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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
(2)
Eastaugh Nicholas. Optical microscopy
(2)
Eastaugh Nicholas. Pigments in Western easel painting
(2)
Fuster-López Laura. Filling
(2)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Hackney Stephen. Lining easel paintings
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(2)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(2)
Reifsnyder Joan. Lining easel paintings
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Rossol Monona. Health and safety concerns in the paintings conservation studio
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Rushfield Rebecca (1954- )
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Rushfield Rebecca (1954- ). Conservation organizations and professional standards
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Saunders David. Image documentation for paintings conservation
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Scharff Mikkel. Lining easel paintings
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Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
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Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
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Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
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Stavroudis Chris. Aqueous methods for the cleaning of paintings
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Stols-Witlox Maartje (1972- ). Grounds 1400-1900
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Stoner Joyce Hill (1946- )
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Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
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Stoner Joyce Hill (1946- ). International public outreach projects
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Stoner Joyce Hill (1946- ). Introduction
(2)
Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
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Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
(2)
Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
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Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
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Townsend Joyce H. A brief survey of historical varnishes
(2)
Townsend Joyce H. Binding media
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Townsend Joyce H. Health and safety concerns in the paintings conservation studio
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Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
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Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
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Walsh Valentine. Optical microscopy
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Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
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Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings
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Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
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Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
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3 wyniki Filtruj
Książka
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(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
Indeks R0: BMNK
Bibliogr. s. 765-866. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 23047 (1 egz.)
Książka
W koszyku
The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
Indeks R0: BMNK
Bibliogr. s. 792-890. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. II 35746 (1 egz.)
Książka
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(Studien aus dem Institut für Baugeschichte, Kunstgeschichte, Kunst und Design, Restaurierung mit Architekturmuseum Technische Universität München, Fakultät für Architektur)
Autor
Emmerling Erwin (1952- ). Kühlenthal Michael. Richter Mark. Baumer Ursula. Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables Boon Jaap J. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780) Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Dietemann Patrick. Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues Dodinet Elisabeth. Frankinscene "Boswellia" sp. Burseraceae: Identification issues and analyses of the sources throughout history Dodinet Elisabeth. A note on the Colorant Gamboge, its introduction in Europe and use in coloured glazes Fras Vlado. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Gruber Christian (1939- ). Grundmann Günther. Horst Jerre van der. Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Keune Katrien. Küffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts Kühlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Kühlenthal Michael. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Kühlenthal Michael. Lüsterfassungen von Skulpturen nd Altarretabeln im künstlerischen Ausstattungskonzept des Barock und Rokoko Kühlenthal Michael. "Lüstrieren, lasieren, lackieren". Die Erforschungvon Lüsterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft Mach Martin. Moser-Seiberl Lukas. Die Altäre von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee Moser-Seiberl Lukas. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800) Pelludat Inga. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772) Pelludat Inga. Das Cuivilliés-Theater in München Rapp Klaus. Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria) Richter Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria) Richter Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf Richter Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf Richter Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomünster Richter Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Richter Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf Richter Mark. Coloured glazes of the High Altarpiece by Judas Thaddäus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland) Richter Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim Richter Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Richter Mark. Coloured glazes on metal leaf: definition and terminology Richter Mark. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772) Richter Mark. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800) Richter Mark. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria) Richter Mark. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780) Richter Mark. Polychrome wooden reliquary retable (dated 1740-1773) Richter Mark. The red glazed drapes in the Cuivilliés-Theatre: results of the scientific examination Richter Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany, Austria and Switzerland (c. 1600-1780) Rolando Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Schäfer Stephan. A luminescent metal chelate stain and its application protocol for the identification of proteinaceous binding media within paint cross sections Schieber Judith. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Schott Frauke. Polychrome wooden reliquary retable (dated 1740-1773) Schott Frauke. Der Reliquienschrein aus der Hauskapelle des Friedlhofes in Abwinkl, Bad Wiessee Stege Heike (1970- ). Tokarski Caroline (1976- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Tucic Vojislav. Vanden Berghe Ina. Analysis of organic pigments applied on baroque and rokoko sculptures and retables Wenzel Juliane. Der Hochaltar der Schlosskapelle Mariae Himmelfahrt in Sünching Wolf Stefan. Das Cuivilliés-Theater in München
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