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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
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Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
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Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
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Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
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Dixon Thomas. Storage of easel paintings
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Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
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Druzik James. The lighting of easel paintings
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Eastaugh Nicholas. Optical microscopy
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Eastaugh Nicholas. Pigments in Western easel painting
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Fuster-López Laura. Filling
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Golden Mark (1948- ). Varnishing of acrylic paintings by artists
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Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
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Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
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Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
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Gottsegen Mark D. Recommending materials to artists
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Gottsegen Mark D. Twentieth-century grounds
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Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
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Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Hermens Erma (1958- ). Binding media
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Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
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Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
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Horovitz Isabel. Consolidation of flaking paint and ground
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Katlan Alexander. History of fabric supports
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Klein Peter. History and use of panels or other rigid supports for easel paintings
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Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
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Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
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Lowengard Sarah. Pigments in Western easel painting
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MacBeth Rhona. The technical examination and documentation of easel paintings
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Marvelde Mireille te. Lining easel paintings
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Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
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Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
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McClure Ian. Framing and microclimate enclosures for panel paintings
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McGinn Mary. Health and safety concerns in the paintings conservation studio
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Michalski Stefan (konserwatorstwo). The lighting of easel paintings
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Myers Gay. Varnishing as part of the conservation treatment of easel paintings
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Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
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Noble Petria. Ageing and deterioration of traditional oil and tempera paints
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Oddy William Andrew (1942- )
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Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
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Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
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Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
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Ormsby Bronwyn. Twentieth-century grounds
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Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
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Phenix Alan. A brief survey of historical varnishes
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Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
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Ramsay Barbara A. Travelling exhibitions and transporting paintings
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Reifsnyder Joan. Lining easel paintings
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Rossol Monona. Health and safety concerns in the paintings conservation studio
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Rushfield Rebecca (1954- )
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Rushfield Rebecca (1954- ). Conservation organizations and professional standards
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Saunders David. Image documentation for paintings conservation
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Scharff Mikkel. Lining easel paintings
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Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
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Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
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Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
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Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
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Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
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Stavroudis Chris. Aqueous methods for the cleaning of paintings
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Stols-Witlox Maartje (1972- ). Grounds 1400-1900
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Stoner Joyce Hill (1946- )
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Stoner Joyce Hill (1946- ). Introduction
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Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
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Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
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Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
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Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
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Townsend Joyce H. A brief survey of historical varnishes
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Townsend Joyce H. Binding media
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Townsend Joyce H. Health and safety concerns in the paintings conservation studio
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Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
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Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
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Walsh Valentine. Optical microscopy
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Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
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Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings
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Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
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The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
Temat
Konserwatorstwo Malarstwo (szt.plast.) Ochrona zabytków
Indeks R0: BMNK
Bibliogr. s. 792-890. Indeks.
aktualnie wypożyczona
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 35746 (1 egz.)
Książka
W koszyku
The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - London ; New York : Routledge Taylor & Francis Group, 2012. - XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
Temat
Malarstwo (szt.plast.)
Indeks R0: BMNK
Bibliogr. s. 765-866. Indeks.
aktualnie wypożyczona
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 23047 (1 egz.)
Książka
W koszyku
Interactions between water and paintings / edited by Rhiannon Clarricoates, Helen Dowding and Adèle Wright. - London : Archetype Publications : ICON Paintings Group, cop. 2019. - IX, 121 s. : il. (gł. kolor.) ; 25 cm.
Autor
Clarricoates Rhiannon. Dowding Helen. Wright Adèle. Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings Christensen Marie. Bulging in wax-resin impregnated canvas paintings Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Frøysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Gregers-Høegh Cecilia. Bulging in wax-resin impregnated canvas paintings Harrison Lynne. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Hellen Rebecca (1972- ). 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings Higgs Sally. Paintings affected by mould at the Palace of Westminster Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Howard Helen. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection Miller Eric. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Ormsby Bronwyn. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Santacesaria Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the "The last supper" by Giorgio Vasari Seed Alison. Paintings affected by mould at the Palace of Westminster Scott Rachel. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Slottved Kimbriel Christine (1982- ). Bulging in wax-resin impregnated canvas paintings Stols-Witlox Maartje (1972- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Stoveland Lena Porsmo. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Sučević Miklin Maja. The challenges of reconstructing water-damaged paint layers on painted wooden panelling Thickett David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Vilde Vladimir. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Wischniowski Tatjana. Oil-based paint under a layer of water: a rare miniature painting technique from the 18th century
Temat
Konserwatorstwo Malarstwo (szt.plast.) Ochrona zabytków
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
Materiały z konferencji: National Museums of Scotland, 12 października 2018 r.
