Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
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Cambon Pierre (1955- ). Korean collection in Paris
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De Fraeye Mark (1949- ). San-shin the Mountain God – Korea’s eternal spirit
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Dyakonova Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery)
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Dąbrowski Józef (1940-2019). Hanji Paper – Unique technologies of ancient Korean craft
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Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
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Farida Nike. Et in Arcadia ego. Where Henryk Siemiradzki Lawrence Alma-Tadema and Frederic Leighton met
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Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
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First Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's archaeological workshop
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Gradinaru Camelia. Visual tyranny as autopoiesis
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Groning Gert (1944- ). The Heewon 희원 where the pungryu 풍류 can be perceived - an outstanding example of garden culture in Korea
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Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
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Głowacki Wojciech M. (1993- ). Polyglot of a paintbrush? Critical reception of Nero's Torches in France
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Helman-Ważny Agnieszka (1974- ). Hanji Paper – Unique technologies of ancient Korean craft
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Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
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Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
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Janke Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums
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Jankowska Małgorzata (1971- ). Hunting for self-image. Construction of identity of Nikki S. Lee and Katarzyna Kozyra art
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Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
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Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
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Karpova Tatʹana Lʹvovna (1960- ). Siemiradzki as a portrait painter
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Kennedy Beccy. Orienting and disorienting contemporary Korean art
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Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
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Klisińska-Kopacz Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
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Kluczewska-Wójcik Agnieszka. Reassessing Academism: Bouguereau Cabanel Gerome and Siemiradzki
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Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
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Kubala Agata. Damnatio memoriae and Roman imperial art
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Kucharzewska Joanna (1973- ). Between tradition and modernity. From the works of Seung H-Sang an architect from South Korea
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Kuczyńska Agnieszka (historia sztuki). Christ and the sinner by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting
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Kwiatkowska Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique
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Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
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Laskowska Magdalena. Henryk Siemiradzki - works memorabilia documents : the history of the collection os the artist's legacy in the National Museum in Krakow
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Lee-Niinioja Hee Sook (1946- ). Costume culture of Hanbok as a living heritage and Korean identity
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Malinowski Jerzy (1950- )
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Malinowski Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction
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Malinowski Jerzy (1950- ). Wstęp
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Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
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Martini Małgorzata (1953- ). Korean art and material culture in Polish museum collections
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Mecsi Beatrix. Meeting of the East and the West: the Western visual world (perspective and three-dimensionality) and its reception in East Asia in the 17th-18th centuries
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Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
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Naeyoung Ryu. Yun Duseo Korean scholar-painter precursor in painting of the Sirhak movement
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Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
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Nesterova Elena Vladimirovna (1956- ). Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
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Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
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Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
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Nitka Maria. Henryk Siemiradzki's figuralism
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Palęcka Alicja. Visualizing the other: ethnographic film as thick description
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Paś Monika. Henryk Siemiradzki - works mamorabilia documents : the history of the collection os the artist's legacy in the National Museum in Krakow
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Pelz Robert. A Korean ancestor portrait in the Museum of East Asian Art Cologne
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Pliś Dorota. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
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Popa Lucia. Removing Romania: the Western art world colonized by the East
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Popławska Marzanna. The National Gugak Center – preserving and promoting intangible cultural properties in Korea
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Sarkowicz Dominika. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
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Sarkowicz Dominika. Unknown collection of photographs from the Siemiradzki family albums
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Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
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Schulenburg Stephan (1959- ). Korean collections in German museums
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Sieklucka Marzena. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
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Sieklucka Marzena. Unknown collection of photographs from the Siemiradzki family albums
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Sikora Patrycja (1978- ). Erasure. Memory Exercises
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Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
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Sinicka Agnieszka. Wilhem Sasnal’s photophobia
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Sirro Sergej. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
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Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
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Soczyńska Agata. Marek Oberlander – a painter undesired by the time
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Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
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Stec Anna (1987- ). Anish Kapoor Memory
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Suh Katharina I-Bon. The element of the dragon – an example of Korean dancheong on a Buddhist temple hall at Songgwangsa ( Jeollanam-do South Korea)
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Susak Vita Volodimirivna (1966- ). Jesus and the Samaritan woman (1890) by Henryk Siemiradzki in the context of European art : variations on a theme
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Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
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Toomey John J. The Korean way of tea. The way of universal peace
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Traanovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki and the Imperial Academy of Arts
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Tsiftsi Xanthi. Void the art of erasure. Representing absence in the Jewish Museum Berlin
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Twardowska Kamilla (1975- ). Henryk Siemiradzki and his interest in the paranormal phenomena
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Worłowska Magdalena. Let self-effacement be my way of blazing – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
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Wąsik Radosław. Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki
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Youngsuk Park. Genesis of Korean art – Goguryeo art
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Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a quasi-metanarrative. Visible tyranny of Idea?
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Zawada Michał (1985- ). Imaging iconoclasm
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Zdzieszyńska-Demolin Ksenia. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
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Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art
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Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
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Świętosławska Agnieszka (1984- ). First attempts: the early work of Henryk Siemiradzki
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