Ayers Tim (1958- ). Collegiate identity and the art of Lancastrian reform: The stained glass of Merton College Oxford in the early fifteenth century
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Bartlova Milena (1958- ). Can we grasp wordless images?
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Baxter Ron. Speech and writing in the Gospels of Matilda of Canossa
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Belozerskaya Marina (1966- ). Critical mass: importing luxury industries across the Alps
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Binski Paul (1956- ). Gothic art realism and magniloquentia: thoughts on Erich Auerbach
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Buran Dusan (1969- ). The Crucifixion in Kezmarok - a little-known masterpiece by Master Paul of Levoca
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Cannon Joanna (1951- ). An enigmatic Italian panel painting of the Crucifixion in the Narodni galerie Prague
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Charron Pascale (1964- ). Color grisaille and pictoral techniques in works by Jean Pucelle
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Coldstream Nicola. Eleanor of Castile and the New Jerusalem
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Coomans Thomas (1962- )
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Doyle Kathleen (1958- ). Bernard of Clairvaux's Apologia as a work of Medieval rhetoric
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Drake Boehm Barbara. Perfect penmanship: Pucelle's creativity in the margins of the Hours of Jeanne d'Evreux
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Eisler Colin T. (1931- ). Flying pictorial carpets: tapestries' transalpine agendas
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Forti Grazzini Nello (1954- ). Brussels tapestries for Italian customers: Cardinal Montalto's landscapes with animals made by Jan II Raes and Catherine van den Eynde
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Galand Alexandre (1979- )
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Galassi Maria Clelia (1954- ). Aspects of Antonello da Messina's technique and working method in the 1470s: between Italian and Flemish tradition
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Gelfand Laura Deborah. Regional styles and political ambitions: Margaret of Austria's Monastic foundation at Brou
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Gerat Ivan (1964- ). Bonaventure and monastic images of St Elizabeth
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Gil Marc (1959- ). Jean Pucelle and the Parisian seal-engravers and goldsmiths
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Gilbert Creighton (1924-2011). Piero and Bouts
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Grant Lindy (1952- ). Gold bezants on the altar: Coronation imagery in the Bibles Moralisees
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Hamburger Jeffrey F. (1957- ). Bloody Mary: traces of the peplum cruentatum in Prague - and in Strasbourg?
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Hand John Oliver (1941- )
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Hinterholz Tanja. Inhaltliche Vielfalt durch motivische Zuruckhaltung. Zur Wandmalerei in der camera pape im Papstpalast von Avignon
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Holladay Joan A. Jean Pucelle and his patrons
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Juckes Tim. Eye of the donkey: visual strategies on the choir Threshold of St Laurence’s in Nuremberg
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Kaczmarek Romuald (1959- ). Das Kultbild und sein Rahmen: Zur Funktion von Stildifferenzen (zwei schlesische Beispiele aus dem Anfang des 16. Jahrhunderts)
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Kauffmann Claus Michael (1931- ). The Meaning of Biblical Imagery in Churches: Is the Liturgy the Answer?
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Keane Marguerite A. Collaboration in the Hours of Jeanne de Navarre
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Kuroiwa Mie. Working with Jean Pucelle and his successors: the case of the Saint Louis Master (Mahiet?)
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Lane Barbara G. (1941- ). Memling's impact on the early Raphael
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Leo Domenic. Pucellian school and the rise of naturalism: style as royal signifier?
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Lowden John. Inventing Biblical narrative: The Kiss of Cain in the Bibles Moralisees
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Maniura Robert. Image space and Holy Place in the cult of Our Lady of Częstochowa
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Marx Richard (1945- ). To the Honour and the pleasure of Almighty God and the to the Comfort of the Parishioners: the rood and remembrance
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Pace Valentino (1944- ). Storia mito e allegoria: I portali del Santo Sepolcro a Brindisi
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Park David (1952- ). Repairing that vision by which Christ may be seen: The St Swithun Cycle at Corhampton and the depiction of patronal saints in English Romanesque wall painting
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Patigny Geraldine (1975- )
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Pfisterer Ulrich (1968- ). Bildkonzepte im Widerstreit. Donatellos Judith als „naturalisierte Allegorie“
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Pinkus Assaf. The scaling turn: experiencing late medieval artifacts
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Pinson Yona. Moralised triumphal chariots - metamorphosis of Petrarch's trionfi in Northern Art (c. 1530-c. 1560)
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Pyun Kyunghee. Pucellian influence in illuminated liturgical manuscripts
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Robson Janet (1959-2018). Assisi Rome and the Miracle of the Crib at Greccio
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Rodriguez Porto Rosa Maria. In cerchio: illuminating the Trojan legend and the commedia between the Veneto and Naples (with some conjectures on Madrid BNE MS 10057)
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Rohlmann Michael (1964- ). The Annunciation by Joos Ammann in Genoa: context function and metapictorial quality
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Ross Elizabeth (1973- ). Mainz at the crossroads of Utracht and Venice: Erhard Reuwich and the Peregrinatio in terram sanctam (1486)
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Rowland Ingrid D. (1953- ). Agostino Chigi's Flemish connection
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Rożnowska-Sadraei Agnieszka. Jagiellonians and the internationalisation of national saints
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Russakoff Anna. Collaborative illumination: Jean Pucelle and the visual program of Gautier de Coinci's Les miracles de Nostre Dame
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Saurma-Jeltsch Lieselotte E. (1946- ). Wie die Bilder im Roman d’Alexandre en prose die dubiose Herkunft des Helden diskutieren
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Scholten Frits (1959- ). Spiriti veramente divini: sculptors from the Low Countries in Italy 1500-1600
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Schurr Marc Carel (1965- ). Bilder und Kult als Ausdruck bischoflicher Macht: Berthold von Buchegg und die Katharinenkapelle im Strasburger Munster
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Spath Markus (1969- ). Architectural representation and monastic identity: the Medieval seal images of Christchurch Canterbury
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Studnickova Milada (1955- ). Archbishop Jan of Jenstein and a new iconography of the Visitation of St Elizabeth to the Virgin Mary: mystic vision and its visualization as an instrument of Church policy
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Suckale Robert (1943-2020). A statuette of the Saviour in the style of the Virgins on lions
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Theisen Maria (1963- ). Picturing Frana
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Timmermann Achim. Astwerk and ars moriendi: reflections on a Poor Sinner's Cross in Heilbronn (1514)
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Walker Rose. Sisters and suburbs: some reflections on Berengaria of Navarre and her Cistercian foundation outside Le Mans
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Wetter Evelin (1969- ). Issues of negotiation: church treasures and political claims in the Mark Brandenburg
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Williamson Beth. The ordered exercise of intellection: the manipulation of devotional technologies
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Wolfthal Diane (1949- ). Florentine bankers Flemish friars and the patronage of the Portinari altarpiece
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