Bibliogr. przy ref.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 33820 (1 egz.)
Książka
W koszyku
Lasers in the Conservation of Artworks XI. : proceedings of the International Conference LACONA XI, Kraków, Poland, 20-23 September 2016 / editors: Piotr Targowski, Małgorzata Walczak, Paraskevi Pouli. - Toruń : Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, cop. 2017. - 325 s. : il. (gł. kolor.) ; 24 cm.
Autor
Pouli Paraskevi. Targowski Piotr. Walczak Małgorzata (chemia). Andraud Christine. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Asmus John F. Final Endeavors of "Monument Man" Asmus John F. The Hanford Nuclear Plant: radiation ablation meets history, cultural heritage, and nuclear decontamination Bartoli Laura. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Barucci Marco. Nonlinear optical imaging techniques (NLO) for painting investigation Basilissi Giulia. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Beier Oliver. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Binet Laurent. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Bonelli Donatella. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Botteon Alessandra. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Bourgon Julie. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Bulska Ewa. Archaeometric investigations of medieval stained glass panels from Grodziec in Poland Cagnini Andrea. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Caneve Luisa. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Cappuccini Caterina. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Carò Federico. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Cerea Silvia. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Cheung Nai-Ho. Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Ciaffi Massimiliano. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Cicchi Riccardo. Nonlinear optical imaging techniques (NLO) for painting investigation Ciofini Daniele. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Conradi Andrea. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Corda Ludovica. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Czyż Krzysztof. LIBS, optical and multivariate analyses of selected 17th-century oil paintings from the Museum of King Jan III's palace at Wilanow Daffara Claudia. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Dajnowski Andrzej. Using the new G.C. Laser Cleaning System for cleaning and surface preparation for re-gilding of a large outdoor bronze monument of Alexander Hamilton Dajnowski Bartosz A. From Earth to Outer Space: Laser cleaning semiprecious quartz and a novel application for meteoritic metal Dajnowski Bartosz A. Using the new G.C. Laser Cleaning System for cleaning and surface preparation for re-gilding of a large outdoor bronze monument of Alexander Hamilton Dal Fovo Alice. Nonlinear optical imaging techniques (NLO) for painting investigation Detalle Vincent (1969- ). Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Elford Jessica P. Final Endeavors of "Monument Man" Elford Jessica P. The Hanford Nuclear Plant: radiation ablation meets history, cultural heritage, and nuclear decontamination Falcon Martinez Maria Fernanda. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Fantoni Roberta. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Fontana Raffaella. Nonlinear optical imaging techniques (NLO) for painting investigation Francucci Massimo. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Gaburro Nicola. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Galeotti Monica. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Giuffrida Chiara. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Giuntini Christine. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Godet Marie. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Groves Roger (1965- ). Spectral imaging of Dutch gilt leather for improved conservation strategies Grünler Bernd. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Guarneri Massimiliano. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Hartmann Annette. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Isella Elisa. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Iwanicka Magdalena. The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Jovanović Maja. Easel paintings on canvas and panel: application of Nd:YAG laser at 355 nm, 1064 nm and UV, IR and visible light for the development of new methodologies in conservation Jovanović Vanja. Easel paintings on canvas and panel: application of Nd:YAG laser at 355 nm, 1064 nm and UV, IR and visible light for the development of new methodologies in conservation Kaczkowski Rebecca A. From Earth to Outer Space: Laser cleaning semiprecious quartz and a novel application for meteoritic metal Kamińska Marta. Archaeometric investigations of medieval stained glass panels from Grodziec in Poland Krüger Jörg. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Leona Marco. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Leroy Eric. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Leung Kelvin S. Y. Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Londero Pablo S. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Londero Pablo S. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Lum Judy T.S. Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Łukaszewicz Jadwiga W. (1952- ). The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Mancini Francesca. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Marchioro Giacomo. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Marinelli Marco. A preliminary study of contemporary binders by Time Resolved Laser Induced Fluorescence (TR-LIF) spectroscopy: characterization of the painting Nascita Delia Forma by Nato Frasca Melessanaki Kristalia. