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Ackroyd Paul. Retouching media used at the National Gallery London since the nineteenth century
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Balch Pippa
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Bordt Nele. Observations on Rudolf Swoboda’s painting technique
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Bucklow Spike. The state of research into retouching resins
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Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings
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Ciatti Marco (1955- ). An unusual case of integration and its solution
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Costaras Nicola
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Costaras Nicola. These pitchy pigments from their very nature never harden: a nineteenth-century perspective on premature cracking in oil paintings
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Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours
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Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching
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Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study
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Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists
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Kempski Mary. The art of tempera retouching
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Koneczny Peter. An introduction to B72 Retouching Gels
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Koneczny Peter. Properties of pigments retouching media and their use
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Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study
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Lowry Kate
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Lowry Kate. Retouching with Paraloid B-72
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Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists
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Macaro Gabriella. The Barbizon paintings at the National Gallery London: a technical study
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Massing Ann. The history of egg tempera as a retouching medium
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Phenix Alan. The composition and chemistry of eggs and egg tempera
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Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study
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Reddington Sophie. Texturing fills using a silicone mould
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Roma Paolo. An unusual case of integration and its solution
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Saltmarsh Polly
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Sartiani Oriana (1960- ). An unusual case of integration and its solution
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Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique
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Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study
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Severini Leonardo. An unusual case of integration and its solution
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Simon Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century
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Sims Shelley. Retouching media for acrylic paintings
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Smithen Patricia. Retouching media for acrylic paintings
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Sozzani Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
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Speleers Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris
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Sperber Roxanne. The retouching practices of John Linnell: technique patronage and practice from two works in the Yale Center for British Art
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Splendore Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study
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Straub Michaela. The conservation and research of two paintings by Alfred East RA
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Sutcliffe Victoria
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Tomlinson Hayley. Ernst-Victor Hareux and the Barbizon Artists
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Turnbull Rachel
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Veldink Suzanne. George Hendrik Breitner at work: new insights
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Woodcock Sally. Alteration restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen
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Wright Adele. Method cannot govern everything. Delacroix: mid-century modern master
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Autor
Ellison Rebecca. Smithen Patricia. Turnbull Rachel. Ackroyd Paul. Retouching media used at the National Gallery, London, since the nineteenth century Bucklow Spike. The state of research into retouching resins Ciatti Marco (1955- ). An unusual case of integration and its solution Cove Sarah. Retouching with a PVA resin medium Cross Maureen. Retouching media for acrylic paintings Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching Folkes Simon. Texturing fills using a silicone mould Hanson Andrew. Colour theory and the application of a portable spectrophotometer for retouching Kempski Mary. The art of tempera retouching Koneczny Peter. An introduction to B72 Retouching Gels Koneczny Peter. Properties of pigments, retouching media and their use Lowry Kate. Retouching with Paraloid B-72 Massing Ann. The history of egg tempera as a retouching medium Phenix Alan. The composition and chemistry of eggs and egg tempera Reddington Sophie. Texturing fills using a silicone mould Roma Paolo. An unusual case of integration and its solution Sartiani Oriana (1960- ). An unusual case of integration and its solution Severini Leonardo. An unusual case of integration and its solution Sims Shelley. Retouching media for acrylic paintings Smithen Patricia. Retouching media for acrylic paintings Sozzani Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
Indeks R0: BMNK
Publikacja jest efektem trzech warsztatów zorganizowanch przez Paintings Group of the Institute of Conservation (Icon) oraz British Association of Painting Conservator-Restorers (BAPCR) w Courtauld Institute of Art, Londyn, 2007.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. II 31514 (1 egz.)
Książka
W koszyku
Autor
Balch Pippa. Costaras Nicola. Glanville Helen. Lowry Kate. Saltmarsh Polly. Sutcliffe Victoria. Bordt Nele. Observations on Rudolf Swoboda’s painting technique Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings Costaras Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists Macaro Gabriella. The Barbizon paintings at the National Gallery, London: a technical study Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study Simon Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century Speleers Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris Sperber Roxanne. The retouching practices of John Linnell: technique, patronage and practice from two works in the Yale Center for British Art Splendore Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study Straub Michaela. The conservation and research of two paintings by Alfred East RA Tomlinson Hayley. Ernst-Victor Hareux and the Barbizon Artists Veldink Suzanne. George Hendrik Breitner at work: new insights Whitehouse Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate Woltman Nienke. George Hendrik Breitner at work: new insights Woodcock Sally. Alteration, restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen Wright Adèle. "Method cannot govern everything". Delacroix: mid-century modern master
Indeks R0: BMNK
Bibliogr. przy art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. II 31515 (1 egz.)
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