Bares Ladislav (1952- )
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Barta Miroslav (1969- )
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Bartosova-Pinterova Zuzana (1946- ). Slovak National Gallery in times of the Velvet Revolution
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Bartosova-Pinterova Zuzana (1946- ). Slovenska narodna galeria v case Neznej revolucie
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Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Borbely Katalin. Directive on copyright in the digital single market - what it means for cultural institutions
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Borchert Till-Holger (1967- )
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Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
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Bunsch Eryk (1973- ). To be or no to be - proper digital strategies for museums
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Carvalho Ana (1977- ). Moving museums towards transformation and change in a digital World: insights from the project Mu.SA
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Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
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Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
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Csorba Judit. From digitising to accessibility - a thirty-year process at the Museum of Ethnography Budapest
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Cudrnak Michal. Cas-opis 1989
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Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Dolak Jan (1962- ). Digitalizace pro muzejniky nebo pro verejnost?
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Dolak Jan (1962- ). Is digitizing for museums professionals or for the public?
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Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
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Dulikova Veronika (1979- )
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Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
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Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Faber Michael H. (1953- ). No future without instawalk and virtual reality? AVICOM museums and new media
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Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Fuchs Hilde (1964- ). Marchfeld - over here and there / searching for traces leaps in time and artistic strategies
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Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Galambos Henrietta. Museum and digitisation - legal headache
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Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
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Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
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Gredka-Ligarska Iwona. Museum staff vs artificial intelligence
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Gwoździewicz-Matan Paulina. Legal aspects of digitization in museums
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Hanakova Petra (1974- ). Cas-opis 1989
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Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
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Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in Memento mori
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Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
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Jares Jakub (1983- ). Ceska a slovenska muzea v evropskem kontextu
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Jares Jakub (1983- ). Czech and Slovak Museums in the European context
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Jirasek Pavel (1961- ). Cultural heritage protection and the development of IT after the Fall of the Iron Curtain
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Jirasek Pavel (1961- ). Ochrana kulturniho dedictvi a rozvoj IT po padu zelezne opony
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Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
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Kempski Mary. Who is the man in red and who painted him?
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Koltay Erika. Digitalized museum collections in education
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Krejci Jaromir (1971- )
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Laine David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Landgrafova Renata (1976- )
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Lehmannova Martina (1978- ). Pripominani pamatky obce Lidice ve virtualnim svete
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Lehmannova Martina (1978- ). The commemoration of the heritage of Lidice village through virtual reality
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Lepper Verena M. (1973- )
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Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group
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Loeben Christian E. (1961- )
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Maraky Peter (1950- ). Enticements and risks of uncontrolled dynamics of change within museums
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Maraky Peter (1950- ). Zvody a rizika neriadenej dynamiky zmien v muzejnictve
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Matos Alexandre. Moving museums towards transformation and change in a digital World: insights from the project Mu.SA
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Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Mikulik Dalibor. Goticky hrad Lubovna a archeologicke nalezy prezentovane formou hologramu
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Mikulik Dalibor. Lubovna Gothic Castle and archeological sites presented in the form of hologram
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Mynarova Jana (1976- )
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Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
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Odler Martin (1986- )
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Onderka Pavel (1982- )
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Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens
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Orlandi Sarah Dominique. Web strategy in museums: an Italian survey stimulates new visions
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Perier-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise
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Peterkova Hlouchova Marie (1987- )
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Sacha Magdalena (1973- ). Kresy: the former Eastern borderland of Poland. Lost in history but still alive in the virtual exhibition?
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Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Schulz Regine (1953- )
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Seirafi Kasra. HoloMuse - museum learning with augmented
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Soldanova Anna. Social media as tools for community management
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Soldanova Anna. Socialni site jako nastroj community managementu
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