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Mercatelli Raffaella. Nonlinear optical imaging techniques (NLO) for painting investigation Mkhoyan Tigran. Spectral imaging of Dutch gilt leather for improved conservation strategies Monnier Judith. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Motto-Ros Vincent (1977- ). Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Musiela Jędrzej. The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Palucci Antonio. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Pampaloni Enrico. Nonlinear optical imaging techniques (NLO) for painting investigation Papadakis Vassilis. Spectral imaging of Dutch gilt leather for improved conservation strategies Papanikolaou Athanasia. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Parfenov Vadim Aleksandrovič. Final Endeavors of "Monument Man" Parfenov Vadim Aleksandrovič. The Hanford Nuclear Plant: radiation ablation meets history, cultural heritage, and nuclear decontamination Pasqualucci Alessandra. A preliminary study of contemporary binders by Time Resolved Laser Induced Fluorescence (TR-LIF) spectroscopy: characterization of the painting Nascita Delia Forma by Nato Frasca Pawlak Agnieszka (konserwacja sztuki). LIBS, optical and multivariate analyses of selected 17th-century oil paintings from the Museum of King Jan III's palace at Wilanow Pentzien Simone. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Persia Franca. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Pezzati Luca. Nonlinear optical imaging techniques (NLO) for painting investigation Philippidis Aggelos. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Posthuma de Boer Martine. Spectral imaging of Dutch gilt leather for improved conservation strategies Pouli Paraskevi. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Rafaelli Marco. Nonlinear optical imaging techniques (NLO) for painting investigation Rizzo Adriana. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Romani Martina. A preliminary study of contemporary binders by Time Resolved Laser Induced Fluorescence (TR-LIF) spectroscopy: characterization of the painting Nascita Delia Forma by Nato Frasca Romeo Alessandro. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Roth Constanze. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Ruppen Veronica. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Saheb Mandana. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Sansonetti Antonio. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Sawicki Marek (1974- ). A moderate microsampling in Laser Ablation Inductively Coupled Plasma Mass Spectrometry analysis of cultural heritage objects: a review Schmidt Birgit Angelika. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Scirpa Francesca. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Seymour Kate (1968- ). Spectral imaging of Dutch gilt leather for improved conservation strategies Siozos Panayiotis. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Skrzeczanowski Wojciech. LIBS, optical and multivariate analyses of selected 17th-century oil paintings from the Museum of King Jan III's palace at Wilanow Spizzichino Valeria. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Stoksik Henryk (1955- ). The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Striber Joakim (1965- ). Easel paintings on canvas and panel: application of Nd:YAG laser at 355 nm, 1064 nm and UV, IR and visible light for the development of new methodologies in conservation Striova Jana. Nonlinear optical imaging techniques (NLO) for painting investigation Sylwestrzak Marcin. The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Syta Olga. A moderate microsampling in Laser Ablation Inductively Coupled Plasma Mass Spectrometry analysis of cultural heritage objects: a review Tatì Angelo. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Terranova Gaetano. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Trykowski Grzegorz (1975- ). White, yellow and green pigments on Polish artists' palettes in the period 1838-1938 Velzen Bianca van. Spectral imaging of Dutch gilt leather for improved conservation strategies Vergès-Belmin Véronique. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Verona-Rinati Gianluca. A preliminary study of contemporary binders by Time Resolved Laser Induced Fluorescence (TR-LIF) spectroscopy: characterization of the painting Nascita Delia Forma by Nato Frasca Vicenzi Edward P. From Earth to Outer Space: Laser cleaning semiprecious quartz and a novel application for meteoritic metal Wachowiak Mirosław. White, yellow and green pigments on Polish artists' palettes in the period 1838-1938 Wagner Barbara (chemia). A moderate microsampling in Laser Ablation Inductively Coupled Plasma Mass Spectrometry analysis of cultural heritage objects: a review Walczak Małgorzata (chemia). Archaeometric investigations of medieval stained glass panels from Grodziec in Poland Wilk Dariusz (chemia). Archaeometric investigations of medieval stained glass panels from Grodziec in Poland Yandrisevits Marlene April. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Yue Cai Bruno. Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Zanini Alessandro. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Żmuda-Trzebiatowska Iwona. White, yellow and green pigments on Polish artists' palettes in the period 1838-1938
Temat
Konserwatorstwo Lasery Sztuka
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
Bibliogr. przy ref. Indeks.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31920 (1 egz.)
