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Al Tamimi Fatima. An oasis for pests? Setting up IPM in the Emirate of Abu Dhabi
(1)
Alexandridis Annetta (1968- )
(1)
Alexandridis Annetta (1968- ). 'Classical' plaster casts in enlightenment and colonialist discourse on race
(1)
Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Alvarez de las Asturias Nicolas. Use of the Collectio Lanfranci
(1)
Amarasinghe Deepika. Efficacy of a low-cost simple solar heating box to eradicate insect pests in Sri Lankan libraries
(1)
Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Araki Shinya (1977- ). Embrace the copy: plaster casts and modernity in art education in Japan
(1)
Arenstein Rachael Perkins. The attractive qualities of wool and larval frass on wool to the webbing clothes moth (Tineola bisselliella)
(1)
Austin
(1)
Austin Greta. Bishops and religious law 900-1050
(1)
Austin Greta. Secular law in the Collectio Duodecim Partium and Burchard's Decretum
(1)
Bancroft Anne. Training tools and technology for managing IPM at the Victoria and Albert Museum London
(1)
Basile Joseph J. Models for eternity: the changing role of plaster casts at The Maryland Institute
(1)
Beard Charles Austin (1874-1948)
(1)
Beard Mary Ritter (1876-1958)
(1)
Bellegem Maickel van. An oasis for pests? Setting up IPM in the Emirate of Abu Dhabi
(1)
Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
(1)
Bertrand Loic. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Bevivino Michael Ann. A rampage by vandals: the history and destruction of the plaster casts of the National College of Art and Design of Ireland
(1)
Blumenthal Uta-Renate (1935- ). Licet nova consuetudo - Gregor VII. die Liturgie
(1)
Blyth Valerie. Training tools and technology for managing IPM at the Victoria and Albert Museum London
(1)
Bolle-Fivaz Clara. What archival records do or do not say: the destruction of plaster casts in Geneva
(1)
Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Bosetto Eleonora. An oasis for pests? Setting up IPM in the Emirate of Abu Dhabi
(1)
Brasington Bruce Clark (1957- )
(1)
Brasington Bruce Clark (1957- ). Notes from the Edge
(1)
Brasington Bruce Clark (1957- ). What made Ivo Mad?
(1)
Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies
(1)
Cabral Udaya. Efficacy of a low-cost simple solar heating box to eradicate insect pests in Sri Lankan libraries
(1)
Cabral Udaya. Screening of two plant-derived extracts from Sri Lanka for their potential to control the subterranean termite Coptotermes formosanus
(1)
Carvalho Maria Ines. Training tools and technology for managing IPM at the Victoria and Albert Museum London
(1)
Cattermole George (1800-1868)
(1)
Centeno Silvia A. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Colombini Maria Perla. (1951- )
(1)
Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Cox David (1783-1859)
(1)
Crossman Amy
(1)
Crossman Amy. Introduction
(1)
Cushing Kathleen G
(1)
Cushing Kathleen G. Polemic or handbook?
