Form of Work
Książki
(2)
Status
available
(1)
unavailable
(1)
Branch
Magazyn
(2)
Author
Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(1)
Baumer Ursula
(1)
Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
(1)
Birkenbeul Ina. Consolidation of flaking paint and ground
(1)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Consolidation of flaking paint and ground
(1)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(1)
Bomford David. Foreword
(1)
Bomford David. Picture cleaning: positivism and metaphysics
(1)
Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
(1)
Boon Jaap
(1)
Boon Jaap J
(1)
Boon Jaap J. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
(1)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(1)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(1)
Buckley Barbara A. Stretchers tensioning and attachments
(1)
Bucklow Spike. The classification of craquelure patterns
(1)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(1)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(1)
Castelli Ciro
(1)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(1)
Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
(1)
Dietemann Patrick
(1)
Digney-Peer Shawn. Imitative retouching of easel paintings
(1)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(1)
Dixon Thomas. Storage of easel paintings
(1)
Dodinet Elisabeth. A note on the Colorant Gamboge its introduction in Europe and use in coloured glazes
(1)
Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues
(1)
Dodinet Elisabeth. Frankinscene "Boswellia" sp. Burseraceae: Identification issues and analyses of the sources throughout history
(1)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(1)
Druzik James. The lighting of easel paintings
(1)
Eastaugh Nicholas. Optical microscopy
(1)
Eastaugh Nicholas. Pigments in Western easel painting
(1)
Emmerling Erwin (1952- )
(1)
Fras Vlado. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region
(1)
Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
(1)
Fuster-López Laura. Filling
(1)
Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
(1)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(1)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(1)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(1)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(1)
Gottsegen Mark D. Recommending materials to artists
(1)
Gottsegen Mark D. Twentieth-century grounds
(1)
Gritt Stephen. Imitative retouching of easel paintings
(1)
Gruber Christian (1939- )
(1)
Grundmann Gunther
(1)
Hackney Stephen. Lining easel paintings
(1)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(1)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Hermens Erma (1958- ). Binding media
(1)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(1)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(1)
Horovitz Isabel. Consolidation of flaking paint and ground
(1)
Horst Jerre van der
(1)
Hutchings Jeremy. Sustainable conservation management of exhibitions
(1)
Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
(1)
Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
(1)
Katlan Alexander. History of fabric supports
(1)
Keune Katrien
(1)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(1)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(1)
Kuffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts
(1)
Kuhlenthal Michael
(1)
Kuhlenthal Michael. "Lustrieren lasieren lackieren". Die Erforschungvon Lusterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft
(1)
Kuhlenthal Michael. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region
(1)
Kuhlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
(1)
Kuhlenthal Michael. Lusterfassungen von Skulpturen nd Altarretabeln im kunstlerischen Ausstattungskonzept des Barock und Rokoko
(1)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(1)
Learner Thomas J. S. Modern paints
(1)
Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions
(1)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(1)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(1)
Lowengard Sarah. Pigments in Western easel painting
(1)
MacBeth Rhona. The technical examination and documentation of easel paintings
(1)
Mach Martin
(1)
Marvelde Mireille te. Lining easel paintings
(1)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Mayer Debora D. Identification of textile fibres found in common painting supports
(1)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(1)
McClure Ian. Framing and microclimate enclosures for panel paintings
(1)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(1)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(1)
Moser-Seiberl Lukas. Die Altare von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee
(1)
Moser-Seiberl Lukas. Historische Rezepte von farbigen Lustern Goldlacken auf Metallfolien und weiβen bzw. transparenten Uberzugen (ca. 1100-1800)
(1)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(1)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(1)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Nadolny Jilleen. History of visual compensation for paintings
(1)
Nadolny Jilleen. Pigments in Western easel painting
(1)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(1)
Oddy William Andrew (1942- )
(1)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(1)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(1)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(1)
Ormsby Bronwyn. Twentieth-century grounds
(1)
Pelludat Inga. Das Cuivillies-Theater in Munchen
(1)
Year
2010 - 2019
(2)
Country
Germany
(1)
United Kingdom
(1)
United States
(1)
Language
English
(1)
German
(1)
Subject
Barok
(1)
Konserwatorstwo
(1)
Malarstwo (szt.plast.)