Brak okładki
Książka
W koszyku
Nowe pokolenie konserwatorów krakowskich (II) = A new generation of Cracovian art restorers (II) / [redakcja: Maria Rola ; tłumaczenia: Monika Bogdanowska, Tom Carter]. - Kraków : Wydawnictwo Akademii Sztuk Pięknych im. Jana Matejki w Krakowie, 2015. - 391, [1] s. : il. (gł. kolor.) ; 24 cm.
(Studia i Materiały Wydziału Konserwacji i Restauracji Dzieł Sztuki Akademii Sztuk Pięknych w Krakowie / red. serii Małgorzata Nowalińska, ISSN 1230-0128 ; t. 24)
Autor
Bogdanowska Monika (1962- ). Carter Tom. Nowalińska Małgorzata. Rola Maria. Błaszczyk Marcin (konserwacja zabytków). Malowidła ścienne w prezbiterium dawnego kościoła parafialnego pod wezwaniem Matki Boskiej Gromnicznej w Siemiechowie Błaszczyk Marcin (konserwacja zabytków). Wall paintings from the presbytery of the former parish church of Our Lady of the Thunder Candle in Siemiechów Budziaszek Barbara. Rozwarstwienie i przeniesienie polichromii z rzeźby drewnianej z zastosowaniem metod opracowanych dla malowideł sztalugowych na drewnie Budziaszek Barbara. The separation and transferral of polychromy from a wooden sculpture with the implementation of the layer separation treatment used in painting Głowacz Tomasz. Problematyka konserwacji markieterii w stylu Boulle'a Głowacz Tomasz. Restoration-conservation of Boullework Jakubowska-Szarska Agnieszka. Transfer fragmentu gotyckiego malowidła z Domu Długosza w Wiślicy Jakubowska-Szarska Agnieszka. The transfer of the fragment of a gothic painting from the House of Długosz in Wiślica Kaszowska Zofia. A study of the technology and technique of the "berliner lackvasen" from the collection of the Jagiellonian University Museum : developing methods of conservation Kaszowska Zofia. Badania technologii i techniki lakierowanych waz berlińskich ze zbiorów Muzeum UJ oraz opracowanie metody ich konserwacji Kisiel Maria (1989- ). Easel painting separation treatment - The St. Apollonia and St. Rosalie panels from the Łącko triptych Kisiel Maria (1989- ). Rozwarstwienie i osadzenie na nowym podłożu dwóch malowideł sztalugowych z awersów "małych" skrzydeł tryptyku z Łącka - Św. Apolonia i Św. Rozalia Kociuba Ewa. Konserwacja obrazu z przedstawieniem Matki Boskiej z Dzieciątkiem w typie hodegetrii małopolskiej z Muzeum Archidiecezjalnego w Przemyślu, z uwzględnieniem doświadczeń konserwatorskich przy obrazach tego typu Kociuba Ewa. The conservation-restoration of the małopolska hodegetria from the Archdiocese Museum in Przemyśl based on experience garnered in the restoration of similar artefacts Kozik Regina. Identyfikacja zniszczeń typu biochemicznego oraz opracowanie metody regeneracji warstwy malarskiej na przykładzie konserwacji malowidła olejnego na tekturze Portret kobiety, 1906, pędzla Zygmunta Ajdukiewicza Kozik Regina. The identification of biochemical deterioration and establishing a method of regeneration for the painting layer - the case of the oil painting on cardboard by Zygmunt Ajdukiewicz - "Portrait of a woman", 1906 Krawczyk Ewelina. Gipsowe modele anatomiczne w programie nauczania rysunku i malarstwa w Akademii Sztuk Pięknych oraz ich problematyka konserwatorska Krawczyk Ewelina. Gypsum anatomical models in the process of teaching drawing and painting at the Academy of Fine Arts : issues connected to preservation of the models Kurzeja Bartłomiej. Easel painting separation treatment - The