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(7)
Ainsworth Maryan Wynn. Gerard David in Antwerp
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Ainsworth Maryan Wynn. Pieter Coecke van Aelst as a panel painter
(1)
Ainsworth Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective
(1)
Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
(1)
Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Alsteens Stijn
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Alsteens Stijn. Pieter Coecke van Aelst's drawings for tapestries
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Alsteens Stijn. Story of Tobias
(1)
Alsteens Stijn. Triumph of Mordecai
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Andrade Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Baker Wendy. Search for a dimension-neutral effect in the solvent treatment of wood
(1)
Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton Parish Church of Priessnitz/Saxony
(1)
Bezur Aniko. Structural treatment of a seventeenth-century Flemish panel painting
(1)
Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
(1)
Bisacca George. The treatment of Durer’s Adam and Eve panels at the Prado Museum
(1)
Boeve-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936
(1)
Bomford David. Foreword
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Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Borchert Till-Holger (1967- )
(1)
Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
(1)
Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Brisman Shira (1979- ). The worth of ring rewritten
(1)
Buchanan Iain (1948-2018). Conquest of Tunis
(1)
Buchanan Iain (1948-2018). Story of Joshua
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Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
(1)
Campbell Lorne (1946- )
(1)
Campbell Thomas P
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Carroll Jane Louise. Addressing power: Margaret of Austria and Burgundian Politics 1507-09
(1)
Carvalho Salome Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes
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Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
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Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
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Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
(1)
Chui Sue Ann
(1)
Chui Sue Ann. Preface
(1)
Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
(1)
Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
(1)
Cleland Elizabeth A. H
(1)
Cleland Elizabeth A. H. Epilogue: virtue triumphs over death
(1)
Cleland Elizabeth A. H. Recognizing Pieter Coecke van Aelst
(1)
Cleland Elizabeth A. H. Seven deadly sins
(1)
Cleland Elizabeth A. H. Story of Abraham
(1)
Cleland Elizabeth A. H. Story of Vertumnus and Pomona
(1)
Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Couvert Jacqueline
(1)
Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
(1)
Delmarcel Guy. Life of Saint Paul
(1)
Dubois Anne
(1)
Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
(1)
Duin Paul van (1956- ). Panels in furniture: observations and conservation issues
(1)
Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
(1)
Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Eichberger Dagmar (1955- ). Maneuvering between competing courts: Jean Lemaire de Belges (1473-1515) chronicler and connoisseur
(1)
Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Falkenburg Reindert (1952- )
(1)
Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
(1)
Fife Gwendoline R. Developments in education in the Netherlands for the conservation of panel paintings
(1)
Forti Grazzini Nello (1954- ). Verdures with animals
(1)
Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
(1)
Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Fuente Martinez Jose de la. The treatment of Durer’s Adam and Eve panels at the Prado Museum
(1)
Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
(1)
Galitzine George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
(1)
Garcia Miguel. Structural interventions on sixteenth-century monumental oak panels in Tomar portugal
(1)
Giani Elisabetta. The conservation of an Insieme: The Madonna of Aracoeli and its original display
(1)
Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
(1)
Grattan David W. Search for a dimension-neutral effect in the solvent treatment of wood
(1)
Griesbach Monica. A hybrid approach to the structural treatment of panel paintings: case studies from American collections
(1)
Grontoft Terje (1962- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Haack Christensen Anne (1980- ). Interim results of a needs assessment survey for the field of panel paintings conservation
(1)
Hackney Stephen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Hamm James. Structural treatment of a seventeenth-century Flemish panel painting
(1)
Harrison Lynne. Finding solutions for mounting ancient Egyptian funerary portraits
(1)
Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
(1)
Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in Memento mori
(1)
Herrero Carretero Concha
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Hindriks Sandra
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Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Hofmann Mara
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Hola Aleksandra. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts Kraków
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Hopfner Ingrid. The development of flexible auxiliary support systems for panel paintings and the monitoring of panel movement by strain gauges
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Hubach Hanns. Nikolaus Gerhaert von Leyden
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Ingersoll Catharine
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Ingersoll Catharine. The battle of Wenzenbach as a pictorial subject at the Habsburg and Wittelsbach courts
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Jenkens A. Lawrence (1959- )
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Karafel Lorraine (1956- ). Story of Julius Caesar
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Kelberlau Sandra. Structural treatment of a seventeenth-century Flemish panel painting
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Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
(1)
Kempski Mary. Who is the man in red and who painted him?
