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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Foreword
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Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
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Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
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Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
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Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
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Druzik James. The lighting of easel paintings
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Eastaugh Nicholas. Optical microscopy
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Eastaugh Nicholas. Pigments in Western easel painting
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Fuster-López Laura. Filling
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Golden Mark (1948- ). Varnishing of acrylic paintings by artists
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Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
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Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
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Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
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Gottsegen Mark D. Recommending materials to artists
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Gottsegen Mark D. Twentieth-century grounds
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Hackney Stephen. Lining easel paintings
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Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
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Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
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Horovitz Isabel. Consolidation of flaking paint and ground
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Katlan Alexander. History of fabric supports
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Klein Peter. History and use of panels or other rigid supports for easel paintings
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Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
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Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
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MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
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McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
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Nadolny Jilleen. Pigments in Western easel painting
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Noble Petria. Ageing and deterioration of traditional oil and tempera paints
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Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
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Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
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Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
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Ramsay Barbara A. Travelling exhibitions and transporting paintings
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Reifsnyder Joan. Lining easel paintings
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Rossol Monona. Health and safety concerns in the paintings conservation studio
(2)
Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
(2)
Saunders David. Image documentation for paintings conservation
(2)
Scharff Mikkel. Lining easel paintings
(2)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
(2)
Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
(2)
Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
(2)
Stoner Joyce Hill (1946- )
(2)
Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Stoner Joyce Hill (1946- ). International public outreach projects
(2)
Stoner Joyce Hill (1946- ). Introduction
(2)
Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
(2)
Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
(2)
Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
(2)
Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Townsend Joyce H. A brief survey of historical varnishes
(2)
Townsend Joyce H. Binding media
(2)
Townsend Joyce H. Health and safety concerns in the paintings conservation studio
(2)
Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
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Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
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Walsh Valentine. Optical microscopy
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Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
(2)
Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings
(2)
Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
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Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
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Mary Cassatt and Philadelphia / Suzanne G. Lindsay. - Philadelphia, Pa. : Philadelphia Museum of Art, cop. 1985. - 96 s. : il. (w tym kolor.) ; 28 cm.
Katalog wystawy Feb. 17-Apr. 14, 1985 at Philadelphia Museum of Art.
Bibliogr. s. 95.
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Są egzemplarze dostępne do wypożyczenia: sygn. Kat. 11720 (1 egz.)
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Par delà le bien et le mal / Frédéric Nietzsche ; trad. par L. Weiscopf & G. Art. - Paris : Société du Mercure de France ; Leipzig : Naumann, 1898 (Paris : Impr. C. Renaudie). - VII, 263, [1] s. ; 23 cm.
(Oeuvres de Frédéric Nietzsche)
Tyt. oryg.: "Jenseits von Gut und Böse".
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Są egzemplarze dostępne do wypożyczenia: sygn. II 1601 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: sygn. II 32085 (1 egz.)
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Indeks R0: BMNK
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Zapytaj bibliotekarza o dostępność egzemplarzy do wypożyczenia: sygn. Dział Rycin, Rysunków i A kwarel sygn. IV 30 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: sygn. Kat. 16257 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: sygn. III 18889 (1 egz.)
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Les très belles miniatures de la Bibliothèque Royale de Belgique / par Eugène Bacha. - Bruxelles ; Paris : G. van Oest, 1913. - Teka ([3], VIII, 5, [1] s., 26 k. tabl.) ; 28 cm.
Indeks R0: BMNK
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Są egzemplarze dostępne do wypożyczenia: sygn. IV 51 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: sygn. III 2683 (1 egz.)
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Potts Philip J. West Margaret. Brunetti Antonio. Portable systems for energy-dispersive X-Ray fluorescence analysis of works of art Buccolieri Giovanni. Portable systems for energy-dispersive X-Ray fluorescence analysis of works of art Castellano Alfredo. Portable systems for energy-dispersive X-Ray fluorescence analysis of works of art Cesareo Roberto (1939- ). Portable systems for energy-dispersive X-Ray fluorescence analysis of works of art Donativi Marina. Portable systems for energy-dispersive X-Ray fluorescence analysis of works of art Fraser G. W. Extraterriestrial analysis: planetary X-Ray fluorescence from orbiting spacecraft and landers Gigante Giovanni E. Portable systems for energy-dispersive X-Ray fluorescence analysis of works of art Liangquan Ge. Geochemical prospecting Marabelli Maurizio (1934- ). Portable systems for energy-dispersive X-Ray fluorescence analysis of works of art Markowicz Andrzej A. (1950- ). Quantificationand correction procedures Medina Marco A. Rosales. Portable systems for energy-dispersive X-Ray fluorescence analysis of works of art Piórek Stanisław. Coatings, paint and thin film deposits Potts Philip J. Introduction, analytical instrumentation and application overview Ramsey Michael. Contaminated land: cost-effective investigation within sampling constraints Ridolfi Stefano (1957- ). Portable systems for energy-dispersive X-Ray fluorescence analysis of works of art West Margaret. Hazardous substances in the workplace Williams-Thorpe Olwen. The application of portable X-Ray fluorescence analysis to archaeological lithic provenancing
Indeks R0: BMNK
Bibliogr. przy art. Indeks.
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Są egzemplarze dostępne do wypożyczenia: sygn. II 31559 (1 egz.)
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 22146 (1 egz.)