St. Apollonia and St. Rosalie panels from the Łącko triptych Kurzeja Bartłomiej. Rozwarstwienie i osadzenie na nowym podłożu dwóch malowideł sztalugowych z awersów "małych" skrzydeł tryptyku z Łącka - Św. Apolonia i Św. Rozalia Kwiatkowska Magdalena (konserwatorstwo). Issues regarding the restoration of classicism polychromy and the digital redesign of wall paintings restored in the 1970s. - the case of the House under the Angel in Kraków Kwiatkowska Magdalena (konserwatorstwo). Problemy współczesnej restauracji polichromii klasycystycznej oraz powtórnej komputerowej aranżacji malowideł konserwowanych w latach 70. XX w. - na podstawie prac w pomieszczeniu na II piętrze Kamienicy pod Aniołkiem w Krakowie Lempart-Geratowska Marta (1962- ). Easel painting separation treatment - The St. Apollonia and St. Rosalie panels from the Łącko triptych Lempart-Geratowska Marta (1962- ). Konserwacja obrazu z przedstawieniem Matki Boskiej z Dzieciątkiem w typie hodegetrii małopolskiej z Muzeum Archidiecezjalnego w Przemyślu, z uwzględnieniem doświadczeń konserwatorskich przy obrazach tego typu Lempart-Geratowska Marta (1962- ). Rozwarstwienie i osadzenie na nowym podłożu dwóch malowideł sztalugowych z awersów "małych" skrzydeł tryptyku z Łącka - Św. Apolonia i Św. Rozalia Lempart-Geratowska Marta (1962- ). The conservation-restoration of the małopolska hodegetria from the Archdiocese Museum in Przemyśl based on experience garnered in the restoration of similar artefacts Olesiejuk Kinga. Inconsistent materiality of the contemporary Vanitas Olesiejuk Kinga. Niekonsekwentna materialność współczesnej Vanitas Opalińska Agnieszka. Issues arising from the conservation of one of the boards of an etching calendar from the monastery of the benedictine sisters in Staniątki Opalińska Agnieszka. Problematyka konserwacji jednej z tablic kalendarza sztychowego z klasztoru sióstr benedyktynek w Staniątkach Piotrowska Monika (konserwatorstwo). A study of the technology and technique of the "ber liner lackvasen" from the collection of the Jagiellonian University Museum : developing methods of conservation Piotrowska Monika (konserwatorstwo). Badania technologii i techniki lakierowanych waz berlińskich ze zbiorów Muzeum UJ oraz opracowanie metody ich konserwacji Płuska Ireneusz (1943- ). Gipsowe modele anatomiczne w programie nauczania rysunku i malarstwa w Akademii Sztuk Pięknych oraz ich problematyka konserwatorska Płuska Ireneusz (1943- ). Gypsum anatomical models in the process of teaching drawing and painting at the Academy of Fine Arts : issues connected to preservation of the models Płuska Ireneusz (1943- ). Technique and technology of the reconstruction of a monumental marble sculpture - the case of the Zofia Sapieżanka gravestone Płuska Ireneusz (1943- ). Techniki i technologie rekonstrukcji wielkogabarytowych rzeźb marmurowych na przykładzie płyty nagrobnej Zofii Sapieżanki Poleska-Zawadzińska Anna. Rozdzielenie malowideł ściennych zdjętych w jednym płacie z powierzchni sferycznej Poleska-Zawadzińska Anna. The separation of wall paintings detached from a spherical surface Schulze-Głazik Grażyna. Issues regarding the restoration of classicism polychromy and the digital redesign of wall paintings restored in the 1970s. - the case of the House under the Angel in Kraków Schulze-Głazik Grażyna. Problemy współczesnej restauracji polichromii