(1)
Metale
(1)
Polichromia
(1)
3 results Filter
Authority data
Boon Jaap J (hasło formalne)
Nieużywane formy hasła: Boon Jaap
Book
In basket
Tytuł: The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield.
Adres wydawniczy: London ; New York : Routledge Taylor & Francis Group, 2012.
Opis fizyczny: XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
Seria: Routledge Series in Conservation and Museology
Uwaga: Bibliogr. s. 765-866. Indeks.
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja
Hasło dodatkowe: Stoner, Joyce Hill (1946- ).
Hasło dodatkowe: Rushfield, Rebecca (1954- ).
Hasło dodatkowe: Oddy, William Andrew (1942- ).
Hasło dodatkowe: Ackroyd, Paul. The structural conservation of paintings on wooden panel supports
Hasło dodatkowe: Birkenbeul, Ina. Consolidation of flaking paint and ground
Hasło dodatkowe: Bisacca, George. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Consolidation of flaking paint and ground
Hasło dodatkowe: Blewett, Morwenna R. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bomford, David. Picture cleaning: positivism and metaphysics
Hasło dodatkowe: Boon, Jaap J. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Buck, Susan L. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Buckley, Barbara A. Stretchers, tensioning, and attachments
Hasło dodatkowe: Bucklow, Spike. The classification of craquelure patterns
Hasło dodatkowe: Burnstock, Aviva. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Carlyle, Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Carlyle, Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
Hasło dodatkowe: Castelli, Ciro.
Hasło dodatkowe: Clarke, Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Cross, Maureen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Digney-Peer, Shawn. Imitative retouching of easel paintings
Hasło dodatkowe: Dixon, Thomas. Framing, glazing, backing, and hanging of paintings on canvas
Hasło dodatkowe: Dixon, Thomas. Storage of easel paintings
Hasło dodatkowe: Dolgikh, Irina V. (1974- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Druzik, James. The lighting of easel paintings
Hasło dodatkowe: Eastaugh, Nicholas. Optical microscopy
Hasło dodatkowe: Eastaugh, Nicholas. Pigments in Western easel painting
Hasło dodatkowe: Fuster-López, Laura. Filling
Hasło dodatkowe: Golden, Mark (1948- ). Varnishing of acrylic paintings by artists
Hasło dodatkowe: Goltz, Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Goltz, Michael von der (1956- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Goltz, Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Gottsegen, Mark D. Recommending materials to artists
Hasło dodatkowe: Gottsegen, Mark D. Twentieth-century grounds
Hasło dodatkowe: Gritt, Stephen. Imitative retouching of easel paintings
Hasło dodatkowe: Hackney, Stephen. Lining easel paintings
Hasło dodatkowe: Heiber, Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Hermens, Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Hermens, Erma (1958- ). Binding media
Hasło dodatkowe: Hoenigswald, Ann. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Holubec, Inken Maria. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Horovitz, Isabel. Consolidation of flaking paint and ground
Hasło dodatkowe: Hutchings, Jeremy. Sustainable conservation management of exhibitions
Hasło dodatkowe: Katlan, Alexander. History of fabric supports
Hasło dodatkowe: Klein, Peter. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Klocke, Jens. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Learner, Thomas J. S. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Learner, Thomas J. S. Modern paints
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Sustainable conservation management of exhibitions
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Loon, Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Lowengard, Sarah. Pigments in Western easel painting
Hasło dodatkowe: MacBeth, Rhona. The technical examination and documentation of easel paintings
Hasło dodatkowe: Marvelde, Mireille te. Lining easel paintings
Hasło dodatkowe: Massing, Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Mayer, Debora D. Identification of textile fibres found in common painting supports
Hasło dodatkowe: Mayer, Lance.Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Myers, Gay. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: McClure, Ian. Framing and microclimate enclosures for panel paintings
Hasło dodatkowe: McGinn, Mary. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Michalski, Stefan (konserwatorstwo). The lighting of easel paintings
Hasło dodatkowe: Nadolny, Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
Hasło dodatkowe: Nadolny, Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Nadolny, Jilleen. History of visual compensation for paintings