(1)
Cutulle Cassy
(1)
D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
(1)
Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
(1)
De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Degano Ilaria (1982- )
(1)
Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
(1)
Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Deleu Nina. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
DiSalvo Lauren Kellogg. Hidden in plain view: the plaster cast collection at the National Museum of Natural History of the Smithsonian Institution
(1)
Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Doyle Adrian. Remote monitoring for museum pests: a 21st-century approach
(1)
Dressen Christian. The detection of grey silverfish (Ctenolelepisma longicaudatum Escherich 1905) in the Museum of Applied Art Frankfurt/Main
(1)
Duggan Anne (1939- ). De consultationibus
(1)
Duvernois Isabelle. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Eldevik John (1973- ). Driving the Chariot of the Lord
(1)
Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Elliot Robert James (1790-1849)
(1)
Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship
(1)
Farmer Jana S. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
(1)
Fennert Eva-Maria. Preliminary trials with reduced temperatures in humidity controlled warm-air treatment: a gentler and more efficient way to disinfest artworks and cultural heritage objects
(1)
Ferreira Anabela. An oasis for pests? Setting up IPM in the Emirate of Abu Dhabi
(1)
Feston James. The attractive qualities of wool and larval frass on wool to the webbing clothes moth (Tineola bisselliella)
(1)
Finnefrock Adam C. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Foster Sally M. (1963- ). Smashing casts: replication of Scottish early medieval sculpture as a case study on the fragility of value
(1)
Fowler-Magerl Linda. Collection and transmission of canon law along the Northern section of the Via Francigena in the eleventh and twelfth centuries
(1)
Gatti Evan A. Building the body of the Church
(1)
Gerard J. F
(1)
Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Glass Dorothy F. Bishops of Piacenza their cathedral and the reform of the Church
(1)
Gonzalez Carlos Austin. Remote monitoring for museum pests: a 21st-century approach
(1)
Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Gullick Michael. Lanfranc and the oldest manuscripts of the Collectio Lanfranci
(1)
Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Hajdas Irena. Dating of artwork by radiocarbon
(1)
Head Thomas. Postscript
(1)
Holm Henrik (1964- ). The (mis)performance of cast collections
(1)
Hume Hannah C. M. Through Athena's eyes: the Nenry W. Sage collection of casts at Cornell University
(1)
Isa Angelica. Preserving Peruvian organic cultural heritage using Andean lupin (Lupinus mutabilis) extracts
(1)
Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Jasper Detlev. Licet nova consuetudo - Gregor VII. die Liturgie
(1)
Jones Anna Trumbore
(1)
Jones Anna Trumbore. Lay magnates religious houses and the role of the bishop in Aquitaine (877-1050)
(1)
Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Keller Natalia. The rise and fall of the Museo de Copias: on the history of the collection of sculpture replicas in the National Museum of Fine Arts in Santiago de Chile
(1)
Kelly Patrick. Remote monitoring for museum pests: a 21st-century approach
(1)
Kelly Patrick. The attractive qualities of wool and larval frass on wool to the webbing clothes moth (Tineola bisselliella)
(1)
Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
King Melissa. What’s bugging you? Research involved in the development of collection-specific IPM software and pest databases
(1)
Kolling Thomas. Preliminary trials with reduced temperatures in humidity controlled warm-air treatment: a gentler and more efficient way to disinfest artworks and cultural heritage objects
(1)
La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Landau Peter (1935-2019). Summarium Haimonis
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Rok wydania
2020 - 2024
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2000 - 2009
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1830 - 1839
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Brett, Martin
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7 wyników Filtruj
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 4393/1 (1 egz.)
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 861/1-2 (1 egz.)
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31026 (1 egz.)
Książka
W koszyku
(Cultural Heritage Science, ISSN 2366-6226)
Autor
Colombini Maria Perla. (1951- ). Degano Ilaria (1982- ). Nevin Austin (1978- ). Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint Bertrand Loïc. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies Centeno Silvia A. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Cotte Marine. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Deleu Nina. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dik Joris. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Duvernois Isabelle. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship Farmer Jana S. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Finnefrock Adam C. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Hajdas Irena. Dating of artwork by radiocarbon Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Mass Jennifer L. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Mass Jennifer L. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution Monico Letizia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Nevin Austin (1978- ). Fluorescence for the analysis of paintings Plicht Johannes van der. Dating of artwork by radiocarbon Pollak Rebecca. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Rousaki Anastasia. Raman analysis of inorganic and organic pigments Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Shugar Aaron N. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Thoury Mathieu (1977- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Tummers Anna (1974- ). The eye versus chemistry? From twentieth to twenty-first century connoisseurship Snickt Geer van der. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Van Espen Piet. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Vandenabeele Peter. Raman analysis of inorganic and organic pigments Vanmeert Frederik. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Werf Inez Dorothé van der. Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
Indeks R0: BMNK
Bibliogr. przy art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 36712 (1 egz.)