klasycystycznej oraz powtórnej komputerowej aranżacji malowideł konserwowanych w latach 70. XX w. - na podstawie prac w pomieszczeniu na II piętrze Kamienicy pod Aniołkiem w Krakowie Sowińska Hanna. Initial dating of the stained glass "St. Wolfgang" from the "Grodziec Panels" group from the collection of the Jagiellonian University Museum Sowińska Hanna. Próba datowania witrażu Św. Wolfgang z grupy "Witraże z Grodźca" z Muzeum Uniwersytetu Jagiellońskiego w Krakowie Stępień Katarzyna. Konserwacja XIX-wiecznej kopii cudownego obrazu Matka Boska Dzikowska z kapliczki w Tarnobrzegu Stępień Katarzyna. The restoration of a 19th century copy of the miraculous painting Our Lady of Dzików from the chapel-shrine in Tarnobrzeg Woś Jucker Agnieszka. Issues regarding the verification of artwork authenticity on the basis of the restoration of the painting Portrait of the venetian doge Woś Jucker Agnieszka. Zagadnienia związane z problematyką weryfikacji autentyczności dzieł sztuki w odniesieniu do konserwacji obrazu Portret doży weneckiego Wójcik Izabela (konserwatorstwo). Rozwarstwienie i przeniesienie polichromii z rzeźby drewnianej z zastosowaniem metod opracowanych dla malowideł sztalugowych na drewnie Wójcik Izabela (konserwatorstwo). The separation and transferral of polychromy from a wooden sculpture with the implementation of the layer separation treatment used in painting Wrona Mariusz. Techniki i technologie rekonstrukcji wielkogabarytowych rzeźb marmurowych na przykładzie płyty nagrobnej Zofii Sapieżanki Wrona Mariusz. Technique and technology of the reconstruction of a monumental marble sculpture - the case of the Zofia Sapieżanka gravestone Wyszyńska Jadwiga. Identyfikacja zniszczeń typu biochemicznego oraz opracowanie metody regeneracji warstwy malarskiej na przykładzie konserwacji malowidła olejnego na tekturze Portret kobiety, 1906, pędzla Zygmunta Ajdukiewicza Wyszyńska Jadwiga. Konserwacja XIX-wiecznej kopii cudownego obrazu Matka Boska Dzikowska z kapliczki w Tarnobrzegu Wyszyńska Jadwiga. The identification of biochemical deterioration and establishing a method of regeneration for the painting layer - the case of the oil painting on cardboard by Zygmunt Ajdukiewicz - "Portrait of a woman", 1906 Wyszyńska Jadwiga. The restoration of a 19th century copy of the miraculous painting Our Lady of Dzików from the chapel-shrine in Tarnobrzeg Zajadacz Karina. Characteristic of modern injection grouts - tests and assessment of their usefulness Zajadacz Karina. Charakterystyka współczesnych zapraw iniekcyjnych - badanie i ocena przydatności
Temat
Akademia Sztuk Pięknych im. Jana Matejki (Kraków). Konserwatorstwo Malarstwo Malarstwo monumentalne Rzeźba Kraków
Indeks R0: BMNK
Na grzb. wyłącznie tyt. serii.
Tom prezentuje dziewiętnaście prac magisterskich, które powstały w ciągu ostatnich killkunastu lat na WKiRDS ASP w Krakowie.
aktualnie wypożyczona
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 31470 (1 egz.)
Książka
W koszyku
Prace magisterskie = Master thesis. T. 6, 2017/2018 / [komitet redakcyjny Grażyna Korpal, Edward Kosakowski, Ireneusz Płuska, Marta Lempart-Geratowska, Jarosław Adamowicz, Dorota Białek-Kostecka, Aleksandra Hola, Roman Jacek Kieferling, Anna Sękowska ; tłumaczenia: AFB Tłumaczenia]. - Kraków : Wydawnictwo Akademii Sztuk Pięknych im. Jana Matejki, cop. 2019. - 161, [28] s. : il. (gł. kolor.) ; 24 cm.