Hasło dodatkowe: Nadolny, Jilleen. Pigments in Western easel painting
Hasło dodatkowe: Noble, Petria. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Olley, Peggy A. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Ormsby, Bronwyn. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Ormsby, Bronwyn. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Ormsby, Bronwyn. Twentieth-century grounds
Hasło dodatkowe: Perry, Roy A. Imitative retouching of easel paintings
Hasło dodatkowe: Petersen, Karin. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Phenix, Alan. A brief survey of historical varnishes
Hasło dodatkowe: Phenix, Alan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Proctor, Robert G. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Ramsay, Barbara A. Travelling exhibitions and transporting paintings
Hasło dodatkowe: Reifsnyder, Joan. Lining easel paintings
Hasło dodatkowe: Rossol, Monona. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Rushfield, Rebecca (1954- ). Conservation organizations and professional standards
Hasło dodatkowe: Saunders, David. Image documentation for paintings conservation
Hasło dodatkowe: Scharff, Mikkel. Lining easel paintings
Hasło dodatkowe: Scharff, Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Schmitt, Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
Hasło dodatkowe: Scholte, Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Spaabaek, Lin Rosa. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stassinopoulos, Stergios. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stavroudis, Chris. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Grounds, 1400-1900
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). International public outreach projects
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Introduction
Hasło dodatkowe: Streeton, Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stringari, Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66
Hasło dodatkowe: Swicklik, Michael. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Thomas, Karen. Imitative retouching of easel paintings
Hasło dodatkowe: Tomkiewicz, Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Townsend, Joyce H. A brief survey of historical varnishes
Hasło dodatkowe: Townsend, Joyce H. Binding media
Hasło dodatkowe: Townsend, Joyce H. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Townsend, Joyce H. Imitative retouching of easel paintings
Hasło dodatkowe: Townsend, Joyce H. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Wadum, Jørgen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Walsh, Valentine. Optical microscopy
Hasło dodatkowe: Whitten, Jill. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Wolbers, Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Young, Christina. History of fabric supports
Hasło dodatkowe: Taylor & Francis
ISBN: 978-0-7506-8199-5
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 23047 (1 egz.)
Book
In basket
Tytuł: Lüsterfassungen des Barock und Rokoko = Coloured glazes on metal leaf from the Baroque and Rococo period / Herausgeber Erwin Emmerling, Michael Kühlenthal, Mark Richter ; mit Beiträgen von Christine Berberich, Ina Vanden Berghe, Maarten van Bommel, Jaap J. Boon, Sophie Dallongeville, Elisabeth Dodinet, Vlado Fras, Susanne Frowein, Nicolas Garnier, Rupert Karbacher, Markus Küffner, Christian Rolando, Stephan Schäfer, Judith Schieber, Frauke Schott, Lukas Moser-Seiberl, Caroline Tokarski, Juliane Wenzel, Stefan Wolf ; und Analysen von Ursula Baumer, Ina Vanden Berghe, Maarten van Bommel, Jaap J. Boon, Sophie Dallongeville, Patrick Dietemann, Christian Gruber, GüntherGrundmann, Jerre van der Horst, Katrien Keune, Martin Mach, Klaus Rapp, Mark Richter, Christian Rolando, Stephan Schäfer, Heike Stege, Caroline Tokarski, Vojislav Tucic.
Wariant tytułu: Coloured glazes on metal leaf from the Baroque and Rococo period
Adres wydawniczy: München : Verlag der Anton Siegl, 2013.
Opis fizyczny: 811 s. : il. (gł. kolor.) ; 30 cm.
Seria: Studien aus dem Institut für Baugeschichte Kunstgeschichte Kunst und Design Restaurierung mit Architekturmuseum Technische Universität München Fakultät für Architektur
Uwaga: Bibliogr. przy art.
Temat: Barok - sztuka - Europa
Temat: Konserwatorstwo
Temat: Metale - ochrona i konserwacja
Temat: Polichromia - ochrona i konserwacja
Temat: Rokoko - sztuka - Europa
Hasło dodatkowe: Emmerling, Erwin (1952- ).
Hasło dodatkowe: Kühlenthal, Michael.
Hasło dodatkowe: Richter, Mark.
Hasło dodatkowe: Baumer, Ursula.
Hasło dodatkowe: Berberich, Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
Hasło dodatkowe: Bommel, Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
Hasło dodatkowe: Boon, Jaap J. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
Hasło dodatkowe: Dallongeville, Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
Hasło dodatkowe: Dietemann, Patrick.