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Kirch Miriam Hall. Faith embodied: Jacob Heller Catharina von Melm and their altarpiece
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Konig Eberhard (1947- )
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Kostecki Grzegorz. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts Kraków
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Kozłowski Roman (chemia). Allowable microclimatic variations for painted wood: direct tracing of damage development
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Kren Thomas (1950- )
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11 wyników Filtruj
Brak okładki
Książka
W koszyku
Katalog wystawy: "Tapestry in the Renaissance : Art and Magnificence" w The Metropolitan Museum of Art w Nowym Jorku, 12 marzec - 19 czerwiec 2002.
Bibliogr. s. 537-566. Indeks.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 14258 sygn. III 14258 (1 egz.)
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 13291 sygn. III 13291 (1 egz.)
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Jean Poyer : das Gesamtwerk / Mara Hofmann. - Turnhout : Brepols, cop. 2004. - 347 s. : il. (w tym kolor.) ; 26 cm.
(Ars Nova : studies in late Medieval and Renaissance northern painting and illumination / series ed. Maryan W. Ainsworth, Eberhard König ; [7])
W numeracji s. pominięte nry 71-72.
Bibliogr. s. 193-204. Indeks.
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Dział
Zapytaj bibliotekarza o dostępność egzemplarzy do wypożyczenia: sygn. III 13958 sygn. III 13958 (1 egz.)
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Z. monogr.: "The Metropolitan Museum of Art Bulletin". Vol. 72 (2014-2015), no 4.
Publ. w związku z wystawą "Cranach's Saint Maurice" w The Metropolitan Museum of Art w Nowym Jorku od 20 kwietnia do 27 lipca 2015 r.
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Magazyn
Zapytaj bibliotekarza: sygn. Czas. II 83/72/4 sygn. Czas. II 83/72/4 (1 egz.)
Brak okładki
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Materiały z konferencji zorganizowanej w The Metropolitan Museum of Art, 07.11.1998 r., Nowy Jork.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 20324 sygn. III 20324 (1 egz.)
Książka
W koszyku
Publ. związ z wystawą w The Metropolitan Museum of Art, New York od 8 października 2014 do 11 stycznia 2015.
Bibliogr. s. 375-392. Indeks.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24489 sygn. III 24489 (1 egz.)
Książka
W koszyku
Autor
Ingersoll Catharine. McCusker Alisa. Weiss Jessica (1980- ). Ainsworth Maryan Wynn. Gerard David in Antwerp Brisman Shira (1979- ). The worth of ring, rewritten Carroll Jane Louise. Addressing power: Margaret of Austria and Burgundian Politics 1507-09 Eichberger Dagmar (1955- ). Maneuvering between competing courts: Jean Lemaire de Belges (1473-1515), chronicler and connoisseur Hubach Hanns. Nikolaus Gerhaert von Leyden Ingersoll Catharine. The battle of Wenzenbach as a pictorial subject at the Habsburg and Wittelsbach courts Kirch Miriam Hall. Faith embodied: Jacob Heller, Catharina von Melm, and their altarpiece LeZotte Annette. Eyes are the window to the soul: Joos van Cleve's Husband-and-Wife McCusker Alisa. Hans Schwarz and Hans Holbein the Elder: training a portraitist in early sixteenth-century Augsburg Morrall Andrew. Art, geometry, and the landscape of ruin in the sixteenth-century German Kunstkabinett Müller Jürgen (1961- ). The cloak of mercy: reflections on Rembrandt's etching The Hundred Guilder Print Münch Birgit Ulrike (1975- ). "Grünhanß" or, how Hans Baldung became a "Green Artist" Pearson Andrea G. Consumption as eroticism in early Netherlandish Devotional Art Proctor Anne. The fragmentation and restoration of the tomb for San Giovanni Gualberto in sixteenth-century Tuscany Schauerte Thomas Ulrich (1967- ). Growing distance: the high altars of the Augustinian Canon Churches in Dießen and Rohr Silver Larry (1947- ). Re-Christening Altdorfer's Regensburg Stewart Alison G. Sebald Beham and the Augsburg printer Niclas vom Sand: new documents on printing and Frankfurt before 1550 Weiss Jessica (1980- ). Relics of Los Reyes Católicos: The Retablo de Isabel and Spanish-Habsburg Dynastic Heirlooms Whitman Coleman Sally. The dirty work of fifteenth-century landscape painting in Northen Europe
Indeks R0: BMNK
Bibliogr. publikacji Chippsa Smitha s. 261-267.
Bibliogr. w przypisach do art.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24943 sygn. III 24943 (1 egz.)