Autor
Adamowicz Jarosław. Białek-Kostecka Dorota. Hola Aleksandra. Kieferling Roman Jacek. Korpal Grażyna (1945- ). Kosakowski Edward (sztuki piękne). Lempart-Geratowska Marta (1962- ). Płuska Ireneusz (1943- ). Sękowska Anna (1975- ). Borowska Magdalena (sztuka). Easel painting on canvas "Madonna with the Child" from the collection of the Museum of the John Paul II Catholic University of Lublin Borowska Magdalena (sztuka). Obraz sztalugowy na płótnie "Matka Boża z Dzieciątkiem" ze zbiorów Muzeum Katolickiego Uniwersytetu Lubelskiego Jana Pawła II Chodacka Magdalena. An attempt to reconstruct the technology and technique of the 15th century Venetian panel painting through creating a copy of the painting presenting St. Anthony the Great Chodacka Magdalena. Próba rekonstrukcji technologii i techniki XV-wiecznego weneckiego malarstwa tablicowego poprzez wykonanie kopii malowidła z przedstawieniem św. Antoniego Pustelnika Ciepielewska Dominika. Conservation and reconstruction of the missing fragments of the 19th century painting on canvas Ciepielewska Dominika. Konserwacja wraz z rekonstrukcją utraconych fragmentów XIX-wiecznego malowidła na podobraziu płóciennym Ciesielska Tanita. Problematyka konserwacji rzeźby alabastrowej na przykładzie "Zwiastowania" Jana Michałowicza z Muzeum XX. Czartoryskich Ciesielska Tanita. The issue of conservation treatment of alabaster sculpture as exemplified by Jan Michalowicz's "The Annunciation" from the XX Czartoryscy Museum Głowacka Monika. Recognition of a painting technique on a silk surface by painting a copy of a painting decoration from the first half of the 19th century Głowacka Monika. Rozpoznanie techniki malowania na podłożu jedwabnym poprzez namalowanie kopii dekoracji malarskiej pochodzącej z 1. połowy XIX wieku Gurtat Angelika. Problematyka konserwacji i rekonstrukcji ubytków zabytkowej ceramiki fajansowej szkliwionej na przykładzie japońskiej kadzielnicy z ok. 1880 roku Gurtat Angelika. The issue of conservation and reconstruction of losses in antique earthenware glazed ceramic as exemplified by a Japan censer from ca. 1880 Jeneralczyk-Fiołek Katarzyna. The issue of antique gothic objects arrangement in new space, as exemplified by the sculpture depicting Saint Anne from ca. 1410 from the All Saints Church in Kolbuszowa Jeneralczyk-Fiołek Katarzyna. Zagadnienie aranżacji zabytkowych obiektów gotyckich w nowej przestrzeni na przykładzie rzeźby przedstawiającej św. Annę Samotrzeć z ok. 1410 roku z kościoła pw. Wszystkich Świętych w Kolbuszowej Korta Kamila. Conservation of the 17th-century stained glass of St. James from the collection of the Jagiellonian University Museum Collegium Maius in Kraków Korta Kamila. Konserwacja XVII-wiecznego witrażu św. Jakub ze zbiorów Muzeum Uniwersytetu Jagiellońskiego Collegium Maius w Krakowie Krawczyk Martyna. Malowidła ścienne przeniesione z pałacu Sarny w Ścinawce Górnej Krawczyk Martyna. Murals transferred from the Sarny Palace in Ścinawka Górna Krzaklewska-Friso Barbara. Conservation and restoration of a violated painting of Madonna and Child of the Cracovian Hodegetria type from Iłża Krzaklewska-Friso Barbara. Konserwacja i restauracja sprofanowanego obrazu z przedstawieniem Matki Boskiej z Dzieciątkiem w typie Hodegetrii Krakowskiej z Iłży Kucharzyk Patrycja. Badania i konserwacja obrazu "Sacra Conversazione ze św. Mikołajem i św. Stanisławem" pochodzącego z gotyckiego kościoła pw. św. Michała Archanioła w Łękawicy koło Żywca Kucharzyk Patrycja. Research and conservation of the painting "Sacra Conversazione with St. Nicholas and St. Stanislaus" from the gothic church of St. Michael the Archangel in Łękawica near Żywiec Malczewski Maciej. Historical technology of making wavy and ripple mouldings and modern methods of their reconstruction Malczewski Maciej. Historyczna technologia wykonywania listew falistych i płomienistych oraz współczesne metody ich rekonstrukcji Mielcarek Jerzy. Conservation of a figure of Saint Florian from the Kraków Saint Mary's Basilica collection in the context of the character of damages of the wooden polychrome sculpture resultant from the place of exposition and storage Mielcarek Jerzy. Konserwacja figury św. Floriana ze zbiorów Bazyliki Mariackiej w Krakowie w kontekście specyfiki zniszczeń rzeźby