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Ingersoll Catharine. McCusker Alisa. Weiss Jessica (1980- ). Ainsworth Maryan Wynn. Gerard David in Antwerp Brisman Shira (1979- ). The worth of ring, rewritten Carroll Jane Louise. Addressing power: Margaret of Austria and Burgundian Politics 1507-09 Eichberger Dagmar (1955- ). Maneuvering between competing courts: Jean Lemaire de Belges (1473-1515), chronicler and connoisseur Hubach Hanns. Nikolaus Gerhaert von Leyden Ingersoll Catharine. The battle of Wenzenbach as a pictorial subject at the Habsburg and Wittelsbach courts Kirch Miriam Hall. Faith embodied: Jacob Heller, Catharina von Melm, and their altarpiece LeZotte Annette. Eyes are the window to the soul: Joos van Cleve's Husband-and-Wife McCusker Alisa. Hans Schwarz and Hans Holbein the Elder: training a portraitist in early sixteenth-century Augsburg Morrall Andrew. Art, geometry, and the landscape of ruin in the sixteenth-century German Kunstkabinett Müller Jürgen (1961- ). The cloak of mercy: reflections on Rembrandt's etching The Hundred Guilder Print Münch Birgit Ulrike (1975- ). "Grünhanß" or, how Hans Baldung became a "Green Artist" Pearson Andrea G. Consumption as eroticism in early Netherlandish Devotional Art Proctor Anne. The fragmentation and restoration of the tomb for San Giovanni Gualberto in sixteenth-century Tuscany Schauerte Thomas Ulrich (1967- ). Growing distance: the high altars of the Augustinian Canon Churches in Dießen and Rohr Silver Larry (1947- ). Re-Christening Altdorfer's Regensburg Stewart Alison G. Sebald Beham and the Augsburg printer Niclas vom Sand: new documents on printing and Frankfurt before 1550 Weiss Jessica (1980- ). Relics of Los Reyes Católicos: The Retablo de Isabel and Spanish-Habsburg Dynastic Heirlooms Whitman Coleman Sally. The dirty work of fifteenth-century landscape painting in Northen Europe
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Bibliogr. publikacji Chippsa Smitha s. 261-267.
Bibliogr. w przypisach do art.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24943 (1 egz.)
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Brunetti Brunetto Giovanni. Miliani Costanza. Sgamellotti Antonio. Ernst Richard R. Science and art - my two passions Siano S. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Fratini F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mascalchi M. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Patrizi G. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzei B. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzeo Rocco. Scientific examination for the investigation and conservation for Far East Asian mural paintings Sciutto Giorgia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Prati Silvia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings Ling He. Scientific examination for the investigation and conservation for Far East Asian mural paintings Baglioni P. Maya mural paintings in Calakmul Carrasco Vargas R. Maya mural paintings in Calakmul Cordeiro Baqueiro M. Maya mural paintings in Calakmul Chelazzi David. Maya mural paintings in Calakmul Domenici Davide (1968- ). Colours of indigenous memory Buti David. Colours of indigenous memory Miliani Costanza. Colours of indigenous memory Brunetti Brunetto Giovanni. Colours of indigenous memory Sgamellotti Antonio. Colours of indigenous memory Zetina Sandra. Material study of the Codex Colombino Ruvalcaba José Louis. Material study of the Codex Colombino Falcón Tatiana. Material study of the Codex Colombino Arenas Alatorre Jesús. Material study of the Codex Colombino Yanagisawa Saeko. Material study of the Codex Colombino Álvarez Icaza Longoria Marisa. Material study of the Codex Colombino Hernández Eumelia. Material study of the Codex Colombino Giorgi R. Unveiling the artistic technique of the Florentine Codex Chelazzi David. Unveiling the artistic technique of the Florentine Codex Magaloni Kerpel Diana Isabel (1961- ). Unveiling the artistic technique of the Florentine Codex Melo Maria João. Colour in medieval Portuguese manuscripts Castro Rita. Colour in medieval Portuguese manuscripts Miranda Adelaide. Colour in medieval Portuguese manuscripts Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa Matteini Mauro (1943- ). Wall paintings of the monumental cemetery of Pisa Paolucci Antonio. Wall paintings of the monumental cemetery of Pisa Peggie David. Chemistry and chemical investigation of the transition from egg tempera painting to oil in Italy in the 15th century Szmelter Iwona (1952- ). Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Cartechini Laura. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Romani Aldo. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Pezzati Luca. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's "Madonna of the Goldfinch" Bellucci Roberto. Underdrawing in paintings Frosinini Cecilia. Underdrawing in paintings Pouli Paraskevi. Integrated approach to the study and preservation of painting using laser light technology Melessanaki Kristalia. Integrated approach to the study and preservation of painting using laser light technology Tornari V. Integrated approach to the study and preservation of painting using laser light technology Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology Filippini Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology Anglos D. Integrated approach to the study and preservation of painting using laser light technology Fotakis Costas. Integrated approach to the study and preservation of painting using laser light technology Glanville Helen. Mens agitat molem Rousselière Hélène. Mens agitat molem Viguerie L. de. Mens agitat molem Walter Ph. Mens agitat molem Leona Marco. Designing nature Londero Pablo S. Designing nature Perry Jennifer. Designing nature Fukunaga Kaori. Designing nature Bailey Gregory H. Designing nature Hale Charlotte (1959- ). Designing nature Vila Anna. As time passed by came sunset Monrad Kasper (1952-2018). As time passed by came sunset Filtenborg Troels (1951- ). As time passed by came sunset Wadum Jørgen. As time passed by came sunset Janssens Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Snickt Geer van der. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Vanmeert Frederik. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Monico Letizia. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Legrand Stijn. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Falkenberg Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Struick van der Loeff Luuk. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Leeuwestein Margje. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Hendriks Ella. 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Z. monogr.: Quart. 2021, nr 3 (61).
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