudolf Swoboda’s painting technique
Hasło dodatkowe: Savoia, Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Simon, Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century
Hasło dodatkowe: Speleers, Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris
Hasło dodatkowe: Sperber, Roxanne. The retouching practices of John Linnell: technique, patronage and practice from two works in the Yale Center for British Art
Hasło dodatkowe: Splendore, Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Straub, Michaela. The conservation and research of two paintings by Alfred East RA
Hasło dodatkowe: Tomlinson, Hayley. Ernst-Victor Hareux and the Barbizon Artists
Hasło dodatkowe: Veldink, Suzanne. George Hendrik Breitner at work: new insights
Hasło dodatkowe: Whitehouse, Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate
Hasło dodatkowe: Woltman, Nienke. George Hendrik Breitner at work: new insights
Hasło dodatkowe: Woodcock, Sally. Alteration, restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen
Hasło dodatkowe: Wright, Adèle. "Method cannot govern everything". Delacroix: mid-century modern master
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: British Association of Paintings Conservator-Restorers
ISBN: 978-1-909492-54-7
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. II 31515 (1 egz.)
Book
In basket
Tytuł: The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield.
Adres wydawniczy: London ; New York : Routledge Taylor & Francis Group, 2012.
Opis fizyczny: XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
Seria: Routledge Series in Conservation and Museology
Uwaga: Bibliogr. s. 765-866. Indeks.
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja
Hasło dodatkowe: Stoner, Joyce Hill (1946- ).
Hasło dodatkowe: Rushfield, Rebecca (1954- ).
Hasło dodatkowe: Oddy, William Andrew (1942- ).
Hasło dodatkowe: Ackroyd, Paul. The structural conservation of paintings on wooden panel supports
Hasło dodatkowe: Birkenbeul, Ina. Consolidation of flaking paint and ground
Hasło dodatkowe: Bisacca, George. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Consolidation of flaking paint and ground
Hasło dodatkowe: Blewett, Morwenna R. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bomford, David. Picture cleaning: positivism and metaphysics
Hasło dodatkowe: Boon, Jaap J. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Buck, Susan L. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Buckley, Barbara A. Stretchers, tensioning, and attachments
Hasło dodatkowe: Bucklow, Spike. The classification of craquelure patterns
Hasło dodatkowe: Burnstock, Aviva. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Carlyle, Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Carlyle, Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
Hasło dodatkowe: Castelli, Ciro.
Hasło dodatkowe: Clarke, Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Cross, Maureen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Digney-Peer, Shawn. Imitative retouching of easel paintings
Hasło dodatkowe: Dixon, Thomas. Framing, glazing, backing, and hanging of paintings on canvas
Hasło dodatkowe: Dixon, Thomas. Storage of easel paintings
Hasło dodatkowe: Dolgikh, Irina V. (1974- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Druzik, James. The lighting of easel paintings
Hasło dodatkowe: Eastaugh, Nicholas. Optical microscopy
Hasło dodatkowe: Eastaugh, Nicholas. Pigments in Western easel painting
Hasło dodatkowe: Fuster-López, Laura. Filling
Hasło dodatkowe: Golden, Mark (1948- ). Varnishing of acrylic paintings by artists
Hasło dodatkowe: Goltz, Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Goltz, Michael von der (1956- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Goltz, Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Gottsegen, Mark D. Recommending materials to artists
Hasło dodatkowe: Gottsegen, Mark D. Twentieth-century grounds
Hasło dodatkowe: Gritt, Stephen. Imitative retouching of easel paintings
Hasło dodatkowe: Hackney, Stephen. Lining easel paintings
Hasło dodatkowe: Heiber, Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Hermens, Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Hermens, Erma (1958- ). Binding media
Hasło dodatkowe: Hoenigswald, Ann. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Holubec, Inken Maria. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Horovitz, Isabel. Consolidation of flaking paint and ground
Hasło dodatkowe: Hutchings, Jeremy. Sustainable conservation management of exhibitions
Hasło dodatkowe: Katlan, Alexander. History of fabric supports
Hasło dodatkowe: Klein, Peter. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Klocke, Jens. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Learner, Thomas J. S. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Learner, Thomas J. S. Modern paints
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Sustainable conservation management of exhibitions
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Loon, Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Lowengard, Sarah. Pigments in Western easel painting
Hasło dodatkowe: MacBeth, Rhona. The technical examination and documentation of easel paintings
Hasło dodatkowe: Marvelde, Mireille te. Lining easel paintings
Hasło dodatkowe: Massing, Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Mayer, Debora D. Identification of textile fibres found in common painting supports
Hasło dodatkowe: Mayer, Lance.Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Myers, Gay. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: McClure, Ian. Framing and microclimate enclosures for panel paintings
Hasło dodatkowe: McGinn, Mary. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Michalski, Stefan (konserwatorstwo). The lighting of easel paintings
Hasło dodatkowe: Nadolny, Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
Hasło dodatkowe: Nadolny, Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Nadolny, Jilleen. History of visual compensation for paintings
Hasło dodatkowe: Nadolny, Jilleen. Pigments in Western easel painting
Hasło dodatkowe: Noble, Petria. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Olley, Peggy A. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Ormsby, Bronwyn. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Ormsby, Bronwyn. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Ormsby, Bronwyn. Twentieth-century grounds
Hasło dodatkowe: Perry, Roy A. Imitative retouching of easel paintings
Hasło dodatkowe: Petersen, Karin. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Phenix, Alan. A brief survey of historical varnishes
Hasło dodatkowe: Phenix, Alan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Proctor, Robert G. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Ramsay, Barbara A. Travelling exhibitions and transporting paintings
Hasło dodatkowe: Reifsnyder, Joan. Lining easel paintings
Hasło dodatkowe: Rossol, Monona. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Rushfield, Rebecca (1954- ). Conservation organizations and professional standards
Hasło dodatkowe: Saunders, David. Image documentation for paintings conservation
Hasło dodatkowe: Scharff, Mikkel. Lining easel paintings
Hasło dodatkowe: Scharff, Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Schmitt, Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
Hasło dodatkowe: Scholte, Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Spaabaek, Lin Rosa. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stassinopoulos, Stergios. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stavroudis, Chris. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Grounds, 1400-1900
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). International public outreach projects
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Introduction
Hasło dodatkowe: Streeton, Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stringari, Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66
Hasło dodatkowe: Swicklik, Michael. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Thomas, Karen. Imitative retouching of easel paintings
Hasło dodatkowe: Tomkiewicz, Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Townsend, Joyce H. A brief survey of historical varnishes
Hasło dodatkowe: Townsend, Joyce H. Binding media
Hasło dodatkowe: Townsend, Joyce H. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Townsend, Joyce H. Imitative retouching of easel paintings
Hasło dodatkowe: Townsend, Joyce H. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Wadum, Jørgen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Walsh, Valentine. Optical microscopy
Hasło dodatkowe: Whitten, Jill. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Wolbers, Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Young, Christina. History of fabric supports
Hasło dodatkowe: Taylor & Francis
ISBN: 978-0-7506-8199-5
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 23047 (1 egz.)
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