drewnianej, polichromowanej, wynikającej z miejsca ekspozycji i przechowywania Milewska Sonia. Drugie życie dzieła sztuki Milewska Sonia. The second life of a work of art Sawoniuk Alicja. Reconstruction of the fragment of a baroque mural by Franciszek Eckstein from the southern part of the presbytery ceiling of the Jesuit church dedicated to Sts. Peter and Paul in Lviv Sawoniuk Alicja. Rekonstrukcja fragmentu barokowego malowidła ściennego autorstwa Franciszka Ecksteina z południowego spływu sklepiennego prezbiterium pojezuickiego kościoła pw. śś. Piotra i Pawła we Lwowie Skowronek Katarzyna. Conservation and arrangement of retable elements from the Chapel of Our Lady of the Rosary in the Basilica of Holy Trinity of the Dominican Order in Krakow: the painting "Man of Sorrows", reliquary frame in the form of a floral wreath, metal applications and a frame Skowronek Katarzyna. Konserwacja i aranżacja elementów nastawy ołtarzowej z kaplicy Matki Boskiej Różańcowej w kościele oo. Dominikanów w Krakowie: obrazu "Chrystus Boleściwy", oprawy relikwiarzowej w formie wieńca roślinnego, metalowych aplikacji oraz ramy Skubała Katarzyna. Conservation and restoration of the right wing of triptych "Holy Trinity - the Throne of Grace" from the parish church of St. Margaret in Dębno (district Brzesko) based on detailed technological research Skubała Katarzyna. Konserwacja i restauracja prawego skrzydła tryptyku "Świętej Trójcy - Tron Łaski" z kościoła parafialnego pw. św. Małgorzaty w Dębnie, pow. Brzeski, w oparciu o szczegółowe badania technologiczne Szalast-Dao Quy Gabriela. Double-sided painting of a processional banner from the collection of the Jagiellonian University Museum, dating back to the second quarter of the 19th century - conservation and exhibition issues Szalast-Dao Quy Gabriela. Dwustronne malowidło chorągwi procesyjnej ze zbiorów Muzeum Uniwersytetu Jagiellońskiego, datowanej na 2. ćwierć XIX wieku - problemy konserwatorskie i ekspozycyjne Szegda Joanna. Badania i konserwacja krzesła z 1. ćwierci XVIII wieku krytego kurdybanem ze zbiorów Muzeum Uniwersytetu Jagiellońskiego Collegium Maius w Krakowie Szegda Joanna. Research and conservation of a chair from the firts quarter of the 18th century, covered with cordwain, from the Jagiellonian University Museum collection in Kraków Szmit Monika. Konserwacja obrazu "Matki Boskiej Częstochowskiej" z Hecznarowic Szmit Monika. The conservation of "The Black Madonna of Czestochowa" painting from Hecznarowice Trysła Wojciech. Aesthetic conservation concept of polychrome wooden sculpture in the context of later overpaints on the example of gothic "Pietà" from the collection of the Jagiellonian University Museum Collegium Maius in Kraków Trysła Wojciech. Koncepcja konserwacji estetycznej polichromowanej rzeźby drewnianej w kontekście późniejszych nawarstwień na przykładzie gotyckiej "Piety" ze zbiorów Muzeum Collegium Maius Uniwersytetu Jagiellońskiego w Krakowie Zielińska Kamila. Możliwości i ograniczenia wybranych technik analitycznych w identyfikacji spoiw białkowych w malowidłach ściennych Zielińska Kamila. Possibilities and limitations of selected analytical techniques in the identification of protein binders in wall paintings Żygadło Andrzej. The impact of oil soaps and linoxides, filling the spaces between the painting and the support, on the process of preserving a double-sided painting on the galvanised steel support with the representation of "Our Lady of the Scapular of Mount Carmel" on the obverse and "The Christ blessing the children" on the reverse, owned by parish under the invocation of St Fabian and St Sebastian and Our Lady of the Scapular of Mount Carmel in Ostrów near Przeworsk Żygadło Andrzej. Wpływ mydeł olejowych i linoksydu, wypełniających przestrzenie pomiędzy malowidłem a podobraziem, na proces konserwacji dwustronnego obrazu na podobraziu ze stali ocynkowanej z przedstawieniem "Matki Boskiej Szkaplerznej z Góry Karmel" na awersie i "Chrystusa błogosławiącego dzieci" na rewersie, własność parafii pw. śś. Fabiana i Sebastiana oraz Matki Boskiej Szkaplerznej z Góry Karmel w Ostrowie koło Przeworska
Temat
Akademia Sztuk Pięknych im. Jana Matejki (Kraków). Ochrona zabytków Prace dyplomowe
Indeks R0: BMNK
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