Hasło dodatkowe: Dodinet, Elisabeth. Botanical sources of dragon's blood: methodology and identification issues
Hasło dodatkowe: Dodinet, Elisabeth. Frankinscene "Boswellia" sp. Burseraceae: Identification issues and analyses of the sources throughout history
Hasło dodatkowe: Dodinet, Elisabeth. A note on the Colorant Gamboge, its introduction in Europe and use in coloured glazes
Hasło dodatkowe: Fras, Vlado. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region
Hasło dodatkowe: Frowein, Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
Hasło dodatkowe: Garnier, Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
Hasło dodatkowe: Gruber, Christian (1939- ).
Hasło dodatkowe: Grundmann, Günther.
Hasło dodatkowe: Horst, Jerre van der.
Hasło dodatkowe: Karbacher, Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
Hasło dodatkowe: Karbacher, Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
Hasło dodatkowe: Keune, Katrien.
Hasło dodatkowe: Küffner, Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts
Hasło dodatkowe: Kühlenthal, Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
Hasło dodatkowe: Kühlenthal, Michael. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region
Hasło dodatkowe: Kühlenthal, Michael. Lüsterfassungen von Skulpturen nd Altarretabeln im künstlerischen Ausstattungskonzept des Barock und Rokoko
Hasło dodatkowe: Kühlenthal, Michael. "Lüstrieren, lasieren, lackieren". Die Erforschungvon Lüsterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft
Hasło dodatkowe: Mach, Martin.
Hasło dodatkowe: Moser-Seiberl, Lukas. Die Altäre von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee
Hasło dodatkowe: Moser-Seiberl, Lukas. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800)
Hasło dodatkowe: Pelludat, Inga. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772)
Hasło dodatkowe: Pelludat, Inga. Das Cuivilliés-Theater in München
Hasło dodatkowe: Rapp, Klaus.
Hasło dodatkowe: Richter, Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria)
Hasło dodatkowe: Richter, Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria)
Hasło dodatkowe: Richter, Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf
Hasło dodatkowe: Richter, Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf
Hasło dodatkowe: Richter, Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomünster
Hasło dodatkowe: Richter, Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
Hasło dodatkowe: Richter, Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf
Hasło dodatkowe: Richter, Mark. Coloured glazes of the High Altarpiece by Judas Thaddäus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland)
Hasło dodatkowe: Richter, Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim
Hasło dodatkowe: Richter, Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
Hasło dodatkowe: Richter, Mark. Coloured glazes on metal leaf: definition and terminology
Hasło dodatkowe: Richter, Mark. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772)
Hasło dodatkowe: Richter, Mark. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800)
Hasło dodatkowe: Richter, Mark. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region
Hasło dodatkowe: Richter, Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria)
Hasło dodatkowe: Richter, Mark. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
Hasło dodatkowe: Richter, Mark. Polychrome wooden reliquary retable (dated 1740-1773)
Hasło dodatkowe: Richter, Mark. The red glazed drapes in the Cuivilliés-Theatre: results of the scientific examination
Hasło dodatkowe: Richter, Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany, Austria and Switzerland (c. 1600-1780)
Hasło dodatkowe: Rolando, Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
Hasło dodatkowe: Schäfer, Stephan. A luminescent metal chelate stain and its application protocol for the identification of proteinaceous binding media within paint cross sections
Hasło dodatkowe: Schieber, Judith. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
Hasło dodatkowe: Schott, Frauke. Polychrome wooden reliquary retable (dated 1740-1773)
Hasło dodatkowe: Schott, Frauke. Der Reliquienschrein aus der Hauskapelle des Friedlhofes in Abwinkl, Bad Wiessee
Hasło dodatkowe: Stege, Heike (1970- ).
Hasło dodatkowe: Tokarski, Caroline (1976- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
Hasło dodatkowe: Tucic, Vojislav.
Hasło dodatkowe: Vanden Berghe, Ina. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
Hasło dodatkowe: Wenzel, Juliane. Der Hochaltar der Schlosskapelle Mariae Himmelfahrt in Sünching
Hasło dodatkowe: Wolf, Stefan. Das Cuivilliés-Theater in München
Hasło dodatkowe: Anton-Siegl-Fachbuchhandlung (München)
ISBN: 978-3-935643-58-0
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