Książka
W koszyku
Autor
Crossman Amy. Ryder Susanne. Al Tamimi Fatima. An oasis for pests? Setting up IPM in the Emirate of Abu Dhabi Amarasinghe Deepika. Efficacy of a low-cost simple solar heating box to eradicate insect pests in Sri Lankan libraries Arenstein Rachael Perkins. The attractive qualities of wool and larval frass on wool to the webbing clothes moth (Tineola bisselliella) Bancroft Anne. Training, tools and technology for managing IPM at the Victoria and Albert Museum, London Bellegem Maickel van. An oasis for pests? Setting up IPM in the Emirate of Abu Dhabi Blyth Valerie. Training, tools and technology for managing IPM at the Victoria and Albert Museum, London Bosetto Eleonora. An oasis for pests? Setting up IPM in the Emirate of Abu Dhabi Cabral Udaya. Efficacy of a low-cost simple solar heating box to eradicate insect pests in Sri Lankan libraries Cabral Udaya. Screening of two plant-derived extracts from Sri Lanka for their potential to control the subterranean termite Coptotermes formosanus Carvalho Maria Ines. Training, tools and technology for managing IPM at the Victoria and Albert Museum, London Crossman Amy. Introduction Cutulle Cassy Doyle Adrian. Remote monitoring for museum pests: a 21st-century approach Dressen Christian. The detection of grey silverfish (Ctenolelepisma longicaudatum Escherich, 1905) in the Museum of Applied Art, Frankfurt/Main Fennert Eva-Maria. Preliminary trials with reduced temperatures in humidity controlled warm-air treatment: a gentler and more efficient way to disinfest artworks and cultural heritage objects Ferreira Anabela. An oasis for pests? Setting up IPM in the Emirate of Abu Dhabi Feston James. The attractive qualities of wool and larval frass on wool to the webbing clothes moth (Tineola bisselliella) Gonzalez Carlos Austin. Remote monitoring for museum pests: a 21st-century approach Isa Angélica. Preserving Peruvian organic cultural heritage using Andean lupin (Lupinus mutabilis) extracts Kelly Patrick. Remote monitoring for museum pests: a 21st-century approach Kelly Patrick. The attractive qualities of wool and larval frass on wool to the webbing clothes moth (Tineola bisselliella) King Melissa. What’s bugging you? Research involved in the development of collection-specific IPM software and pest databases Kolling Thomas. Preliminary trials with reduced temperatures in humidity controlled warm-air treatment: a gentler and more efficient way to disinfest artworks and cultural heritage objects Marasco Tatiana. Remote monitoring for museum pests: a 21st-century approach Martins Ana. What’s bugging you? Research involved in the development of collection-specific IPM software and pest databases McMinn Nathan. What’s bugging you? Research involved in the development of collection-specific IPM software and pest databases Palomino Marilyn. Preserving Peruvian organic cultural heritage using Andean lupin (Lupinus mutabilis) extracts Parada Carolina. Preserving Peruvian organic cultural heritage using Andean lupin (Lupinus mutabilis) extracts Pinniger David (1943- ). In memoriam: a personal tribute to Bob Child (1951–2019) Plarre Rudy. Screening of two plant-derived extracts from Sri Lanka for their potential to control the subterranean termite Coptotermes formosanus Portoni Fabiana. Remote monitoring for museum pests: a 21st-century approach Querner Pascal. Efficacy of a low-cost simple solar heating box to eradicate insect pests in Sri Lankan libraries Querner Pascal. Screening of two plant-derived extracts from Sri Lanka for their potential to control the subterranean termite Coptotermes formosanus Quispitupac Eliana. Preserving Peruvian organic cultural heritage using Andean lupin (Lupinus mutabilis) extracts Schmitt Thomas. Preliminary trials with reduced temperatures in humidity controlled warm-air treatment: a gentler and more efficient way to disinfest artworks and cultural heritage objects Senseman Austin. What’s bugging you? Research involved in the development of collection-specific IPM software and pest databases Shah Bhavesh. Training, tools and technology for managing IPM at the Victoria and Albert Museum, London Swindells Chris. The use of technology to manage the next generation of house mice Read Anthony. An oasis for pests? Setting up IPM in the Emirate of Abu Dhabi Richmond Molly Ryder Susanne. Introduction Van Dyke Alan P. IPM strikes back: reviving a slumping IPM program Veleda Mafalda. An oasis for pests? Setting up IPM in the Emirate of Abu Dhabi Vigneau Matthew. Wilke Nikolaus. Preliminary trials with reduced temperatures in humidity controlled warm-air treatment: a gentler and more efficient way to disinfest artworks and cultural heritage objects
Indeks R0: BMNK
Materiały z konferencji: konfer. on-line, 20 - 22 września 2021 r.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 26577 (1 egz.)