Książka
W koszyku
(Dessin Sous-Jacent et la Technologie dans la Peinture = Underdrawing and Technology in Painting ; symposium 19)
Autor
Borchert Till-Holger (1967- ). Couvert Jacqueline. Dubois Anne. Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies, connoisseurship and provenance research Bücken Véronique. Le Triptyque de l'Adoration des Mages (Turin-Gênes) et le mecenat d'Hendrik Keddekin, abbe de Ter Doest Ciulisová Ingrid (1960- ). The Saint Michael altarpiece in Spišská Kapitula - a preliminary report Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination, cleaning and restoration Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve, Archives de l’Université, ms. A2) Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop Ewing Dan. Two "new" paintings by Jan de Beer – technical studies, connoisseurship and provenance research Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Fücker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop Galassi Maria Clelia (1954- ). Revising Friedländer - the "underdrawing connoisseurship” and the Master of the Turin Adoration Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg, c. 1420 - new findings about painting process and characteristics Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori" Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy Kempski Mary. Who is the man in red and who painted him? Lainé David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens Périer-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés - as unusual altarpiece Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Whitaker Lucy. Who is the man in red and who painted him? Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
Indeks R0: BMNK
Konferencja zorganizowana przez: Université catholique de Louvain, Musée de Louvain-la-Neuve, and Musea Brugge in collaboration with KIK-IRPA, Royal Institute for Cultural Heritage, Illuminare - Centre for Study of Medieval Art - KULeuven - University of Leuven.
Druk. dedyk.: In memoriam Roger Van Schoute.
Bibliogr. s. 351-369.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24321 sygn. III 24321 (1 egz.)
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W koszyku
Autor
Chui Sue Ann. Phenix Alan. Ainsworth Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective Andrade Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Baker Wendy. Search for a dimension-neutral effect in the solvent treatment of wood Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton, Parish Church of Priessnitz/Saxony Bezùr Anikò. Structural treatment of a seventeenth-century Flemish panel painting Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels Bisacca George. The treatment of Dürer’s Adam and Eve panels at the Prado Museum Boevé-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936 Bomford David. Foreword Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development Carvalho Salomé Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies Chui Sue Ann. Preface Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Duin Paul van (1956- ). Panels in furniture: observations and conservation issues Fife Gwendoline R. Developments in education in the Netherlands for the conservation of panel paintings Fuente Martinez José de la. The treatment of Dürer’s Adam and Eve panels at the Prado Museum Galitzine George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels Garcia Miguel. Structural interventions on sixteenth-century monumental oak panels in Tomar, portugal Giani Elisabetta. The conservation of an Insieme: The Madonna of Aracoeli and its original display Grattan David W. Search for a dimension-neutral effect in the solvent treatment of wood Griesbach Monica. A hybrid approach to the structural treatment of panel paintings: case studies from American collections Grøntoft Terje (1962- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Haack Christensen Anne (1980- ). Interim results of a needs assessment survey for the field of panel paintings conservation Hackney Stephen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Hamm James. Structural treatment of a seventeenth-century Flemish panel painting Harrison Lynne. Finding solutions for mounting ancient Egyptian funerary portraits Hola Aleksandra. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków Hopfner Ingrid. The development of flexible auxiliary support systems for panel paintings and the monitoring of panel movement by strain gauges Kelberlau Sandra. Structural treatment of a seventeenth-century Flemish panel painting Kostecki Grzegorz. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków Kozłowski Roman (chemia). Allowable microclimatic variations for painted wood: direct tracing of damage development Lasyk Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development Lemus Elsa M. Arroyo. La Virgen del Perdón after the fire of 1967 Lopez-Aparicio Susana (1975- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Łukomski Michał. Allowable microclimatic variations for painted wood: direct tracing of damage development Marchant Ray. Alleviating stress in the framing of panel paintings Marchant Ray. Experimental evaluation of adhesive-filler combinations for joining panel paintings Marchant Ray. The repair and support of thinned panel paintings: a case study in modifying established techniques Monfardini PierPaolo. Structural and climate control systems for thinned panel paintings Mora Costanza. The conservation of an Insieme: The Madonna of Aracoeli and its original display Myers Alan Miller (1955- ). Marvel seal envelopes at the Metropolitan Museum of Art Myers Alan Miller (1955- ). The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels New Britta. Experimental evaluation of adhesive-filler combinations for joining panel paintings New Britta. The repair and support of thinned panel paintings: a case study in modifying established techniques Newman Nicola. Finding solutions for mounting ancient Egyptian funerary portraits Obarzanowski Michał. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Odlyha Marianne. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Ormond Devi. Alleviating stress in the framing of panel paintings Ortega Antonio. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Perla Maria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Phenix Alan. Preface Provinciali Beatrice. The conservation of an Insieme: The Madonna of Aracoeli and its original display Richard Mervin. Further studies on the benefit of adding silica gel to microclimate packages for panel paintings Roeders Jessica. 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