Książka
W koszyku
Autor
Alexandridis Annetta (1968- ). Winkler-Horaček Lorenz (1963- ). Alexandridis Annetta (1968- ). 'Classical' plaster casts in enlightenment and colonialist discourse on race Araki Shinya (1977- ). Embrace the copy: plaster casts and modernity in art education in Japan Basile Joseph J. Models for eternity: the changing role of plaster casts at The Maryland Institute Bevivino Michael Ann. "A rampage by vandals": the history and destruction of the plaster casts of the National College of Art and Design of Ireland Bolle-Fivaz Clara. What archival records do or do not say: the destruction of plaster casts in Geneva DiSalvo Lauren Kellogg. Hidden in plain view: the plaster cast collection at the National Museum of Natural History of the Smithsonian Institution Foster Sally M. (1963- ). Smashing casts: replication of Scottish early medieval sculpture as a case study on the fragility of value Holm Henrik (1964- ). The (mis)performance of cast collections Hume Hannah C. M. Through Athena's eyes: the Nenry W. Sage collection of casts at Cornell University Keller Natalia. The rise and fall of the Museo de Copias: on the history of the collection of sculpture replicas in the National Museum of Fine Arts in Santiago de Chile Leisner Nadine. Keep the copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit Morinière Soline (1988- ). The fate of cast collection in French education: between destruction and abandonment Oldewurtel Ulfert. Keep the copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit Payne Emma M. From pillar to post: calssical casts at the British Museum Pearson Stephanie. Falling between the cracks: UC Berkeley's plaster casts Pinatel Christiane. Destruction of plaster casts in workshops and collections of important French institution in th 19th and 20th centuries Rabe Britta. Verkauft, verschenkt, zerstört. Vergessen? Die Frankfurter Abguss-Sammlung9en): Versuch einer Rekonstruktion Rabinowitz Adam. "Museum od ancient art" or white elephant? The battle collection of plaster casts at the Unievrsity of Texas at Austin Schörner Hadwiga. Von systematischer Vernachlässigung bis absichtlicher Zerstörung: Gipsabgüsse in Jenaer und Wiener Antikensammlungen im 20. Jahrhundert Schreiter Charlotte. Burnt, destroyed, sold, lost: the fate of cast collections in the 18th and 19th centuries Splitter Rüdiger (1967- ). Die Abguss-Sammlungen im Museum Fridericianum und in der Gemäldegalerie Kassel Winkler-Horaček Lorenz (1963- ). Destroy the copy? Destroy the copy! A history of (non-)appreciation Winkler-Horaček Lorenz (1963- ). The fate of the Berlin plaster cast collections: from veneration to dectruction, defacement, and disposal
Indeks R0: BMNK
Materiały konferencyjne: Cornell University, 2010 oraz Freie Universität Berlin, 2015.
Bibliogr. przy art. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 35941 (1 egz.)
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